100 books like Avalon

This novel may seem an odd choice since King Arthur is likely more fictional than historical, yet Mark Twain, for all his humor, uses the novel as a satire upon the wrongs of capitalism and his late nineteenth-century society.

Hank Morgan, the Connecticut Yankee, intentionally tries to change history by making medieval England a better place. He does this by trying to rid the land of superstition and the hold that charlatans like Merlin have over the country, but he is also a complex character who is not unwilling to use medieval superstition to his advantage.

By the end of the novel, he has turned medieval England into a medieval version of the nineteenth-century complete with modern inventions including the bicycle and telephone. However, the most memorable scene occurs when Hank and King Arthur travel the country in disguise and end up enslaved and nearly hanged.

The experience causes King… show more.

No writer evokes atmosphere better than Daphne Du Maurier. Whilst some of her other works are better known and possess more gravitas, Frenchman’s Creek, set largely around the Helford River, captures the essence of this beautiful corner of Britain perfectly. Add to that Du Maurier’s ability to transport us back to Restoration England without it feeling like a history lesson, so we can identify with the characters despite them living hundreds of years ago, and you get a great read. There is a small tinge of the supernatural in Frenchman’s Creek, and an interesting love story, but it is the atmospheric prose and fast-paced plot that makes it stand out (both provided some inspiration for the sequel to my book which is set in the same location).

It seems that there is no detail of life in the late 1700s and early 1800s that Winston Graham doesn’t know. From aspects of history, geography, social class culture, medicine, ship-building, mining… Graham is ‘The Man’. But he is also a composite storyteller, weaving a compelling, generations-spanning narrative that charts the turmoils and triumphs of Ross Poldark and his family. One detail that I love is the representation of genuine female experience in a mode that is not about feminist agendas; Graham writes his women with compassion and complexity, making them far more than the housewives and bodice-rippers characteristic of some historical fiction. Quintessentially English, but never rose-tinted, these novels are a treasure that deserve greater acknowledgment.

This novel was an immersive journey through the English countryside, from Cornwall to the Cotswolds. I was so deep into this setting and story that I was always stunned to look up and see that I was at home in my own living room. Rosamunde Pilcher is from Scotland, and she knows this landscape so well. She takes us there with deft prose and page-turning skill. 

The story is about a woman named Penelope Keeling and her extended family. It is a novel of connections—mothers, daughters, husbands, and lovers—all revolving around a famous painting called The Shell Seekers. Through a bohemian childhood and a wartime romance, we come to love the complicated Keeling family. 

It's probably not by accident that three of the five books on this list are by Icelandic authors, as so much of the history and mythology of that nation is tied up with its Viking heritage. This novel, while somewhat unevenly paced, is a vivid depiction of life in Medieval Iceland, where kinship and honor were the basis by which human society clung to an unforgiving landscape. Its thematic emphasis falls on entrapment and isolation, and it offers a gorgeous sense of a premodern Nordic landscape.

I've read Anglo-Saxon history. I've read Viking Age history. But this is the first book I've read that combined them together to make a clear picture of the forces that drove these two people against each other.

This book covers the alliances, battles, and the people who were constantly shifting from one person's orbit to another. Although its main focus was England, the book also provides a view of the conflicts going on in Norway and Denmark, to give a holistic view of Northern Europe and what happened when huge armies of Danes and Norwegians came to England, leaving a power vacuum behind them in the north.

Thomas Williams was project curator for the major international exhibition Vikings: Life and Legend, held at the British Museum in 2014. In this tremendously readable account of Viking Britain from the late eighth to the end of the tenth century he interweaves first-person narrative, evocative prose, and more conventional historical and archaeological discussion to provide a new form of Viking history. Williams demonstrates how the Vikings have shaped British society, and how our perception has been shaped by authors such as J.R.R. Tolkien and William Morris.

While written in a similar vein as The Last Kingdom, Kristian has a knack for making his writing come to life in a very Anglo-Saxon epic poem kind of way. In this novel, we follow an orphan of sorts, Raven, as he joins a rapacious band of Norsemen embarking on a violent quest. Kristian is a relative newcomer compared to the others on this list, but he does not disappoint and will take the reader on a grand adventure.

This is a book about much more than just the most famous of the Saxon kings, Alfred the Great. The narrative begins in 789 and runs to 955, and charts not only the ‘beginning’ of England, as we know it, but also the ‘end’ of the smaller kingdoms of Northumbria, East Anglia, and Mercia. One of the more recent of my book recommendations, Max Adams simply thinks about Saxon England the way that I do, and he’s able to weave a narrative that’s conscious of both the narrative sources for the period and recent archaeological advances. I often pick up his books (he’s written two others about earlier Saxon England) to make use of his timelines and maps. He has a lightness of touch and flair that makes even the murkiest of topics, engaging and more importantly, comprehensible.

Reykjavik Police Inspector Erlendur and his associate, Sigurdur Oli, are sent to investigate the murder of an old man bashed with an ashtray. They soon uncover his sordid past, in which he was accused of rape. Traipsing from clue to clue, interviewing tangential witnesses, they learn more about why he was killed and eventually discover the perpetrator, whose life was tragically altered by the actions of the murdered man. Erlendur and Oli are like the Odd Couple but complement each other in their work. The title refers to the practice of keeping organs in jars for medical research, which figures into the investigation. The journey to the solution of the case is very satisfying.