The most recommended books on postmodernism

An admirably internally coherent book with a rigorous and philosophically informed proposal to restore ethical business premised on altruism as an underlying force of agency. 

It also supports the idea that more classical (i.e Aristotle’s virtue ethics) rather than the modern ethics (utility, duty, social contract, etc.) foundations are stronger.

It may be pure fiction, but Harington’s saga of the remote community of Stay More (home, of course, to the Stay Morons) is still the best, most entertaining history of the Ozarks in existence. Beneath the postmodern devices and 1970s-era subversiveness, Harington’s abiding love for the Ozarks and its people shines through. From the backcountry dialect to the intricacies of a century and a half of regional history, it remains – for my money – the best thing ever written about the Ozarks.

A sweeping study and critique of modern culture! If you are looking for a comprehensive and passionate analysis of time and space in the “late capitalist era,” this is the one to read. Nobody has written more authoritatively on modern and post-modern “time-space compression” (you have to read the book to see what this means). Harvey’s intellectual breadth and depth are astonishing. No wonder he is one of the most cited scholars of our time.

I love this book because Albert Borgmann shows that focal practices are at the core of any good life today.

Consider the end-of-day, carefully prepared family meal: the parents and children together showing gratitude, reviewing the day, arguing over bits, and resolving those arguments. Such moments do not always work.

When they do, they give each participant a sharp identity. There’s no place the participants would rather be, no others they would prefer to be with, and nothing they would rather do. When it works really well, participants sense they will remember it forever. These moments are heaven on earth.

We can make huddles and resource trading meetings play the same role in business. Borgmann writes of the woes of technology first; the focal practice solution comes at the end. 

By 2020 the boundary between fantasy and reality had become virtually erased. Confined to home, we all found ourselves the targets of conspiracy theories. Even the president scoffed at the dangers of the coronavirus. Rushdie’s spoof of Cervantes’ Don Quixote features an updated avatar of Quixote whose reality has been formed by tv soap operas. He is “deranged by reality television,” and in love with a talk show celebrity. Driving across America to reach her he encounters “the pollution of the real by the unreal.” In fact, he himself turns out to be the fictional creation of another major character, an author who is soon exposed to be no less fictional. But this is Rushdie in whose ludic novels the material unreal is the imaginative real.

While the West was busy with postmodernism, the Soviet world cultivated social realism based on the 19th-century figurative tradition of the École des Beaux-Arts in Paris. East Germany was no exception with its own figurative tradition at Dresden Academy of Fine Arts. Gottfried Bammes was a professor of art there, and he further developed classical anatomy studies by introducing a more scientific approach. Illustrations in Der Nackte Mensch are precisely measured and reliable, and each of them introduces a new way to look at human anatomy. Concepts such as wire-framing and splitting organic form into geometric shapes appear here. This book is full of ideas, and it has been a huge influence on how I perceive human anatomy. Gottfried Bammes is, in my opinion, the greatest anatomist of the 20th century!

Fredric Jameson’s Postmodernism, or The Cultural Logic of Late Capitalism was one of the first accounts of “postmodern aesthetics” and why it continues to matter today.

Circa 1990, Jameson showed how a new age of high-tech and transnational corporations fundamentally transformed how we create and experience art, design, and aesthetics.

This is my own favourite. Realising that he could not make up his mind whether he loved Robespierre or hated him, Hampson staged his own dilemma by presenting Robespierre’s life through an imagined set of conversations between a version of himself and three fictional members of the public. Witty and insightful and superbly researched below the water-line, this brilliantly experimental biography is a neglected masterpiece.

In the summer of 1968, I was 20 and spent the summer pretty much banally in Israel and Europe. Around me, the world was on fire, but I was inside my own head.

Eventually, I washed up in Dublin, where I walked in a cold rain to Dorset Street, there to recreate Leopold Bloom’s pork kidney purchase from Dlugacz, the butcher. There was no Dlugacz on Dorset, but there was another butcher who stuffed into stiff pink butcher paper something that glistened and oozed. My plan was to fry it up, as Leopold had, on the hotplate in my rented room. It did not go well. I was felled intestinally in dramatic fashion; pity there was no one to observe. 

Somehow, in my travels, I had obtained a copy of At Swim Two-Birds, and now, my insides recreating The Troubles, I wanly reached for it and read the first paragraph:… show more.

I was utterly captivated by Meryl Streep’s performance in the film; I had to read the book. Great plot line with its revolutionary intrigue. My heart warmed utterly to Sarah Woodruff, and the mysterious, charismatic qualities she so powerfully radiated. She was a powerful fractional role model for Charity’s character.