100 books like The Horror Film

I am a historian of twentieth century Germany and the Holocaust, but I am also a voracious consumer of popular culture. How do I justify spending so much time watching and analyzing horror and science fiction film and television? Well, write a book about it, of course. The first thing I realized is that many other brilliant scholars have thought about why this imagery permeates contemporary culture, even if I asked different questions about why. I hope you are as inspired and enlightened by this book list as I was.

I’m a historian, with a special interest in the 20th century. I’ve written about Freud’s Vienna, the aftermath of the First World War, strikes in the 1920s and 1930s in America’s cotton South, the plot to assassinate Hitler, and the notorious 1940s gangsters nicknamed “Murder, Inc.”. What intrigues me about the 20th century are the era’s underlying values and the shocking and violent collisions among them. In Casablanca’s Conscience, I use the great film as a lens with which to take another look at the tumultuous times just a generation ago.

I am a historian of twentieth century Germany and the Holocaust, but I am also a voracious consumer of popular culture. How do I justify spending so much time watching and analyzing horror and science fiction film and television? Well, write a book about it, of course. The first thing I realized is that many other brilliant scholars have thought about why this imagery permeates contemporary culture, even if I asked different questions about why. I hope you are as inspired and enlightened by this book list as I was.

I am a historian of twentieth century Germany and the Holocaust, but I am also a voracious consumer of popular culture. How do I justify spending so much time watching and analyzing horror and science fiction film and television? Well, write a book about it, of course. The first thing I realized is that many other brilliant scholars have thought about why this imagery permeates contemporary culture, even if I asked different questions about why. I hope you are as inspired and enlightened by this book list as I was.

I’m an author of genre-bent stories and grew up with a love of dark tales. In particular, I was a fan of things that layered stories and linked their themes together, even if you didn’t necessarily notice initially. For example, the Alien franchise is a story of human survival, but also of corporate conspiracy. When I come across books that mix stories or add interesting structural elements, it instantly draws me in, so I set out to create exactly that with my release Ailuros. But I’m not alone in experimenting like that, so I hope you find some fun, scary releases you may not have known about in my list.

I am an Icelandic writer, best known for crime fiction although I have also written horror and children’s books. From a young age I have been a fan of creepiness and horror. My threshold for the macabre is thus high, maybe best witnessed by me noting that my first crime series featuring lawyer Thora was a cosy crime series, only to be reminded that in the first installment the eyes of a dead body were removed with a teaspoon, in the second a child was killed and the third featured decapitation. Whenever I need a reprise from writing crime I revert to horror, the best received of these being I Remember You. 

Before becoming a psychological thriller writer I trained as a Clinical Psychologist, and I continue to practice as a therapist alongside my writing. Clinical Psychologists work in the field of mental health, bringing me into regular contact with the more difficult, distressed, or disturbed aspects of human psychology. Similarly, my novels typically explore the darker sides of what it means to be human, including themes of guilt, loss, fractured relationships, and trauma. The books on my list delve into this compelling and fascinating territory, and have inspired me as both a psychologist and a storyteller.

Understanding the world is important for everyone. For me, it takes the form of analyzing colorful images and artifacts in the built environment. In the broad traditions of the global northwest, color is regarded as deceptive and unreliable. For centuries now, and throughout disparate media and technical systems, color has had to maintain this secondary, subordinate status as “other,” linked to falsity, manipulation, and deceit or, to quote David Batchelor, “some ‘foreign’ body". In my work, I argue that we have all inherited this tradition in the global northwest, fetishizing color as both excessive and yet indispensable in its capacity to retroactively confirm the sanctity of what it is not.

I spent the first half of my life in England and the second half in the United States, or more specifically in Venice, California, a unique and unusual community. While working for London University I made several research trips to the US. Eventually, I immigrated to the States, where I taught at several universities in Southern California. Once I stopped teaching full-time, I surprised myself by writing two suspense novels (a genre I had spent most of my life analyzing), Money Matters and Dangerous Conjectures. The second novel was written during the pandemic and takes place during the early rise of the virus.

When writing about sexuality it is important to me to write about true intimacy. Especially for those who have broken their wedding vows and for those who have been betrayed, who still long for real intimacy with spiritual and sexual maturity. My book, False Intimacy: Understanding the Struggle of Sexual Addiction (1992), was the first Christian book published on the subject of sexual addiction. I have for over thirty years counseled 1000s of sexually broken people from all across the U.S. who came to see me for a week of intensive counseling. I have taught on the subject of sexuality in all fifty states as well as over twenty foreign countries. No subject is more important to our spiritual maturity and sexual maturity.