I write historical YA in verse—pretty much the niche of the niche. Before I was published, I spent many years writing and querying various YA projects in prose, but it wasn’t until I decided to try a project in verse that I really found my groove. Nowadays, everything I write falls under that same (small) umbrella, so I really looked to novels like the ones here to learn from the best. These days, I still love reading YA historicals and anything in verse, but YA historicals in verse remain forever my favorite.
Audacity is based on the life of Jewish immigrant Clara Lemlich, who fought for female workers’ rights in New York factories in the early 20th century. I found this verse novel gripping from its very first pages.
YA readers today will definitely identify with the young woman at the story’s core—especially those who are familiar with the historical backdrop. Despite the difficulties the protagonist faces, her story is filled with hope and is told in beautifully-written verse.
The inspiring story of Clara Lemlich, whose fight for equal rights led to the largest strike by women in American history
A gorgeously told novel in verse written with intimacy and power, Audacity is inspired by the real-life story of Clara Lemlich, a spirited young woman who emigrated from Russia to New York at the turn of the twentieth century and fought tenaciously for equal rights. Bucking the norms of both her traditional Jewish family and societal conventions, Clara refuses to accept substandard working conditions in the factories on Manhattan's Lower East Side.…
As a lifelong New Yorker and author of two books about drinking in the city—New York Cocktails and Drink Like a Local New York—these are the books about bygone days of city living that I would tell you to read if we met in a bar. You already know the ones by E.B. White, Patti Smith, Lou Reed, or possibly Pete Hamill or Walt Winchell. Those books are fantastic, but these are some “deep cuts” New York City appreciation books that you should also get to know.
Immigrants have the biggest impact on what modern day New Yorkers eat.
This book tells the story of five families from different cultures—German, Irish, Russian (Prussian) Jewish, Lithuanian, and Italian—who at various times all lived at the same tenement on the Lower East Side in the late 19th and early 20th century. Their stories, and the ways their adopted culture evolved since immigrating to America, is told with an examination of the resourceful ways the families earned money, sourced, and shopped for food.
Recipes reveal how certain dishes born out of necessity became iconic staples of American cuisine (for instance, how and why corned beef is an Irish-American, not ethnically Irish dish).
“Social history is, most elementally, food history. Jane Ziegelman had the great idea to zero in on one Lower East Side tenement building, and through it she has crafted a unique and aromatic narrative of New York’s immigrant culture: with bread in the oven, steam rising from pots, and the family gathering round.” — Russell Shorto, author of The Island at the Center of the World
97 Orchard is a richly detailed investigation of the lives and culinary habits—shopping, cooking, and eating—of five families of various ethnicities living at the turn of the twentieth century in one tenement on the…
I ardently began research and writing on Jean-Michel Basquiat in grad school (2004), before his paintings demolished sales records and when he was still somewhat misunderstood and marginalized by perplexed art historians. Since then, his potency and intrigue have blazed a global pop culture inferno. I’ve conducted dozens of interviews, befriended those close to him, memorized his lines, colors, words, and spaces in books and real life, and re-read countless pages. Currently I’m writing and compiling a field guide to his work. All Basquiat publications are imperfect. I hope with sensitivity and intellectual intent, fans can move through their initial impressions to better understand his meaningful motives, inclinations, and artwork.
Its prose channels the powerful yet painful relationship of Suzanne Mallouk and Jean-Michel Basquiat as seen through Suzanne’s wise sensitivity, artistic nature, and unconditionally honest heart. Clement is a rich, sentient, masterful poet, and close friend of Suzanne.
I love that the story reads with mysterious, potent fluidity and is peppered with odd, lesser-realized personality traits and historic Basquiat facts.
Widow Basquiat is the unfiltered story of lovers living amidst an 80s NYC cultural renaissance. Their small joys and quirky character traits feel heroically familiar while the poetic style traverses select, revealing content that strikes chords.
Having personally known Suzanne for many years as a scholar and friend, this book generously and deeply shares her authentic human experience.
The beautifully written, deeply affecting story of Jean-Michel Basquiat's partner, her past, and their life together
An NPR Best Book of the Year Selection
New York City in the 1980s was a mesmerizing, wild place. A hotbed for hip hop, underground culture, and unmatched creative energy, it spawned some of the most significant art of the 20th century. It was where Jean-Michel Basquiat became an avant-garde street artist and painter, swiftly achieving worldwide fame. During the years before his death at the age of 27, he shared his life with his lover and muse, Suzanne Mallouk.
As a practicing clinical psychologist, teacher of psychotherapy theory and technique, and author (Barbarians at the PTA, Madmen on the Couch, Money Talks) who writes about the psychopathology of daily life for various online and print publications, I am a participant in/observer of mom culture. I love a juicy mother-child story.
Florin will make you ache for a mother’s love. She writes masterfully about her female character’s experience at a remotely insular and male-dominated elite college campus.
A coming of age and loss of innocence story, the novel is beautifully realized and thoroughly relatable–even if we didn’t attend this particular cold and icy campus, we’ve had moments of questioning our choices and have stumbled along the path before figuring it all out.
An incisive, deeply resonant debut novel about a nonconsensual sexual encounter that propels one woman’s final semester at an elite New England college into controversy and chaos―and into an ill-advised affair with a married professor.
It’s 1998 and Isabel Rosen, the only daughter of a Lower East Side appetizing store owner, has one semester left at Wilder College, a prestigious school in New Hampshire. Desperate to shed her working-class roots and still mourning the death of her mother four years earlier, Isabel has always felt like an outsider at Wilder but now, in her final semester, she believes she has…
I love crime fiction—mysteries, thrillers, espionage, you name it, plots and puzzles that excite and confound and ultimately gratify. I also love the non-genre called literary fiction, sharply observed and beautifully written books that move me, and leave me with a slightly better understanding of humanity. And I think the sweetest spot of all is the intersection of the two, with sparkling prose, fully realized characters, and interesting settings combined with an insistent, credible plot that makes it a matter of urgency to turn the page, presenting the exquisite dilemma of wanting to race through the excitement but also the opposite urge to slow down and enjoy it all.
Richard Price’s propulsive plots revolve around crime, but the novels are always about something much bigger, andLush Life merges many of his favorite themes into one masterpiece: ambition and compromise, race and class, gentrification and crime, the push-and-pull of a city’s progressive leanings against reactionary forces for law and order and property values. Price’s city is constructed on a bedrock of conflict between those who’ve come to New York struggling to create art, those who were born here struggling to get by, and the cops struggling to hold the middle, in a spectacular kaleidoscope of a downtown scene at the turn of the millennium, of hipsters and gangsters, housing projects and trendy restaurants, all these subcultures clashing in one microcosm of urban life.
'So, what do you do?' Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter But now he's thirty-five years old and he's still living on the Lower East Side, still in the restaurant business, still serving the people he wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn't say tending bar. He was going places - until two street kids stepped up to him and Eric one night and pulled a gun. At least, that's Eric's…
Nothing gives me more joy than painting stories in the colors of every human emotion in our spectrum. And combining laughter and tears on the same page elicits a delicious thrill that keeps me sitting in the chair. It doesn’t happen to me on every page, (I’d be lying to say it did.) When it does, I don’t want to let it go. A former theater major (probably “a bad actor”) I started my novel-writing journey when I sent a resignation email to a few thousand employees I was managing at the time. “Hey girl, you made me laugh and cry in that email. Maybe you might think about writing.”
I love the magical realism aspect of this novel, which Benjamin handles with such a deft hand you don’t question whether or not the impossible is possible. A fortune teller’s prediction and old-world superstition create a heavy weight that exquisitely-drawn characters must navigate. The power of belief and its effect on destiny is a complex topic. Is it good or bad to know our future? Should we act on what we’ve been told? Should we ignore it? If we believe something does that make it happen? If we disbelieve does it not happen? Every character is a gem, including Klara: an extraordinary magician who convinced me we must embrace the mysteries of the world even if we can’t comprehend them.
It's 1969, and holed up in a grimy tenement building in New York's Lower East Side is a travelling psychic who claims to be able to tell anyone the date they will die. The four Gold children, too young for what they're about to hear, sneak out to learn their fortunes.
Such prophecies could be dismissed as trickery and nonsense, yet the Golds bury theirs deep. Over the years that follow they attempt to ignore, embrace, cheat…
I find gripping real-life adventures like this irresistible. Especially first-person accounts.
I hung on every word of Tanya’s story of her solo voyage around the world, some of it literally death-defying, especially while she was still mastering navigation and, later, traversing busy shipping zones populated by vessels much larger than hers.
It was reminiscent of another favourite, Robert Manry’s Tinkerbelle, a great sea-faring tale. Tania is so honest and transparent about her limitations and challenges. I enjoy reading about exploits I would never be brave enough to tackle myself.
Watching this teen-aged girl test her mettle while transforming herself into a responsible, capable young woman, I wondered how I would have managed in her place. Poorly, I expect. Better to live vicariously through the adventures of others, such as Tanya, I think.
In 1985 Tania Aebi was an 18-year-old working as a bike messenger in New York City and frequenting bars until late at night. It was then that her father offered her a college education, or a boat. However, if she chose the boat, she would have to sail around the world alone. This volume tells of her 27,000 mile voyage. When she left New York harbour in 1985, she had never sailed alone before and knew little about navigation or anchorage. What began as a quest for adventure became a spiritual test, and fight for survival.
I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.
After the WASPs of The Social Register, the next great wave of American wealth was generated by the German-Jewish upper class that rose at the end of the 19th Century. Weaving together the stories of the Loeb, Lehman, Lewisohn, Schiff, Seligman, Goldman, Straus, Warburg, and Guggenheim families, Birmingham created a classic of the kind of group biography I aspire to write.
They immigrated to America from Germany in the nineteenth century with names like Loeb, Sachs, Seligman, Lehman, Guggenheim, and Goldman. From tenements on the Lower East Side to Park Avenue mansions, this handful of Jewish families turned small businesses into imposing enterprises and amassed spectacular fortunes. But despite possessing breathtaking wealth that rivaled the Astors and Rockefellers, they were barred by the gentile establishment from the lofty realm of "the 400," a register of New York's most elite, because of their religion and humble backgrounds. In response, they created their own elite "100," a privileged society as opulent and exclusive…
One
of the most creative premises I’ve encountered in a long time: After leaving
the Velvet Underground but before starting his solo career, Lou Reed spends a
year working for his father’s accounting firm and gets wrapped up in a murder
mystery.
Lyrics, characters, and situations from throughout Lou Reed’s entire
catalog set the stage and add another layer to the story for fans of music and
mystery alike. It’s the exact type of music-based fiction/non-fiction hybrid
sub-genre I love but have trouble finding examples of.
In the fall of 1970, Lou Reed walked away from rock and roll. He left the Velvet Underground, and New York City, returning to Long Island. He moved in with his parents and got a job as a typist at his father’s accounting firm. He told friends his career in music was over. Vicious takes an imagined look at what happened to Reed after he quit his band, and before the successful solo career that began in 1971.
The story follows Reed as he finds himself drawn into a strange case at his dad’s office. Someone’s trying to claim the…
I’d written modern true crime before—a book that helped solve a 40-year-old cold case—and wanted to try my hand at historical true crime. I live in Manhattan, home to the greatest crime stories of the late nineteenth and early twentieth centuries, so I was able to see the actual locations where the grisliest murders, the biggest bank heists, and the crookedest con games took place. What really drew me in, though, were the many colorful, unforgettable characters, both good and bad, cops and robbers, who walked the bustling streets of Old New York during the fascinating era known as the Gilded Age.
Author Ferrara takes you on a lively, and chilling, tour of the sites in Manhattan where Mafia dons and underlings brutally wiped out their competition—only to find themselves on the receiving end of the same treatment at some other joint up or downtown. Chinatown, Little Italy, the Lower East Side—these were the main haunts of New York’s most colorful and deadly criminals in the late 1800s and early 1900s, and it’s fun to actually visit the locations with this book as a guide.
During the early twentieth century, Sicilian and Southern Italian immigrants poured into New York City. Looking to escape poverty and persecution at home, they soon discovered that certain criminal enterprises followed them to America. Before any codes of honor were established in the New World, violent bosses wreaked havoc on their communities in their quest to rule the underworld. It took several decades for the Mafia to mature into a contemporary organized crime syndicate. Some names and places from both eras are still infamous today, like Frank Costello and the Copacabana, while some have remained hidden in absolute secrecy until…
