The most recommended space opera books

Okay, if you try to tell me that Star Wars doesn’t have a magic system, then I will fight you right here and now. I mean it, I will actually fight you. In all honesty, Star Wars is sci-fantasy, not really sci-fi. I think every kid and even adult from my generation can remember trying to move something using the force. In fact, I still wave my hand in front of electric doors and pretend I am a Jedi. Oh, don’t judge me, you know you do it too. Jedi and Sith are, after all, simply space wizards. They even dress the part. Well, maybe more like space clerics, but you get the point. Why I chose this book is because I feel that it gets into a lot of discussion on how each side views the force and its applications. I am particularly fascinated by Malgus and his ideology… show more.

I love a great Spock story, especially when his struggle between logic and emotion is at the forefront. That struggle is externalized and emphasized in this book when he discovers he has an adult son who has not been raised as a Vulcan. The tension between father and son plays off Spock’s troubled relationship with his own father.

It came out just a year after Star Trek II, four years prior to The Next Generation, so I eagerly awaited each book for my Trek fix, especially when they played off an episode because it was often a challenge to see the old shows in the eighties. In the episode “All Our Yesterdays,” Spock, stranded in the distant past, had reverted to a pre-logic Vulcan and fallen in love, providing Crispin with her setup; she eventually wrote a follow-up, Time for Yesterday.

For me, the worst thing about New York is getting stuck in traffic.

In the New York of 2140, that’s not a problem because rising sea levels have drowned much of Manhattan and motorboats zip through the flooded streets like it’s a high-rise Venice. Future New York is also a city whose residents are coping with the planet’s new reality.

In the midst of climate gloom, it is refreshing to imagine a scenario where New Yorkers can come together through cooperative action to take control of their own future.

I’m a physician, so it’s probably not surprising that a book by a physician about an alien physician might hit my list of meaningful space operas. What is surprising is Star Surgeon’s double-twist—the patients aren’t who we think they are, and the secret to getting Earth into the prestigious Galactic Confederation isn’t what we think it is—both of which actually had huge real-world thematic implications. On face level, it’s a medical thriller: the protag’s the first alien to graduate from human medical school, and he’s got to prove himself by curing an epidemic on a remote planet without arousing the ire of his human teachers. (I felt like this in residency.) But on a metaphysical level, Star Surgeon is a quiet manifesto dissecting the origins of racism—and the very biology of sentience itself. 

Carmen Loup's The Audacity is the successor to The Hitchhiker’s Guide to the Galaxy that I've been looking for for a long time. Loup takes strands of Hitchhiker's Guide DNA lovingly engineers it into its own unique tale filled with bright, colorful, and snarky characters and a fun, insightful (and, indeed, inciteful) voice that rings incredibly true to an Americanized Douglas Adams (that is, lacking in British poise and restraint). The Audacity is simply an amazing sci-fi comedy from start to finish and feels like a love letter to The Hitchhiker's Guide and, indeed, to all its fans. Plus, the entire first trilogy is available now (with more to come!).

Many Star Trek books are about dangers threatening a starship, a colony, or even a planet. “Hold my beer,” said Mack – and let the Borg, this mechanical hive-mind terror, invade the whole Alpha and Beta Quadrant of our galaxy.

Star Trek Destiny (a trilogy, but you can buy it as an omnibus edition) depicts a catastrophe on a scale that’s hardly imaginable. I can’t tell you how much I was on the edge of my seat when the first armada of Borg cubes arrived – with no intention of assimilating anyone at all!

Although there are world-breaking tragedies to be witnessed, the book is not all about fighting battles. It also delves into the origin of the Borg, and it concludes their overall story arc in a very “trekkie” way. I like that a lot!

Peter Reidinger is confined to his bed because of a life-altering accident that renders him unable to walk.

While recuperating in the hospital, he uncovers a remarkable ability to harness generators to awaken his dormant telekinesis skills. As someone who shares a connection with a wheelchair-bound individual, I found myself closely relating to Peter's struggles.

With his new abilities and an unrelenting determination, he defies all odds to venture into space and exceed everyone's expectations. This mesmerizing tale, blends elements of science-fiction, fantasy, and gripping adventure to deliver a truly unforgettable read.

This book’s charming combination of sentient spaceships, quirky and interesting alien races, a touch of horror, and a rag-tag group of main characters thrust into a do-or-die situation apparently way beyond their respective abilities pushed a lot of my buttons in all the right ways.

Thus, this series has become another fast favorite of mine. I often recommend it to new science-fiction readers as I feel it’s a near-perfect introduction to the “space opera” sub-genre.

This one might seem an odd pick at first. I thought so too when a friend gave me a copy. I was surprised there was an Anne McCaffery book I hadn’t read!

This book belongs on the list for its beautiful depiction of what love and community can do for a group of mismatched outcasts, refugees on a dangerous planet—a collection of peoples all very different from one another working together to survive.

Their destiny was to become a cohesive extended family despite all their differences, and to become empowered individuals at the same time. There’s a steamy romance, too. So that’s always yummy. It goes to show that when destiny calls, the love that answers can be with a voice of multitudes.

Like The Ballad of Songbirds and Snakes, Frank Herbert’s book tells the story of a man who could be the villain or the hero, depending on who you ask. I love watching how an intelligent yet malleable person can be swept up in feelings of duty, responsibility, and leadership only to make highly questionable decisions.

Paul Atreides’ moral ambiguity is undeniably engineered by the shifting and slimy political landscape of the Dune universe, driving home the idea in my mind that good worldbuilding can set the stage for truly complicated characters.