I tell stories that make issues achingly and inescapably personal. After covering the first Palestinian Uprising for two winters as a correspondent and witnessing firsthand the gamut of senseless tragedies behind the headlines, I realized that hard news could never convey an iota of the deeper story I was gleaning. I turned to fiction writing and won my State's Literary Fellowship in Fiction. I learned that I can find light in the most horrific situations and leave readers with hope. Having earned a Masters degree in Intercultural Studies, I write from a global perspective with the conscious aim of fostering intercultural, interracial, and cross-gender understanding and healing.
Revolutionary Iran was the wrong place to be Jewish and wealthy. Septembers of Shirazpaints a poignant portrait of a family targeted, plundered, and driven to the brink of ruin by a corrupt extremist regime. The beauty of the story is that the more these protagonists lose, the more they realize how little their possessions and status actually matter. Their true wealth resides in their love for one another and the hope of a brighter tomorrow.
As Isaac navigates the tedium and terrors of prison, forging tenuous trusts, his wife feverishly searches for him, suspecting, all the while, that their once-trusted housekeeper has turned on them and is now acting as an informer. And as his daughter, in a childlike attempt to stop the wave of baseless arrests, engages in illicit activities, his son, sent to New York before the rise of the Ayatollahs, struggles to find happiness even as he realizes that his family may soon be forced to embark on a journey of incalculable danger.
I’ve always been interested in the interconnected lives of women and of womanhood. I find that it's also important to acknowledge the diversity in women’s experiences in all cultures and points in history. My first academic essay, which was published, was “Reevaluating of the Role of Women in Beowulf” which, in my youth, helped to not only flesh out the historical and contemporary roles women or persons who identify as women have had but also to begin to understand what that means to myself and to those around me. Since then, when writing about women in my numerous stories and novels, I focus on how she exists within her world and how she defines herself.
I enjoyed the presentation of the historical and biographical point of view in this book which follows Forough Farrokhzad from a forced marriage to her life as a poet and filmmaker. The poetry from Forough Farrokhzad itself is used to give insight into her thoughts and desires. Her poem "Sin" was one that I read and re-read at different points during the book because of how it intertwined with the narrative.
LOS ANGELES TIMES BESTSELLER • A spellbinding debut novel about the trailblazing Iranian poet Forugh Farrokhzad, who defied society’s expectations to find her voice and her destiny
“A complex and beautiful rendering of [a] vanished country and its scattered people, a reminder of the power and purpose of art, and an ode to female creativity under a patriarchy that repeatedly tries to snuff it out.”—The New York Times Book Review (Editors’ Choice)
All through her childhood in Tehran, Forugh Farrokhzad is told that Persian daughters should be quiet and modest. She is taught only to obey, but she always finds…
My career has taken me zero millimeters from a large college, Christ Church, to a small, adjacent one, Corpus Christi, in 1971. In my mind, though, I have crisscrossed the world, leaping back in time to late antiquity and the Middle Ages, and nowhere proved more fascinating than Iran, which I have visited twice, in 1998 and 2002. I have written about different facets of its history at the end of antiquity, in particular its dominant role in the India trade and the coming of the Arabs.
I well remember following the sequence of events–a terrible fire that killed 430 trapped in a cinema in Abadan, riots, mass shootings by the army, strikes, politicization, and Islamicization of students–which culminated in the Islamic Revolution of 1979.
Like many others I was both excited and filled with foreboding at the time. To read Desmond Harney’s eyewitness account is to be carried right into the middle of things. I was utterly gripped as the Iranian middle classes grasped at forlorn hopes and as those hopes faded away in the face of the ‘single-mindedness, implacability, fierce puritanism and commanding authority’ of Ayatollah Khomeini.
The author, a former British diplomat, was living in Tehran during the build-up to the Iranian Revolution and kept a day-to-day account of the events he witnessed, as the priest and the king - the Ayatollah Khomeini and the Shah - squared up to each other. The author's faithfully recorded responses - of hope, fear, confusion, scepticism and ultimately despair - reflect with substantial accuracy the spirit in Iran as the country swung from being a docile, Western-orientated ally to an unpredictable, brooding, revolutionary state. Harney had access to all elements of Iran's political elite, including the Shah, and was…
After high school, I traveled, exploring cultures beyond North America. I worked on kibbutzim in Israel for nearly two years. During the Yom Kippur War, exploding bombs drove us into underground shelters until the ceasefire. That experience made me consider the impact of war in new ways. Decades later, I wrote about the issue of "conflict" in my country: the Acadian deportation and World War Two. As a school librarian meeting Palestinian families in 2002, I decided to research and visit families in the West Bank through Christian Peacemaker Teams for my novel The Shepherd’s Granddaughter. A story children told me there inspired my picture book What the Kite Saw.
I immediately loved the structure of this nonfiction book. Each page poses an intriguing question that ignited my imagination, like the titular “What If Soldiers Fought With Pillows?” followed by a true life–interesting–story of legendary people from around the world who addressed the problem.
Each well-chosen question and answer inspired me to believe that changing the world is possible. I also admire how Camlot chooses a diverse range of terrific examples, from heroic (a WW Two fighter pilot) to funny (Clowns Without Borders) and artistic (Picasso) to video-gaming (1979 Revolution: Black Friday).
What if the impossible were actually possible? What if we turned our dreams into action? What if our imagination could help solve real-world crises, like war, famine, and human rights violations?
Through a series of seemingly whimsical questions, this middle-grade nonfiction book introduces readers to people and organizations that are subverting violence, war, and totalitarian power. What if soldiers refused to carry weapons? What if fighter pilots dropped seeds instead of bombs? What if music could be a creative force for democracy? None of these ideas are impossible―in fact, they are all true historical examples of ideas that have been…
I am a professor of politics and international relations with a focus on Iran. My passion for the country started while studying Persian or Farsi with an exceptional professor in graduate school. During that time, I had the privilege of traveling to Iran three times to study the language and conduct research on rural politics. This period coincided with the Green Movement uprising, a pivotal moment in the country. Since then, I have been enthralled by Iranian history, politics, and culture. Their richness and complexity make it a subject that can be studied and appreciated for a lifetime.
This novel was banned in Iran and published outside of it by a renowned Iranian author who grew up in a village and moved to Tehran, where he became a prominent writer and political prisoner. It lends a surreal and personal perspective to the Iranian Revolution and the Iran-Iraq War – the two most dramatic and formative events in the Islamic Republic’s forty-year existence. It tells the haunting and heart-wrenching story of an unnamed and disgraced former army colonel, who futilely tries to keep his mind intact and his family together during this tumultuous period. The novel poignantly demonstrates how the revolution and war tore individuals and their loved ones apart to the point of madness and death. It is a microcosm of the deep-seated dissonance and disillusionment that Iranians have experienced over aspirational nationalism and piety, on one side, and endemic fragmentation and repression, on the other. A difficult…
Winner of the 2013 Jan Michalski Prize Longlististed for the Man Asian Literary Prize
A new novel by the master of Iranian letters that directly engages politics in Iran today
Ten years in the writing, this fearless novel—so powerful it’s banned in Iran—tells the stirring story of a tortured people forced to live under successive oppressive regimes.
It begins on a pitch black, rainy night, when there’s a knock on the Colonel’s door. Two policemen have come to summon him to collect the tortured body of his youngest daughter. The Islamic Revolution is devouring its own children. Set over the…
Felicia Campbell is a food writer, editor, and author of The Food of Oman: Stories and Recipes from the Gateway to Arabia, the first English-language cookbook on Omani cuisine. She earned her masters degree in culinary anthropology from New York University with a specialization in Middle Eastern foodways. She has lectured on Omani food and food in zones of conflict at the Smithsonian Institute, Leiden University, New York University, and Arizona State University. She is currently developing a documentary series about endangered cuisines around the world.
Over the last four years, I have been cooking my way through my mother-in-law’s canon of Persian dishes, from ghormeh sabzi herb and braised meat stew to countless pots of the crispy-bottomed saffron rice called tadiq. When a family recipe is lacking in key details (like measurements or timing), I always refer to Najmieh Batmanglij’s book, which is considered the bible of Iranian cooking. Her recipes offer elevated versions of all the classics, along with a number of more obscure regional specialties, and explanations of Iranian traditions and customs. If you are only going to have one Persian cookbook on your shelf, this should be it.
Completely redesigned for today's generation of cooks and food enthusiasts, the 25th Anniversary Edition of Food of Life: Ancient Persian and Modern Iranian Cooking and Ceremonies by Najmieh Batmanglij provides a treasure trove of recipes, along with an immersive cultural experience for those seeking to understand this ancient and timeless cuisine. This edition is a more user-friendly edition of the award-winning and critically acclaimed cookbook series which began in 1986. Food of Life provides 330 classical and regional Iranian recipes as well as an introduction to Persian art, history, and culture. The book's hundreds of full color photographs are intertwined…
I am a professor of politics and international relations with a focus on Iran. My passion for the country started while studying Persian or Farsi with an exceptional professor in graduate school. During that time, I had the privilege of traveling to Iran three times to study the language and conduct research on rural politics. This period coincided with the Green Movement uprising, a pivotal moment in the country. Since then, I have been enthralled by Iranian history, politics, and culture. Their richness and complexity make it a subject that can be studied and appreciated for a lifetime.
Importantly, this book reminds the reader that the Iranian Revolution and others are rare and unpredictable events in human history that breed chaos and uncertainty. The book systematically and convincingly debunks the conventional explanations for the revolution related to static structures and processes in the government, military, economy, society, and culture. Instead, the book argues that what ultimately turned the tide of the revolution was the agency of activists who purposively created and exploited these structures and processes, translated initial fear into intensified outrage, drew power in numbers, and became convinced that success in the form of regime change was possible.
The shah of Iran, Mohammad Reza Pahlavi, would remain on the throne for the foreseeable future: This was the firm conclusion of a top-secret CIA analysis issued in October 1978. One hundred days later the shah--despite his massive military, fearsome security police, and superpower support was overthrown by a popular and largely peaceful revolution. But the CIA was not alone in its myopia, as Charles Kurzman reveals in this penetrating work; Iranians themselves, except for a tiny minority, considered a revolution inconceivable until it actually occurred. Revisiting the circumstances surrounding the fall of the shah, Kurzman offers rare insight into…
As a religious person, I’ve always believed religion is a force for good while being constantly reminded of the horrors it causes. This became a real-world concern with the 9/11 attacks (which happened my second week in college) and the faith-tinged US response. I spent ten years in Washington, DC working at the intersection of faith and counterterrorism, hopeful religion could solve our problems but worried it will only make things worse. I’ve continued that work as a Professor at the University of Vermont. This book reflects that tension and my desire to resolve it.
In this book, Sandal and Fox directly connect religion to mainstream international relations.
They survey the “grand paradigms” of international relations theory and discuss the various ways religion can be integrated into each. This was a useful exercise as both skeptics and champions of religion’s role in international relations have argued it is wholly separate from existing theories.
To me, its most valuable contribution was their suggestion that religion can be a source of the power and resources states struggle over, in contrast to many scholars on religion and international relations who assume religion overcomes power politics.
They also discussed religious legitimacy as a potential tool for states. These provided a useful starting point for my exploration of religion as an often-disruptive force in foreign policy.
There is a growing realization among international relations scholars and practitioners that religion is a critical factor in global politics. The Iranian Revolution, the September 11 attacks, the ethno-religious conflicts such as the ones in the former Yugoslavia and Sri Lanka are among the many reasons for this increased focus on religion in international affairs. The rise of religious political parties across the world ranging from the Christian Democrats in Europe to Bharatiya Janata Party in India similarly illustrated religion's heightened international profile.
Despite all this attention, it is challenging to situate religion within a discipline which has been dominantly…
I’ve been fascinated by the Middle East ever since being taken to see Kismet at the age of 3. I travel there extensively, married into it, and have lived inside the
Middle East community in the US for the past thirty years. I’m also a
journalist, a playwright, and the author of three non-fiction books, Making the World
Safe for Tourism, Aaronsohn’s Maps,
and INTERLOCK: Art, Conspiracy, and The Shadow Worlds of Mark Lombardi.
Although I wouldn't argue that the issue of women’s rights isn't an urgent one, as a woman who focuses on history and geopolitics, I’m often
disturbed at how it's being used to whip up popular emotion
and obscure other driving forces.
I’m going to be sneaky here and wedge two books in for the price of one. Kim Ghattas’ Black Wave is a beautifully written and reported, intimate history of the destructive ideological rivalry between Sunni Saudi Arabia and Shia Iran, a rivalry fuelled by the “tilt” policy of the Ronald Reagan administration that pitted the former allies against each other in an effort to keep them both weak (and unlikely to lead OPEC to attack the West again as they did in 1973). Ghattas, a Beiruti journalist who was friends with Jamal Khashoggi, grounds her history of the devastating cultural and geopolitical upheaval that followed in the personal and highly emotional stories of public intellectuals and other progressive thinkers who fought the Dark Age descending on the Middle East.
She finds her creation moment in the 1979 Iranian revolution, which occurred in the same year as the siege of the…
'Blistering' Sunday Times 'Indispensable' Observer 'Fascinating' The Times 'Brilliant' Peter Frankopan 'Revelatory' Lindsey Hilsum
A timely and unprecedented examination of how the modern Middle East unravelled, and why it started with the pivotal year of 1979. Shortlisted for the Cundhill History Prize 2020
'What happened to us?'
For decades, the question has haunted the Arab and Muslim world, heard across Iran and Syria, Saudi Arabia and Pakistan, and in the author's home country of Lebanon. Was it always so? When did the extremism, intolerance and bloodletting of today displace the region's cultural promise and diversity?
I have been passionate about journalism since I was a teenager, when I became the co-editor of my high school newspaper. My career as a full-time journalist began decades ago, at a small family-owned newspaper in Berkshire County, Mass., and continued through staff writer positions at The Cape Cod Times, Providence Journal and now at OceanStateStories.org, the new non-profit news outlet based at Salve Regina University’s Pell Center in Newport, R.I., that I co-founded and now direct. So I have the long and inside view of American journalism!
This landmark book by the Iranian-American writer Azar Afisi is an account of the oppression of the Islamic Revolution in her native Iran and an ode to the liberating power of literature and truth.
In her book, Nafisi recounts the experiences of a group of students she worked with as a professor of English at the University of Tehran. She was dismissed from that professorship in 1981 for refusing to cover her hair and 16 years later, emigrated to America, where she teaches, writes, and is an internationally respected voice for press and personal freedoms.
When Azar Nafisi was fired from Tehran University (where she was teaching English literature) because she refused to wear a veil, she gathered a group of her female students and resumed her classes at home, privately and discreetly. There, a group of young women discussed, argued about and communed with Shakespeare, Jane Austen, Henry James, Nabokov and others in the canon of English writers. The surreal picture of reading "Lolita", weighing the sexuality of Jane Austen or the American authenticity of Gatsby in the severe aftermath of Iran's Islamic Revolution was not lost on either Nafisi or her students. The…
