98 books like The Bread Givers

I barely knew my grandparents who came to this country in 1905 and spoke only Yiddish. Because my mother refused to speak of her life in Odessa I was totally unaware of the persecution she and her family witnessed and experienced. As a psychoanalyst who helps people understand their own family’s history to better understand themselves, my historical novel, Odessa, Odessa helped me piece together what little I knew of my family’s history, and what I gleaned from my research and reading of novels, to render this portrait. Thomas Mann describes, in writing Joseph and His Brothers, putting clothing on the myth. I put the clothing on the history of my mother’s life story. So relevant today!

I like to believe that my own characters struggle with being human. They struggle with their bitterness, their relations to others (or lack thereof), and their unresolved guilt. What happens when guilt is left unresolved? What happens when someone enters into a state of self-imposed isolation? These are topics I enjoy exploring in my work. I’ve enjoyed writing since I was a child. My mother deserves all the credit. At bedtime, rather than reading bedtime stories to me from a book, she would make up a story and then ask me to do the same. This helped me to develop a lifelong love for reading and writing.

I am the product of biracial parents, and the idea of passing or not has always fascinated me as well as disgusted me. The reasons one would want to pass in this era are much different than the survival aspect my ancestors who passed had to consider in the 19th century. In writing my YA historical novels, being biracial always enters in, no matter the topic, because it is who I am and, in the end, always rears its head for consideration.

I came out as gay in the 1950s. I was a literary teenager, starved for the history of those who came before me. As I learned, there were no such books. As a Ph.D. candidate in the 1960s, I thought about writing a dissertation on a gay subject; but “homosexuality” was still “the love that dare not speak its name.” However, the 1970s saw a “gay revolution”; and finally, as an academic in those new times, I was able to write and publish about what had so long been forbidden. My first book, Surpassing the Love of Men: Romantic Friendship and Love Between Women from the Renaissance to the Present, was followed by a half-dozen other books on LGBTQ history.

At heart, I’m still just a girl. I don’t think I’ll ever grow out of wanting to experience the excitement of first kisses, first loves, and of coming out, when everything was new and exciting, and the world was full of promise. That’s why we return to YA even as adults. To feel the butterflies of a first crush, the fluttering of first love, and the agony of first loss. Those transformative books, the ones that change the trajectory of our lives, are usually young adult novels. I wrote The Space Between to give readers a story to fall in love with and take with them the rest of their lives.

As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.

I barely knew my grandparents who came to this country in 1905 and spoke only Yiddish. Because my mother refused to speak of her life in Odessa I was totally unaware of the persecution she and her family witnessed and experienced. As a psychoanalyst who helps people understand their own family’s history to better understand themselves, my historical novel, Odessa, Odessa helped me piece together what little I knew of my family’s history, and what I gleaned from my research and reading of novels, to render this portrait. Thomas Mann describes, in writing Joseph and His Brothers, putting clothing on the myth. I put the clothing on the history of my mother’s life story. So relevant today!

I am a literary critic and novelist, now serving as a Dean at Drexel University. I’ve written several modernized spin-offs of Jane Austen’s novels and several, including a YA novel, dealing with Shakespeare. What Alice Knew is my only thriller/mystery—and it was a painstaking labor of love to write. (I also wrote a nonfiction book on Hitchcock.) I am a great fan of Rex Stout’s Nero Wolfe novels, and the idea for What Alice Knew grew out of my wanting to put the bedridden Alice James (a life-long invalid) in the position of Wolfe, with her brothers Henry and William serving as two versions of the legman, Archie Goodwin. 

I like to believe that my own characters struggle with being human. They struggle with their bitterness, their relations to others (or lack thereof), and their unresolved guilt. What happens when guilt is left unresolved? What happens when someone enters into a state of self-imposed isolation? These are topics I enjoy exploring in my work. I’ve enjoyed writing since I was a child. My mother deserves all the credit. At bedtime, rather than reading bedtime stories to me from a book, she would make up a story and then ask me to do the same. This helped me to develop a lifelong love for reading and writing.

I’ve always been interested in the interconnected lives of women and of womanhood. I find that it's also important to acknowledge the diversity in women’s experiences in all cultures and points in history. My first academic essay, which was published, was “Reevaluating of the Role of Women in Beowulf” which, in my youth, helped to not only flesh out the historical and contemporary roles women or persons who identify as women have had but also to begin to understand what that means to myself and to those around me. Since then, when writing about women in my numerous stories and novels, I focus on how she exists within her world and how she defines herself.