The most recommended books on postmodernism

I read widely and in many genres, so coming up with a thematic list was a difficult task. However, in working on my forthcoming novel Dead Ends, in which a quiet neighborhood descends into paranoia and insanity driven by fear, politics, and technology, I sought out novels that engaged with conspiratorial thinking and violence. I admire writers who don’t hold back and fully engage with their characters and material, particularly if it means going to dark, imaginative and strange places in their work. Please keep an eye out for Dead Ends, coming from Flame Tree Press in 2023.

Humor is based on surprise and the ‘foreign’ is often surprising. As I traveled all over the world for work, I searched out local authors and found myself laughing. It started with At Swim Two Birds and has never stopped.

As a kid, I wrote a series of plays with my family as characters. Everyone (even the dog and cat) had lines that demonstrated their quirks, except me—the sane and reasonable one. When I performed these playlets for my mother (performing all parts, since no one else would co-operate) she laughed so hard she cried, and it’s fair to say my subsequent writing career has been an attempt to recapture the feelings that experience generated. Beginning as a joke writer (including a stint working for Jay Leno), I now focus on literary fiction, though humor is always a part of my work.

In 1972, I started an early childhood center in the Monadnock Region in New Hampshire. The focus was on child-centered education, with an emphasis on working with children outdoors. I've spent the last 50 years continuing to connect children with nature in schools, nature centers, national parks, museums, and in families. I taught graduate courses in developmental psychology, cognitive development, place-based education and have done hundreds of professional development workshops for early childhood and elementary school teachers. As a father, I focused on connecting my own children with nature. My son is a ski coach and runs an ecotourism kayaking business. My daughter is a theater director and writes grants for an environmental non-profit. 

I am a historian of twentieth century Germany and the Holocaust, but I am also a voracious consumer of popular culture. How do I justify spending so much time watching and analyzing horror and science fiction film and television? Well, write a book about it, of course. The first thing I realized is that many other brilliant scholars have thought about why this imagery permeates contemporary culture, even if I asked different questions about why. I hope you are as inspired and enlightened by this book list as I was.

France has always been my special inspiration in life and I am lucky to have made a career writing about its history. Many of my books are framed in a long-term perspective. Paris: Biography of a City (2004)  and The Cambridge Illustrated History of France (1994), for example, take the story back to the earliest times and comes up to the present. Wanting a complete change and a new challenge, I shifted focus dramatically in my current book: the history of a city in a single day – the dramatic day in the French Revolution when the Parisians overthrew Maximilien Robespierre.

I grew up in a small town in the days before the internet and cable television, so books were my escape, and through them, I traveled to faraway places and learned about different customs and cultures. Later, I studied Chinese cultural anthropology and lived and worked in Asia for many years. Now, I write a series about a Chinese police inspector in the brutally cold far north province of Heilongjiang and use mystery stories to unpack some of the more fascinating and essential aspects of Chinese society, politics, and religion.

I was once an academic philosopher, but I found it too glamorous and well-paid so I became a novelist and private intellectual mentor instead. I wrote You Are Here because I love what science knows, but an interest in how science knows drew me into the philosophy of science, where a puzzle lurks. Scientists claim that the essence of their craft is captured in a 17th Century formula, “the scientific method”... and in a 20th Century litmus test, “falsifiability.” Philosophers claim that these two ideas are (a) both nonsense and (b) in any case mutually contradictory. So what’s going on? 

When I was growing up in a small town in Pennsylvania, my father and I watched Star Trek reruns together. He was so busy traveling all over the world with his job that our time watching Captain Kirk and Mr. Spock was precious to me. I loved it so much that I built my own Enterprise models and sewed a boxful of tribbles. More importantly, that show led me to reading tons of science fiction - everything from Isaac Asimov to Douglas Adams - and, of course, watching every Star Trek sequel ever made. Live long and prosper.

As a neurologist and neuropsychologist team who have spent their entire clinical, teaching, and research careers focused on individuals and their families experiencing memory loss, Alzheimer’s disease, and dementia, our goal is simple. We want to empower individuals and their families with the tools they need to manage memory loss, Alzheimer’s disease, and dementia. We work to balance pharmacological and nonpharmacological management, as well as the needs of the individual with those of their family. Reading books like the ones in our list plus articles in medical journals keeps us current with the progress in the science of dementia and the humanity of individuals and families living with the disease. 

I have cross-disciplinary expertise (ethics and moral philosophy, philosophical anthropology and moral psychology), and my work focuses on personalist virtue ethics, moral human development, and the links between ethics and economics; I am a person who loves nature and animals, and I’m thrilled to do good work. I was educated and worked internationally, with academic degrees in different Europe countries and the USA, and 30 years of work and academic experience in Europe, the USA, and SE Asia. I live with my family near London, U.K.. I am passionate about enabling a more sustainable society that however remains rooted in human dignity and avoids instrumentalizing the person

I love cities and I teach about them. I was born in the capital of Sofia, Bulgaria, and landed in the US (mostly by chance) in 1993. Spent most of my professional life in US academia (Michigan, Virginia Tech, Harvard, Maryland, and now Georgia). I never stopped wondering how cities change and why American cities look and function so differently than European cities. So, I wrote a few books about cities, including Iron Curtains; Gates, Suburbs and Privatization of Space, which is about changes in East European Cities after the fall of the Berlin Wall.

I have always been fascinated by the Regency Period, and because of this fascination, I explored its historical context in full. That includes, of course, the French Revolution and its repercussions in England and globally. I am also obsessed with the literary concept of the heroine, and wanted to create characters who in some ways synthesized Moll Flanders and Jane Eyre, bridging the gap between 18th and 19th Century expression.

I come from a small country, Hungary, the past of which was consciously falsified in the political system under which I grew up. Some chapters of it, like the cold war period, Soviet rule, the revolution of 1956 couldn't even be discussed. I was lucky because communism collapsed and archives were gradually opened just as I started my career as a historian. Books on international history are usually written from the perspective of the powerful states, I was interested in looking at this story from the perspective of the small guy. Writing this book was both a professional challenge and a personal matter for me. I'm currently a professor at Indiana University-Bloomington.

I’m a traditional sculptor with more than 25 years of experience. Being a dyslectic student in the 2000s, I developed a systematic approach to translating medical anatomy texts into visual information that I could use while sculpting.  All the anatomy books for artists at the time were text-centered. My reference sketches became quite popular among colleagues. It was clear that visual artists perceive information best when it’s visual, and that is how I got the idea for my first book. Now the Anatomy for Sculptors handbooks are bestsellers among visual artists striving to better understand the human form.

Understanding the world is important for everyone. For me, it takes the form of analyzing colorful images and artifacts in the built environment. In the broad traditions of the global northwest, color is regarded as deceptive and unreliable. For centuries now, and throughout disparate media and technical systems, color has had to maintain this secondary, subordinate status as “other,” linked to falsity, manipulation, and deceit or, to quote David Batchelor, “some ‘foreign’ body". In my work, I argue that we have all inherited this tradition in the global northwest, fetishizing color as both excessive and yet indispensable in its capacity to retroactively confirm the sanctity of what it is not.

I am an engaged scholar fighting racism. As a person of color, an Asian American raised in Chinatown and a low-income Black neighborhood, the fight is personal. My parents and those before them suffered from and struggled against discriminatory immigration laws that fractured and separated family members. My research and publications as a university professor are tools for exposing and redressing racial injustices, producing and sharing knowledge that leads to reconciliation and restorative justice.  

I am a rabbi, educator, scholar and author who has led congregations, organizations and taught in rabbinical seminaries. As a result, I have always straddled the world of the practitioner and the academician. These books have informed my personal religious practice and outlook, as well as my academic approach to Judaism.

I’m an outdoors-loving person but I'm writing this in the last gasps of winter and I'm done with being cold. The best answer to a long winter has always been curling up somewhere warm with a book that makes me forget about the rest of the world. My books – it was pointed out to me recently – are usually set in the middle of summer because I think deep down I will always love a long summer holiday. (As I write this, I also realise there’s a lot of Famous Five in my DNA too.) Books you read as a kid do stick with you your whole life and can really form your personality.

I spent the first half of my life in England and the second half in the United States, or more specifically in Venice, California, a unique and unusual community. While working for London University I made several research trips to the US. Eventually, I immigrated to the States, where I taught at several universities in Southern California. Once I stopped teaching full-time, I surprised myself by writing two suspense novels (a genre I had spent most of my life analyzing), Money Matters and Dangerous Conjectures. The second novel was written during the pandemic and takes place during the early rise of the virus.