I spent my first seven years in Spain and Italy, devouring books and Italian food and still speak (or try!) my childhood languages. The Italian language and culture are precious to me—an integral part of my life. Our visits back to Italy, speaking Italian with friends, cooking Italian meals, writing for the Italian Language Foundation's website, and enjoying our community's Italian movie nights maintain my Italian experience. Sadly, I can't be in Italy all the time, but have found some fabulous books that take me right back! Il cuore e italiano—my heart is Italian.
If you love Italy—and if you don't love it now, you definitely will—after reading this engaging, vibrant tribute to Italy! Knighted by the President of Italy for her writing about Italy, author Dianne Hales describes the native, inherent passion of Italians—la passione italiana— as the source and nurturer of our civilization's love for art, music, architecture, cars, ceramics, sculpture, design, literature, film, food, and wine. Bursting with talent and passion, the legacy of Italian passion for life in our culture is ubiquitous and all-encompassing. Italy and its passion itself have taken hold of our imaginations, and your imagination will take you directly to la bella Italia, as it did for me, while reading this engaging book.
A jubilant celebration of Italy’s outsize impact on culture, from literature to art, music to movies, that “masterfully examines the multitude of reasons why so many people fall in love with Italy and the Italian lifestyle” (Forbes)
Can you imagine painting without Leonardo, opera without Verdi, fashion without Armani, food without the signature tastes of pasta, gelato, and pizza? The first universities, first banks, first public libraries? All Italian.
New York Times bestselling author Dianne Hales attributes these landmark achievements to la passione italiana, a primal force that stems from an insatiable hunger to discover and create; to love and…
Since I was young, I’ve suffered from Major Depressive Disorder, coupled with chronic pain that surfaced when I was in middle school. Being in constant pain—mental and physical—obviously drains the spirit. I found no hope whatsoever in phrases such as, “It gets better.” When you have chronic pain, that statement means nothing, because you know it won’t. These books, however, offered me something that I hadn’t encountered before: someone acknowledging that, although it may never get better, there is still something for me here, whatever form it takes. These books do not shame depressives, they console (and even commiserate) with them, and I hope you find them as fulfilling as I have.
The Savage God destroyed me upon finishing it for the first time.
Alvarez travels through history in this non-fiction study, tracing the perceptions of suicide from ancient societies to the present day, all with an empathetic eye. Alvarez views suicide both as a societal phenomenon and an intimately personal experience.
His own experience with suicide so closely mirrored my own that I still remember the final pages of the book vividly. To be frank, the book’s a bit dated—it was written in the 70s and some of Alvarez’s comments (as well as his reverence of Freud) haven’t aged well. Nevertheless, the worthwhile sections—of which most of the book is composed—are unforgettable.
"Suicide," writes the notes English poet and critic A. Alvarez, "has permeated Western culture like a dye that cannot be washed out." Although the aims of this compelling, compassionate work are broadly cultural and literary, the narrative is rooted in personal experience: it begins with a long memoir of Sylvia Plath, and ends with an account of the author's own suicide attempt. Within this dramatic framework, Alvarez launches his enquiry into the final taboo of human behavior, and traces changing attitudes towards suicide from the perspective of literature. He follows the black thread leading from Dante through Donne and the…
The search for meaning in history is all part of the search for meaning in life. Whether archaeologists or historians, economists or physicists, they are not just looking for artefacts when digging in the dirt or scanning the skies, they are looking for evidence to piece together a bigger picture—meaning in the minutiae. I’m sceptical, but the philosophy of history remains a fascinating subject, which is why I’ve explored ideas about civilization, progress, and progressive history in a number of books and articles. My primary concern about teleological accounts of history is that they tend to deny people's agency, especially non-Western peoples.
I love the way this book brings together two seemingly unrelated topics, art, and socio-political organization, to offer a new perspective on the development of human societies—linear, of course. The policies and practices of development agencies do not just draw on the latest fads of economics, rather, our thinking about the shape and trajectory of ideal societies has long been influenced by the way we quite literally see and perceive the world.
In his groundbreaking study, Art, Politics and Development, Philipp Lepenies contributes to the ongoing controversy about why the track record of development aid is so dismal. He asserts that development aid policies are grounded in a specific way of literally looking at the world. This "worldview" is the result of a mental conditioning that began with the invention of linear perspective in Renaissance art. It not only triggered the emergence of modern science and brought forth our Western notion of progress, but ultimately, development as well.Art, Politics, and Development examines this process by pulling from a range of disciplines, including…
I’m a misplaced law professor, you might say: I never wanted to be a lawyer; I went to law school almost by accident; and for four decades I’ve used law as a window into my deeper interests– religion, history, and philosophy. I couldn’t make myself write books unless the subjects were personally engaging; and in defiance of editors, I insist on writing readable prose. If this adds up to “dilettante,” so be it. My books, published by the university presses of Harvard, Oxford, Notre Dame, Duke, and NYU, as well as Eerdmans, have dealt with constitutional law; Roman, medieval, and modern history; legal philosophy; and religious freedom.
This book, which I read in my first year as an academic, has powerfully influenced my thinking ever since – more than any other scholarly book, probably.
It is the best treatment I know of that not only diagnoses and explains the futility of modern moral thinking – an ailment that is as apparent in public political debates as in academy philosophy – but also explains how we got here.
In addition, the book offers cogent insights into much else that is wrong with modern culture and politics. And although After Virtue is not exactly light reading, it is succinct, occasionally eloquent, and sometimes wickedly funny.
When After Virtue first appeared in 1981, it was recognized as a significant and potentially controversial critique of contemporary moral philosophy. Newsweek called it "a stunning new study of ethics by one of the foremost moral philosophers in the English-speaking world." Since that time, the book has been translated into more than fifteen foreign languages and has sold over one hundred thousand copies. Now, twenty-five years later, the University of Notre Dame Press is pleased to release the third edition of After Virtue, which includes a new prologue "After Virtue after a Quarter of a Century."
I'm a Professor of Climate Science at University College London. My early career was spent as a ‘rocket scientist’ designing, building, and operating instruments to fly on sounding rockets and satellites to study the cosmos and the Sun. I established the UCL satellite Remote Sensing Group, with special attention to the polar regions. I then ran an international Global Change research programme that coordinated Earth science activities in 75 countries. Since then I've run the British Antarctic Survey, responsible for the UK’s research access to Antarctica, and the Science Museum in London. The museum’s collection traces the evolution of the industrial revolution, which started in the UK, and of which climate change is the unintended consequence.
What if we get it wrong? What if the scale and pace of our collective measures to address climate destabilisation and the biodiversity crisis remain insufficient?
Oreskes and Conway provide the imagined view of a historian of the “Second People's Republic of China” from 2393. His account describes how the political and economic elites of the early decades of the twenty-first century ignored or dismissed the clear warnings of climate catastrophe.
Soaring temperatures, rising sea levels, drought, and mass migrations resulted in “The Great Collapse of 2093”. Three centuries later as the world emerges from the “Penumbral Age’ it is a more subdued and thoughtful place.
By dramatizing an all-too-plausible ‘ghastly’ outcome, the authors seek to galvanise the energies of readers to rise from their armchairs and act. We should all strive to ensure that the book remains firmly on the shelves of fiction.
The year is 2393, and the world is almost unrecognizable. Clear warnings of climate catastrophe went ignored for decades, leading to soaring temperatures, rising sea levels, widespread drought and-finally-the disaster now known as the Great Collapse of 2093, when the disintegration of the West Antarctica Ice Sheet led to mass migration and a complete reshuffling of the global order. Writing from the Second People's Republic of China on the 300th anniversary of the Great Collapse, a senior scholar presents a gripping and deeply disturbing account of how the children of the Enlightenment-the political and economic elites of the so-called advanced…
An experienced historian who’s occupied both academic and public posts and written for popular as well as academic audiences, I’ve become absorbed by what’s behind the history so many of us read for all the reasons we read it: enlightenment, pleasure, and lessons about life in a fragile world. That’s taken me to write and teach about the professional lives of historians, about some fundamental realities of historical thought, and now about historians themselves: who they are, what they do, and why they do it. It’s often said that if you wish to understand books, know the people who write them. The books I’ve recommended help do that.
Historical thought, like everything else, has a history. But contrary to what you may think, such history doesn’t have to be dull, especially when told by a masterly writer who was also among the world’s most knowledgeable experts on the subject. So don’t think that this overview of what historians have written about the past since ancient Greece will be hard going. It isn’t. Sometimes it’s even fun. In fact, I know of no more enjoyable introductory guide to history’s history or a better place to start your journey within it than this book. Burrow canters through the major developments in historical writing and practices in the West over 2,500 years. His pages are peopled by pagan, Christian, Marxist, feminist, and many other kinds of thinkers and scholars. They’re a treat.
Treating the practice of history not as an isolated pursuit but as an aspect of human society and an essential part of the culture of the West, John Burrow magnificently brings to life and explains the distinctive qualities found in the work of historians from the ancient Egyptians and Greeks to the present. With a light step and graceful narrative, he gathers together over 2,500 years of the moments and decisions that have helped create Western identity. This unique approach is an incredible lens with which to view the past. Standing alone in its ambition, scale and fascination, Burrow's history…
I’ve been a fan of horror since I got sucked into Scooby-Doo as a three-year-old. When I started my academic career, I kind of kept that passion tucked inside as something to be embarrassed about – after all, I wanted to do serious work, and horror movies aren’t serious, right? Graduate school made me rethink that assumption, and pushed me towards seriously considering the engagement of horror and religion. I wrote my dissertation on a chapter of the Book of Numbers as a slasher narrative, and I haven’t looked back since.
Nelson’s book is a revelation in how it explores the work that both religion and popular culture can do – her readings of Lovecraft’s work are particularly evocative. I’m not on board with the sharp line she draws between high and low culture, but it’s one of those books that’s fascinating even when you disagree with it.
In this work, Victoria Nelson illuminates the deep but hidden attraction the supernatural still holds for a secular mainstream culture that forced the transcendental underground and firmly displaced wonder and awe with the forces of reason, materialism, and science. In a backward look at an era now drawing to a close, "The Secret Life of Puppets" describes a curious reversal in the roles of art and religion: where art and literature once took their content from religion, we came increasingly to seek religion, covertly, through art and entertainment. In a tour of Western culture that is at once exhilarating and…
I learned about Stoicism through its connection to Rational Emotive Behavior Therapy, whose founder, Albert Ellis, was influenced by Stoic philosophy. Since I had an interest in philosophy, I decided to look more into Stoicism, and—to my surprise—I learned that philosophy could be practical (who knew?!), and that others were trying to put Stoicism into practice today! This led me to try to find other Stoics by founding the New York City Stoics in 2013, followed by co-founding a non-profit—The Stoic Fellowship—to help other people do the same in 2016. I’ve now given talks on Stoicism worldwide in addition to co-writing a book on Stoic practice.
Stoic practice involves a series of techniques to ultimately improve the state of your mind. To do that effectively, it’s immensely helpful to understand the Stoic conception of how the mind works. Part II of The Stoic Life is my go-to reference for reviewing the basics of Stoic psychology, in addition to covering key principles of Stoic ethics in Part III of the book. These two concepts are essential to understand for modern Stoics, and Brennan does a masterful job of explaining them.
Tad Brennan explains how to live the Stoic life - and why we might want to. Stoicism has been one of the main currents of thought in Western civilization for two thousand years: Brennan offers a fascinating guide through the ethical ideas of the original Stoic philosophers, and shows how valuable these ideas remain today, both intellectually and in practice. He writes in a lively informal style which will bring Stoicism to life for readers who are new to ancient philosophy. The Stoic Life will also be of great interest to philosophers and classicists seeking a full understanding of the…
I grew up in the Scottish countryside, reading passionately. When adults asked what I wanted to be when I grew up, the answer came from my latest book: a nun, an outlaw, a queen, or an explorer. Not until I was in my twenties did I realise that I wanted to be the person behind the covers of a book, not between them. My early stories, written between waitressing shifts, were bafflingly bad. Gradually I began to understand that the fiction I loved was driven by a hidden machinery. I now teach at the Iowa Writers’ Workshop and have been lucky enough to explore this idea with many talented students.
Salesses reminds us that “craft is a set of expectations,” and I love that he makes me question those expectations in fruitful ways. Jane Eyre does get to marry Rochester but at some cost. Salesses writes with warmth and wit about the western canon and about other literary traditions. I finished the book with a terrific reading list and new thoughts about my own writing and reading.
This national bestseller is "a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended" (Laila Lalami, The New York Times Book Review).
The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts.…
I love cities and I teach about them. I was born in the capital of Sofia, Bulgaria, and landed in the US (mostly by chance) in 1993. Spent most of my professional life in US academia (Michigan, Virginia Tech, Harvard, Maryland, and now Georgia). I never stopped wondering how cities change and why American cities look and function so differently than European cities. So, I wrote a few books about cities, includingIron Curtains; Gates, Suburbs and Privatization of Space, which is about changes in East European Cities after the fall of the Berlin Wall.
A sweeping study and critique of modern culture! If you are looking for a comprehensive and passionate analysis of time and space in the “late capitalist era,” this is the one to read. Nobody has written more authoritatively on modern and post-modern “time-space compression” (you have to read the book to see what this means). Harvey’s intellectual breadth and depth are astonishing. No wonder he is one of the most cited scholars of our time.
In this new book, David Harvey seeks to determine what is meant by the term in its different contexts and to identify how accurate and useful it is as a description of contemporary experience.
