The most recommended books about Western culture

We have divergent views on Greene’s travelog. Before first venturing forth to Liberia, Martin read Greene’s book for some appreciation of the undeveloped regions of the country. Faith, a native Liberian, read the book and found Greene’s naivety somewhat amusing.

In 1935 Greene embarked on a four-week, 350-mile trek through the Liberian hinterland. He had sharp eyes and was a master storyteller. With wit, compassion, and insight, he described a part of Liberia seemingly untouched by Western civilization.

While he overly dwelled on what he perceives as negatives, still an unconquered spirit of the indigenes manages to shine forth.

The late great Alan Watts was the master of reminding us not to take reality – or ourselves – at face value. His prose manages to be simple and profound at the same time and he always has his feet on the earth. I could recommend any of his books but this is the one with which I began. No one else can ever tell me who or what I am. My experience of the world is always subjective, whatever science says; and the best way to see accurately is to get to know myself.

I read this book a few years ago and again recently. I still love it. The whole series in fact. The main character, Grant Justice is instantly captivating. I have to admit his name is pretty great too! Like all my favourite heroes, Grant is a man who can look after himself. In fact, he can look after the whole planet. He’s that kick-ass. Loads of action, a bit of romance, and a lot of Grant. I think I’ll have to go and read it again…

This book, in a fashion similar to Julian Jaynes’s theories about bicameral mentality and consciousness, challenges comfortable assumptions. It does this by demonstrating that though what we think (content) differs by place and period, mentalities (processes) themselves are neither invariant nor universal.

Specifically, it offers a detailed study of literature and shows how notions of causality and temporal thought processes that we take for granted were undeveloped in earlier centuries. 

This book, which I read in my first year as an academic, has powerfully influenced my thinking ever since – more than any other scholarly book, probably.

It is the best treatment I know of that not only diagnoses and explains the futility of modern moral thinking – an ailment that is as apparent in public political debates as in academy philosophy – but also explains how we got here.

In addition, the book offers cogent insights into much else that is wrong with modern culture and politics. And although After Virtue is not exactly light reading, it is succinct, occasionally eloquent, and sometimes wickedly funny.

Historical thought, like everything else, has a history. But contrary to what you may think, such history doesn’t have to be dull, especially when told by a masterly writer who was also among the world’s most knowledgeable experts on the subject. So don’t think that this overview of what historians have written about the past since ancient Greece will be hard going. It isn’t. Sometimes it’s even fun. In fact, I know of no more enjoyable introductory guide to history’s history or a better place to start your journey within it than this book. Burrow canters through the major developments in historical writing and practices in the West over 2,500 years. His pages are peopled by pagan, Christian, Marxist, feminist, and many other kinds of thinkers and scholars. They’re a treat.

"Like the Bible, In Search of Lost Time embodies its own sources, myths, and criticism. Like an archaeological site, the novel has come to stand for a state of civilization.” Roger Shattuck is masterful in reach and insight; his “field guide” is aptly named. The reader journeys alongside him to traverse the vast and incomparable terrain of a seven-volume novel. Full of wit and provocation, he leads us through thick and thin, and best of all, he allows our own reading of the great work to revive within us, illuminating the very experience of reading that Proust so brilliantly mined.

I’m a sucker for a sapphic historical romance! I love all the secret glances and tortured moments that play such a part of stories set in times long before now.

This one, while a relatively short novel, packs a mighty punch. Kallmaker’s two main characters are so very different, yet so obviously right for each other from the moment it becomes a possibility. Set against the backdrop of the colonization of the West in America, there’s realistic yet not too heavy brutality, acerbic observations on the vast gulf between the sexes at that time, and authentic settings and action.

I thought I’d finish my list with something a little different. Everyone else in the books I’ve chosen made some kind of personal decision to take their life in a different direction, but the people in this last book didn’t. The Fatal Shore is about the earliest convicts, banished to Australia to start new lives in unfamiliar, hostile territory. The first chapter alone is fascinating, documenting peoples from a ‘civilised’ part of the world struggling for survival while aboriginal ‘savages’ thrived. It’s more than just a story of survival in a new world, but also a fantastic example of where we went wrong, turning our backs and our noses up to indigenous knowledge in the assumption that we know best. This book is a brilliant example of where Western civilisation went wrong, and how dangerous assumptions can be. 

This recommendation returns to one of my most passionate interests—that of adopted children and the families they are placed in. Beatty is a poet and this is reflected in her memoir—it is not the usual chronological narrative as most memoirs are. She breaks the myth of the “special” or “chosen baby” to tell her truth of the lives of adopted children. Beatty exposes, through vignettes and her poetry, her meetings with her birth mother, her adopted family, her attempts to know who she is and where she came from. She breaks open the belief that you can “create” a perfect family using children from other birth mothers, when all her life, she feels, is a lie and she has no grounding in the world. This memoir is her quest to find out who she is.