Here are 100 books that The Horror Film fans have personally recommended if you like
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I am a historian of twentieth century Germany and the Holocaust, but I am also a voracious consumer of popular culture. How do I justify spending so much time watching and analyzing horror and science fiction film and television? Well, write a book about it, of course. The first thing I realized is that many other brilliant scholars have thought about why this imagery permeates contemporary culture, even if I asked different questions about why. I hope you are as inspired and enlightened by this book list as I was.
Before you can understand contemporary manifestations of zombies and vampires in shows like The Walking Dead or The Strain, it helps to know the long and varied cultural history of these monsters. Gregory Waller explores how each generation imagined and interpreted zombies and vampires, both in print and on-screen. How do they speak to our fears and prejudices, or even desires? I found it very helpful in writing Planet Auschwitz.
With a legacy stretching back into legend and folklore, the vampire in all its guises haunts the film and fiction of the twentieth century and remains the most enduring of all the monstrous threats that roam the landscapes of horror. In The Living and the Undead, Gregory A. Waller shows why this creature continues to fascinate us and why every generation reshapes the story of the violent confrontation between the living and the undead to fit new times. Examining a broad range of novels, stories, plays, films, and made-for-television movies, Waller focuses upon a series of interrelated texts: Bram Stoker's…
I’m a historian, with a special interest in the 20th century. I’ve written about Freud’s Vienna, the aftermath of the First World War, strikes in the 1920s and 1930s in America’s cotton South, the plot to assassinate Hitler, and the notorious 1940s gangsters nicknamed “Murder, Inc.”. What intrigues me about the 20th century are the era’s underlying values and the shocking and violent collisions among them. In Casablanca’s Conscience, I use the great film as a lens with which to take another look at the tumultuous times just a generation ago.
Kracauer was a German film critic in the Weimar years. This classic text, first published in 1947, relates the crisis of German culture in the 1920s and 1930s–which climaxed in Hitler and Nazism–to famous Weimar films, like The Cabinet of Dr. Caligari, and M. Kracauer’s effort to track Germany’s cultural zeitgeist in the movies. This relation is not without controversy.
His book remains a fine example of the struggle to see mass psychology in the movies and the movies in the context of mass psychology.
An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism
First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling…
I am a historian of twentieth century Germany and the Holocaust, but I am also a voracious consumer of popular culture. How do I justify spending so much time watching and analyzing horror and science fiction film and television? Well, write a book about it, of course. The first thing I realized is that many other brilliant scholars have thought about why this imagery permeates contemporary culture, even if I asked different questions about why. I hope you are as inspired and enlightened by this book list as I was.
Eric Kurlander is a brilliant historian of modern Germany who finally treats this topic with the seriousness it deserves. Lots of charlatans and amateurs on the History Channel love to speculate about the Nazis and the occult, but Kurlander brings a historian’s rigor to the subject and reveals a complex relationship between the supernatural and the Nazi worldview. Among his findings is that key Nazi figures used the vast propaganda machinery, including film, to depict its “racial enemies” as monstrous. Kurlander also breaks down absurd beliefs like World Ice Theory and determines the truth behind Hitler’s fascination with the “Spear of Destiny.”
The definitive history of the supernatural in Nazi Germany-the occult ideas, esoteric sciences, and pagan religions touted by the Third Reich in the service of power
"[Kurlander] shows how swiftly irrational ideas can take hold, even in an age before social media."-Michael Dirda, The Washington Post
"A careful, clear-headed, and exhaustive examination of a subject so lurid that it has probably scared away some of the serious research it merits."-National Review
The Nazi fascination with the occult is legendary, yet today it is often dismissed as Himmler's personal obsession or wildly overstated for its novelty. Preposterous though it was, however,…
I am a historian of twentieth century Germany and the Holocaust, but I am also a voracious consumer of popular culture. How do I justify spending so much time watching and analyzing horror and science fiction film and television? Well, write a book about it, of course. The first thing I realized is that many other brilliant scholars have thought about why this imagery permeates contemporary culture, even if I asked different questions about why. I hope you are as inspired and enlightened by this book list as I was.
How do nations process a trauma like Auschwitz, the Vietnam War, 9/11, or Hiroshima and Nagasaki? Linnie Blake argues in The Wounds of Nationsthat the horror genre provides a medium through which nations can process recent historical traumas “from a distance.” Examining horror films produced in Germany, the US, Japan, and others countries with a vested interest in burying violent history can tell us a great deal about national identity formation in the wake of war, terrorism, and seismic political changes.
The wounds of nations: Horror cinema, historical trauma and national identity explores the ways in which the unashamedly disturbing conventions of international horror cinema allow audiences to engage with the traumatic legacy of the recent past in a manner that has serious implications for the ways in which we conceive of ourselves both as gendered individuals and as members of a particular nation-state.
Exploring a wide range of stylistically distinctive and generically diverse film texts, its analysis ranges from the body horror of the American 1970s to the avant-garde proclivities of German Reunification horror, from the vengeful supernaturalism of recent…
I’m an author of genre-bent stories and grew up with a love of dark tales. In particular, I was a fan of things that layered stories and linked their themes together, even if you didn’t necessarily notice initially. For example, the Alienfranchise is a story of human survival, but also of corporate conspiracy. When I come across books that mix stories or add interesting structural elements, it instantly draws me in, so I set out to create exactly that with my release Ailuros. But I’m not alone in experimenting like that, so I hope you find some fun, scary releases you may not have known about in my list.
Described as a faux documentary in the style of The Blair Witch Project, this one is an interesting take on the horror genre. Interviews, descriptions of crime-related exhibits, and written testimonies all come together to make the book feel both investigative and more than a little fractured. It’s an uncomfortable combination that helps create a nice sense of fear for readers.
In the faux-documentary style of The Blair Witch Project comes the campfire story of a missing girl, a vengeful ghost, and the girl who is determined to find her sister--at all costs.
Once a year, a road appears in the forest. And at the end of it, the ghost of Lucy Gallows beckons. Lucy's game isn't for the faint of heart. If you win, you escape with your life. But if you lose....
Sara's sister disappeared one year ago--and only Sara knows where she is. Becca went to find the ghost of Lucy Gallows and is trapped on the road…
I am an Icelandic writer, best known for crime fiction although I have also written horror and children’s books. From a young age I have been a fan of creepiness and horror. My threshold for the macabre is thus high, maybe best witnessed by me noting that my first crime series featuring lawyer Thora was a cosy crime series, only to be reminded that in the first installment the eyes of a dead body were removed with a teaspoon, in the second a child was killed and the third featured decapitation. Whenever I need a reprise from writing crime I revert to horror, the best received of these being I Remember You.
Anyone obsessing over the disappearance of the Roanoke settlers will enjoy this book. As will those that have never heard of the incident or couldn’t care less. It actually has nothing to do with Roanoke but at its core is the same type of mystery, the disappearance of the inhabitants of a whole town in the past. The pacing of the book is great and the creepiness is all-encompassing while you alternate between two timelines, accompanying a documentary crew in the present trying to make heads of what happened and the past events leading up to the mystery. To be corny, it is unputdownable.
Documentary filmmaker Alice Lindstedt has been obsessed with the vanishing residents of the old mining town, dubbed "The Lost Village," since she was a little girl. Her grandmother's entire family disappeared in this mysterious tragedy, and ever since, the unanswered questions surrounding the dead woman and abandoned baby have plagued her. She's gathered a small crew of filmmaking friends to spend a few days in the quiet village and make a film about what really happened.
There will be no turning back for them.
Not long after they've set up camp, mysterious things begin to happen. Equipment is destroyed. People…
Before becoming a psychological thriller writer I trained as a Clinical Psychologist, and I continue to practice as a therapist alongside my writing. Clinical Psychologists work in the field of mental health, bringing me into regular contact with the more difficult, distressed, or disturbed aspects of human psychology. Similarly, my novels typically explore the darker sides of what it means to be human, including themes of guilt, loss, fractured relationships, and trauma. The books on my list delve into this compelling and fascinating territory, and have inspired me as both a psychologist and a storyteller.
Firstly, I absolutely love that this book is presented in the form of a podcast!
Maybe it’s just me, but epistolary novels always makes me feel the story is more “real”! I love how Wesolowski cleverly blurs the lines between madness, evil, and the paranormal, asking whether “monsters” really exist or are simply manifestations of our human selves.
This resonates so much with me as a clinical psychologist, because mental illness have been demonised and “monstered” throughout history, and I am always working to educate and defeat stereotypes and stigma.
Online investigative journalist Scott King investigates the death of a pop megastar, the subject of multiple accusations of sexual abuse and murder before his untimely demise in a fire ... another episode of the startlingly original, award-winning Six Stories series.
'A captivating, genre-defying book with hypnotic storytelling' Rosamund Lupton
'A chilling, wholly original and quite brilliant story. Deity is utterly compelling, and Matt Wesolowski is a wonderful writer' Chris Whitaker
'Matt Wesolowski taking the crime novel to places it's never been before. Filled with dread, in the best possible way' Joseph Knox
Understanding the world is important for everyone. For me, it takes the form of analyzing colorful images and artifacts in the built environment. In the broad traditions of the global northwest, color is regarded as deceptive and unreliable. For centuries now, and throughout disparate media and technical systems, color has had to maintain this secondary, subordinate status as “other,” linked to falsity, manipulation, and deceit or, to quote David Batchelor, “some ‘foreign’ body". In my work, I argue that we have all inherited this tradition in the global northwest, fetishizing color as both excessive and yet indispensable in its capacity to retroactively confirm the sanctity of what it is not.
Fredric Jameson’s Postmodernism, or The Cultural Logic of Late Capitalism was one of the first accounts of “postmodern aesthetics” and why it continues to matter today.
Circa 1990, Jameson showed how a new age of high-tech and transnational corporations fundamentally transformed how we create and experience art, design, and aesthetics.
Now in paperback, Fredric Jameson's most wide-ranging work seeks to crystalize a definition of "postmodernism". Jameson's inquiry looks at the postmodern across a wide landscape, from "high" art to "low" from market ideology to architecture, from painting to "punk" film, from video art to literature.
I spent the first half of my life in England and the second half in the United States, or more specifically in Venice, California, a unique and unusual community. While working for London University I made several research trips to the US. Eventually, I immigrated to the States, where I taught at several universities in Southern California. Once I stopped teaching full-time, I surprised myself by writing two suspense novels (a genre I had spent most of my life analyzing), Money Matters and Dangerous Conjectures. The second novel was written during the pandemic and takes place during the early rise of the virus.
By 2020 the boundary between fantasy and reality had become virtually erased. Confined to home, we all found ourselves the targets of conspiracy theories. Even the president scoffed at the dangers of the coronavirus. Rushdie’s spoof of Cervantes’ Don Quixote features an updated avatar of Quixote whose reality has been formed by tv soap operas. He is “deranged by reality television,” and in love with a talk show celebrity. Driving across America to reach her he encounters “the pollution of the real by the unreal.” In fact, he himself turns out to be the fictional creation of another major character, an author who is soon exposed to be no less fictional. But this is Rushdie in whose ludic novels the material unreal is the imaginative real.
Booker Prize-winning, internationally bestselling author Salman Rushdie has created a dazzling Don Quixote for the modern age.
Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television, who falls in impossible love with the TV star Salman R. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where 'Anything-Can-Happen'. Meanwhile his creator, in a midlife crisis, has equally urgent challenges of…
I love cities and I teach about them. I was born in the capital of Sofia, Bulgaria, and landed in the US (mostly by chance) in 1993. Spent most of my professional life in US academia (Michigan, Virginia Tech, Harvard, Maryland, and now Georgia). I never stopped wondering how cities change and why American cities look and function so differently than European cities. So, I wrote a few books about cities, includingIron Curtains; Gates, Suburbs and Privatization of Space, which is about changes in East European Cities after the fall of the Berlin Wall.
A sweeping study and critique of modern culture! If you are looking for a comprehensive and passionate analysis of time and space in the “late capitalist era,” this is the one to read. Nobody has written more authoritatively on modern and post-modern “time-space compression” (you have to read the book to see what this means). Harvey’s intellectual breadth and depth are astonishing. No wonder he is one of the most cited scholars of our time.
In this new book, David Harvey seeks to determine what is meant by the term in its different contexts and to identify how accurate and useful it is as a description of contemporary experience.
