Here are 91 books that Rules for Vanishing fans have personally recommended if you like
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I am a bit of a contradiction in that I am a Christian pastor but also a horror aficionado. I love all things sci-fi and horror. My fascination with these genres stems from childhood, when I stumbled upon Star Wars, the old Addams Family cartoons, and even Scooby Doo. As I matured, my love of reading grew, and I soon consumed literature like a Dyson, especially sci-fi and horror. I often joke about how the odd combo of my two biggest writing influences, Stephen King (I’ve read his entire bibliography) and C.S. Lewis, perfectly sums up my character, and I think that’s what makes me perfect for this recommendation.
The most iconic and somehow most misrepresented vampire story of all time. I read this book because it was iconic and for no other reason. It was not long before I began to see this book's Christian themes and messages. Though the book may not be explicitly Christian, the influences and messages are most apparent in Mina Harker.
I loved how the character of Mina becomes a prototype of what people would eventually call “The Final Girl”, not because of her physical strength or survival instincts, but because of her unwavering faith in God. I knew this was essentially a story of good and evil, but I was wonderfully surprised by this being a story of faith vs flesh and corruption vs holiness.
28
authors picked
Dracula
as one of their favorite books, and they share
why you should read it.
This book is for kids age
17.
What is this book about?
'The very best story of diablerie which I have read for many years' Arthur Conan Doyle
A masterpiece of the horror genre, Dracula also probes identity, sanity and the dark corners of Victorian sexuality and desire. It begins when Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, and makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England - an unmanned ship is wrecked; strange puncture marks appear on a young woman's neck; a lunatic asylum inmate raves about the imminent arrival of his 'Master' - and a determined group of adversaries…
I love to see complicated characters rising to the occasion. People in real life generally have a lot going on just handling the day-to-day, and they aren’t waiting around for adventure, romance, or mystery to find them. It feels very human to me to see characters struggling with more mundane things like social situations, worrying about their appearance, or holding down a job, rather than only focusing on the plot arc, and that’s the type of character I also focus on as a writer. My latest protagonist, Simon, definitely has enough problems without a missing-person case to solve, so he may be what got me thinking of this topic.
Something that really drew me into this book is how slippery the sense of danger is: Is journalist Scott McGrath only risking further legal trouble with Stanislas Cordova if he continues to research the suicide of the mysterious director’s daughter, or is he up against something far more evil?
After his last encounter with Cordova destroyed his career, reputation, and marriage, Scott McGrath should be worrying about other things… but he can’t help himself. I was also intrigued by his shifting motivations: Is he driven by a need to know the truth, seeking revenge, fascinated by the story, or trying to protect himself and his loved ones?
Many scenes felt like optical illusions where I could see entirely different truths depending on what perspective I looked at them from.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Cosmopolitan • Kirkus Reviews • BookPage
A page-turning thriller for readers of Stephen King, Gillian Flynn, and Stieg Larsson, Night Film tells the haunting story of a journalist who becomes obsessed with the mysterious death of a troubled prodigy—the daughter of an iconic, reclusive filmmaker.
On a damp October night, beautiful young Ashley Cordova is found dead in an abandoned warehouse in lower Manhattan. Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances…
As an author of horror and thrillers, I have always been drawn to big mysteries, the darker the better. I blame this fascination on my love of David Lynch movies, which had originated in my early teens and persists to this day. I have also found that incorporating ‘found objects’ into mixed media narratives can help better simulate reality while also twisting it in unpredictable ways. It is no surprise that my debut What the Woods Keep is a mixed media genre-bender. While this storytelling method is not new, recent horror novels have used it in incredibly inventive and impactful ways.
White Fox is another excellent example of a fictional mixed media narrative formed around a cult object of art – in this case, a film script. The author’s technique of alternating the dual narration of two sisters with excerpts from the eponymous script, White Fox, written by (and about) their missing mother, does an excellent job of mixing the real with the surreal. While the mystery at the heart of this sophomore novel is a very human one, the addition of the mysterious film script and the mythology around it bolsters a terrific atmosphere and makes for a compelling reading experience.
“Eerie and sly, White Fox is a trap waiting to be sprung. I was completely enthralled.”―Rory Power, New York Times-bestselling author of Wilder Girls
“A ghost story that will spook even the most hardened grown-ups.” ―Entertainment Weekly
After their world-famous actor mother disappeared under mysterious circumstances, Manon and Thaïs left their remote Mediterranean island home―sent away by their pharma-tech tycoon father. Opposites in every way, the sisters drifted apart in their grief. Yet their mother's unfinished story still haunts them both, and they can't put to rest the possibility that she is still alive.
As an author of horror and thrillers, I have always been drawn to big mysteries, the darker the better. I blame this fascination on my love of David Lynch movies, which had originated in my early teens and persists to this day. I have also found that incorporating ‘found objects’ into mixed media narratives can help better simulate reality while also twisting it in unpredictable ways. It is no surprise that my debut What the Woods Keep is a mixed media genre-bender. While this storytelling method is not new, recent horror novels have used it in incredibly inventive and impactful ways.
A recent addition to the horror genre, this excellent debut novel excels in creating a surreal narrative drenched in dark atmosphere. To Break a Covenant centers around a terrifying, fractured faux-documentary about a town under control of a sinister presence. I dare you to read creepy descriptions of ‘found’ footage and not feel a chill as this mystery unfolds.
Debut voice Alison Ames delivers with a chilling, feminist thriller, perfect for fans of Wilder Girls and Sawkill Girls.
Moon Basin has been haunted for as long as anyone can remember. It started when an explosion in the mine killed sixteen people. The disaster made it impossible to live in town, with underground fires spewing ash into the sky. But life in New Basin is just as fraught. The ex-mining town relies on its haunted reputation to bring in tourists, but there's more truth to the rumors than most are willing to admit, and the mine still has a hold…
Quoting Aristotle when writing about yourself probably comes off as pretentious, but looking back at how I became a writer, his idea of how good stories must be “surprising yet inevitable” rings true: from a childhood split in rural Bavaria, where dark German fairytales sparked my love for books to experiments with lucid dreaming that ended in a loss of reality, my ending up as a game writer and novelist focused on the mind and dreams does sound somewhat inevitable—even if it took me some detours and distractions to get there. Now, I couldn’t be happier. 😊
I found out about this book when a friend urged me not to buy this book because it messed her up. Needless to say, I bought and read it right away, and even though it took me a long time with frequent pauses to get through this behemoth of a book, I understand why my friend said what she said.
Even beyond the striking visuals and the slowly escalating typographic madness (just google it and you’ll know what I mean) a feeling of dread suffuses this novel that stayed with me long after I put it down.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
I have been fascinated with mental health since long before I was officially diagnosed with Bipolar I. Even as an elementary schooler, I recognized that I was different from my peers: I thought more deeply and often more darkly, I experienced higher highs and lower lows, often beyond my control, and I very rarely discussed my home life. Writing became a logical and perhaps life-saving outlet as soon as I learned to put words into letters (mostly the wrong letters, but thank God for spell-check).
This coming-of-age novel has everything: love, grunge music, angst, and a slow revelation of past trauma. I don't think I speak for everyone with mental health issues, but I know that having a traumatic childhood is a common, shared factor amongst people with serious diagnoses. I read this one before I understood why I identified so strongly with it.
Charlie lives on the fringes, barely dipping a toe into the social melee that is high school life, yet, with courage and determination, he carves out a place for himself. While his new friendships allow him to find himself, they also allow him the safety to confront the wounds of his past, wounds too large for even his teenage self to come to grips with.
Even though my last manic episode was over sixteen years ago, I am only recently doing the real work of processing and understanding the traumatic experiences…
A modern cult classic, a major motion picture and a timeless bestseller, The Perks of Being a Wallflower is a deeply affecting coming-of-age story.
Charlie is not the biggest geek in high school, but he's by no means popular.
Shy, introspective, intelligent beyond his years, caught between trying to live his life and trying to run from it, Charlie is attempting to navigate through the uncharted territory of high school. The world of first dates and mixed tapes, family dramas and new friends. The world of sex, drugs, and music - when all one requires to feel infinite is that…
I’ve been terrified, fascinated, and delighted by scary stories my whole life, and my very favorites dabble in the speculative and supernatural: ghosts, monsters, magic, and worlds beyond our own. Give me all your haunted houses, your warped realities, your inexplicable horrors intruding on the everyday world. These fantastical elements are fraught with the power of nightmares and fairy tales, and that makes them the best tools we have to get around our news-hardened, cynical safeguards and explore what truly frightens us.
With a dash of sapphic romance and a heartbreaking final twist, this book imagines a sinister, sentient darkness lurking in a small town and egging its residents on into terrible acts. It cuts right to the core of a troubled family and the petty resentments that have built up between them. I totally cried.
"Imagine Riverdale crossing streams with Stephen King's The Outsider and you'll get a sense of this gripping supernatural mystery...Gould's debut begins as a snappy paranormal yarn and unspools into a profound story about the complex interplay between grief, guilt, and identity." - Oprah Daily
Courtney Gould’s thrilling YA debut The Dead and the Dark is about the things that lurk in dark corners, the parts of you that can’t remain hidden, and about finding home in places―and people―you didn’t expect.
The Dark has been waiting―and it won't stay hidden any longer.
Something is wrong in Snakebite, Oregon. Teenagers are disappearing,…
I’ve been terrified, fascinated, and delighted by scary stories my whole life, and my very favorites dabble in the speculative and supernatural: ghosts, monsters, magic, and worlds beyond our own. Give me all your haunted houses, your warped realities, your inexplicable horrors intruding on the everyday world. These fantastical elements are fraught with the power of nightmares and fairy tales, and that makes them the best tools we have to get around our news-hardened, cynical safeguards and explore what truly frightens us.
This book fills the wilds of Texas with a plague of zombie-like “shakes,” and somehow they are all the scarier for being more of a backdrop than the core of the story. The desert setting is almost a character itself, and it practically shimmers with menace. Between the haunting sense of place and time and the galloping pace of the action, I gobbled down this book in one sitting.
Keep together. Keep your eyes open. Keep your wits about you.
The desert is unkind in the best of times. And the decade since the Civil War has been anything but the best of times for Daisy Wilcox-call her Willie-and her family. This tense, heart-pounding alternate history about a young woman fighting to survive the unthinkable will keep fans of Westworld and The Walking Dead reading late into the night.
A horrifying sickness has spread across the West Texas desert. Infected people-shakes-attack the living, and the surviving towns are only as safe as their perimeter walls are strong. The state…
Most people don’t realize how deeply ingrained folklore is to our daily lives. Superstitious habits like tossing spilled salt over the shoulder seem silly now, but had grave implications a hundred or more years ago. I love books that draw lines between folklore and reality, that weave tales laced with superstition, especially through the lens of modern issues. Stories like these have always helped me to not only understand myself better, but the world around me. The things people do and say aren’t nearly as important as why. Folklore, like changeling stories, I’ve found, is the key to human understanding.
Cuckoo Song is not just a book about growing up, it’s a book about growing up in an environment where you suddenly don’t fit in.
Triss is a character I instantly related to. Once young adulthood hit, I found I’d pulled away from the rest of my family, a black sheep. Wrong. InCuckoo Song, Triss bravely faces her darkest fears in order to find the truth of herself. And though it might be terrifying, it is her truth, and she will claim it.
Read this thought-provoking, critically acclaimed novel from Frances Hardinge, winner of the Costa Book of the Year and Costa Children's Book Awards for The Lie Tree.
When Triss wakes up after an accident, she knows something is very wrong. She is insatiably hungry, her sister seems scared of her, and her parents whisper behind closed doors. She looks through her diary to try to remember, but the pages have been ripped out. Soon Triss discovers that what happened to her is more strange and terrible than she could ever have imagined, and that she is quite literally not herself. In…
I’ve been terrified, fascinated, and delighted by scary stories my whole life, and my very favorites dabble in the speculative and supernatural: ghosts, monsters, magic, and worlds beyond our own. Give me all your haunted houses, your warped realities, your inexplicable horrors intruding on the everyday world. These fantastical elements are fraught with the power of nightmares and fairy tales, and that makes them the best tools we have to get around our news-hardened, cynical safeguards and explore what truly frightens us.
This book features an isolated old schoolhouse that has been converted to a family home, where the ghost of one of its residents still lingers, along with her old collection of little porcelain dolls. The seaside landscape drips with atmosphere, and that army of tiny, malevolent porcelain figurines is one of the weirdest and scariest variations on the “creepy doll” trope I’ve ever encountered.
A Zoella Book Club Autumn 2016 title
"So creepy and amazing [...] I loved it [...] You'll never look at small china dolls in the same way ever again." - Zoella
"Deliciously creepy." - Juno Dawson
Dunvegan School for Girls has been closed for many years. Converted into a family home, the teachers and students are long gone. But they left something behind...
Sophie arrives at the old schoolhouse to spend the summer with her cousins. Brooding Cameron with his scarred hand, strange Lillias with a fear of bones and Piper, who seems just a bit too good to be…
