100 books like A History of Histories

This book is important, authoritative, and compelling because it demonstrates that a conservative historian can be comfortable with revisionist history. Kagan, a Yale historian noted as a leading academic traditionalist, terms Thucydides “the first revisionist historian” not because he was like today’s leftists but because he took issue with his pioneering predecessor, Herodotus. In his great history of the Peloponnesian War, Thucydides threw down the gauntlet over which was the “best” and “right” way to do history. He thought its subjects should be politics, warfare, the relation between states, and—a surprise?—men. His views held the field for centuries. The Framers of the Constitution were its legatees. So were we until the late 20th century, when social and cultural subjects gained attention. This wonderful book shows why.

This masterful examination of the style of 4 classic historians – Gibbon, Ranke, Macaulay, and Burckhardt – shows how style was not just a matter of form for these historians but an expression of who they were and the world in which they lived. At the same time, as Gay emphasizes, style was also a tool these historians used to illuminate their subject, making it much more than simply a reflection of their time. Beautifully written, the book demonstrates that Gay was as much a master of style as the historians he discusses.

This splendid book, by another teacher of mine, one of the most influential 20th-century historians of the United States, takes up the works of three similarly prominent early 20th-century historians: Charles A. Beard, Frederick Jackson Turner, and Vernon L. Parrington. Their books, too, make rewarding reading, even though time may have left their interpretations in the dust—Beard’s on the Constitution being, writes Hofstadter, an “imposing ruin.” Turner’s on the frontier and Parrington’s on American thought are also mostly ignored by historians today. So why bother with them? Because they can still be read for what they cover—the creation of a constitutional republic, how democracy came into being, and core American convictions. Hofstadter’s easy colloquial style is a delight. It’s critical, albeit sympathetic, American history at its best.

If you like dishy books, you’ll love this inside look at historians as they argue with each other and gossip behind other historians’ backs. While not offered as humor, Novick’s tale pulls back the curtain on academic historians’ ideological and often bitterly personal contests. In this case it’s over the central question of modern historical thought: whether or not history can achieve objectivity. Novick terms their arguments “essentially confused” and much like trying to nail jelly to the wall. Along the way, he reveals the altogether human elements behind all efforts to advance knowledge. The story is particularly relevant for a “post-modern” era in which it’s often argued that truth’s an illusion—it’s just fake. Novick’s story is of a very human world. He finds it fascinating. You will, too.

Thucydides is generally seen to be a kind of historian; one of the two inventors of history in fifth-century BCE Greece (together with Herodotus) and, according to many of his modern admirers, someone who had anticipated the modern idea of history as critical and scientific. On the other hand, he never thought of himself as a historian, and many aspects of his work do not fit at all with our expectations. Emily Greenwood does an excellent job of exploring these issues from different perspectives: considering Thucydides in his original context and his relationship to different contemporary traditions of making sense of the world, and thinking about his relevance to the writing of history today.

Sarah B. Pomeroy’s book on women in antiquity was a landmark study when it was first published some fifty-odd years ago in 1975.

It remains important both for its discussion but also because of its place in the history of the study of women in the ancient world. Pomeroy works from literary and archaeological evidence to explore the lives of Greek and Roman women from the Bronze Age to women of the early Roman empire, with a particular focus on classical Athens and Rome.

It is erudite and readable, and, despite its age, deserves a place on any ancient history buff’s bookshelf. It was the first book on the subject that I bought when I was an undergraduate student and has been a great foundation for further study.

Hippocrates, the Father of Medicine, was Galen’s hero. This study by the leading expert in ancient Greek medicine sets his life and ideas in the wider context of life in the Aegean world of the fifth and fourth centuries BC.

The volume (the publication of a Cambridge lecture series) addresses one of the key themes of modern culture: the nature of identity. The question ‘what is a Greek?’ is not as straightforward as it seems, given that the Greek world was very diverse, and the book explores this by examining Greek culture as a series of polarities: Greek vs barbarian; free vs slave, citizen vs non-citizen; male vs female and gods vs humans. It traces how these polarities illuminate how the Greeks thought about themselves, and how we think about them.

Although aimed squarely at a student readership, it is an approachable introduction to the nature of Greek culture and reflection on questions of identity, difference, and belonging which are at the forefront of contemporary political and cultural debate.

Herodotus is a joy to read. In his Enquiries into the heroic struggle of Greece against the mighty Persian Empire, he wanted to preserve the memory of wondrous deeds. And he does it brilliantly. Along the way we discover how to catch a crocodile in Egypt, visit the walls of Babylon, and travel with the fearsome, gender-fluid, Scythian warriors. As the massed Persian armies with their arrogant and manipulative commanders bear down on the divided state of Greece, we are taken to battlefield of Marathon, witness the tenacious heroism of the 300 Spartans, and fight on the sea at the great Greek victory at Salamis. This epic conflict between the forces and ideals of East and West is rendered beautifully in Tom Holland’s fluent translation, which nimbly walks the line between accuracy and accessibility.

I admire the way this brilliant Polish journalist has been able to get inside the head of an ancient traveller and show us not only the incredible insights of this peripatetic predecessor, but also what travel really means. “A journey neither begins in the instant we set out, nor ends when we have reached our doorstep again. It starts much earlier and is really never over, because the film of memory continues running inside of us long after we have come to a physical standstill.” Even more important, he offers one great truth about all writing, but especially history, that there is no truth with a capital T. “The subjective factor, its deforming presence will remain impossible to strain out . . . however evolved our methods, we are never in the presence of unmediated history, but history recounted, history as it appeared to someone, as he or she believes… show more.