91 books like The Saga of the Volsungs

Brian Levack is the leading authority on the history of witch-hunts in Europe.

Anyone seeking to fully understand the events of 1692 in Salem, needs to begin with a study of the 250 years of witch-hunts in Europe that preceded the outbreak in New England, which came late in the game but followed what occurred in many ways what preceded it. 

Levack’s book, now in its fourth edition, is the best source on this subject.  It includes information on the Salem witch trials in context of what happened in Europe. 

In 1575, the Roman Inquisition came across some disturbing rumors of villagers who called themselves benandanti, meaning “good walkers.” These men and women of the agrarian district of the Friuli in northeastern Italy were thought to be special because, as the folk narrative goes, they were born with the amniotic membrane (or the “caul”) covering their heads. When the individuals reached adulthood, on certain Thursday nights of the year, an angel summoned them from sleep, and, travelling out of their bodies in the form of mice, cats, and other small animals, they flew into the clouds to fight malevolent witches (malandanti). The benandanti fought with bundles of fennel while the witches wielded sorghum stocks. If the “good walkers” were successful in defending the crops, it would be a good year; if the witches won, the harvest would be abysmal and the witchy “evil walkers” would destroy the wine,… show more.

The narrator is turned into a donkey and undergoes various tribulations before recovering his human form. The only Latin novel to survive complete, it is a unique curiosity shop of diverse treasures: fantastical, comic, bawdy, beautiful, violent, and finally—biggest surprise of all—devoutly religious. "It smells of incense and urine," Flaubert said. Much of the work consists of tales related by the characters whom the donkey comes across, of which the longest is Cupid and Psyche, a fabulously rococo display of exquisite and enchanted storytelling. The virtuoso beauty of the description of Cupid’s wings is unbeatable. "Reader, listen up: you’ll love it," says the narrator at the start. You will. Again, go for Ruden’s translation.

Robert Moore’s history of the growth of institutional persecution in the tenth through thirteen centuries is a classic in medieval history. Moore demonstrates that the oppression of various “undesirables” in society, such as Jews, heretics, lepers, and homosexuals, fits into a pattern of state-building. Particular groups were not targeted for harassment, expropriation, segregation, expulsion, and mass execution because they caused a real threat. On the contrary, they were defenseless, and by playing on common people’s ignorance and stirring up fear, the centralized powers of state and church were able to scapegoat those groups as polluted, deviant, and dangerous.

Having established the powerless as the “other,” the ruling elite were then able to bring them down and appear to be the saviors of the Christian social order. This book does not focus on witches per se, but it explains how in the central Middle Ages governing mechanisms and bureaucratic procedures created… show more.

Dark and violent, this twelfth-century tale of love and revenge is a compelling vision of medieval values, combining many of the tropes of later pseudo-medieval sagas – treasure, gory battles, a cloak of invisibility, sexual deception and a dragon – with the spiritual angst that the later tales miss. From Siegfried’s brief encounter with a scaly beast to the fire-and-blood blitzkrieg of the climax – a ferocious battle in the hall of Attila the Hun – the story is told with breathless passion. Whether it glamourises war, or warns against its cost, is a matter of enduring debate. The tale has certainly had its share of cranky fans, from the silent movie filmmaker Fritz Lang to Heinrich Himmler, a testament to its provocative power.

Which version to read? The Penguin edition, translated by A.T. Hatto and published in 1965, offers a very readable prose version that captures the tale’s fiery… show more.

For me, no list of beloved books would be complete without an entry from Stephen R. Donaldson, who took my reading—and writing—to its next level after Tolkien. 

His sophisticated imagination and complex prose is on full display here, in this collection of original stories. Moving seamlessly from gritty medieval taverns to gleaming futuristic cityscapes, Donaldson takes us across the entire spectrum of science fiction and fantasy in just 366 pages, from the high fantasy tale of the title about a world with a unique concept of magic, to a too-safe utopia threatened by any citizen showing the least bit of imagination. 

“Unworthy of the Angel” is a personal favorite, blending noir elements into a story of an unusual divine messenger on a holy mission.     

Bach the church mouse and Wagner the megalomaniac had more in common than people imagine.

They both favored dense, contrapuntal textures with central themes and motifs, and both had an irrepressible personal energy, albeit manifested differently. This book digests the philosophical aspects of music in unpretentious language that saves you from having to read Schopenhauer (phew!).

It makes you more interested in both philosophy and music by showing how to two are connected in Wagner.

Oh, this series was a struggle for me. Such a wonderful concept, with such an unlikeable main character. But I loved the idea of saving a fantasy world, while dying in this one. I can’t just mention one, but instead mention the first omnibus, (including Lord Foul’s Bane, The Illearth War, and The Power That Preserves). The beginning of the 1980s didn’t allow for tremendously long books, though that did come by the end of the decade, this story was an epic fantasy broken down to three easily (relatively speaking) digestible books. And it showed how something mundane from our world could wield great power in another.

The only “non-stuffy” art book I know!

Up close and personal acquaintance with the late irreverent, prolific, and totally charming painter, who also sculpted and worked in wood and silver. No art-speak, just an amazing character, extolled by a master of pictures in words. Wealth of reproductions.

You’ll want to buy a painting once you’ve read the book.

This book I love purely for the photographs of archeological treasures and historical paintings. It’s in the format often referred to as a “coffee table book.” However, even though you may be tempted to page through it only to look at its impressive graphics and illustrations, the content is very much researched and informative. I especially like the sections on magical creatures and how Norse mythology has influenced our modern world and more current fiction.