I am a Scottish Ottoman historian who has lived half my life in Istanbul. Realising that the archive-based research of my PhD and after was read by too few, I wrote Osman's Dream, which has been translated into several languages and is read generally, as well as by students. I am fascinated by the 'where' of history, and follow historical routes the slow way, by foot or on horseback, to reach the sites where events occurred. That's the thing about living where the history you study happened: its traces and artefacts are all around, every day. I hope I have brought a sense of Ottoman place to Osman's Dream.
Evliya Çelebi's Book of Travels has remained a well-kept secret—until now. Evliya was a seventeenth-century Ottoman courtier who wandered the empire and beyond for over 40 years and recorded his adventures in what is considered to be the longest travel account in world literature. This well-chosen selection of excerpts from his entertaining and informative masterpiece brings glimpses of the many climes and cultures he explored to an English-speaking readership, while luring us irresistibly into his idiosyncratic world.
'Evliya Celebi was the widest-eyed, most intensely curious ... and prolific travel
writer the Ottoman world ever produced. A learned and perceptive gentleman-observer from courtly Istanbul at the height of its power, Evilya's work records and preserves an entire world otherwise lost to history. A proper edition of his massive work has long been overdue, and Robert Dankoff magnificently translates the highlights ... a book which is likely to change for ever our perceptions of the Ottoman Empire.' - William Dalrymple
My debut duet came out of necessity to handle the grief of losing our first child almost thirty years ago. As part of my writing journey, I searched for stories by people like me, migrants who draw on their upbringing and living with their heritage in their adopted country. One thing I came across was the use of the language, the food, and the many family gatherings and music. I enjoyed reading of people from all communities and liked exploring new cultures and these books do just that for me. They take me to families who embrace the joy of their life in a foreign land.
Bhog’s Sehgal saga takes you to the world of India’s mega-rich. Kabier Sehgal returns to India to take over the running of Sehgal Systems from his grandfather, Janak Sehgal. Janak is a loveable grandfather figure, who keeps a close eye on his grandchildren and is a mentor to many of their friends too. Keya Karia is one of the trio known as Janak’s Angels, the other being Sheena Sehgal and Raashi Dewan. In this enemy-to-lover romance, Kabier suspects Keya of selling company secrets, but their instant chemistry plays havoc with their lives. As Sheena’s wedding nears, they admit their feelings. Bhog’s books take you to the world of found families and the joy of lifelong friendships and to the world of crazy rich South Asians.
"A must reader for all the romantic people out there." - Amazon Reader
Enter a world of glamour, wealth and beautiful people. Enter the world of the Sehgals!
He made a mistake and now he will pay the price for it...with his heart. KABIER SEHGAL, scion of the Sehgal empire, has returned to India to take over the helm of his companies from his grandfather. His first mission is to find out who is selling his company's secrets. When the suspicion falls on KEYA KARIA, he decides to work closely with her to expose her fraud. He accuses her of…
This book is a lantern, shining light into all sorts of hidden
spaces.
Joan Sutherland uses koans to undertake a spiritual and literary
journey and shows us how to listen to the world and how to attend to our own
lives.
A koan is a gate, and we often stop or feel imprisoned by habits and
history on one side. Walking through the door is like taking a problem into a
wide meadow. Suddenly, you see distant mountains, there are bees in the flowers, and you hear the water of a stream babbling over stones. The voice of a cuckoo
calls.
Joan Sutherland is co-founder of the Pacific Zen School and explains,
guides, and teaches through consistently wonderful words. Stories of this sort
are spells; they cast charms and magic.
An intimate spiritual and literary journey exploring how Zen koans make us permeable to the joys and the anguish of this life—and to the primordial mystery we glimpse behind the veil of the everyday.
In Through Forests of Every Color, renowned Zen teacher Joan Sutherland reimagines the koan tradition with allegiance to the root spirit of the koans and to their profound potential for vivifying, subverting, and sanctifying our lives. Her decades of practicing with koans and of translating them from classical Chinese imbues this text with a warm familiarity, an ease still suffused with awe.…
My super-power is making brain science accessible and entertaining for children and adults alike. I am living this out as an author, mental health counselor, and the founder of BraveBrains. In addition to training parents and professionals, I have the joy of sharing my passion and expertise through podcast appearances, blogs, and articles. The lightbulb moments are my favorite, and I'm committed to helping people bring what they learn home in practical ways. I write picture books because the magic of reading and re-reading stories light up the brain in a powerful way. But don’t worry…I always include some goodies for the adults in the back of the book.
Grief, unfortunately, is a part of life. Western culture has a habit of ignoring and minimizing grief in detrimental ways. When we gently turn toward the difficult stuff in life, we can “feel and deal” in ways that benefit mental health. There are many books about grieving the death of a loved one (a list for another day, perhaps), but few acknowledge the other intense and life-altering kinds of loss and change that children are grieving. Dr. Coombes’ book is much more inclusive–plus, it delivers a treasure trove of activities to help children (and adults) navigate this challenging part of being human. The delightful doodles will appeal to upper elementary and quite a few tweens and teens.
These writing, craft, and doodling activities are designed to offer children support through experiences of loss, change, disappointment, and grief by using creativity to combat negative feelings and help them work through difficult times.
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
Steppenwolf is part funhouse reverie and part rumination on class division and loneliness, and it’s steeped in Hesse’s fascination with the sublime.
It’s not necessarily a fun read—at times, it’s downright frustrating—but it has the cajones to be frustrating, and that’s fine by me. Hesse employs a version of Jungian analysis in this book, and I enjoy the multiple "selves" that the protagonist Harry Haller (a substitute for Herman Hesse himself?) inhabits.
Harry Haller is a sad and lonely figure, a reclusive intellectual for whom life holds no joy. He struggles to reconcile the wild primeval wolf and the rational man within himself without surrendering to the bourgeois values he despises. His life changes dramatically when he meets a woman who is his opposite, the carefree and elusive Hermine. The tale of the Steppenwolf culminates in the surreal Magic Theater—for mad men only.
Steppenwolf is Hesse's best-known and most autobiographical work. With its blend of Eastern mysticism and Western culture, it is one of literature's most poetic evocations of the soul's journey…
An experienced historian who’s occupied both academic and public posts and written for popular as well as academic audiences, I’ve become absorbed by what’s behind the history so many of us read for all the reasons we read it: enlightenment, pleasure, and lessons about life in a fragile world. That’s taken me to write and teach about the professional lives of historians, about some fundamental realities of historical thought, and now about historians themselves: who they are, what they do, and why they do it. It’s often said that if you wish to understand books, know the people who write them. The books I’ve recommended help do that.
Historical thought, like everything else, has a history. But contrary to what you may think, such history doesn’t have to be dull, especially when told by a masterly writer who was also among the world’s most knowledgeable experts on the subject. So don’t think that this overview of what historians have written about the past since ancient Greece will be hard going. It isn’t. Sometimes it’s even fun. In fact, I know of no more enjoyable introductory guide to history’s history or a better place to start your journey within it than this book. Burrow canters through the major developments in historical writing and practices in the West over 2,500 years. His pages are peopled by pagan, Christian, Marxist, feminist, and many other kinds of thinkers and scholars. They’re a treat.
Treating the practice of history not as an isolated pursuit but as an aspect of human society and an essential part of the culture of the West, John Burrow magnificently brings to life and explains the distinctive qualities found in the work of historians from the ancient Egyptians and Greeks to the present. With a light step and graceful narrative, he gathers together over 2,500 years of the moments and decisions that have helped create Western identity. This unique approach is an incredible lens with which to view the past. Standing alone in its ambition, scale and fascination, Burrow's history…
Of all the books I have ever read, this book made me think the most.
It is a magnificently written tome following the history of erotic art, originating from the ancient earth-bound religions, through the Egyptian, Greek and Roman sky religions, and through the various artistic expressions found in the music, paintings, sculpture, literature, and poetry of our Christian epoch.
Camille Paglia is a formidable scholar and a fearless critic of our day and age, calling into question so many of our most dearly held beliefs, both old and new. I am known in my family as a fast reader, but this book so enthralled me I read every page slowly, almost saying each word out loud to myself. It is a splendid, shocking, fascinating read, brimming with wit and wisdom.
The fiery, provocative, and unparalleled work of feminist art criticism that launched the exceptional career of one of our most important public intellectuals—"a remarkable book, at once outrageous and compelling, fanatical and brilliant.... One must be awed by [Paglia's] vast energy, erudition and wit" (The Washington Post).
Is Emily Dickinson “the female Sade”? Is Donatello’s David a bit of pedophile pornography? What is the secret kinship between Byron and Elvis Presley, between Medusa and Madonna? How do liberals and feminists—as well as conservatives—fatally misread human nature? This audacious and omnivorously learned work of guerrilla scholarship offers nothing less than a…
I grew up in the Scottish countryside, reading passionately. When adults asked what I wanted to be when I grew up, the answer came from my latest book: a nun, an outlaw, a queen, or an explorer. Not until I was in my twenties did I realise that I wanted to be the person behind the covers of a book, not between them. My early stories, written between waitressing shifts, were bafflingly bad. Gradually I began to understand that the fiction I loved was driven by a hidden machinery. I now teach at the Iowa Writers’ Workshop and have been lucky enough to explore this idea with many talented students.
Salesses reminds us that “craft is a set of expectations,” and I love that he makes me question those expectations in fruitful ways. Jane Eyre does get to marry Rochester but at some cost. Salesses writes with warmth and wit about the western canon and about other literary traditions. I finished the book with a terrific reading list and new thoughts about my own writing and reading.
This national bestseller is "a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended" (Laila Lalami, The New York Times Book Review).
The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts.…
I’m
a sucker for a sapphic historical romance! I love all the secret glances and
tortured moments that play such a part of stories set in times long before now.
This one, while a relatively short novel, packs a mighty punch. Kallmaker’s two
main characters are so very different, yet so obviously right for each other
from the moment it becomes a possibility. Set against the backdrop of the
colonization of the West in America, there’s realistic yet not too heavy
brutality, acerbic observations on the vast gulf between the sexes at that
time, and authentic settings and action.
I love cities and I teach about them. I was born in the capital of Sofia, Bulgaria, and landed in the US (mostly by chance) in 1993. Spent most of my professional life in US academia (Michigan, Virginia Tech, Harvard, Maryland, and now Georgia). I never stopped wondering how cities change and why American cities look and function so differently than European cities. So, I wrote a few books about cities, includingIron Curtains; Gates, Suburbs and Privatization of Space, which is about changes in East European Cities after the fall of the Berlin Wall.
A sweeping study and critique of modern culture! If you are looking for a comprehensive and passionate analysis of time and space in the “late capitalist era,” this is the one to read. Nobody has written more authoritatively on modern and post-modern “time-space compression” (you have to read the book to see what this means). Harvey’s intellectual breadth and depth are astonishing. No wonder he is one of the most cited scholars of our time.
In this new book, David Harvey seeks to determine what is meant by the term in its different contexts and to identify how accurate and useful it is as a description of contemporary experience.
