Here are 100 books that Violence fans have personally recommended if you like
Violence.
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I am Professor of Early Modern Literature at Bangor University, Wales UK and Research Fellow at the Institut de Recherche sur la Renaissance, l'Âge Classique et les Lumières, Université Paul-Valéry, Montpellier 3, France. I am someone who has been interested throughout his career in all aspects of what used to be called the European Renaissance and especially in establishing a dialogue between cultural debates raging four hundred years ago and those which dominate our own everyday lives in the twenty-first century. In the past, my work has addressed ideas, for example, concerned with social theory, the construction of cultural space, and the significance of memory.
This is an immensely readable book and a wonderful introduction to the very different ways in which violence might be interpreted from a dizzying range of perspectives.
Schinkel urges us to reflect on our appetites for violence in our reading matter, our cinema and theatre-going, and our hunger for news. He also poses thorny questions about the ‘productive’ potential of violent action.
This book provides a novel approach to the social scientific study of violence. It argues for an 'extended' definition of violence in order to avoid subscribing to commonsensical or state propagated definitions of violence, and pays specific attention to 'autotelic violence' (violence for the sake of itself), as well as to terrorism.
I am Professor of Early Modern Literature at Bangor University, Wales UK and Research Fellow at the Institut de Recherche sur la Renaissance, l'Âge Classique et les Lumières, Université Paul-Valéry, Montpellier 3, France. I am someone who has been interested throughout his career in all aspects of what used to be called the European Renaissance and especially in establishing a dialogue between cultural debates raging four hundred years ago and those which dominate our own everyday lives in the twenty-first century. In the past, my work has addressed ideas, for example, concerned with social theory, the construction of cultural space, and the significance of memory.
This is now a well-recognised and established intervention in the ongoing debate about the status and function of violence of life in society.
Simmel makes particularly telling points in his discussion of the ways in which group identities may be forged and maintained through violent action and the costs that may be incurred by resisting such social practices.
I am Professor of Early Modern Literature at Bangor University, Wales UK and Research Fellow at the Institut de Recherche sur la Renaissance, l'Âge Classique et les Lumières, Université Paul-Valéry, Montpellier 3, France. I am someone who has been interested throughout his career in all aspects of what used to be called the European Renaissance and especially in establishing a dialogue between cultural debates raging four hundred years ago and those which dominate our own everyday lives in the twenty-first century. In the past, my work has addressed ideas, for example, concerned with social theory, the construction of cultural space, and the significance of memory.
This book is particularly enlightening concerning the ways in which cultural value may be attributed to individual bodies, armed conflict, and, indeed, to human life itself in different political, geographical, and military circumstances.
Butler compels us to examine our own practices of compassion, partisanship, and/or habits of interpretation as we (or the media) move from one location to another around the globe.
In this urgent response to violence, racism and increasingly aggressive methods of coercion, Judith Butler explores the media's portrayal of armed conflict, a process integral to how the West prosecutes its wars. In doing so, she calls for a reconceptualization of the Left, one united in opposition and resistance to the illegitimate and arbitrary effects of interventionist military action.
I am Professor of Early Modern Literature at Bangor University, Wales UK and Research Fellow at the Institut de Recherche sur la Renaissance, l'Âge Classique et les Lumières, Université Paul-Valéry, Montpellier 3, France. I am someone who has been interested throughout his career in all aspects of what used to be called the European Renaissance and especially in establishing a dialogue between cultural debates raging four hundred years ago and those which dominate our own everyday lives in the twenty-first century. In the past, my work has addressed ideas, for example, concerned with social theory, the construction of cultural space, and the significance of memory.
This book engages with questions of violence, suffering, and cultural value both in terms of literature and critical debate.
Eagleton asks us to consider how society may invest in and elsewhere venerate certain kinds of experience (e.g., inflicting pain, victimisation, witnessing destruction), which initially we may expect to be demonised.
Terry Eagleton's Tragedy provides a major critical and analytical account of the concept of 'tragedy' from its origins in the Ancient world right down to the twenty-first century.
A major new intellectual endeavour from one of the world's finest, and most controversial, cultural theorists.
Provides an analytical account of the concept of 'tragedy' from its origins in the ancient world to the present day.
Explores the idea of the 'tragic' across all genres of writing, as well as in philosophy, politics, religion and psychology, and throughout western culture.
Considers the psychological, religious and socio-political implications and consequences of our fascination…
I am a biblical scholar who has become a historian of violence because I could no longer ignore the realities of the present or my own past. I write of violence for my childhood self, who was bullied for a decade and used to run away from school. I write of it for my grandfather, who was born of exploitation. I write of it for my African-American wife and daughter, in the hopes that I might contribute to the elimination of hierarchies that threaten their dignity and sometimes their lives. Doing this work is not just intellectual for me—it is a memorialization and a ritual of healing.
The editors of this volume are two of the most important and influential medical anthropologists in the world and major scholars of violence. In addition to collecting a set of useful texts on violence, the introduction to the volume is a piece of writing that I have returned to many times.
From Hannah Arendt's 'banality of evil' to Joseph Conrad's 'fascination of the abomination', humankind has struggled to make sense of human-upon-human violence. Edited by two of anthropology's most passionate voices on this subject, "Violence in War and Peace: An Anthology" is the only book of its kind available: a single volume exploration of social, literary, and philosophical theories of violence. It brings together a sweeping collection of readings, drawn from a remarkable range of sources, that look at various conceptions and modes of violence.The book juxtaposes the routine violence of everyday life against the sudden outcropping of extraordinary violence such…
I spent many a night growing up glued to the television, watching Ken Burns’ Civil War. But as I got older, I found my interests stretching beyond the battles and melancholic music on the screen. I decided to become a historian of abolitionism–the radical reform movement that fought to end the evils of slavery and racial prejudice. Through my research, I seek to explain the substantial influence of the abolitionist movement as well as its significant limitations. I received my Ph.D. from the University of Virginia in 2017, and have since held positions at such institutions as The New School, the University of Bonn, and the Massachusetts Historical Society.
This book demonstrates a point that I always try to make to students: the antislavery movement was much more than mass meetings and heroic escapes along the Underground Railroad.
It was far more complex–and, at times, far more violent. Many Black activists in the years before the Civil War turned to the tactics of violence to try and shake a complacent nation into action. They did so in desperation, and only with much anguish–and much controversy.
Jackson's book gets deep into the weeds of how the struggle for antislavery progress actually worked.
From its origins in the 1750s, the white-led American abolitionist movement adhered to principles of "moral suasion" and nonviolent resistance as both religious tenet and political strategy. But by the 1850s, the population of enslaved Americans had increased exponentially, and such legislative efforts as the Fugitive Slave Act and the Supreme Court's 1857 ruling in the Dred Scott case effectively voided any rights black Americans held as enslaved or free people. As conditions deteriorated for African Americans, black abolitionist leaders embraced violence as the only means of shocking Northerners out of their apathy and instigating an antislavery war.
In Force…
I’m an anthropologist, trained in political economy, who began doing fieldwork in southern Mexico in the early 1980s. While there, Salvadoran and Guatemalan refugees were flowing into the area from Chiapas. I visited El Salvador in 1986 and in 1991 made several trips to an FMLN-controlled area. After the war ended I made nine field trips to northern Morazán, the last in 2012. My interests in catechists and liberation theology developed early on as I sought to reconstruct the region’s pre-war history. I wrote one book on the El Mozote massacre and am currently working on a third book on the area.
Green investigates The Commander’s Dilemma in the Salvadoran Revolution through a combination of questionnaires with ex-combatants from the FMLN and government forces, interviews, documents, and secondary resources. She argues that all military commanders everywhere confront the dilemma of ensuring that troops are skilled in meting out violence but that they reign in their violent tendencies so as to respect the human rights of civilians and adversaries that have been wounded and captured. The rebel FMLN educated its troops far more than the government military and according to the United Nations and other organizations committed but a small percentage of the wartime human rights violations.
Why do some military and rebel groups commit many types of violence, creating an impression of senseless chaos, whereas others carefully control violence against civilians? A classic catch-22 faces the leaders of armed groups and provides the title for Amelia Hoover Green's book. Leaders need large groups of people willing to kill and maim-but to do so only under strict control. How can commanders control violence when fighters who are not under direct supervision experience extraordinary stress, fear, and anger? The Commander's Dilemma argues that discipline is not enough in wartime. Restraint occurs when fighters know why they are fighting…
I’m a teacher, a student, and a reader by trade (that is, a university professor), and I spend most of my time trying to understand social and political power: why some people have it, and others don’t, how it circulates and changes (gradually or suddenly), why it sometimes oppresses us and sometimes liberates, how it can be created and destroyed. I mostly do this by reading and teaching the history of political theory, which I am lucky enough to do at McGill University, in conversation and cooperation with some wonderful colleagues.
I think this little book is invaluable for its portrayal of power, not as power over others or as power to do something but as power with other people.
It took me a long time to appreciate this insight, and I still think there is a lot to disagree with and dislike about Arendt’s work in general, but I am indebted to her argument that human power is rooted in solidarity.
Political theorist, philosopher, and feminist thinker Hannah Arendt's On Violence is an analysis of the nature, causes, and significance of violence in the second half of the twentieth century. The public revulsion against violence and nonviolent philosophies continues to diminish in the twenty-first century. In this classic and still all too resonant work, Hannah Arendt puts her theories about violence into historical perspective, examining the relationships between war and politics, violence and power. Questioning the nature of violent behavior, she reveals the causes of its many manifestations, and ulitmately argues against Mao Zedong's dictum "power grows out of the barrel…
I've been writing spooky stories for the better half of my life. Reading
and writing horror has always been a strangely therapeutic endeavor.
It's a way to process the things that keep me up at night and force them
into a somewhat manageable form. After all, tangible words on the page
are less worrisome than swirling thoughts in the mind. And a surprising
number of people seem to agree. As absurd as that may sound, many of us
troubled souls find comfort in the horror genre.
Riley lives in a lonely world where a single look drives people into
frenzied violence. Stay alive by staying away from people. This state of
affairs has become routine to her: "It's horrifying. Then it's weird.
Then it's just inconvenient."
But she considers risking it all when a new neighbor moves in down the street. Your Shadow Half Remains is a beautifully written meditation on
love, isolation, paranoia, and so much more. I couldn't put this one
down.
Riley has not seen a single human face in longer than she can reckon. No faces, no eyes. Not if you want to survive.
But when a new neighbour moves in down the road, Riley's overwhelming need for human contact makes her throw caution to the wind. Somehow, in this world where other people can mean a gruesome, bloody death, Ellis makes her feel safe. As they grow closer, Riley's grip on reality begins to slip and she can no longer fight her deepest desires.
I'm an avid reader, lover of history, and newly-published author of The Real History of Thanksgiving (with more projects in the works!). I'm a mother of two and come from a large family at Gaa-waabigaanikaag, White Earth Reservation. I'm enrolled citizen of the White Earth Band of Ojibwe. I'm also an Oneida descendent with Irish, French, and Black ancestry. Much of my journey as a writer has been exploring the threads of our humanity and histories. It's powerful to think that we are still here, through time, distance, love, pain, and survival. There is immense beauty in being human and being Indigenous, and these books have been a source of connection and learning in my journey.
I randomly found The Break in a bookstore and was drawn in by the cover, which features a light-skinned Indigenous woman wearing a black dress covered in florals. It immediately reminded me of a ceremonial dress that was taken from White Earth long ago and now sits in a museum in Washington DC.
There is grief in the many removals and losses Indigenous people have endured through the years, and real human consequences that echo down the generations. But I feel fuller and wiser when I get to explore this through other’s perspectives.
There are many characters to keep track of in this book, but it is gratifying to get lost in their journeys, gleaning insights and teachings from their stories.
Longlisted for the Dublin Literary Award 2018 Crime Book of the Month, Sunday Times, February 2018
'I loved this... very tough and very real.' - Margaret Atwood
When Stella, a young mother in an Indigenous community, looks out her window one wintry evening and spots someone being attacked on the Break - a barren field on an isolated strip of land outside her house - she calls the police. By the time help arrives, all that is left of the struggle is blood on the snow. As the search for the victim intensifies, people…
