My first book was Quiver, a collection of erotic short stories. I wrote it to immortalize the hedonism of Sydney in the 1990s, wanting to show a nonjudgmental, joyful side. The fact that it touched a lot of people compelled me to write two more collections Tremble and Yearn – each exploring different themes: Tremble is an erotic re-imagining of various root myths, whilst Yearn has more historical and fantastical elements. I interweave all the characters in the stories throughout the whole collections. Humor is also important to me when it comes to the ironies and emotions around sex, the other aspect is gender power play and all the sublime reversals that can encapsulate.
This collection of short stories is really about how sexual desire and social ambition can lead to all sorts of compromising and bizarre situations. I originally was drawn to it because I’d loved the filmSecretarybased on one of the short stories in the collection. I related to it because it is nearly all from a young female P.O.V – a kind of potpourri of trying to make it in NY in the 1980s. It's the perfect illustration of how powerful short story as a form can be in terms encapsulate an event, mood, and era – It also showed me how fictionalized memoir can be a good source of material and that if the book is really well-observed it never dates.
Mary Gaitskill's tales of desire and dislocation in 1980s New York caused a sensation with their frank, caustic portrayals of men and women's inner lives. As her characters have sex, try and fail to connect, play power games and inflict myriad cruelties on each other, she skewers urban life with precision and candour.
'Stubbornly original, with a sort of rhythm and fine moments that flatten you out when you don't expect it, these stories are a pleasure to read' Alice Munro
'An air of Pinteresque menace hangs over these people's social exchanges like black funereal bunting ... Gaitskill writes with…
I’m a sociologist, and I study how technology shapes and is shaped by people. I love my job because I am endlessly fascinated by why people do the things they do, and how our cultures, traditions, and knowledge affect how we interact with technology in our daily lives. I picked these books because they all tell fascinating stories about how different communities of people have designed, used, or been affected by technological tools.
My copy of this book has so many dog-eared pages and “!”s scrawled in the margins that it’s almost ridiculous. This is the story of how, in the 1960s, New York City and the RAND Corporation used algorithmic modeling to decide where to locate fire stations in the city. It was pretty much a disaster: because of the choices the modelers made about what to measure and how to measure it, they ended up cutting services to many of the poorest neighborhoods in NYC. Joe Flood is a journalist, and it shows—this book is stunning in how it combines the stories of human beings with crystal-clear accounts of the technical decisions made by the computing “whiz kids.”
New York City, 1968. The RAND Corporation had presented an alluring proposal to a city on the brink of economic collapse: Using RAND's computer models, which had been successfully implemented in high-level military operations, the city could save millions of dollars by establishing more efficient public services. The RAND boys were the best and brightest, and bore all the sheen of modern American success. New York City, on the other hand, seemed old-fashioned, insular, and corrupt-and the new mayor was eager for outside help, especially something as innovative and infallible as "computer modeling." A deal was struck: RAND would begin…
Two things are true about me: I’m fascinated by the early twentieth century and I'm a diehard feminist. My grandfather nurtured my love of the 1920s and 1930s by introducing me to Dorothy Parker, John O’Hara, Ella Fitzgerald, and The New Yorker. My mother, a petite woman who can wield a welder like few others, encouraged the development of my feminist sensibilities. These two parts came together when my father offhandedly mentioned that his grandmother had an unplanned pregnancy during the Great Depression. As I researched reproductive issues through the years, my fascination for the topic grew. Each of the books here takes a different view of how to deal with an unwanted pregnancy.
No graphic novel has ever blown me away like Unterzakhn(which means “underthings” in Yiddish). The story takes place in the early 1900s on the Lower East Side of New York, and the black-and-white bold strokes illustrate the bleakness of the lives of the new immigrants. Twin sisters find themselves taking roaringly divergent paths: one works in a whorehouse before becoming a star of the stage; the other assists the “lady-doctor,” from whom she learns about birth control and abortion. With strong feminist themes, I found it impossible not to root for both sisters. This is the only graphic novel whose ending made me cry.
A mesmerizing, heartbreaking graphic novel of immigrant life on New York’s Lower East Side at the turn of the twentieth century, as seen through the eyes of twin sisters whose lives take radically and tragically different paths.
For six-year-old Esther and Fanya, the teeming streets of New York’s Lower East Side circa 1910 are both a fascinating playground and a place where life’s lessons are learned quickly and often cruelly. In drawings that capture both the tumult and the telling details of that street life, Unterzakhn (Yiddish for “Underthings”) tells the story of these sisters: as wide-eyed little girls absorbing…
My day job is teaching U.S. history, particularly courses on urban history, social movements, and race and gender. It is women’s experiences in cities, however, that have driven much of my historical research and sparked my curiosity about how people understand–and shape–the world around them. Lots of people talk about what women need and what they should be doing, but fewer have been willing to hear what women have to say about their own lives and recognize their resiliency. I hope that this kind of listening to the past will help us build more inclusive cities in the future.
This 1925 autobiographical novel dropped me into the middle of New York’s Lower East Side Jewish neighborhoods in the early 20th century. The main character has a life of substantial struggle with and against her family, employers, landlords, and an American society that seems intent on erasing her.
While the book has elements of both a classic immigrant story and a coming-of-age tale, I love how it reveals the realities of urban living for a young immigrant woman. The pace and practices of making a home in a too-small space, getting by on minimal resources, scrumming for work, and avoiding harassment fill this book’s chapters. As a social and cultural historian, reading about daily activities–both struggles and joys–in a different time and place helps fire my imagination about not just what happened but how it might have felt to experience it.
First published in 1925, Anzia Yezierska's "Bread Givers" is the tale of a young Jewish-American immigrant woman and her struggle to control her own destiny in Manhattan's Lower East Side at the turn of the century. The novel is based in large part on Yezierska's own life experiences immigrating from Poland as a child and growing up in New York City in an Orthodox Jewish family. "Bread Givers" centers on the story of its main character, Sara Smolinsky, who lives with her older sisters and parents in a poor tenement in the Lower East Side. The Smolinsky family is destitute…
I write historical YA in verse—pretty much the niche of the niche. Before I was published, I spent many years writing and querying various YA projects in prose, but it wasn’t until I decided to try a project in verse that I really found my groove. Nowadays, everything I write falls under that same (small) umbrella, so I really looked to novels like the ones here to learn from the best. These days, I still love reading YA historicals and anything in verse, but YA historicals in verse remain forever my favorite.
Audacity is based on the life of Jewish immigrant Clara Lemlich, who fought for female workers’ rights in New York factories in the early 20th century. I found this verse novel gripping from its very first pages.
YA readers today will definitely identify with the young woman at the story’s core—especially those who are familiar with the historical backdrop. Despite the difficulties the protagonist faces, her story is filled with hope and is told in beautifully-written verse.
The inspiring story of Clara Lemlich, whose fight for equal rights led to the largest strike by women in American history
A gorgeously told novel in verse written with intimacy and power, Audacity is inspired by the real-life story of Clara Lemlich, a spirited young woman who emigrated from Russia to New York at the turn of the twentieth century and fought tenaciously for equal rights. Bucking the norms of both her traditional Jewish family and societal conventions, Clara refuses to accept substandard working conditions in the factories on Manhattan's Lower East Side.…
Nothing gives me more joy than painting stories in the colors of every human emotion in our spectrum. And combining laughter and tears on the same page elicits a delicious thrill that keeps me sitting in the chair. It doesn’t happen to me on every page, (I’d be lying to say it did.) When it does, I don’t want to let it go. A former theater major (probably “a bad actor”) I started my novel-writing journey when I sent a resignation email to a few thousand employees I was managing at the time. “Hey girl, you made me laugh and cry in that email. Maybe you might think about writing.”
I love the magical realism aspect of this novel, which Benjamin handles with such a deft hand you don’t question whether or not the impossible is possible. A fortune teller’s prediction and old-world superstition create a heavy weight that exquisitely-drawn characters must navigate. The power of belief and its effect on destiny is a complex topic. Is it good or bad to know our future? Should we act on what we’ve been told? Should we ignore it? If we believe something does that make it happen? If we disbelieve does it not happen? Every character is a gem, including Klara: an extraordinary magician who convinced me we must embrace the mysteries of the world even if we can’t comprehend them.
It's 1969, and holed up in a grimy tenement building in New York's Lower East Side is a travelling psychic who claims to be able to tell anyone the date they will die. The four Gold children, too young for what they're about to hear, sneak out to learn their fortunes.
Such prophecies could be dismissed as trickery and nonsense, yet the Golds bury theirs deep. Over the years that follow they attempt to ignore, embrace, cheat…
As a practicing clinical psychologist, teacher of psychotherapy theory and technique, and author (Barbarians at the PTA, Madmen on the Couch, Money Talks) who writes about the psychopathology of daily life for various online and print publications, I am a participant in/observer of mom culture. I love a juicy mother-child story.
Florin will make you ache for a mother’s love. She writes masterfully about her female character’s experience at a remotely insular and male-dominated elite college campus.
A coming of age and loss of innocence story, the novel is beautifully realized and thoroughly relatable–even if we didn’t attend this particular cold and icy campus, we’ve had moments of questioning our choices and have stumbled along the path before figuring it all out.
An incisive, deeply resonant debut novel about a nonconsensual sexual encounter that propels one woman’s final semester at an elite New England college into controversy and chaos―and into an ill-advised affair with a married professor.
It’s 1998 and Isabel Rosen, the only daughter of a Lower East Side appetizing store owner, has one semester left at Wilder College, a prestigious school in New Hampshire. Desperate to shed her working-class roots and still mourning the death of her mother four years earlier, Isabel has always felt like an outsider at Wilder but now, in her final semester, she believes she has…
I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.
After the WASPs of The Social Register, the next great wave of American wealth was generated by the German-Jewish upper class that rose at the end of the 19th Century. Weaving together the stories of the Loeb, Lehman, Lewisohn, Schiff, Seligman, Goldman, Straus, Warburg, and Guggenheim families, Birmingham created a classic of the kind of group biography I aspire to write.
They immigrated to America from Germany in the nineteenth century with names like Loeb, Sachs, Seligman, Lehman, Guggenheim, and Goldman. From tenements on the Lower East Side to Park Avenue mansions, this handful of Jewish families turned small businesses into imposing enterprises and amassed spectacular fortunes. But despite possessing breathtaking wealth that rivaled the Astors and Rockefellers, they were barred by the gentile establishment from the lofty realm of "the 400," a register of New York's most elite, because of their religion and humble backgrounds. In response, they created their own elite "100," a privileged society as opulent and exclusive…
I’d written modern true crime before—a book that helped solve a 40-year-old cold case—and wanted to try my hand at historical true crime. I live in Manhattan, home to the greatest crime stories of the late nineteenth and early twentieth centuries, so I was able to see the actual locations where the grisliest murders, the biggest bank heists, and the crookedest con games took place. What really drew me in, though, were the many colorful, unforgettable characters, both good and bad, cops and robbers, who walked the bustling streets of Old New York during the fascinating era known as the Gilded Age.
Author Ferrara takes you on a lively, and chilling, tour of the sites in Manhattan where Mafia dons and underlings brutally wiped out their competition—only to find themselves on the receiving end of the same treatment at some other joint up or downtown. Chinatown, Little Italy, the Lower East Side—these were the main haunts of New York’s most colorful and deadly criminals in the late 1800s and early 1900s, and it’s fun to actually visit the locations with this book as a guide.
During the early twentieth century, Sicilian and Southern Italian immigrants poured into New York City. Looking to escape poverty and persecution at home, they soon discovered that certain criminal enterprises followed them to America. Before any codes of honor were established in the New World, violent bosses wreaked havoc on their communities in their quest to rule the underworld. It took several decades for the Mafia to mature into a contemporary organized crime syndicate. Some names and places from both eras are still infamous today, like Frank Costello and the Copacabana, while some have remained hidden in absolute secrecy until…
I ardently began research and writing on Jean-Michel Basquiat in grad school (2004), before his paintings demolished sales records and when he was still somewhat misunderstood and marginalized by perplexed art historians. Since then, his potency and intrigue have blazed a global pop culture inferno. I’ve conducted dozens of interviews, befriended those close to him, memorized his lines, colors, words, and spaces in books and real life, and re-read countless pages. Currently I’m writing and compiling a field guide to his work. All Basquiat publications are imperfect. I hope with sensitivity and intellectual intent, fans can move through their initial impressions to better understand his meaningful motives, inclinations, and artwork.
Its prose channels the powerful yet painful relationship of Suzanne Mallouk and Jean-Michel Basquiat as seen through Suzanne’s wise sensitivity, artistic nature, and unconditionally honest heart. Clement is a rich, sentient, masterful poet, and close friend of Suzanne.
I love that the story reads with mysterious, potent fluidity and is peppered with odd, lesser-realized personality traits and historic Basquiat facts.
Widow Basquiat is the unfiltered story of lovers living amidst an 80s NYC cultural renaissance. Their small joys and quirky character traits feel heroically familiar while the poetic style traverses select, revealing content that strikes chords.
Having personally known Suzanne for many years as a scholar and friend, this book generously and deeply shares her authentic human experience.
The beautifully written, deeply affecting story of Jean-Michel Basquiat's partner, her past, and their life together
An NPR Best Book of the Year Selection
New York City in the 1980s was a mesmerizing, wild place. A hotbed for hip hop, underground culture, and unmatched creative energy, it spawned some of the most significant art of the 20th century. It was where Jean-Michel Basquiat became an avant-garde street artist and painter, swiftly achieving worldwide fame. During the years before his death at the age of 27, he shared his life with his lover and muse, Suzanne Mallouk.
