I was introduced to vampires through Barnabas Collins of Dark Shadows fame, but I was a child and found the show boring. But, when I was 15, I was handed the paperback edition of Salem’s Lot and it scared me to death. I was hooked, reading books, and watching movies about vampires whenever the chance arose. When I wrote the first draft of Redemption, it sat for years before I reworked it, reading Dracula again and taking notes, researching Vlad the Impaler, and watching lots of vampire movies before re-writing it. Since then, I’ve continued reading vampire fiction and watching movies and shows about the creatures whenever I can.
It is the 21st Century and Wolfdietrich has grown tired of being a vampire. But, on his way back to his hideaway, he spots Ginny, a woman who reminds him of his long-lost love. Trapped as a vampire for nearly four centuries, Wolf rediscovers the humanity he lost as well as his love for Ginny. Unfortunately, there is one obstacle preventing their being together—the vampire who created him, Vlad Drakulya, still walks the earth. Even though killing Vlad will destroy the man she loves, Ginny joins Wolf in the search for his maker.
Redemption entwines the stories of Vlad III and Wolf, sweeping through centuries of history and across continents. Wolf has found love, but can a vampire find redemption?
If it weren’t for this groundbreaking classic, all the books and movies and television shows about vampires would not exist. Stoker created not just the iconic vampire with his novel but much of the vampire lore. I own multiple copies of Draculaand had read it numerous times before being inspired to create vampires like Stoker’s in my book. While people have used their imaginations to create new breeds of vampires (think Twilightor True Blood, for example), I still think the creepiest, and by far the scariest vampire will always be Count Dracula.
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'The very best story of diablerie which I have read for many years' Arthur Conan Doyle
A masterpiece of the horror genre, Dracula also probes identity, sanity and the dark corners of Victorian sexuality and desire. It begins when Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, and makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England - an unmanned ship is wrecked; strange puncture marks appear on a young woman's neck; a lunatic asylum inmate raves about the imminent arrival of his 'Master' - and a determined group of adversaries…
This book should have been called The Historians because nearly every character in it from Vlad the Impaler to the narrator, herself, are historians. Kostova's characters use history to track down the ancient vampire, and this is the reason I found this book so compelling as I was also using history when writing my novel. A plus for me was that I also found myself caring for the characters.The Historian spans centuries and takes you through many countries in the hunt for the vampire who has wreaked havoc on so many lives and does so in a compelling way.
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters addressed ominously to 'My dear and unfortunate successor'. Her discovery plunges her into a world she never dreamed of - a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an evil hidden in the depths of history. In those few quiet moments, she unwittingly assumes a quest she will discover is her birthright - a hunt for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of…
I must admit this book appealed to me first because it was co-written by the great-grand-nephew of Bram Stoker. I also loved that a young Bram Stoker was a main character. I won’t offer any spoilers but it’s a fascinating tale about how Stoker was inspired to write his book, Dracula. If you’re looking for a horror tale, this book supplies plenty of terror and like most books that feature Dracula as a character, you will find yourself in locations all over Europe. This book offers yet another fine example of the enduring spell Count Dracula casts on our imaginations.
'Reading Dracul is like watching a classic vampire film . . . a terrifying read' R. L. Stine
Inspired by the notes DRACULA's creator left behind, Dracul is a riveting, heart-stoppingly scary novel of Gothic suspense . . . ___ Dracul reveals not only the true origins of Dracula himself, but also of his creator, Bram Stoker . . . and of the elusive, enigmatic woman who connects them.
It is 1868, and a 21-year-old Bram Stoker has locked himself inside an abbey's tower to confront a vile and ungodly beast. He…
This Icelandic Dracula remained hidden from the world-at-large as merely a translation of the original for more than a century before Hans Corneel de Roos translated the Icelandic back into English. What he discovered is that Asmundsson took the liberty of making Dracula his own book. A Nordic spin on the vampire is reason enough to discover this interesting take on Stoker’s Dracula. Two-thirds of the book takes place at the Count’s castle in Transylvania where the notorious vampire is given much more depth and voice. Nordic lore spices this story up as well as a very seductive vampiress. The book is also much shorter than Stoker’s, which makes it an easy read.
Powers of Darkness is an incredible literary discovery: In 1900, Icelandic publisher and writer Valdimar Ásmundsson set out to translate Bram Stoker’s world-famous 1897 novel Dracula. Called Makt Myrkranna (literally, “Powers of Darkness”), this Icelandic edition included an original preface written by Stoker himself. Makt Myrkranna was published in Iceland in 1901 but remained undiscovered outside of the country until 1986, when Dracula scholarship was astonished by the discovery of Stoker’s preface to the book. However, no one looked beyond the preface and deeper into Ásmundsson’s story.In 2014, literary researcher Hans de Roos dove into the full text of Makt…
Newman’s creative mashup brings a dizzying host of personalities into the Jack the Ripper murders as historical people and characters from fiction collide in Queen Victoria’s London. Vlad Tepes casts a long shadow across the political and social landscape. This take on Dracula himself, and other ancient vampires, is fresh and frightening and I was glad to discover it. The playful mix has Conan Doyle’s Sherlock Holmes and Inspector Lestrade investigating The Ripper in a world where vampires are out in public, and Vlad is Prince Consort to Queen Victoria. The bold concept works well and is a ferociously fun ride.
It is 1888 and Queen Victoria has remarried, taking as her new consort Vlad Tepes, the Wallachian Prince infamously known as Count Dracula. Peppered with familiar characters from Victorian history and fiction, the novel follows vampire Genevieve Dieudonne and Charles Beauregard of the Diogenes Club as they strive to solve the mystery of the Ripper murders.
Anno Dracula is a rich and panoramic tale, combining horror, politics, mystery and romance to create a unique and compelling alternate history. Acclaimed novelist Kim Newman explores the darkest depths of a reinvented Victorian London.
Liveaboard sailor Cass Lynch thinks her big break has finally arrived when she blags her way into skippering a Viking longship for a Hollywood film. However, this means returning to the Shetland Islands, the place she fled as a teenager. When a corpse unexpectedly appears onboard the longship, she can run from the past no longer: Cass and her family come under intense scrutiny from the disturbingly shrewd Detective Inspector Gavin Macrae.
Even if Cass’s local knowledge and sailing wisdom help to clear the Lynch family of suspicion, they may not be enough to stay ahead of the murderer’s game... and avoid becoming the next victim.
Death on a Shetland Longship: The Shetland Sailing Mysteries
When she wangles the job of skippering a Viking longship for a film, Cass Lynch thinks her big break has finally arrived - even though it means returning home to the Shetland Islands, which she ran away from as a teenager. Then the `accidents' begin - and when a dead woman turns up on the boat's deck, Cass realises that she, her family and her past are under suspicion from the disturbingly shrewd Detective Inspector Macrae. Cass must call on all her local knowledge, the wisdom she didn't realise she'd gained from sailing and her glamorous, French opera singer mother…
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