Love Spacesuit? Readers share 100 books like Spacesuit...

This is one of those books that you have to read either alone or among tolerant friends, because every few pages you’ll be moved to read some bit of it aloud to everyone around you. Alondra Nelson is a brilliant sociologist of science and technology, and this book tells the story of how genetic science and racial politics intersect, sometimes in surprising ways. I love how this book intertwines cultural and political history with clear-eyed analysis of genomics, genealogy, and the life sciences—it’s a great example of how to write about the human stakes of scientific research and innovation.

Everyone who knows me has at some point had to hear me recount at least one anecdote from this book! Dundes was a professor of folklore, and this book is about all the ways Orthodox Jews navigate the prohibitions of the Sabbath. It includes a lot of incredible history about how technology plays a role in helping people do what they need to do without technically breaking the rules—like the Shabbat elevator in the title, which stops automatically at every floor in a building so that observant Jews don’t have to press a button to operate the elevator (which is prohibited). This book changed how I think about automation, and it’s so richly and respectfully written. One of my all-time favorites.

A book about pencil-and-paper baseball scorekeeping might seem like an odd one to include on a list about technology! But that’s precisely the point: even though by-hand scoring seems like an unnecessary relic in the digital age, this book so beautifully explains why people do it anyway, and how much richness and storytelling and personality there can be in a practice that, at first glance, seems like it might just be rote transcription. Recording data isn’t a science—it can be an art, a tradition, and a joy unto itself.

My copy of this book has so many dog-eared pages and “!”s scrawled in the margins that it’s almost ridiculous. This is the story of how, in the 1960s, New York City and the RAND Corporation used algorithmic modeling to decide where to locate fire stations in the city. It was pretty much a disaster: because of the choices the modelers made about what to measure and how to measure it, they ended up cutting services to many of the poorest neighborhoods in NYC. Joe Flood is a journalist, and it shows—this book is stunning in how it combines the stories of human beings with crystal-clear accounts of the technical decisions made by the computing “whiz kids.”

This is an older text, but a good one nonetheless.

Normal Accidents highlights the complexity behind major disasters. In the hours, days, and even years leading up to any major incident, there are often multiple opportunities to reduce the negative impacts or even avoid them altogether.

Focusing on technological hazards, Perrow highlights the fact that major incidents are rarely the result of a single point of failure. As risk managers, we need to understand the compounding nature of risk, and this book brings that lesson to life. 

Tech analyst and investor Azeem Azhar concisely pulls together his take on how the arc of technology has moved from linear to exponential both in its development as well as its impact on society and business.

Azhar brings great insight into how exponential growth – creating an “exponential gap” – has put strains not only on businesses, but also on government and society writ large. 

Mumford’s classic describes the emergence of hierarchical power systems that subjugate both humans and the more-than-human nature, from ancient Egypt to modern capitalism and the “Pentagon of Power”. The book takes on the technocratic worldview, inherent in modern capitalism, with a huge scope of knowledge and remarkable detail, combined with Mumford’s deep humanism. Mumford also coined the term “Megamachine” to which I refer in my own book.

For my final choice, I recommend a work of fiction that made me think deeply about the future of money, markets, institutions, and society. I started reading Ari Juels’ book out of polite interest since I met him, and I can personally testify to his smartness and niceness.

Once I started reading it, however, I couldn’t put it down! It’s a very well-crafted story that draws the reader into the world of blockchains and digital assets with, I thought, very human and believable characters. I can tell you firsthand that trying to write a novel about the future of money is incredibly difficult—I’ve tried! I take my hat off to him for this excellent work, which I hope will cause more people to take the future of money and all it implies more seriously. 

Like so much else Mumford wrote, this book is a volcano of provocative ideas that I found revelatory when I first read it and still do. Published in 1970, it summarizes much of Mumford’s thinking about the largely invisible and growing power structure he calls the Megamachine that threatens humanity and life on planet Earth.

His earlier writing, including The City in History (1961) and his essay The Natural History of Urbanization (1956), was formative for my own thinking about urban parasitism and aggression. Although a lover of cities, as am I, Mumford was well aware of the consequences of their depredations. 

Felix Gilman’s The Half-Made World is a brilliant steampunk allegory about what philosopher Jürgen Habermas calls the colonization of the life-world for a faithless utilitarian reason. Gilman imagines a war that pits defenders of wonder, magic, and voodoo against soulless drones seeking gain through environmental degradation. This is a common enough trope in science fiction but what brings it to another level is Gilman’s personification of wonder and magic in a sleazy, violent anti-hero who is frequently possessed by demons. Gilman embodies the colonizers of the world as monstrous, dragon-like railway engines who order men around using telegrams. The innocent reader who will decide the fate of the world is a brilliant, female doctor who is trying to cure herself of her opium addiction. Gilman’s understanding of the rhythm of nineteenth-century language is amazing. His characters each have unique voices and his beautiful prose suggests that Gilman has spent years… show more.