I am a professor of politics and international relations with a focus on Iran. My passion for the country started while studying Persian or Farsi with an exceptional professor in graduate school. During that time, I had the privilege of traveling to Iran three times to study the language and conduct research on rural politics. This period coincided with the Green Movement uprising, a pivotal moment in the country. Since then, I have been enthralled by Iranian history, politics, and culture. Their richness and complexity make it a subject that can be studied and appreciated for a lifetime.
This novel was banned in Iran and published outside of it by a renowned Iranian author who grew up in a village and moved to Tehran, where he became a prominent writer and political prisoner. It lends a surreal and personal perspective to the Iranian Revolution and the Iran-Iraq War – the two most dramatic and formative events in the Islamic Republic’s forty-year existence. It tells the haunting and heart-wrenching story of an unnamed and disgraced former army colonel, who futilely tries to keep his mind intact and his family together during this tumultuous period. The novel poignantly demonstrates how the revolution and war tore individuals and their loved ones apart to the point of madness and death. It is a microcosm of the deep-seated dissonance and disillusionment that Iranians have experienced over aspirational nationalism and piety, on one side, and endemic fragmentation and repression, on the other. A difficult…
Winner of the 2013 Jan Michalski Prize Longlististed for the Man Asian Literary Prize
A new novel by the master of Iranian letters that directly engages politics in Iran today
Ten years in the writing, this fearless novel—so powerful it’s banned in Iran—tells the stirring story of a tortured people forced to live under successive oppressive regimes.
It begins on a pitch black, rainy night, when there’s a knock on the Colonel’s door. Two policemen have come to summon him to collect the tortured body of his youngest daughter. The Islamic Revolution is devouring its own children. Set over the…
Richard Foltz is a cultural historian specializing in the broader Iranian world. He holds a Ph.D. in Middle Eastern History from Harvard University and has published eleven books and over one hundred articles on topics ranging from animal rights to Zoroastrianism. He is currently Professor in the Department of Religions and Cultures at Concordia University in Montréal, Canada.
Against the backdrop of an unlucky courtship between two young students in today’s Tehran, this entertaining novel uses humour to ridicule the myopic mentality of contemporary Iran’s religious leadership that wishes to see itself as cultured and intellectual.
Truly original, Censoring an Iranian Love Story is an incredibly imaginative yet always charming love story set in contemporary Iran that crackles with wit, verve and social comment: Sara falls in love with Dara through secret messages hidden in code in the pages of books that have been outlawed, but then something quite extraordinary and unexpected happens. Through adeptly handled asides to the reader, as well as anecdotes, codes and metaphors, and cheeky references to the wonderfully rich Iranian literary heritage, the novel builds to offer a revealing yet often playful and hopeful comment on the pressures of writing within…
I am a total sucker for people who are so complicated I can’t get a read
on them. This love comes from growing up without any extended family. When I heard little bits of my parents’ pasts, it felt like the world got more interesting, and I wanted to dig in to know everything there was to know about what shaped them and, by proxy, what shaped me. I’m drawn to
shady characters who don’t want to give up the goods, as they present a
joyful challenge by withholding mystery, and those types of characters
are the ones I love to read and write about.
I devoured this novel in one sitting. It has tons of dark stories that weave the families of unforgettable characters trying to hold their lives intact in Nebraska’s Sandhills.
I loved each interaction between Harley and the youngest Reddick boy, who is steeped in such a history of menace and projecting trouble that the mere mention of him made me nervous. As he and Harley spiral closer together it just feels like it is going to lead to an unforgettable collision.
In a dusty town in Nebraska's rugged sandhills, weary sheriff's deputy Harley Jensen patrols the streets at night, on the lookout for something-anything-out of the ordinary. It's July 1978, and the heat is making people ornery, restless. That and the Reddick family patriarch has decided, decades after authorities ended the search for his murdered boy's body, to lay a headstone. Instead of bringing closure, this decision is the spark that threatens to set Pickard County ablaze.
On a fateful night after the memorial service, Harley tails the youngest Reddick and town miscreant, Paul, through the abandoned farms and homes outside…
My interest in Parthia began with a desire to write a novel about the Spartacus slave rebellion. I first became interested in the Thracian after seeing the Stanley Kubrick film Spartacus as a boy, my interest growing over the years. Knowing there were quite a few fiction accounts of the slave leader, I wanted to find a new perspective. This led me to devise a story around a Parthian prince who is captured by the Romans and ends up fighting in the slave army. ‘The Parthian’ was born, as was my interest in the Parthian Empire, which would lead to the Parthian Chronicles series of novels and to date over 10 years of research into the Parthian Empire. I do not pretend to be an expert on the topic, but I hope my novels have shed light on an empire that lasted nearly 500 years but is almost unknown in the West. I also hope they spur readers on to explore the history of Parthia for themselves and to discover more about a fascinating people.
A single-volume history of the ancient Persian, Seleucid, Parthian, and Sasanian Empires written by an expert on ancient Persia. It is a very readable account of the great powers of the ancient world that inhabited the region that is now Iraq and Iran. It places the Parthians in the context of the story of Persia and from an eastern perspective.
The empires of ancient Persia remain as mysterious today as they were to contemporary Western scholars. Although Alexander the Great's conquest of Persia is legendary, the military successes of the Achaemenid, Parthian, and Sassanian empires, along with their revolutionary military technology, tactics and culture have been almost forgotten in the sands of the East. In its day, Persia was a superpower to rival Greece and Rome, and conflict between them spanned over a millennium. Through these wars, and trade, these foes learnt from each other, not only adopting elements of military technology, but influences in the arts, architecture, religion, technology…
I am a professor of politics and international relations with a focus on Iran. My passion for the country started while studying Persian or Farsi with an exceptional professor in graduate school. During that time, I had the privilege of traveling to Iran three times to study the language and conduct research on rural politics. This period coincided with the Green Movement uprising, a pivotal moment in the country. Since then, I have been enthralled by Iranian history, politics, and culture. Their richness and complexity make it a subject that can be studied and appreciated for a lifetime.
Importantly, this book reminds the reader that the Iranian Revolution and others are rare and unpredictable events in human history that breed chaos and uncertainty. The book systematically and convincingly debunks the conventional explanations for the revolution related to static structures and processes in the government, military, economy, society, and culture. Instead, the book argues that what ultimately turned the tide of the revolution was the agency of activists who purposively created and exploited these structures and processes, translated initial fear into intensified outrage, drew power in numbers, and became convinced that success in the form of regime change was possible.
The shah of Iran, Mohammad Reza Pahlavi, would remain on the throne for the foreseeable future: This was the firm conclusion of a top-secret CIA analysis issued in October 1978. One hundred days later the shah--despite his massive military, fearsome security police, and superpower support was overthrown by a popular and largely peaceful revolution. But the CIA was not alone in its myopia, as Charles Kurzman reveals in this penetrating work; Iranians themselves, except for a tiny minority, considered a revolution inconceivable until it actually occurred. Revisiting the circumstances surrounding the fall of the shah, Kurzman offers rare insight into…
I first became interested in the Kurds during a 1998 journey I took to Iran to work on my first book about the Middle East, Neither East nor West. While there, I traveled to Sanandaj, Iran’s unofficial Kurdish capital, where I was immediately struck by how different the area seemed from the rest of the Islamic Republic—heartbreaking in its lonesome beauty, and defiant. Despite a large number of Revolutionary Guards on the streets, the men swaggered and women strode. These people are not cowed, I thought—no wonder they make the Islamic government nervous. I had to find out more.
This enormous repository of Kurdish history and culture is jam-packed with everything from photographs and maps, to excerpts from memoirs and letters, to clips from newspapers and government documents. Covering the period from the 1870s to the early 2000s, it includes accounts from both the Kurds themselves and outsiders. I poured over the book both before and after my travels, and each time I did, I discovered a powerful new narrative or image I hadn’t noticed before.
Kurdistan was erased from world maps after World War I, when the victorious powers carved up the Middle East, leaving the Kurds without a homeland. Today the Kurds, who live on land that straddles the borders of Turkey, Iran, Iraq, and Syria, are by far the largest ethnic group in the world without a state.Renowned photographer Susan Meiselas entered northern Iraq after the 1991 Gulf War to record the effects of Saddam Hussein's campaigns against Iraq's Kurdish population. She joined Human Rights Watch in documenting the destruction of Kurdish villages (some of which Hussein had attacked with chemical weapons in…
My career has taken me zero millimeters from a large college, Christ Church, to a small, adjacent one, Corpus Christi, in 1971. In my mind, though, I have crisscrossed the world, leaping back in time to late antiquity and the Middle Ages, and nowhere proved more fascinating than Iran, which I have visited twice, in 1998 and 2002. I have written about different facets of its history at the end of antiquity, in particular its dominant role in the India trade and the coming of the Arabs.
In my view, Josef provides the best introduction to the history of Persia in classical antiquity–something well worth knowing, given the importance of Iran now and the influence of the past on the present.
Iranians look back with pride to those centuries when three Persian empires dominated the Middle East and western Asia. The book is clear, readable, and not too long.
I like it because he attends first and foremost to the evidence, what he calls ‘testimonies,’ and because he focuses on fundamental factors rather than simply telling a story.
Of all the great civilizations of the ancient world, that of Persia is one of the most remarkable but least understood. This is a study of the country's origins and why it collapsed so dramatically with the Arab invasions of the seventh century. Josef Wiesehofer, provides a comprehensive survey of the Persian Empire under the Achaeminids, the Parthians and the Sassanians. By focusing on the primary Persian sources - written, archaeological and numismatic evidence from Persia - he avoids the traditional Western approach which has tended to rely so heavily on inaccurate, and sometimes prejudiced, Greek and Roman sources.
I was born in Israel, but spent my formative years in Iran, a country rich in culture, superstition, and a history that is nothing short of an author’s dream. I also joined a large, colorful family, whose members possessed their own quirks and habits, which my future fictional characters inherited in one or another of my novels. Although the Iran I knew during the reign of the Shah was quite different than the Iran I had to flee at the onset of the Islamic revolution and the arrival of Ayatollah Khomeini, her history remains ever timely, and never ceases to captivate me.
The grandson of an eminent ayatollah and the son of an Iranian diplomat, Hooman Majd offers perspective on Iran's complex and misunderstood culture through an insightful tour of Iranian culture, introducing fascinating characters from all walks of life, including zealous government officials, tough female cab drivers, and open-minded, reformist ayatollahs. It's an Iran that will surprise readers and challenge Western stereotypes.
Hooman Majd, acclaimed journalist and New York-residing grandson of an Ayatollah, has a unique perspective on his Iranian homeland. In this vivid, warm and humorous insider's account, he opens our eyes to an Iran that few people see, meeting opium-smoking clerics, women cab drivers and sartorially challenged presidential officials, among others.
Revealing a country where both t-shirt wearing teenagers and religious martyrs express pride in their Persian origins, that is deeply religious yet highly cosmopolitan, authoritarian yet reformist, this is the one book you should read to understand Iran and Iranians today.
I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinnis an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?
Hedayat (1903-1951) was an Iranian writer who knew that death and the mythic experience of Kairos time exists a hair’s breadth away from what we commonly experience as human life.
The Blind Owl was the book that gave me permission to write fiction: instead of writing a novel in standard form, I wanted to create a liminal space, a threshold world between real and unreal; to invite readers into an unfamiliar (and hopefully transformative) vision of humanity.
This is exactly what Hedayat does in The Blind Owl: we are immersed in a fable of otherworldly, repetitive, poetic, dark, and mesmerising power. The story (of jealousy, despair, the cyclical nature of life and death) has a rare depth and a sense of universal reach precisely because it has one foot in the liminal.
Widely regarded as Sadegh Hedayat's masterpiece, the Blind Owl is the most important work of literature to come out of Iran in the past century. On the surface this work seems to be a tale of doomed love, but with the turning of each page basic facts become obscure and the reader soon realizes this book is much more than a love story. Although the Blind Owl has been compared to the works of the Kafka, Rilke and Poe, this work defies categorization. Lescot's French translation made the Blind Owl world-famous, while D.P. Costello's English translation made it largely accessible.…
I am a novelist, whose Persian family is comprised of a colorful cast of characters, who supply me with invaluable fodder for my historical novels. Years ago, my grandfather, Dr. Habib Levy, recounted how, when he was the dentist of Reza Shah Pahlavi, the King of Iran, the king commanded him to convert to Islam. Aware he might be uttering his last words, my grandfather had replied, “Your Majesty, a man who turns his back to his faith is a traitor, and his Majesty will not want a traitor for a dentist.” Now, after decades, this long past scene became the inspiration for my fifth historical novel, Love and War in the Jewish Quarter.
Dr. Habib Levy, the author of this book, is my grandfather, who spent half a century researching and writing the first comprehensive source on the history of the Jews of Iran.
I have often referred to this wealth of information for my historical novels. But never has it been a more important source and inspiration than for my most recent novel.
