Here are 100 books that Laxdaela Saga fans have personally recommended if you like
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In 2005, the Bookseller declared the Viking romance to be officially dead and never, ever coming back. However, they hadn’t consulted Harlequin Historical editors who researched the actual sales and desires of their readers. When my senior editor asked me if could I write one, I duly obliged with Taken by the Viking. The book beat lofty expectations, and the revival began such that the Viking period now ranks up there with Regency in terms of popular time periods for the line. The following list is some of the Viking set romances that I have escaped into on mainly rainy afternoons.
An old school bodice ripper by the absolute mistress of them.
Fires of Winter features a feisty heroine in the Irish princess Breena and a strong hero bent on revenge in Garrick Haardrad. ‘Everyone loves a Lindsey’ was the slogan in the early 1980s and this book showcases her at her page-turning best.
Lovely and dauntless, abducted by invaders from across an icy sea, Lady Breena vowed vengeance swearing no Viking brute would be her master no barbarian would enslave her noble Celtic heart, but then came Garrick Haardrad, the proud and powerful son of a ruthless Viking chieftain.
In 2005, the Bookseller declared the Viking romance to be officially dead and never, ever coming back. However, they hadn’t consulted Harlequin Historical editors who researched the actual sales and desires of their readers. When my senior editor asked me if could I write one, I duly obliged with Taken by the Viking. The book beat lofty expectations, and the revival began such that the Viking period now ranks up there with Regency in terms of popular time periods for the line. The following list is some of the Viking set romances that I have escaped into on mainly rainy afternoons.
These seven actual sagas (really more adventure stories) from the Viking era have it all – famous warriors, thrilling adventures, and intrepid women.
My favorite of the seven is Halfdan Eysteinsson which has a great hero and an even better heroine – Ingigerd who swaps places with her maid and earns her place as a warrior and avenges her father’s death before finding true love. Not to be missed.
Combining traditional myth, oral history and re-worked European legend to depict an ancient realm of heroism and wonder, the seven tales collected here are among the most fantastical of all the Norse romances. Powerfully inspired works of Icelandic imagination, they relate intriguing, often comical tales of famous kings, difficult gods and women of great beauty, goodness or cunning. The tales plunder a wide range of earlier literature from Homer to the French romances - as in the tale of the wandering hero Arrow-Odd, which combines several older legends, or Egil and Asmund, where the story of Odysseus and the Cyclops…
In 2005, the Bookseller declared the Viking romance to be officially dead and never, ever coming back. However, they hadn’t consulted Harlequin Historical editors who researched the actual sales and desires of their readers. When my senior editor asked me if could I write one, I duly obliged with Taken by the Viking. The book beat lofty expectations, and the revival began such that the Viking period now ranks up there with Regency in terms of popular time periods for the line. The following list is some of the Viking set romances that I have escaped into on mainly rainy afternoons.
Willingham penned an absolute cracker of a revenge story for the first book in this five-book continuity about the Sons of Sigurd.
There is an overall mystery of who was responsible for murdering the warriors’ father. After losing his beloved, Alaar Sigurdson has vowed to take revenge and seeks to use captive Breanne O Callahan to get close enough to her foster father, but…the attraction overcomes them in this enemies-to-lovers tale.
It is an absolute page-turner which I inhaled in one sitting. There are reasons why the Sons of Sigurd is a global bestseller.
Part of Sons of Sigurd. Battle-scarred Viking Alarr is a broken warrior who expects to die carrying out his oath of blood vengeance. He saves maiden Breanne O Callahan from slavery only with the intention of getting close enough to kill her foster father. Until their spark of passion ignites a desire to keep her close...and presents Alarr with a gut-wrenching choice - his revenge or his heart?
In 2005, the Bookseller declared the Viking romance to be officially dead and never, ever coming back. However, they hadn’t consulted Harlequin Historical editors who researched the actual sales and desires of their readers. When my senior editor asked me if could I write one, I duly obliged with Taken by the Viking. The book beat lofty expectations, and the revival began such that the Viking period now ranks up there with Regency in terms of popular time periods for the line. The following list is some of the Viking set romances that I have escaped into on mainly rainy afternoons.
St. George currently writes stunning Gilded Age set historical romance, but before that she wrote Vikings for Harlequin.
Enslaved by the Viking is the start of her Viking Warriors series and really showcases her page-turning quality – well-written with a hero to die for and a feisty heroine in this enemy-to-lovers tale set in Viking-age Northumbria. I will warn you that once started, you will not want to put this one down.
The moment Merewyn sets eyes on the warrior standing atop a Viking raiding ship something inside her stirs.
By all rights she should fear him, should run from him, and yet she cannot help but be drawn to him.
Eirik has never before taken a woman captive, but Merewyn inspires a longing that calls to the darkness within him. He takes her back to his homeland as his slave, and they finally succumb to passion. And as the lines between captor and captive blur Eirik realises they have crossed into dangerous territory...
In the Viking age, one could not escape destiny, and so it is with William and Reynir, men from two vastly different fields who met by chance and shared a passion for discovery. Their research on Viking combat has led to many groundbreaking discoveries and never before done testing. Their work has been accepted by leading museums, universities, and professional societies, and they regularly share their research findings in lectures, classes, and presentations at these venues. The National Museum of Iceland recently opened a special exhibit that features their research. In many ways, their work has changed our understanding of Vikings and shown a new approach to Viking research.
Ármann breaks the mold to show us how to understand and research Vikings in general. The essence of the supernatural being that Vikings called tröll shows us clearly that what we think is the norm today is unlikely to be that of the Viking age.
His book is a warning that we modern people need a ground penetrating radar to reveal all the landmines that our modern mindset places in our path to learning about Vikings.
What do medieval Icelanders mean when they say “troll”? What did they see when they saw a troll? What did the troll signify to them? And why did they see them?
The principal subject of this book is the Norse idea of the troll, which the author uses to engage with the larger topic of paranormal experiences in the medieval North. The texts under study are from 13th-, 14th-, and 15th-century Iceland. The focus of the book is on the ways in which paranormal experiences are related and defined in these texts and how those definitions have framed and continue…
I’m a retired professor of medieval literature, and taught at six universities, including Oxford and Harvard. I have published widely on Old English, Old Norse, and on my predecessor at Birmingham, Leeds, and Oxford, JRR Tolkien. I think it’s vital for academics to break out of their enclosed communities and engage with the interests of the general public – especially in areas where the public has shown keen interest, like the literature, history, and archaeology of the Vikings, all of which deserve to be taken together.
Dr Barraclough not only traces Viking voyages north, south, east and west, she has followed in their footsteps. She was knighted with the penis-bone of a walrus by the Polar Bear Society of Hammarfest, saw the runestones commemorating those who “died in the east with Ingvar,” and mapped saga accounts of Newfoundland. Grisly information about Icelandic “necropants” and the Greenland hero “Corpse-Lodin.” This book has particularly beautiful color plates.
In the dying days of the eighth century, the Vikings erupted onto the international stage with brutal raids and slaughter. The medieval Norsemen may be best remembered as monk murderers and village pillagers, but this is far from the whole story. Throughout the Middle Ages, long-ships transported hairy northern voyagers far and wide, where they not only raided but also traded, explored and settled new lands, encountered unfamiliar races, and embarked on pilgrimages and crusades.
The Norsemen travelled to all corners of the medieval world and beyond; north to the wastelands of arctic Scandinavia, south to the politically turbulent heartlands…
Purely by accident I stumbled on to a 1961 Penguin translation of Njáls saga and it was a transformative moment in my life. I signed up for Old Norse the next term, and never looked back. The sagas were incomparably intelligent in matters of psychology and politics and interpersonal interaction. And then told with such wit. How could the utter miracle of the fluorescence of so much pure genius on a volcanic island in the middle of nowhere not grab you? And what confluence of friendly stars would allow me to spend a life teaching and writing about them in a law school no less, paid as if I were a real lawyer?
An excellent account of this supremely intelligent Machiavellian rogue and wit of a Norwegian king by the eminent Norwegian historian and namesake Sverre Bagge. King Sverrir’s saga was written by an Icelander with the king looking over his shoulder and apparently dictating portions of it. Nothing quite captures a medieval insurgency any better than this saga when read through the lens of Bagge’s astute commentary.
Nancy Marie Brown is the author of seven books about Iceland and the Viking Age, including The Real Valkyrie: The Hidden History of Viking Warrior Women, The Far Traveler: Voyages of a Viking Woman, and the award-winning Song of the Vikings: Snorri and the Making of Norse Myths. Her books combine extremes: medieval literature and modern archaeology, myths and facts. They ask, What have we overlooked? What have we forgotten? Whose story must not be lost? A former science writer and editor at a university magazine, she lives on a farm in northern Vermont and spends part of each summer in Iceland.
Why do the Vikings seem so modern? Tom Shippey thinks it’s their attitude toward losers. They “knew that in the real world, conditions aren’t fair.” Heroes are trapped, outnumbered. Their luck runs out. “That doesn’t make you what we call ‘a loser,’” he writes. “The only thing that would make you a loser would be giving up.”
The Vikings showed their spirit by refusing to take death seriously. “What was best was showing you could turn the tables, spoil your enemy’s victory, make a joke out of death,” Shippey writes, and in Laughing Shall I Die: Lives and Deaths of the Great Vikings he shares dozens of examples.
Viking death-jokes are “often marked by Bad Sense of Humour,” Shippey admits. But they explain a lot about why this culture continues to fascinate us.
In this robust new account of the Vikings, Tom Shippey explores their mindset, and in particular their fascination with scenes of heroic death. The book recounts many of the great bravura scenes of Old Norse literature, including the Fall of the House of the Skjoldungs, the clash between the two great longships Ironbeard and Long Serpent and the death of Thormod the skald. The most exciting book on Vikings for a generation, Laughing Shall I Die presents them for what they were: not peaceful explorers and traders, but bloodthirsty warriors and marauders.
Mostly, I’m a writer of (hopefully) humorous books and articles largely focused on Vikings and Norse mythology, but I also write non-fiction articles about Scandinavian history, art, and culture. I’ve always been fascinated with the Viking Age, and read as much fiction and non-fiction on the subject as I am able. I’ve discovered many great novels dealing with the “whole Northern thing” (W.H. Auden’s term for Tolkien’s fascination) ranging from realistic historic fiction to highly original urban fantasy that utilizes the standard Norse tropes, but truly imaginative retellings that remain faithfully grounded in the plot points of the ancient stories are rarer. These are my favorites.
E.R. Eddison was an early fantasy novelist best known for The Worm Ouroboros, but like Poul Anderson, he also took a serious interest in bringing the ancient stories of the North into the modern age. Styrbiorn the Strong was his effort to capture the adventure of the old sagas by recreating a presumably lost full-length saga about the titular character. With Styrbiorn the Strong, Eddison built a convincing and original saga-inspired story from the fragments that exist about him (remaining references to Styrbiorn exist in Flatey Book, Eyrbyggja Saga, and the Heimskringla). The book was originally published in 1926 and features the sort of verbose and eloquent language typical of novels of that era, which itself is very un-saga-like, but is a joy to read.
E. R. Eddison's classic saga novel now in paperback-includes for the first time Eddison's remarkable letter of introduction and his unabridged closing note
Styrbiorn the Strong tells the grand tale of Styrbiorn Olafsson, heir to the Swedish throne and known both for his impressive size and strength and his unruly, quarrelsome nature. Denied his birthright and exiled from Sweden, Styrbiorn becomes the leader of the Jomsvikings and sets out to reclaim the Swedish throne in the epic Battle of Fyrisvellir. A rediscovered classic, Styrbiorn the Strong is a tale reminiscent of the Old Norse sagas, a historical novel from one…
I study and write about the Early Medieval period, and in a series of books about its most important characters, its archaeology and landscapes, I've tried to share my lifelong passion for this most obscure and tantalizing period of our history – what we still call the Dark Ages. From the two most shadowy centuries after Rome's fall (The First Kingdom) to Northumbrian King Oswald (The King in the North), who brought Christianity into pagan Anglo-Saxon England, and a walking, riding, sailing tour of Britain's Dark Age lands and seas (In the Land of Giants), I see a continuity of rich cultures, vibrant politics and regional characters that help us to understand how and why we are like we are.
Nancy Brown's search for one of the most intriguing characters of the sagas, Gudrid Thorbjarnardóttir, is both a detective story and an evocation; a travelogue and history. It brings the adventuring spirit of the age to life; and in exploring this most fascinating and intrepid woman – the first European to give birth on American soil – it warns us not to forget half of the Viking population.
Five hundred years before Columbus, a Viking woman named Gudrid sailed off the edge of the known world. She landed in the New World and lived there for three years, giving birth to a baby before sailing home. Or so the Icelandic sagas say. Even after archaeologists found a Viking longhouse in Newfoundland, no one believed that the details of Gudrid's story were true. Then, in 2001, a team of scientists discovered what may have been this pioneering woman's last house, buried under a hay field in Iceland, just where the sagas suggested it could be. Joining scientists experimenting with…
