The most recommended books on human spaceflight

In most space opera novels, humans are the absolute best. Whether they began the government they belong to, or came to it later, they’re special in a way that makes the universe better. Melinda Snodgrass’ The High Ground is different. In her series, humans went into space, met aliens, and conquered nearly everyone they met. Now the aristocrats of the Solar League spend their time on balls and dancing, while in the dark, a new menace approaches. This is an action series, but the heart of the story is the relationship between Mercedes, eldest daughter of the Emperor, and Tracy, the common-born son of a tailor, thrust together by circumstance and torn apart by the realities of their society.  It’s a great series, full of adventure, political infighting, and humans—some of them, anyway—learning to be better people. 

Lady astronauts are all the rage these days, but what would it have taken to get women into spaceships in the notably more misogynist 1950s? According to this book, it would take the threat of a world-destroying cataclysm—which sounds about right.

This book doesn’t stop at sexism, though. It tackles a variety of -isms, and doesn’t hold back in showing how absurd it would be to hold onto them as the world burns. Some critics have even suggested that there are too many types of bigotry on display here, to which I would reply, “Dude, wait ‘till you hear about real life.”

Ignore all the yucky, uncomfortable stuff if it pleases you, though, and this will still be a fascinating look at mid-century America, but with ladies in space.

During his speech at the World Government Summit 2018 in Dubai, Neil deGrasse Tyson confessed that his original title for the book Space Chronicles: Facing the Ultimate Frontier was Failure to Launch: The Dreams and Delusions of Space Enthusiasts. The publisher rejected this title. I would have purchased this book either way, but the original title is on the mark. Tyson is one of my greatest sources of inspiration because he is so clear-eyed about practical challenges in space travel: from the physical and biological to the political and philosophical. Space Chronicles is one of many fine entry points into his brilliant mind.

The book interweaves the human story of risk and decision-making and the technological account of successes and failures of onboard computing in the Apollo program. It makes a fascinating comparison with the parallel story of techno-human systems in the Soviet space program explored in my book. While Soviet cosmonauts routinely served as a backup for automatics, American astronauts successfully fought to seize control of their missions from the computer and to perform manually each of the lunar landings.

I think I’m on my third or fourth copy of this book, because I keep giving it away! This is an absolutely stunning, gorgeously illustrated book about the spacesuits worn by Buzz Aldrin and Neil Armstrong during the moon landing. The bid to design the suits was won by the Playtex Corporation—the lingerie company!—over a bunch of industrial materials suppliers, because Playtex knew how to design for the body in ways the other firms didn’t. The book is organized into twenty-one chapters, in homage to the twenty-one layers of the spacesuit, and it’s a thing of beauty. It weaves together the history of aeronautics, the politics of the Space Race, technology design, and mid-century fashion so seamlessly, and makes you think about each of these topics differently.

I was fascinated by how much cultural representations of astronauts and cosmonauts reveal about our societies in this rich and diverse volume. US pop culture is analyzed through astronaut gender representations in TV series, different portrayals of pilots-astronauts and scientists-astronauts in the movies, and the use of American frontier mythology tropes. Comparing representations of spacefarers in different national cultures shows that even glossy magazines carried an ideological message: Soviets traced their achievements to the advantages of socialism, while Americans touted liberty and openness. Finally, cultural attitudes are revealed by media attention to the changing professional, gender, and race demographics of the astronaut corps in the 1980s. In particular, the media treated women astronauts differently from men by emphasizing their feminine traits and family life instead of focusing on space work.

I enjoyed this book because it describes one of the very first Flight Directors; one that people don’t know much about; Glynn Lunney. He was a relatively quiet person but extremely intelligent and capable. He is best known for his leadership in the control center during the Apollo XIII mission and during the Apollo Soyuz mission. He also was the Flight Dynamics Branch Chief that included all of the "Trench" Flight Controllers. 

This book is written by two dear friends who are the reason I am a published author myself. However, I don’t recommend it just because they are close to me, but because it is a wonderful book that kicked off the entire Outward Odyssey series, of which my book is a part. This magnificent book set a new standard for historical work on space exploration by focusing on the people instead of the hardware. The stories you’ll read here will show you why we are who we are and why humans will always strive for the unknown.

In the 20th and 21st centuries, science fiction has been a major force in defining our collective imagination of what spaceflight is and why it is significant. This book puts the history of space science fiction in the context of the American space program, charting the reality of spaceflight against expectations set in popular culture.

Telling these parallel stories of real space accomplishments and fictional space exploits allows Weitekamp to reveal stories of spaceflight as inseparable from broad cultural concerns such as American identity, the frontier, race, gender, and sexuality. Weitekamp has spent her career curating the social and cultural history of spaceflight collection at the National Air and Space Museum, and her argument is built upon her expert analysis of popular culture objects from the collection. 

When it comes to human spaceflight programs, a lot has been written about the astronauts, administrators, and decision-makers who set policy and defined these programs from the top. The People’s Spaceship presents the four decades of NASA’s Shuttle Program as a mission to engage the public in the excitement of space exploration and make spaceflight relevant to people’s everyday lives.

In a post-Apollo era of declining budgets, NASA’s outreach efforts during the Shuttle era demonstrate the agency’s increasing reliance on public support and the public relations apparatus it built to garner it. Despite the Shuttle’s flaws, NASA managed to create a sense of public ownership of the program, as well as generations of kids who grew up dreaming of their own Shuttle flights.