100 books like Pigeon Feathers

The actor John Cusack brought me to this movie, and I read the book after the movie and loved it. One of the key differences between the movie and the book is that the movie is set in Chicago, and the book in North London. As someone who grew up in the ’80s, I started with Cusack as the nerdy sidekick in Sixteen Candles and became obsessed with his Lloyd Dobler character in Say Anything; you know, the guy who dressed in a trench coat and held a boom box over his head outside a girl’s window.

The narrator of this novel is a record shop owner in London named Rob, and he starts off with his desert island, all-time, top five most memorable breakups, in chronological order. When we’re in the record shop that Rob owns, the guys are always making lists: top 5 guitar solos, top 5… show more.

This is a funny and dramatic book and movie in which Grady Tripp is a university writing teacher who makes a mess out of his relationships. He’s having an affair with the chancellor of the college he teaches at, his wife has moved out maybe for good, and one of the students he has in class and who rents a room from him is attracted to him.

Tripp’s life is like a train wreck you can't stop watching, but also somehow funny. This book also became a great movie of the same name, starring Michael Douglas as the professor, Robert Downey Jr. as his agent, Frances McDormand as the chancellor, and Tobey Maguire and Katie Holmes as students. I mean, c’mon, doesn’t that sound great?!!!

The phrase “girl in a band” in the title got me to pick this book up off a table in the bookstore. I am the kind of guy who will pick up five or so books at a bookstore, take them over to the most comfortable spot I can find, and read the first few pages to see if I want to buy any of them.

The writer Kim Gordon was in an indie post-punk band called Sonic Youth, and I had just barely heard of them. After three years in Sonic Youth, Kim marries one of her fellow band members, and they stay married for 29 years. This book starts when the two of them take the stage together for the last time as they head for divorce and the band's breakup.

“They say when a marriage ends,” Gordon writes on the first pages, “that little things you never… show more.

The cover of this book has a stack of mix tapes on it and that’s what got me first: that the writer was going to explain love using the metaphor of a mix tape. As a person who has made hundreds of mix tapes myself—and later burned CDs and after that arranged playlists on Spotify—that the phrase mix tape was in the title was enough for me to pick up the book. Plus, I remember back in the 80s when I sat around waiting for a song to come on the radio so I could record it, and that was how I made my first tapes.

Each chapter in this book starts with an image of a mix tape with the songs listed on it. The writer uses the songs on the tape to write about his relationships. The first chapter ends with this line: “I’m going to be up… show more.

I felt every single emotion reading this book and felt as if I’d lived all the decades with Jen and Nick, who met as teenagers and soon became friends.

I love Sarra’s writing style, and I was fully invested in Jen and Nick from the very beginning, and found their complicated, messy relationship, which follows the most winding path, completely believable.

There was so much in this book that was unexpected, and by the end, I was a sobbing puddle of feelings. I know Jen and Nick will always stay with me, and I’m already looking forward to reading it again. 

I love a tense, character-driven thriller, and this one was set in a remote town I’ve visited. 

I love that the book is set in 1963, a decade that had particular significance for Australian women, their roles, and the expectations placed upon them.

It’s not fast-moving, but the setting is an almost palpable character in its own right. I found it dark, rife with corruption, violence, oppressive heat, and both the best and the worst of what Australia has to offer.

I will almost never buy a book on Atlantis anymore… except this one got me. Want to know why? I liked the write-up. I was short on adventure novels and I fell in love and read the whole series.

The two characters, Nina Wide and Eddie Chase, are brilliant. Eddie is a wise-cracking, no-nonsense guy, a British cockney who does the stupidest things and blows stuff up. You can't help but love him. In this book, Nina gets a tip on where to find Atlantis (here, her parents got killed trying to find it), and Eddie has to look after her.

McDermott writes like Clive Cussler on cocaine, so there is literally never a dull moment. Atlantis stuff can be really trite, but this is really good. I had some good laughs and could identify with the frustrations of someone on a goose chase. I also liked the villain in… show more.

Here’s another fantasy I didn’t know I had until I listened to this fabulous audiobook: to be neighbors with the great Chef, Julia Child. Not only that, to solve crimes with her!

Tabitha Knight has arrived in post-World War II Paris from Detroit for an extended stay with her French grandfather. She’s on a journey of discovery and about to get mixed up in a murder investigation.

Mysteries are my favorite genre, especially cozy mysteries focused on a topic and places I’d love to visit. This book combines some of my favorite things: cooking, France, and did I mention Julia Child?  

I once asked Agnes Nixon, the creator of All My Children and other legendary daytime serials, how she became so good at plotting them. She replied, “I am a very good eavesdropper.”

I suspect O’Hara was, too. His 1959 epic (900 pages!) about a social-climbing, status-mad banker and the fashionable coterie of vipers he navigates to attain success at any cost is dipped in old-money style and privilege masking an ever-rotting core.

It’s packed with the one thing any great beach read needs: people keeping secrets who will do anything to protect them.    

I love this classic novel; it is one of my old favorites.

Nowhere in the genre of young adult literature does there seem to be an author more subversive than Paula Danziger; here (and in the companion novel The Cat Ate My Gymsuit), she directly encourages the young reader to question adult authority and suggests that with protests and education about what rights the law gives (and withholds from) young people, it might be possible to effect change and increase their rights.

I also found it great that the novel shows the protagonist’s parents in raw realism–the father as a hypocritical, cheap, unlikable domestic despot, the mother as a shrinking violet who at first tends to excuse the father and conform to his expectations, but eventually starts questioning her stance when she sees her daughters rebel.