The best books about Iceland

This is by all estimation the greatest of the sagas. I would even claim that its excellence allows it to be fairly mentioned in the same breath as the Iliad, Don Quixote, and the tragedies of Shakespeare. It is quite complex and I would suggest, if I am allowed to, my Why is Your Axe Bloody? (2014) as a guide. But the present Penguin translation is a travesty and should be avoided. The best English translation available is the older Penguin translated by Magnus Magnusson and Hermann Pálsson (1961) and still available from various used booksellers online. Their translation is as good as a translation can get. Hrafnkels saga is a perfect entry to the sagas because it is short and compact and prepares one for the complexity of Njáls saga. 

The Volsung saga is a heroic Old Norse tale about the origins and decline of the royal clan of the Volsungs and the fantastic deeds of Sigurd the dragon-slayer. Snorri Sturluson, an Icelandic poet and historian, recorded the story around 1220, but the material dates to events that took place centuries before. The saga is full of beings and happenings that would have been considered demonic in Christianized Europe, such as giants, werewolves, sorcery, magic wolf skins, and the consumption of dragons' blood to learn the language of birds. However, within the mythic Norse world, these things were otherworldly and magical, but not necessarily malevolent. The saga was a source for J. R. R. Tolkien’s Lord of the Rings—right down to the dwarfs, a cursed magical ring, and a treasure-guarding dragon—and an inspiration for Richard Wagner's epic music drama, the Ring Cycle. Also, the story of the… show more.

Stumbling on the fishing hut of Thuridor Einarsdottir, 1777 – 1863, ’one of Iceland’s greatest fishing captains’ set Margaret Willson off on a quest to find out more about the women who flourished in this traditionally male industry. She found a number of them, not just historical women like Thuridor’s contemporaries Kristin and Ingibjorg, farmhands who were expected by the farmer to go to sea, but also their modern counterpart, Vally the farmer/seawoman, along with Hulda the housewife, Jonina, Gudrun, Bylgja and Vigdis. Grey pages spread through the book are short interviews with them; the rest is a lyrically written account of the fishing and social history of Iceland through the experiences of women. A delight to read.

No contemporary Icelandic literature without crime. Despite being one of the safest countries on the planet with hardly any crime, Icelandic crime authors are among the most successful representatives of Scandinavian noir, and Yrsa is the undisputed queen of Icelandic crime. While mostly know for her series featuring investigator Thóra Gudmundsdóttir, I Remember You is one of her standalone novels, a supernatural thriller set in the remote Westfjords of Iceland in winter and the perfect read when the wind and snow are howling outside. Or just the wind. 

The ‘sea-fiction’ literary canon is very male-focused. But in the real world, women put to sea too, and were sometimes at the forefront of exploration. Maria, the heroine of my novel, was the first non-native woman to set foot on the northwest coast of America, when she arrived with Francis Drake during his circumnavigation voyage in the summer of 1579. Five hundred years earlier, on the other side of the continent, another female pioneer, Gudrid Thorbjarnardóttir, explored and settled the Newfoundland coast. 

Gudrid, the ‘Far Travelled’ of Icelandic sagas, is brought to life in this beautifully written and vividly imagined novel. Rich in historical detail and steeped in the mythology and worldview of the Vikings, it’s a thoroughly convincing portrait of an extraordinary woman at the edge of the known world.

One of the most daring and original voices I have read in recent years. 

I admire Kirsty Logan’s boldness in imagining and describing personal viewpoints and her unique interpretation of possible alternate realities. She shows the courage to commit to ideas and storylines that are original, innovative, and beyond the imagination of most people.

The two darkest stories are "Watch the wall, my darling, while the Gentlemen go by", a menacing tale of abuse, kidnapping, and violence, and "Half Sick of Shadows". The latter is profoundly moving and disturbing and almost unbelievable in its callousness.

A writer whose progress I will follow with interest.

I was at a strict boarding school and read this book long into the night by torch under the bedclothes. It is 973 and King Edgar is on the throne. The story takes us from Cornwall, but it starts in Cornwall and has a Cornish heroine at its heart. I felt her pride in tracing her family back to King Arthur and followed her adventure with bated breath. All of Anya Seton’s books captivate me, but this one drew me completely. It’s in the placenames, the descriptions, the myths, and folklore. Celtic Cornwall is more than a setting; the desolate moors and wonderfully described scenery weave a mystical power of their own. 

The North Atlantic between Iceland and Canada once teemed with cod. That rich fishery is what lured Europeans across the Atlantic in the first place, starting with the Vikings. And salt curing of the fish – a method perfected by medieval Basque whalers – is what made those long voyages possible. By the mid-sixteenth century, 60 percent of all fish eaten in Europe was cod. It soon would be a staple of new world diets – and one of the pleasures of the book are the cod recipes across the centuries. Above all, I appreciate how Kurlansky makes us care about this fish, whose numbers are now dwindling. As he writes, “the cod is on the wrong end of this 1,000-year fishing spree.” 

Nobody does dark holiday tradition quite like the Icelanders. From a gigantic cat that preys on children who aren’t wearing new clothes to an ugly ogre who eats naughty children, Icelandic Christmas folklore is replete with macabre creatures ready to pounce. This collection of poems by Jóhannes úr Kötlum was originally published in 1932 and features the inspiration for several characters in my own book, including Grýla, Jóla the Yule Cat, and the Yule Kids (known in Icelandic folklore as the mischievous Yule Lads).

Iceland is one of the first off-the-beaten-track places I visited as an aspiring young travel writer and I arrived with the onset of the first Gulf War - the one against Saddam Hussein.

I visited with three other people. We immediately met a man in Reykjavik who introduced us to his diplomat friend, and before it was all said and done we spent most of that trip with the Icelander and the Frenchman in front of a much more rudimentary CNN, watching the war.

While I’ve been back to Iceland a number of times since, that first trip, the instant friendships, and the very odd experience of watching war in the desert from up at the Arctic Circle, sealed the deal for me about visiting the far north, and indirectly led to my own later book.

Halldor Laxness is the greatest of Icelandic authors and Independent People is very nearly… show more.

Tony Williams is a writer living in the United Kingdom and his novel, Nutcase, is the most recent one on my list. Nutcase is a faithful retelling of The Saga of Grettir the Strong, only set in a slum in modern-day northern England. The transposition of a story originating in medieval Iceland to this present-day context makes it one of the most bizarre and unique novels I’ve ever read (in a good way). The story stays true to the saga’s plot and characters while bringing them to their new context in a very believable manner. The book is a wild ride and full of all sorts of English slang and colloquialisms which I enjoyed immensely in their own right. 

I’d been working at Bradt Guides for about three years when we commissioned Polly Evans to write the first edition of Northern Lights: A practical travel guide, and I’ve been fascinated by this natural phenomenon ever since.  Fast forward five years and I finally booked a dream trip to Swedish Lapland in celebration of a milestone birthday, armed with the 2nd edition containing all the information needed to have the most incredible few days. It snowed a lot whilst we were there creating a stunning winter wonderland, and although the Aurora Borealis didn’t make an appearance we packed in so many other adventures that made it memorable for all.

This book, from a fin de siècle Scotsman, is a classic of literature in its own right. It contains a perfectly brilliant reading of the sagas as well as other works of medieval literature. It has never been surpassed and is perhaps unsurpassable. Every sentence is an elegant gem, with one nonobvious insight after another. He just nails it. Ker reminds you that literary criticism need not be pretentious and badly written as it so often is. Treat yourself. 

To understand a country, you need to understand its history. This book is the most accessible account of Iceland’s history and is also very funny. I wish it had been written ten years ago when I started out on my Iceland odyssey. Egill covers the whole of Iceland’s history from Ingólfur throwing his home pillars into the sea in 874 to decide where he should land, to the great women’s strike of 1975 when 90 percent of Icelandic women stopped doing what they were expected to do and the country came to a stop. Also includes my favourite bit of Icelandic history. On 9 May 1940 Hitler invaded Belgium and Holland and that same day Britain invaded Iceland, an action so mildly embarrassing that we never really talk about it. Egill does, though. 

This is a slim book and it's told in an intimate, lyrical voice that feels like it's speaking directly to you from the period – which, in this case, is the 9th century CE.

All the Horses of Iceland follows a Norse trader through Rus to Mongolia in the company of Khazars. It's a ghost story, with notes of sadness mixed with wonder. And while it is possible to trace the journey and pick up on historical signposts, the book doesn't acknowledge that it knows when and where its reader might be – which bolsters the illusion of reading something very old.

The Icelanders are remarkable people with some pretty strange habits. Optimistic, energetic, friendly in a very reserved way, armed with irony that can kill at ten metres, they do not fit the classic Scandinavian stereotype. Over the last decade, as I have researched Iceland for my various Magnus novels, the Icelandic-Canadian Alda has been my guide on all things Icelandic. She gets to the bottom of their quirks and foibles in this brilliant little book of fifty or so essays about the people who live on a treeless volcano with appalling weather. Very funny. Very illuminating.

Jackson Crawford’s lectures on Norse mythology make a wonderful accompaniment to any bit of hobby-doing. It fits, I think, with the venue these stories would have originally been told, something to pass the time, to make work of the hand and eye go by a bit faster. What better to help inspire some fantasy making, like painting miniatures or knitting something more elaborate than stories of gods and heroes of a bygone age, when magic was real, and the gods and giants battled around us? I started with Dr. Crawford’s YouTube lectures on all things Old Norse and came to appreciate his engaging style and masterful depth of the subject. He brings the stories to life and reveals the language as it may have been spoken. He puts the myths in their contexts. I view any day that I haven’t learned something new as a bit of a waste and… show more.

I love this book for many reasons. The Sealwoman is a passenger on the slave ship that takes our protagonist form her beloved homeland, and the ‘gift’ of the title is the story she tells of her shapeshifting roots. The voyage is hellish, and contains a terrifying birth scene among other unspeakable, unimaginable, only just survivable events. It’s based on a true story, which makes it all the more powerful, and it makes me wonder about the hidden truths in the folklore contained within it, especially the sealwoman’s story. 

It's probably not by accident that three of the five books on this list are by Icelandic authors, as so much of the history and mythology of that nation is tied up with its Viking heritage. This novel, while somewhat unevenly paced, is a vivid depiction of life in Medieval Iceland, where kinship and honor were the basis by which human society clung to an unforgiving landscape. Its thematic emphasis falls on entrapment and isolation, and it offers a gorgeous sense of a premodern Nordic landscape.

Nancy Marie Brown’s book came into my life at a most prescient time in my own horse history. I discovered her book at just the moment I was discovering this then rare breed, the Icelandic horse. In the late 1990s, Brown goes to Iceland searching for the perfect horse (gaedingur in Icelandic). The country was very different from the tourist magnet it is today. It was wilder, more isolated, less traveled. Brown is there in pursuit of a horse or two to bring home. She first arrives with her husband and eight-year-old son after a family trauma. They stay in a broken-down house, “a concrete box” without modern amenities. She tries her best to learn and converse in the native tongue with the local farmers. As she tests drive all the horses, the reader learns all about Icelandic horses and horse-buying. What adds such depth to this book is… show more.