Here are 90 books that The Immortalists fans have personally recommended if you like
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The uncanny slips into the gaps between the objective world and the
world of human experience with all its dreams, apprehensions, and
intuitions. This intermediate space is the habitat of ghosts and also
the zone where my mind does its wanderings. It's where my books come, and
explorations of that space in other peoples' books draw me in, deeply
and inescapably.
I honestly think this is one of the greatest books I’ve ever read.
In writing about haunting, I always confront the question of what pins ghosts to the living world. I loved the poignancy of Saunders’s ghosts and the desperate denial of their own deaths that they cling to.
I have a special love of books written in a multiplicity of voices; the way Saunders writes his ghostly chorus is so virtuosic it took my breath away.
WINNER OF THE MAN BOOKER PRIZE 2017
A STORY OF LOVE AFTER DEATH
'A masterpiece' Zadie Smith
'Extraordinary' Daily Mail
'Breathtaking' Observer
'A tour de force' The Sunday Times
The extraordinary first novel by the bestselling, Folio Prize-winning, National Book Award-shortlisted George Saunders, about Abraham Lincoln and the death of his eleven year old son, Willie, at the dawn of the Civil War
The American Civil War rages while President Lincoln's beloved eleven-year-old son lies gravely ill. In a matter of days, Willie dies and is laid to rest in a Georgetown cemetery. Newspapers report that a grief-stricken Lincoln returns…
I grew up in a culture that both fears and embraces spirits or outrightly rejects the idea that spirits live on beyond death. I grew up on stories of rolling calves and duppies that caused havoc among the living. Since then, I’ve been fascinated by what haunts us—whether it be our familial spirits that float among the living and continue to play a role in our lives, our memories, or our past actions. I’ve written three books that play with this idea of past actions lingering long into the characters’ lives and returning in unexpected ways.
This book is a longtime favorite of mine. Toni Morrison was a master at blending the personal story and the political, and in this book, she blends the true story of a mother who kills her child to prevent slave catchers from returning the baby to life as a slave.
Morrison’s fictional Sethe is haunted by the ghost of the baby she killed and the memories of her difficult life as a slave. This is one of the novels I return to time after time, both for the beauty of the writing and the portrayal of a mother’s love, guilt, and the lingering impact of slavery.
'Toni Morrison was a giant of her times and ours... Beloved is a heart-breaking testimony to the ongoing ravages of slavery, and should be read by all' Margaret Atwood, New York Times
Discover this beautiful gift edition of Toni Morrison's prize-winning contemporary classic Beloved
It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her…
I do not remember a time when I wasn’t captivated by stories about adolescence. This was the case when I myself was a teenager—when I sought in these overwrought sagas the sort of sentimental melodrama that eluded the banality of my own life—but curiously it’s no less true at thirty, for reasons that are fundamentally the same but somehow more urgent. Becoming an adult is an exercise in hardening; to grow up is to forget what it’s like to be beholden to one’s own autobiographical romance.The following titles offer a respite from the cynicism that is adulthood; as a writer and a human, I'm forever in their debt.
I’d normally abstain from the pompous sin of quoting one’s own fiction, but I’m doing it here only to contextualize this recommendation.
“Adolescence is an exercise in coveting what exists just beyond our grasp,” my book’s narrator tells us in his preamble to his telling of Foster’s story. “It is this inaccessibility that sustains its magic.” To be fifteen is to be a voyeur looking wistfully in on the poignancy of others’ lives: this is the idea I tried to operationalize through the narrator’s project, with full knowledge that I’d never do it as lyrically as The Virgin Suicides.
Nominally, the main characters of Eugenides’ debut are the five titular Lisbon sisters, who successively take their own lives, but we encounter them chiefly as figments of a collective imagination: in the captivated minds of a faceless group of teenage boys who witness the tragedies from afar.
Introducing the Collins Modern Classics, a series featuring some of the most significant books of recent times, books that shed light on the human experience - classics which will endure for generations to come.
That girl didn't want to die. She just wanted out of that house. She wanted out of that decorating scheme.
The five Lisbon sisters - beautiful, eccentric and, now, gone - had always been a point of obsession for the entire neighbourhood.
Although the boys that once loved them from afar have grown up, they remain determined to understand a tragedy that has defied explanation. The…
As a kid, our public library in the basement of the Methodist church became my second home. However, I considered any visit a bitter disappointment that didn’t result in one or two dog stories in the stack I signed out. Big Red, Old Yeller, Lassie, Lad a Dog, Call of the Wild, White Fang (the occasional wolf was also okay), I loved them all. That experience has continued to affect the adult I’ve become. As I’ve turned to reading, and writing, stories of family, relationships, and, lately, of aging, it’s become clear to me that I’ve never found a story that wasn’t improved by the appearance of a good dog.
In Sigrid Nunez’s The Friend a terrible event (a dear friend and mentor’s suicide) results in the unnamed narrator’s acceptance, out of a sense of responsibility, of an unwanted burden (the heartbroken Great Dane, Apollo−the narrator admitting she is more of a cat person).
I love that by book’s end, that obligation turns out to be a precious gift that assuages both their griefs, serving to connect them to the departed one they both loved. Along the way we, lucky readers, get to eavesdrop on the literary discourse of an agile mind attempting to parse the unparsable as the narrator, a writer herself, addresses both the lost (her mentor) and the found (the dog).
In my years on the crime beat, I often met good people who did bad things and criminals with good intentions and good hearts. We tend to draw a line between good and evil, putting ourselves on the good side. From that perspective, we sit in judgment, believing we are incapable of evil because it’s “over there.” Inaccessible. Unfathomable. But that line is fictional. We redraw it constantly to feel good about ourselves and avoid empathizing with the worst of human nature. What I love about these five novels is that they expose that truth. The twists remind me that even my own line is blurred and ever-shifting.
I wasn’t sure what to think of this novel. I picked it up in a bookstore after reading the back cover with no recommendations from anyone. I should do that more often.
This book pulled me in quickly with its well-crafted mystery and buildup of suspense. I thought I knew what was happening, who to suspect, who to love, and who to despise. I didn’t want to put it down. Then, in the end, the author turned everything upside down and broke my heart.
It left me questioning the validity of my perceptions and my own reality for a long time after. It stayed with me, and, for me, that is evidence of a successful twist.
The TikTok phenomenon and #1 New York Times bestseller.
A beautiful and distinguished family. A private island. A brilliant, damaged girl; a passionate, political boy. A group of four friends-the Liars-whose friendship turns destructive. A revolution. An accident. A secret. Lies upon lies. True love. The truth.
We Were Liars is a modern, sophisticated suspense novel from New York Times bestselling author, National Book Award finalist, and Printz Award honouree E. Lockhart.
Read it.
And if anyone asks you how it ends, just LIE.
Don't miss FAMILY OF LIARS, the thrilling prequel to We Were Liars, published in May 2022.
I can’t count the number of conversations where I’ve been asked to slow down, or take a breath, or talk in a straight line. My neurodivergent heroes are versions of me: me if I were an alien, or a dying old lady, or a zombie. Gus is the closest I’ve come yet to writing my true self. He’s just me. I want readers who identify with Gus to feel seen and accepted and those who don’t—to understand what it’s like to live like this. And, just maybe, to have a little fun along the way.
I love story remixes: new takes on an existing genre. This book takes a conventional mystery plotline and gives it bright new coloring thanks to the narrator’s autism.
As is often the case with neurodivergent folks, Christopher doesn’t know much about the world, but he understands himself. A quiet masterpiece. No sentimentality, thank heavens.
'Mark Haddon's portrayal of an emotionally dissociated mind is a superb achievement... Wise and bleakly funny' Ian McEwan
The Curious Incident of the Dog in the Night-Time is a murder mystery novel like no other. The detective, and narrator, is Christopher Boone. Christopher is fifteen and has Asperger's Syndrome. He knows a very great deal about maths and very little about human beings. He loves lists, patterns and the truth. He hates the colours yellow and brown and being touched. He has never gone further than the…
A native of New York’s Long Island, I’ve always been obsessed with the shoreline. My best early memories are of traveling with my family to the eastern edge of Long Island for our two-week summer vacation. My parents didn’t earn a lot of money, and we didn’t vacation often, so those two weeks in August were heavenly. As an adult, I gravitate to coastlines and islands. I’ve always been a fan of books with a strong sense of place, especially when that place is the shore. And I loved setting my current book on an island in the Mediterranean, delving into the qualities and characteristics that make a coastline so evocative and so appealing.
A friend of mine recommended this book before it became well-known—and the moment I saw the cover, I knew I had to own it!
Turquoise-blue water, a jagged Italian coastline, pastel-colored buildings set against a cliff, and oh—that typeface that screams late 1950s/early 1960s! Such enticing visuals! Of course, with such a setup, I might have been expecting too much—but the story didn’t disappoint me.
Its initial chapters are set in a small, down-on-its-luck hotel in a remote Italian village where a young starlet with a compelling secret comes to stay. Spanning time periods and continents, the novel has an epic feel.
But it’s that romantic setting that has stayed with me forever and fueled my ongoing love of the Italian coast!
The #1 New York Times bestseller—Jess Walter’s “absolute masterpiece” (Richard Russo, Pulitzer Prize-winning author): the story of an almost-love affair that begins on the Italian coast in 1962 and resurfaces fifty years later in contemporary Hollywood.
The acclaimed, award-winning author of the national bestseller The Financial Lives of the Poets returns with his funniest, most romantic, and most purely enjoyable novel yet. Hailed by critics and loved by readers of literary and historical fiction, Beautiful Ruins is the story of an almost-love affair that begins on the Italian coast in 1962...and is rekindled in Hollywood fifty years later.
Nothing gives me more joy than painting stories in the colors of every human emotion in our spectrum. And combining laughter and tears on the same page elicits a delicious thrill that keeps me sitting in the chair. It doesn’t happen to me on every page, (I’d be lying to say it did.) When it does, I don’t want to let it go. A former theater major (probably “a bad actor”) I started my novel-writing journey when I sent a resignation email to a few thousand employees I was managing at the time. “Hey girl, you made me laugh and cry in that email. Maybe you might think about writing.”
I was deeply affected by Foer’s descriptions of the shtetl in Poland, the cruelty that affected its villagers, and the inescapable effect of this tragedy on future generations. Foer’s ancestry mirrored what I knew of my own family history, and the desire we have to document those stories before they disappear. But Foer alternates the “old world’s” dramatic scenes with hilarity. The Polish blind driver who guides Foer on his search to discover his family’s past employs a “seeing eye bitch” (a dog) to help him navigate the countryside. And his narrator’s constant quirky misuse of English makes for a unique voice that I still—twenty years after reading the book—can’t get out of my head. The novel is at times heartbreaking, at times uproarious, and always oh-so-satisfying.
This is the story of a young man who visits the Ukraine to find the woman who saved his grandfather from the Nazis. In turns hilarious and harrowing, lit with a manic energy, it is narrated in part by a Ukranian translator, who has a murderous approach to the English language, and in part by the young man, who reanimates the lives of his grandfather and ancestors. Eventually the past meets the present, as fiction collides with reality in an unforgettable climax. With breathtaking inventiveness and narrative control, Jonathan Safran Foer has written a book about searching - for people…
I am a Child Psychologist and Author turned Parent Coach who often hears about the bickering, put-downs, jealousy, and conflict sapping families with multiple children. Telling them to “cut it out” clearly does nothing. Kids need not only the skills (how to talk, how to listen, how to manage feelings and resolve conflict) but also the motivation to use them, a combination I have spent my career thinking about, writing about, and teaching. All of the books I have written, and all that I recommend, include this winning combination of skills and motivation with the aim of helping children live happier lives.
This was one of the first books targeting not preschoolers adjusting to a new baby but older kids struggling to get along. It is perfectly pitched to middle-grade readers, with just the right balance of direct talk and humor. The book normalizes sibling conflict while providing solutions 8-13-year-olds can implement on their own or with the help of a parent. Written in 2010, this book stands the test of time.
Humorous yet practical advice for building positive sibling relationships. Turn sibling rivalry into positive sibling relationships with this fun, humorous pocket guide for kids. Siblings can make for great friends, and it s nice to have someone who ll love you no matter what. But kids know that sibling relationships can be hard when problems of fairness, jealousy, conflict, tattling, privacy, and other things come up and they usually do. Siblings teaches kids how to deal with sibling rivalry and more, including special situations such as siblings with special needs, step-siblings, and adopted siblings, and it focuses on building positive…
I admire the way children tell stories—how their imagination veers here and there, how fantasy and reality intertwine, and how magic can happen at any moment. I wrote stories like this when I was a kid and, fortunately, saved many of them. When writing The Kids of Cattywampus Street (my twentieth book), I went through these stories and recreated this narrator’s voice as the 8-year-old me with absurdity and confidence. I wanted to show a range of characters in a diverse world where kids believe in themselves, have the power to use their imagination, can get into and out of trouble on their own accord, are resilient, adaptable, strong, and just plain funny.
This young chapter book series wasn’t around when I was a kid but I would have 100 percent loved Dory, aka Rascal, and would have wanted to be just like her. I kind of still do. I love the way the author incorporates Dory’s inner zinging life—it really feels like being in the head of a six-year-old. The first-person narrative writing weaves in and out of Dory’s fantasy and reality so seamlessly that there is really no distinction—which is how life should be for every 6-year-old. This book is sweet, poignant, and absolutely hilarious to boot!
Move over, Junie B. Jones and Ivy & Bean! Here comes a lovably energetic little sister with a BIG personality-and an imagination to match!
As the youngest in her family, Dory really wants attention, and more than anything she wants her brother and sister to play with her. But she's too much of a baby for them, so she's left to her own devices-including her wild imagination and untiring energy. Her siblings may roll their eyes at her childish games, but Dory has lots of things to do: outsmarting the monsters all over the house, escaping from prison (aka time-out),…
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