Here are 99 books that The Bread Givers fans have personally recommended if you like
The Bread Givers.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I barely knew my grandparents who came to this country in 1905 and spoke only Yiddish. Because my mother refused to speak of her life in Odessa I was totally unaware of the persecution she and her family witnessed and experienced. As a psychoanalyst who helps people understand their own family’s history to better understand themselves, my historical novel, Odessa, Odessa helped me piece together what little I knew of my family’s history, and what I gleaned from my research and reading of novels, to render this portrait. Thomas Mann describes, in writing Joseph and His Brothers, putting clothing on the myth. I put the clothing on the history of my mother’s life story. So relevant today!
Thomas Mann, “puts clothing on the myth” of the biblical story of Joseph in this deeply profound and moving novel that reveals aspects of the human condition: love, greed, ruthlessness, forgiveness, jealousy, and ambition. Joseph and His Brothers remains relevant to the 21st-century reader. If I had to choose one novel to take with me to read on an isolated island, this would be the one I chose.
THE BOOK- As Germany dissolved into the nightmare of Nazism, Thomas Mann was at work on this epic recasting of the the great Bible story. Joseph, his brothers and his father Jacob, are at the prototypes of all humanity and their story is the story of life itself. Mann has taken one of the great simple chronicles of literature and filled it with psychological scope and range- its men and women are not remote figures in the Book of Genesis, but founders of states in a fresh, realisic world akin to our own .
I’ve been passionate about absurdist literature since my early youth when we read Kafka’s Metamorphosis in school. Later in life, friends recommended Irving, Vonnegut, Bellow, and Boyle to me. I discovered Murakami, Mendoza, and Niven. Films like Common Wealth or The Last Circus by Spanish filmmaker Alex De La Iglesia, which are equally entertaining and thought-provoking, gave me the spark to start writing myself. I hope you enjoy the books on this list as much as I have!
Again, it was a book I read when I was lost, lacking motivation, and in dear need of guidance.
The hero’s journey made me understand the unimportance of my own personal struggles in the greater scheme of things and let me proceed with ease and nonchalance, though slowly and cautiously, like an old blind man tapping the floor in front of him with his white walking stick.
With the intrigue of a psychological thriller, The Stranger—Camus's masterpiece—gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie; translated by Matthew Ward.
Behind the subterfuge, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life.
“The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and devious narrator remains one of the key expressions of…
My day job is teaching U.S. history, particularly courses on urban history, social movements, and race and gender. It is women’s experiences in cities, however, that have driven much of my historical research and sparked my curiosity about how people understand–and shape–the world around them. Lots of people talk about what women need and what they should be doing, but fewer have been willing to hear what women have to say about their own lives and recognize their resiliency. I hope that this kind of listening to the past will help us build more inclusive cities in the future.
I did not take to this book right away. Both main characters seemed rigid and selfish in ways that put me off initially. When I came back to the novel some years (decades?) later, I could better see and appreciate the complexity of building a life in racist America of the 1920s. The rigidity that had initially put me off seemed much more understandable as a defense mechanism in a society that was largely hostile to them as women of color.
Giving the book another go, I’ve come to admire the way Larsen uses her characters’ decisions (about whether to pass as white, have children, trust the men they’ve chosen to live with, etc.) to explore complicated ideas surrounding color and race. There are also some scathing indictments of whites, particularly white men that raise some pretty big questions about how race and gender work together, even in our own…
A classic, brilliant and layered novel that has been at the heart of racial identity discourse in America for almost a century.
Clare Kendry leads a dangerous life. Fair, elegant, and ambitious, she is married to a white man unaware of her African American heritage and has severed all ties to her past. Clare's childhood friend, Irene Redfield, just as light-skinned, has chosen to remain within the African American community, but refuses to acknowledge the racism that continues to constrict her family's happiness. A chance encounter forces both women to confront the lies they have told others - and the…
In the bigoted milieu of 1945, six days after the official end of World War II, Bess Myerson, the daughter of poor Russian immigrants living in the Bronx, remarkably rises to become Miss America, the first —and to date only— Jewish woman to do so. At stake is a $5,000…
My day job is teaching U.S. history, particularly courses on urban history, social movements, and race and gender. It is women’s experiences in cities, however, that have driven much of my historical research and sparked my curiosity about how people understand–and shape–the world around them. Lots of people talk about what women need and what they should be doing, but fewer have been willing to hear what women have to say about their own lives and recognize their resiliency. I hope that this kind of listening to the past will help us build more inclusive cities in the future.
I’m always drawn to books and stories that help me understand communities on their own terms, from the inside out, and this book delivers on that.
Even though this is a book written by scholars, the voices of Buffalo’s mid-twentieth-century lesbian community really guide the book since Kennedy and Davis did hundreds of interviews as a part of their research. I loved hearing from the women themselves, reflecting back on this moment in their lives in this one city, about how they found friends and lovers, negotiated work and family, and navigated the city.
Boots of Leather, Slippers of Gold traces the evolution of the lesbian community in Buffalo, New York from the mid-1930s up to the early 1960s. Drawing upon the oral histories of 45 women, it is the first comprehensive history of a working-class lesbian community. These poignant and complex stories show how black and white working-class lesbians, although living under oppressive circumstances, nevertheless became powerful agents of historical change. Kennedy and Davis provide a unique insider's perspective on butch-fem culture and argue that the roots of gay and lesbian liberation are found specifically in the determined resistance of working-class lesbians.
I have always loved history, ever since my childhood obsessions with Boudica, Anne Boleyn, and the witch trials. I love exploring different historical periods through literature, as books can help us develop real feelings of connection and empathy with people who lived in times and places very different from our own. I like to think that, in turn, this encourages us to be more empathetic with others in our own time. Since coming out as lesbian when I was 14, I have read a great deal of queer fiction, seeking to immerse myself in my own queer heritage and culture.
This is absolutely the GOAT of lesbian historical fiction. Fingersmith is probably my favorite of Sarah Waters’ work, but this is simply iconic and changed my life when I read it as a teenager.
It’s a raucous, vibrant riot of a book, and Nan is an unforgettable protagonist. Readers will barrel through the sights and sounds of Victorian London as Sarah Waters brings them to life in gorgeous technicolor. Sarah Waters is unbelievably skillful at blending Nan’s personal awakening in with the social and political context of England at the end of the 19th Century. A masterclass, and you’ll never see oysters in the same way again.
'Piercing the shadows of the naked stage was a single shaft of rosy limelight, and in the centre of this was a girl: the most marvellous girl - I knew it at once! - that I had ever seen.'
A saucy, sensuous and multi-layered historical romance set in the 'roaring' 1890s, Tipping the Velvet follows the glittering career of Nan King on her journey from Whitstable oyster-girl to music-hall star to cross-dressing rentboy to East End 'tom'.
As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
If you’ve read all 783 pages of World of Our Fathers and are still looking for more about early Jewish-American life in New York—or just something more immediate—this is the book for you.
An autobiographical fever-dream of a novel, Jews Without Money is a vivid, violent, look at the life of the Jewish slum kids whose parents emigrated to America. A lifelong communist, Gold only wrote one novel, but it anticipates the hallucinatory fiction of writers like Denis Johnson by half a century.
At once entirely Jewish and entirely American, Jews Without Money gives an unvarnished first-person glimpse into the surreal world of turn-of-the-century New York.
As a writer and political activist in early-twentieth-century America, Michael Gold was an important presence on the American cultural scene for more than three decades. Beginning in the 1920s his was a powerful journalistic voice for social change and human rights, and Jews Without Money--the author's only novel--is a passionate record of the times. First published in 1930, this fictionalized autobiography offered an unusually candid look at the thieves, gangsters, and ordinary citizens who struggled against brutal odds in lower East Side Manhattan. Like Henry Roth's Call It Sleep and Abraham Cahan's The Rise and Fall of David Levinsky, Jews…
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
I barely knew my grandparents who came to this country in 1905 and spoke only Yiddish. Because my mother refused to speak of her life in Odessa I was totally unaware of the persecution she and her family witnessed and experienced. As a psychoanalyst who helps people understand their own family’s history to better understand themselves, my historical novel, Odessa, Odessa helped me piece together what little I knew of my family’s history, and what I gleaned from my research and reading of novels, to render this portrait. Thomas Mann describes, in writing Joseph and His Brothers, putting clothing on the myth. I put the clothing on the history of my mother’s life story. So relevant today!
This first-person narrative historical novel tells in chilling detail the real-life events of the Triangle shirtwaist fire of 1911 seen through the eyes of one of the few survivors. Over 150 workers, mostly women, died in the inferno due to the management's decision to keep the doors locked so that the workers produced more shirts. You will turn each page feeling the horror, the fear, the rage, the disbelief this tragedy evokes.
By the time she dies at age 106, Esther Gottesfeld, the last survivor of the Triangle Shirtwaist fire, has told the story of that day many times. But her own role remains mysterious: How did she survive? Are the gaps in her story just common mistakes, or has she concealed a secret over the years? As her granddaughter seeks the real story in the present day, a zealous feminist historian bears down on her with her own set of conclusions, and Esther's voice vies with theirs to reveal the full meaning of the tragedy.
I am a literary critic and novelist, now serving as a Dean at Drexel University. I’ve written several modernized spin-offs of Jane Austen’s novels and several, including a YA novel, dealing with Shakespeare. What Alice Knew is my only thriller/mystery—and it was a painstaking labor of love to write. (I also wrote a nonfiction book on Hitchcock.) I am a great fan of Rex Stout’s Nero Wolfe novels, and the idea for What Alice Knew grew out of my wanting to put the bedridden Alice James (a life-long invalid) in the position of Wolfe, with her brothers Henry and William serving as two versions of the legman, Archie Goodwin.
This is Eliot’s last novel about an ostensible British aristocrat’s journey to uncovering his real identity. Often referred to as Eliot’s “Jewish novel,” it reflects her unerring ability to empathize with the Other. It is very long but also un-put-downable, with two interwoven plots that complement each other masterfully. It’s at once a conventional 19th-century novel and an entirely original and surprising take on the genre. As a Jew with a love of nineteenth-century British novels, this one spoke to me most powerfully.
As Daniel Deronda opens, Gwendolen Harleth is poised at the roulette-table, prepared to throw away her family fortune. She is observed by Daniel Deronda, a young man groomed in the finest tradition of the English upper-classes. And while Gwendolen loses everything and becomes trapped in an oppressive marriage, Deronda's fortunes take a different turn. After a dramatic encounter with the young Jewish woman Mirah, he becomes involved in a search for her lost family and finds himself drawn into ever-deeper sympathies with Jewish aspirations and identity. 'I meant everything in the book to be related to everything else', wrote George…
I like to believe that my own characters struggle with being human. They struggle with their bitterness, their relations to others (or lack thereof), and their unresolved guilt. What happens when guilt is left unresolved? What happens when someone enters into a state of self-imposed isolation? These are topics I enjoy exploring in my work. I’ve enjoyed writing since I was a child. My mother deserves all the credit. At bedtime, rather than reading bedtime stories to me from a book, she would make up a story and then ask me to do the same. This helped me to develop a lifelong love for reading and writing.
I feel as though this book isn’t widely known. The plot is quite bizarre and surreal–a man falls in love with a woman who is growing a water lily in her lung.
The novel’s theme of grief stood out to me, and I feel it was perfectly illustrated by Collin’s desperate attempts to keep his wife alive. It is evident that Vian used Jean-Paul Sartre’s existentialist philosophy as inspiration for this novel.
When King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one crossover. He’s been a Hittite warrior, a Silk Road mercenary, a reluctant rebel in the Peasant’s Revolt of 1381, and an information peddler…
I’ve always been interested in the interconnected lives of women and of womanhood. I find that it's also important to acknowledge the diversity in women’s experiences in all cultures and points in history. My first academic essay, which was published, was “Reevaluating of the Role of Women in Beowulf” which, in my youth, helped to not only flesh out the historical and contemporary roles women or persons who identify as women have had but also to begin to understand what that means to myself and to those around me. Since then, when writing about women in my numerous stories and novels, I focus on how she exists within her world and how she defines herself.
I enjoyed the presentation of the historical and biographical point of view in this book which follows Forough Farrokhzad from a forced marriage to her life as a poet and filmmaker. The poetry from Forough Farrokhzad itself is used to give insight into her thoughts and desires. Her poem "Sin" was one that I read and re-read at different points during the book because of how it intertwined with the narrative.
LOS ANGELES TIMES BESTSELLER • A spellbinding debut novel about the trailblazing Iranian poet Forugh Farrokhzad, who defied society’s expectations to find her voice and her destiny
“A complex and beautiful rendering of [a] vanished country and its scattered people, a reminder of the power and purpose of art, and an ode to female creativity under a patriarchy that repeatedly tries to snuff it out.”—The New York Times Book Review (Editors’ Choice)
All through her childhood in Tehran, Forugh Farrokhzad is told that Persian daughters should be quiet and modest. She is taught only to obey, but she always finds…
