Dracula

By Bram Stoker,

Book cover of Dracula

Book description

'The very best story of diablerie which I have read for many years' Arthur Conan Doyle

A masterpiece of the horror genre, Dracula also probes identity, sanity and the dark corners of Victorian sexuality and desire. It begins when Jonathan Harker visits Transylvania to help Count Dracula purchase a London…

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Why read it?

23 authors picked Dracula as one of their favorite books. Why do they recommend it?

I read this book at the tender age of ten and instantly became ever so slightly obsessed with vampires; I love how the atmosphere builds slowly, sucking me to the point that I am genuinely afraid that the wolves might attack.

The description of the locations and the journal and letter writing are wonderful story breakers, and what a uniquely wonderful story it is. For me, it is a timeless masterpiece.

I can’t get enough of this supernatural classic, which is made all the more vivid by the way its story unfolds through letters, telegrams, diary entries, and newspaper clippings. It is the found-footage horror story of its era.

Like Frankenstein, it has been adapted hundreds of times, officially and unofficially, into nearly every medium, yet the original novel is unparalleled for holding the reader in its icy grip. Stoker brought his own fears to the page, and I am always surprised at how, in just a few pages, they become my fears, as well.

Older than the rest and still one of the best, Dracula was my introduction to the epistolary format. My eleven-year-old self was pleasantly surprised when the diaries and letters never gave way to straight narration. Reading the book gave me the chance to see how much detail was left out of the various movie adaptations.

After a slow start with Harker’s travelogue, the book unleashed some gruesome and haunting imagery. I thought Renfield’s scenes were especially chilling. I can’t wait to check out the complete, uncut version of the novel, released in Sweden as Powers of Darkness, to see…

From Amanda's list on creepy epistolary horror novels.

Dead Hand

By Valerie Nieman,

Book cover of Dead Hand

Valerie Nieman Author Of In the Lonely Backwater

New book alert!

Why am I passionate about this?

Author Writer Curiosity Traveler Nemophilist Perseverance

Valerie's 3 favorite reads in 2023

What is my book about?

Lourana and Darrick took down the dreaded coal barons in To the Bones, but it seems that the Kavanaghs aren’t done yet. The college-age son of Eamon Kavanagh has unexpectedly inherited not only the family’s business empire but the family itself: generations of Kavanagh men whose spirits persist and who have now taken up residence in Rory’s mind and body.

As Lourana and Darrick try to shape a life together, they are attacked by Eamon through Rory, and flee the life-sucking Kavanaghs across Appalachia and then, in desperation and hope, to Ireland. The reluctant Rory is urged onward in the…

Dead Hand

By Valerie Nieman,

What is this book about?

In this sequel to To the Bones, Lourana and Darrick have taken down Eamon Kavanagh, patriarch of the dreaded coal barons of Redbird, WV, but it seems that the family isn’t done yet. The college-age son Rory has unexpectedly inherited not only the family’s empire but the family itself: generations of Kavanagh men whose spirits persist and who have now taken up residence in Rory’s mind and body.
As Lourana and Darrick try to shape a life together, they are attacked by Eamon through Rory, and flee the life-sucking Kavanaghs across Appalachia and then, in desperation and hope, to Ireland.…


As an avid reader-writer, picking a No. 1 was not easy. But I gotta go with the master here, and, as you can see, I really don't care when a novel was published.

This is one of the best suspense (more than horror) novels ever written, period. I read this book when I was quite young, 9 or 10, and it scared the sh** out of me. Reading this book as a much older man, I am amazed at its fluidity and mastery. Stephen King pales in comparison.

It's an absolute masterpiece of breathless anticipation, dread, and doom. Subtract the…

Another book I've read so many times and never tire of.

The structure is very clever, being told through the means of letters, diaries, and newspaper accounts - something I also like to incorporate in my own Victorian novels. Drawing on previous works that contain vampiric themes, this turns the genre into a rip-roaring sensation. It really is a masterpiece that deserves its success - as eternal as the vampire living across the centuries.

From Essie's list on inspirational and eerie Gothic.

The king of vampires, and arguably the king of Gothic, Bram Stoker’s Dracula is, at minimum, a classic representation of the Gothic. It is also an espionage tale underneath.

Although not elaborated in great detail (it is however, in the Swedish translation/interpretation of Dracula, titled Powers of Darkness), Count Dracula has a world domination plot he intends to enact. The details are vague but do seem to involve the numerous coffins he has placed around London. Are these all for him or for the legion of the undead he is creating, starting with female protagonist Mina Harker’s best…

From Wade's list on the Gothic-espionage connection.

I have to recommend this, it’s vampire law.

With no individual protagonist, Dracula follows Dracula’s attempt to move to London and eat people. As well as his desperate attempt to escape after discovery. This we know, but, did you know, the book is a time capsule.

Taking you from Victorian Whitby to Eastern Europe. It covers; the cultural importance of marriage, the growing influence of America on British shores, the medical practices of the time, at the dawn of psychology. And probably hitting at a time of renewed interest in vampires, as humanity made the leap from the old world…

Cheating slightly here since Dracula is clearly not set entirely aboard a ship, but the short sequence aboard the Demeter, the schooner that carries the count from his castle in Transylvania to Whitby, is memorable enough to count.

There’s something so terrifyingly ominous about the whole sequence, from the strange storm that blows up out of nowhere as the Demeter reaches the coast to the warnings in the ship’s log about there being something on board. As the ship gets closer to shore, the crew begins disappearing, and in England, Lucy suddenly begins sleepwalking.

From Amy's list on spooky ships.

Not the first vampire tale by any means, but the most iconic.

Stoker researched the subject for seven years and filled his novel with vampire lore combined with contemporary science and technology – all presented as an absorbing scrapbook of diaries, journals, letters, telegrams, and newspaper cuttings.

In doing so, he crystallized the figure of the aristocratic vampire, which rapidly became a hit on the silver screen through a succession of influential adaptations that played alongside a limitless appetite for new vampire fiction.

By the 1960s the vampire was a cornerstone of the horror cinema and comic books; come the…

From Nick's list on inspiring creativity.

I know what you’re thinking. Dracula isn’t unconventional. Well, at the time it was released, it was. Stoker did an excellent job of incorporating many genres into his vampire novel, including gothic horror and dark fantasy. Dracula is one of the reasons I write dark fantasy. The genre has changed so much over the years that if Dracula were released today, it would be unconventional once more, with Dracula being a true predator.

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