I've always been fascinated by the way history feels inherently uncanny, as we inhabit the same places as people long dead. I suppose that’s why the novels I write tend to be in historical settings, and they tend to have a speculative twist. For much of my working life, I was a journalist, so I love the research part of writing historical fiction. I tend to be drawn to old stories, and I especially love looking at those stories from angles I haven't seen before. Two of my novels bookend the European Middle Ages: The Valkyrie, set in the 5th century CE, and The Chatelaine, set in the 14th century CE.
This is a slim book and it's told in an intimate, lyrical voice that feels like it's speaking directly to you from the period – which, in this case, is the 9th century CE.
All the Horses of Iceland follows a Norse trader through Rus to Mongolia in the company of Khazars. It's a ghost story, with notes of sadness mixed with wonder. And while it is possible to trace the journey and pick up on historical signposts, the book doesn't acknowledge that it knows when and where its reader might be – which bolsters the illusion of reading something very old.
A hypnotic historical fantasy with gorgeous and unusual literary prose, from the captivating author of The Fourth Island.
Everyone knows of the horses of Iceland, wild, and small, and free, but few have heard their story. Sarah Tolmie’s All the Horses of Iceland weaves their mystical origin into a saga for the modern age. Filled with the magic and darkened whispers of a people on the cusp of major cultural change, All the Horses of Iceland tells the tale of a Norse trader, his travels through Central Asia, and the ghostly magic that followed him home to the land of…
Ever since childhood I’ve been fascinated by the history of England, and fifteen years ago I made the decision to write a series of novels set before the Norman Conquest. Since then I’ve immersed myself in the history of that period and made numerous visits to the locations where I set my novels. I’ve been frustrated though by the enormous gaps in the historical records of that time, in particular the lack of information about the women. Because of that I am drawn to the work of authors who, like me, are attempting to resurrect and retell the lost stories of those remarkable women.
In this genre-bending novel the author weaves Norse myth with a tale set in the very real world of early medieval Iceland. Her descriptions of the landscape are wondrous, and her portrayal of the lives and culture of the early settlers of Iceland ring true. I loved how she quite successfully brought the Norse gods and one particular goddess down to earth. I am not as knowledgeable about the Nordic gods and their stories as I would like to be. This novel was a terrific way to begin a journey of discovery taking me in that direction.
A beautiful epic of love, longing, redemption, and enchantment in the tradition of Marion Zimmer Bradley?s The Mists of Avalon
Iceland, AD 1000 Freya knows that her people are doomed. Warned by the Fates of an impending disaster, she must embark on a journey to find a magnificent gold necklace, one said to possess the power to alter the course of history. But even as Freya travels deep into the mountains of Iceland, the country is on the brink of war. The new world order of Christianity is threatening the old ways of Iceland?s people, and tangled amidst it all…
I’ve always been drawn to stories of good versus evil and watching a hero overcome a great struggle to beat a villain and win the day. I feel it’s innate in humans to want to hear such tales ever since the days gathered around the campfires thousands of years ago, and when it’s done well, it can be a story that inspires you in your own life. Hopefully, these novels can do the same for you!
Another slightly left-field pick, but the atmosphere in this author’s books is just as compelling as in Without Fail as mentioned above. In a snowy, cold Iceland, a beleaguered detective investigates the murder of a local man who was once a shining light as a child.
Lost potential, old vendettas, and evil preying on the weak are all elements here, in a very unique setting, with a dogged lead who refuses to give up. Slower and colder but just as gripping.
Detective Erlendur encounters memories of his troubled past in this gripping and award-winning continuation of the "Reykjavik Murder Mysteries". At a grand Reykjavik hotel the doorman has been repeatedly stabbed in the dingy basement room he called home. It is only a few days before Christmas and he was preparing to appear as Santa Claus at a children's party. The manager tries to keep the murder under wraps. A glum detective taking up residence in his hotel and an intrusive murder investigation are not what he needs. As Erlendur quietly surveys the cast of grotesques who populate the hotel, the…
In 2009, when I decided to set a crime series in Iceland, I embarked on a decade of research into the country, its people, its literature, its culture, and its elves. I visited the country, I spoke to its inhabitants and I read books, lots of books – I couldn’t find an elf, but I was told where they live. I needed to understand its criminals, its victims, its police, and most of all my detective Magnus Jonson. These are the best books that helped me get to grips with Iceland.
The Icelanders are remarkable people with some pretty strange habits. Optimistic, energetic, friendly in a very reserved way, armed with irony that can kill at ten metres, they do not fit the classic Scandinavian stereotype. Over the last decade, as I have researched Iceland for my various Magnus novels, the Icelandic-Canadian Alda has been my guide on all things Icelandic. She gets to the bottom of their quirks and foibles in this brilliant little book of fifty or so essays about the people who live on a treeless volcano with appalling weather. Very funny. Very illuminating.
After more than 20 years away, Alda Sigmundsdottir returned to her native Iceland as a foreigner. With a native person's insight yet an outsider's perspective, Alda quickly set about dissecting the national psyche of the Icelanders.
This second edition, from 2018, contains new and updated chapters from the original edition, reflecting the changes in Icelandic society and among the Icelandic people since the book was first published in 2012.
Among the fascinating subjects broached in The Little Book of the Icelanders: • The appalling driving habits of the Icelanders • Naming conventions and customs • The Icelanders’ profound fear of…
Since I was a child, Halloween and Christmas have held equally hallowed positions in my heart. When I learned of Krampus folklore in my teens, I was immediately fascinated. Krampus offered the best of both worlds—a dose of Halloween creepiness to counterbalance the bright jubilation of the winter holidays. Krampus Confidential, a middle-grade mystery, and adaptation of The Maltese Falcon, is my second children’s book that aims to introduce this magnificent creature to children in a way that doesn’t inspire nightmares. My first, Goodnight Krampus, is a board book for young readers that reimagines the monster as a rambunctious toddler who gives Santa a hard time by refusing to go to sleep on Christmas Eve.
Nobody does dark holiday tradition quite like the Icelanders. From a gigantic cat that preys on children who aren’t wearing new clothes to an ugly ogre who eats naughty children, Icelandic Christmas folklore is replete with macabre creatures ready to pounce. This collection of poems by Jóhannes úr Kötlum was originally published in 1932 and features the inspiration for several characters in my own book, including Grýla, Jóla the Yule Cat, and the Yule Kids (known in Icelandic folklore as the mischievous Yule Lads).
Since the first publication in 1932 Christmas is Coming has been an integral part of Icelandic Christmas traditions and helped preserve age-old folklore in modern culture. A seasonal bestseller from the start, few other books have been reprinted as many times. A children’s favorite The Yuletide-lads are thirteen mischievous and sometimes scary characters, appearing in towns and farmsteads, one by one, the first on December 12th and the last on December 24th. The Ballad of Grýla tells the tale of an ugly and vile female ogre that starves if the children are nice and behave, but is quick to reach…
I was in my thirties when I finally visited Cornwall, though I’d long lost my heart to Cornwall through reading. A city girl, I ached to climb the cliff paths and breathe the salt-laden air. My head was full of folklore and history, rugged cliffs, secret coves, and desolate moors. For the last twenty-five years, we’ve been lucky enough to sail our boat along the south coast, anchoring in the timeless harbours and rowing up the creeks. My stories come while we watch the birds scuttle across the riverbanks. A product of my early reading, I’m a romantic dreamer and invite you to join me in my fictional world.
I was at a strict boarding school and read this book long into the night by torch under the bedclothes. It is 973 and King Edgar is on the throne. The story takes us from Cornwall, but it starts in Cornwall and has a Cornish heroine at its heart. I felt her pride in tracing her family back to King Arthur and followed her adventure with bated breath. All of Anya Seton’s books captivate me, but this one drew me completely. It’s in the placenames, the descriptions, the myths, and folklore. Celtic Cornwall is more than a setting; the desolate moors and wonderfully described scenery weave a mystical power of their own.
Princes, Vikings, and the history of tenth-century England come together in this saga of exploration and unrequited love.
Prince Rumon of France, descendant of Charlemagne and King Alfred, is a searcher. He has visions of the Islands of the Blessed, perhaps King Arthur’s Avalon, “where falls not hail, or rain, or any snow.” Merewyn grows up in savage Cornwall—a lonely girl, sustained by her stubborn courage and belief that she is descended from the great King Arthur. Chance—or fate—in the form of a shipwreck off the Cornish coast brings Rumon and Merewyn together, and from that hour their lives are…
I've always been a bookworm, and fascinated by the North—after all, I made my home here. I thrived (and still do) on stories about rain-drenched moors, ships in distress running aground in boiling seas, men with swords stumping through dark woods searching for gold and demons. So no wonder that I am fascinated by Iceland and its stories, and have returned to the island again and again. Here, literature plays a crucial role in preserving and developing culture and language equally. So as a fan of Icelandic past and present I try and spread the word about this craggy island and its literary heritage as much as I can.
Ragnar is one the most successful contemporary crime authors hailing from Iceland, also as his series featuring rookie policeman Ari Thór Arnarson is not set in the urban sprawl of the Icelandic capital Reykjavík but instead in the small town of Siglufjörður on the north coast and provides fascinating insight into Icelandic topography, history, and culture of the remote regions of the country. Snowblind is the first of the series, a slow-burning but gripping whodunnit set in a Siglufjörður cut off from the rest of the country by avalanches and snowstorms...
FIRST IN THE INTERNATIONAL BESTSELLING DARK ICELAND SERIES
OVER A MILLION COPIES SOLD
A murder takes place in the isolated Icelandic town of Siglufjoerdur, where an avalanche has cut off all communication and the unrelenting snow threatens rookie police officer Ari Thor Arason first investigation...
'A modern Icelandic take on an Agatha Christie-style mystery, as twisty as any slalom...' Ian Rankin
'Ragnar J nasson writes with a chilling, poetic beauty' Peter James
'Seductive ... Ragnar does claustrophobia beautifully' Ann Cleeves
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Siglufjoerdur: an idyllically quiet fishing village in Northern Iceland, where no one locks their doors - accessible only via…
Jill Leovy, author of Ghettoside, is a journalist and independent researcher who covered the Los Angeles Police Department and homicide for fifteen years, and who is currently working on a book dealing with murder and feud in human history. She has covered hundreds of street homicides and shadowed patrol cops, and she spent several years embedded in homicide detective units. More recently, she has been a Harvard sociology fellow and a featured speaker on Homer and violence at St. John's College, New Mexico. She is a senior fellow at the USC Center on Communication Leadership and Policy.
The University of Michigan professor-emeritus William Ian Miller is, of course, essential reading on violence and revenge, particularly his Bloodtaking and Peacemaking: Feud, Law, and Society in Saga, Iceland.
But Miller has been so deservedly lauded elsewhere – and his books so widely recommended – that I'm using this space to suggest that readers also open his sources. Among the sagas, Njal's Saga is much more complex than this one, and probably more revealing of the Saga tradition. But I'm a fan of the shorter, more readable Hrafnkel's, not least because I have a weakness for spooky horses.
Hrafnkel is a bully who would not pay compensation, and the arc of his distinctly pre-modern biography is not what you might expect. In fact, it will make you realize exactly how much what we call "modern" is really a product of legal development, including our ideas about satisfying narratives.
Written around the thirteenth century AD by Icelandic monks, the seven tales collected here offer a combination of pagan elements tightly woven into the pattern of Christian ethics. They take as their subjects figures who are heroic, but do not fit into the mould of traditional heroes. Some stories concern characters in Iceland - among them Hrafknel's Saga, in which a poor man's son is murdered by his powerful neighbour, and Thorstein the Staff-Struck, which describes an ageing warrior's struggle to settle into a peaceful rural community. Others focus on the adventures of Icelanders abroad, including the compelling Audun's Story,…
In my view, there is no bigger quest than to understand how to live a long and fulfilled life. Most of my professional life has focused on running neuroscience experiments in my academic laboratory and developing technologies for companies I have started to understand and increase happiness. I have devoted 20 years to this quest and I continue to work to build a happier and healthier world. I am one of the most cited scientists in this area and also regularly communicate to the general public through TED talks, books, magazine articles, and public lectures.
The USA is unique in that our Declaration of Independence identifies the happiness of citizens as a goal when organizing the country. The Geography of Bliss asks why all countries are not similarly organized. This book is a fun romp as the author visits different countries that have radically different happiness levels and seeks to find out why. A key finding from the book is that a rich cultural life increases happiness. This is consistent with my research that has shown its connections to, and experiences with, other people that account for most differences in happiness. This book made me think about what communities can do to foster social connections that drive up happiness levels.
What makes a nation happy? Is one country's sense of happiness the same as another's? In the last two decades, psychologists and economists have learned a lot about who's happy and who isn't. The Dutch are, the Romanians aren't, and Americans are somewhere in between...
After years of going to the world's least happy countries, Eric Weiner, a veteran foreign correspondent, decided to travel and evaluate each country's different sense of happiness and discover the nation that seemed happiest of all.
*He discovers the relationship between money and happiness in tiny and extremely wealthy Qatar (and it's not a good…
Storytelling wields the power to transcend time and place, connecting us through shared experiences and emotions. It shapes our understanding of the world and ignites the imagination, making it an essential part of the human journey. As a psychologist, I understand how the stories we tell about ourselves are crucial in defining who we are and that books and good people can help shape our character. The books I've chosen celebrate the human spirit and our ability to face adversity, adapt, and ultimately choose our destiny. As Stephen Covey wisely stated, “Our ultimate freedom is the right and power to decide how anybody or anything outside ourselves will affect us.”
This book resonated deeply with me because it explored the intricate layers of human nature, beautifully encapsulated in the quote, ‘To know what a person has done, and to know who a person is, are very different things.’
The gripping narrative, based on a true story set in 19th-century Iceland, draws me into the life of Agnes Magnúsdóttir, a woman accused of murder, as she awaits her execution. Kent's masterful storytelling skilfully delves into Agnes' complexities, making her a character so vividly real that I fervently hoped for a different outcome despite knowing the inevitable fate that awaited her.
This emotional investment and the stark portrayal of the human condition left a lasting impact. Kent captured both the darkness and light within us all.
Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution.
Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution.
Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Tv=ti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her.…
