As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
If you’ve read all 783 pages of World of Our Fathers and are still looking for more about early Jewish-American life in New York—or just something more immediate—this is the book for you.
An autobiographical fever-dream of a novel, Jews Without Money is a vivid, violent, look at the life of the Jewish slum kids whose parents emigrated to America. A lifelong communist, Gold only wrote one novel, but it anticipates the hallucinatory fiction of writers like Denis Johnson by half a century.
At once entirely Jewish and entirely American, Jews Without Money gives an unvarnished first-person glimpse into the surreal world of turn-of-the-century New York.
As a writer and political activist in early-twentieth-century America, Michael Gold was an important presence on the American cultural scene for more than three decades. Beginning in the 1920s his was a powerful journalistic voice for social change and human rights, and Jews Without Money--the author's only novel--is a passionate record of the times. First published in 1930, this fictionalized autobiography offered an unusually candid look at the thieves, gangsters, and ordinary citizens who struggled against brutal odds in lower East Side Manhattan. Like Henry Roth's Call It Sleep and Abraham Cahan's The Rise and Fall of David Levinsky, Jews…
I’d written modern true crime before—a book that helped solve a 40-year-old cold case—and wanted to try my hand at historical true crime. I live in Manhattan, home to the greatest crime stories of the late nineteenth and early twentieth centuries, so I was able to see the actual locations where the grisliest murders, the biggest bank heists, and the crookedest con games took place. What really drew me in, though, were the many colorful, unforgettable characters, both good and bad, cops and robbers, who walked the bustling streets of Old New York during the fascinating era known as the Gilded Age.
Author Ferrara takes you on a lively, and chilling, tour of the sites in Manhattan where Mafia dons and underlings brutally wiped out their competition—only to find themselves on the receiving end of the same treatment at some other joint up or downtown. Chinatown, Little Italy, the Lower East Side—these were the main haunts of New York’s most colorful and deadly criminals in the late 1800s and early 1900s, and it’s fun to actually visit the locations with this book as a guide.
During the early twentieth century, Sicilian and Southern Italian immigrants poured into New York City. Looking to escape poverty and persecution at home, they soon discovered that certain criminal enterprises followed them to America. Before any codes of honor were established in the New World, violent bosses wreaked havoc on their communities in their quest to rule the underworld. It took several decades for the Mafia to mature into a contemporary organized crime syndicate. Some names and places from both eras are still infamous today, like Frank Costello and the Copacabana, while some have remained hidden in absolute secrecy until…
I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.
After the WASPs of The Social Register, the next great wave of American wealth was generated by the German-Jewish upper class that rose at the end of the 19th Century. Weaving together the stories of the Loeb, Lehman, Lewisohn, Schiff, Seligman, Goldman, Straus, Warburg, and Guggenheim families, Birmingham created a classic of the kind of group biography I aspire to write.
They immigrated to America from Germany in the nineteenth century with names like Loeb, Sachs, Seligman, Lehman, Guggenheim, and Goldman. From tenements on the Lower East Side to Park Avenue mansions, this handful of Jewish families turned small businesses into imposing enterprises and amassed spectacular fortunes. But despite possessing breathtaking wealth that rivaled the Astors and Rockefellers, they were barred by the gentile establishment from the lofty realm of "the 400," a register of New York's most elite, because of their religion and humble backgrounds. In response, they created their own elite "100," a privileged society as opulent and exclusive…
My day job is teaching U.S. history, particularly courses on urban history, social movements, and race and gender. It is women’s experiences in cities, however, that have driven much of my historical research and sparked my curiosity about how people understand–and shape–the world around them. Lots of people talk about what women need and what they should be doing, but fewer have been willing to hear what women have to say about their own lives and recognize their resiliency. I hope that this kind of listening to the past will help us build more inclusive cities in the future.
This 1925 autobiographical novel dropped me into the middle of New York’s Lower East Side Jewish neighborhoods in the early 20th century. The main character has a life of substantial struggle with and against her family, employers, landlords, and an American society that seems intent on erasing her.
While the book has elements of both a classic immigrant story and a coming-of-age tale, I love how it reveals the realities of urban living for a young immigrant woman. The pace and practices of making a home in a too-small space, getting by on minimal resources, scrumming for work, and avoiding harassment fill this book’s chapters. As a social and cultural historian, reading about daily activities–both struggles and joys–in a different time and place helps fire my imagination about not just what happened but how it might have felt to experience it.
First published in 1925, Anzia Yezierska's "Bread Givers" is the tale of a young Jewish-American immigrant woman and her struggle to control her own destiny in Manhattan's Lower East Side at the turn of the century. The novel is based in large part on Yezierska's own life experiences immigrating from Poland as a child and growing up in New York City in an Orthodox Jewish family. "Bread Givers" centers on the story of its main character, Sara Smolinsky, who lives with her older sisters and parents in a poor tenement in the Lower East Side. The Smolinsky family is destitute…
I am a professor of history and Jewish studies at American University and author of America’s Jewish Women: A History from Colonial Times to Today, winner of the National Jewish Book Award – 2019 Jewish Book of the Year. Since childhood I have been reading stories of women’s lives and tales set in Jewish communities across time and space. Yet, the voices that so often best evoke the past are those captured on the pages of great memoirs.
In 1951, Sydney Taylor invented the memorable Brenners—papa, mama, five sisters, and baby brother—a Jewish family on the Lower East Side in turn-of-the-century New York. Taylor’s words and Helen John’s illustrations in this book, the first in a series, set the scene. A calendar in the parlor announced that it was 1912. Tenements lined city streets. When I read these novels as a child, I did not yet know that they were closely based on Taylor’s own life. When the entire series was republished in 2014, I quipped: I became a Jewish historian because of these books.
Meet the All-of-a-Kind Family -- Ella, Henny, Sarah, Charlotte, and Gertie -- who live with their parents in New York City at the turn of the century.
Together they share adventures that find them searching for hidden buttons while dusting Mama's front parlor and visiting with the peddlers in Papa's shop on rainy days. The girls enjoy doing everything together, especially when it involves holidays and surprises.
But no one could have prepared them for the biggest surprise of all!
I find gripping real-life adventures like this irresistible. Especially first-person accounts.
I hung on every word of Tanya’s story of her solo voyage around the world, some of it literally death-defying, especially while she was still mastering navigation and, later, traversing busy shipping zones populated by vessels much larger than hers.
It was reminiscent of another favourite, Robert Manry’s Tinkerbelle, a great sea-faring tale. Tania is so honest and transparent about her limitations and challenges. I enjoy reading about exploits I would never be brave enough to tackle myself.
Watching this teen-aged girl test her mettle while transforming herself into a responsible, capable young woman, I wondered how I would have managed in her place. Poorly, I expect. Better to live vicariously through the adventures of others, such as Tanya, I think.
In 1985 Tania Aebi was an 18-year-old working as a bike messenger in New York City and frequenting bars until late at night. It was then that her father offered her a college education, or a boat. However, if she chose the boat, she would have to sail around the world alone. This volume tells of her 27,000 mile voyage. When she left New York harbour in 1985, she had never sailed alone before and knew little about navigation or anchorage. What began as a quest for adventure became a spiritual test, and fight for survival.
I love crime fiction—mysteries, thrillers, espionage, you name it, plots and puzzles that excite and confound and ultimately gratify. I also love the non-genre called literary fiction, sharply observed and beautifully written books that move me, and leave me with a slightly better understanding of humanity. And I think the sweetest spot of all is the intersection of the two, with sparkling prose, fully realized characters, and interesting settings combined with an insistent, credible plot that makes it a matter of urgency to turn the page, presenting the exquisite dilemma of wanting to race through the excitement but also the opposite urge to slow down and enjoy it all.
Richard Price’s propulsive plots revolve around crime, but the novels are always about something much bigger, andLush Life merges many of his favorite themes into one masterpiece: ambition and compromise, race and class, gentrification and crime, the push-and-pull of a city’s progressive leanings against reactionary forces for law and order and property values. Price’s city is constructed on a bedrock of conflict between those who’ve come to New York struggling to create art, those who were born here struggling to get by, and the cops struggling to hold the middle, in a spectacular kaleidoscope of a downtown scene at the turn of the millennium, of hipsters and gangsters, housing projects and trendy restaurants, all these subcultures clashing in one microcosm of urban life.
'So, what do you do?' Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter But now he's thirty-five years old and he's still living on the Lower East Side, still in the restaurant business, still serving the people he wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn't say tending bar. He was going places - until two street kids stepped up to him and Eric one night and pulled a gun. At least, that's Eric's…
I ardently began research and writing on Jean-Michel Basquiat in grad school (2004), before his paintings demolished sales records and when he was still somewhat misunderstood and marginalized by perplexed art historians. Since then, his potency and intrigue have blazed a global pop culture inferno. I’ve conducted dozens of interviews, befriended those close to him, memorized his lines, colors, words, and spaces in books and real life, and re-read countless pages. Currently I’m writing and compiling a field guide to his work. All Basquiat publications are imperfect. I hope with sensitivity and intellectual intent, fans can move through their initial impressions to better understand his meaningful motives, inclinations, and artwork.
Its prose channels the powerful yet painful relationship of Suzanne Mallouk and Jean-Michel Basquiat as seen through Suzanne’s wise sensitivity, artistic nature, and unconditionally honest heart. Clement is a rich, sentient, masterful poet, and close friend of Suzanne.
I love that the story reads with mysterious, potent fluidity and is peppered with odd, lesser-realized personality traits and historic Basquiat facts.
Widow Basquiat is the unfiltered story of lovers living amidst an 80s NYC cultural renaissance. Their small joys and quirky character traits feel heroically familiar while the poetic style traverses select, revealing content that strikes chords.
Having personally known Suzanne for many years as a scholar and friend, this book generously and deeply shares her authentic human experience.
The beautifully written, deeply affecting story of Jean-Michel Basquiat's partner, her past, and their life together
An NPR Best Book of the Year Selection
New York City in the 1980s was a mesmerizing, wild place. A hotbed for hip hop, underground culture, and unmatched creative energy, it spawned some of the most significant art of the 20th century. It was where Jean-Michel Basquiat became an avant-garde street artist and painter, swiftly achieving worldwide fame. During the years before his death at the age of 27, he shared his life with his lover and muse, Suzanne Mallouk.
Like most Americans, I’m the descendent of immigrants, and this book gave me a sense of what my great-grandparents’ experience was like better than anything I’d previously read.
Ziegelman has an incredible ability to connect concrete details to big historical transformations. Her discussion of how Irish peasants’ overreliance on potatoes led to famine, for example, was both fascinating and shattering.
As a New Yorker, I was struck by how much seemed the same but also by how much had changed. The families at 97 Orchard didn’t always have running water, but they had access to a wide range of affordable, good-quality food in a way residents of contemporary "food deserts" do not.
“Social history is, most elementally, food history. Jane Ziegelman had the great idea to zero in on one Lower East Side tenement building, and through it she has crafted a unique and aromatic narrative of New York’s immigrant culture: with bread in the oven, steam rising from pots, and the family gathering round.” — Russell Shorto, author of The Island at the Center of the World
97 Orchard is a richly detailed investigation of the lives and culinary habits—shopping, cooking, and eating—of five families of various ethnicities living at the turn of the twentieth century in one tenement on the…
One
of the most creative premises I’ve encountered in a long time: After leaving
the Velvet Underground but before starting his solo career, Lou Reed spends a
year working for his father’s accounting firm and gets wrapped up in a murder
mystery.
Lyrics, characters, and situations from throughout Lou Reed’s entire
catalog set the stage and add another layer to the story for fans of music and
mystery alike. It’s the exact type of music-based fiction/non-fiction hybrid
sub-genre I love but have trouble finding examples of.
In the fall of 1970, Lou Reed walked away from rock and roll. He left the Velvet Underground, and New York City, returning to Long Island. He moved in with his parents and got a job as a typist at his father’s accounting firm. He told friends his career in music was over. Vicious takes an imagined look at what happened to Reed after he quit his band, and before the successful solo career that began in 1971.
The story follows Reed as he finds himself drawn into a strange case at his dad’s office. Someone’s trying to claim the…