100 books like Censoring an Iranian Love Story

Straddling the boundaries between academic history and historical non-fiction, this book is difficult, if not impossible, to put down and draws the reader into the rich and multifaceted world of Iran’s history, politics, culture, and religion. The book is narrated through the life and lens of an ayatollah who is caught between tradition and modernity, religiosity and secularism, and east and west, much like Iran itself. Seamlessly weaving the past and present, the book reveals the inherent complexities and contradictions of Iranian identity that have been superimposed on a state and society torn between notions and aspirations of divine and popular sovereignty.       

An engagingly written, fair and balanced history for readers interested in more detail and analysis than is found in my own slim introductory volume. In my view the single best scholarly history of Iran ever written.

Hedayat (1903-1951) was an Iranian writer who knew that death and the mythic experience of Kairos time exists a hair’s breadth away from what we commonly experience as human life.

The Blind Owl was the book that gave me permission to write fiction: instead of writing a novel in standard form, I wanted to create a liminal space, a threshold world between real and unreal; to invite readers into an unfamiliar (and hopefully transformative) vision of humanity.

This is exactly what Hedayat does in The Blind Owl: we are immersed in a fable of otherworldly, repetitive, poetic, dark, and mesmerising power. The story (of jealousy, despair, the cyclical nature of life and death) has a rare depth and a sense of universal reach precisely because it has one foot in the liminal.

Shahnameh is the story of the birth of the Iranian people, told in a series of wonderful stories.

In the beginning, in a time of myth and legend, the Persian kings fight the devil, and sometimes they win and sometimes they are tempted into sin. Here are great heroes like the paladin Rostam, wicked queens like the young and beautiful Sudabeh, endlessly scheming against her husband’s son and heir, and the evil serpent-king himself, Zahhak.

These are the legends that have shaped Iranian culture for more than a thousand years, given definitive form in Ferdowsi’s epic tale.

The grandson of an eminent ayatollah and the son of an Iranian diplomat, Hooman Majd offers perspective on Iran's complex and misunderstood culture through an insightful tour of Iranian culture, introducing fascinating characters from all walks of life, including zealous government officials, tough female cab drivers, and open-minded, reformist ayatollahs. It's an Iran that will surprise readers and challenge Western stereotypes.

Importantly, this book reminds the reader that the Iranian Revolution and others are rare and unpredictable events in human history that breed chaos and uncertainty. The book systematically and convincingly debunks the conventional explanations for the revolution related to static structures and processes in the government, military, economy, society, and culture. Instead, the book argues that what ultimately turned the tide of the revolution was the agency of activists who purposively created and exploited these structures and processes, translated initial fear into intensified outrage, drew power in numbers, and became convinced that success in the form of regime change was possible.       

Dr. Habib Levy, the author of this book, is my grandfather, who spent half a century researching and writing the first comprehensive source on the history of the Jews of Iran. 

I have often referred to this wealth of information for my historical novels. But never has it been a more important source and inspiration than for my most recent novel.

This monumental two-volume collection, published in 2021, contains 110 accessible essays by some of the most prominent scholars of Achaemenid Persian history. It introduces the ancient evidence, including written sources, artistic materials, and archaeological remains, for every major region from the Indus to the Nile and the Aegean, and ably surveys the disciplinary history of the modern study of ancient Iran.  Thematic chapters trace numerous aspects of Persia’s imperial world, including geography, languages, gender, religion, court dynamics, administration, communications, war, diplomacy, economics, art, science, and many more. The narrative chapters place the empire’s rise and fall, including but hardly limited to the Persian-Greek wars, into a longer context of Ancient Near Eastern empire formation, setting up valuable insights through comparison with Assyria, Babylonia, and other predecessors. 

In my view, Josef provides the best introduction to the history of Persia in classical antiquity–something well worth knowing, given the importance of Iran now and the influence of the past on the present.

Iranians look back with pride to those centuries when three Persian empires dominated the Middle East and western Asia. The book is clear, readable, and not too long.

I like it because he attends first and foremost to the evidence, what he calls ‘testimonies,’ and because he focuses on fundamental factors rather than simply telling a story.

This novel was banned in Iran and published outside of it by a renowned Iranian author who grew up in a village and moved to Tehran, where he became a prominent writer and political prisoner. It lends a surreal and personal perspective to the Iranian Revolution and the Iran-Iraq War – the two most dramatic and formative events in the Islamic Republic’s forty-year existence. It tells the haunting and heart-wrenching story of an unnamed and disgraced former army colonel, who futilely tries to keep his mind intact and his family together during this tumultuous period. The novel poignantly demonstrates how the revolution and war tore individuals and their loved ones apart to the point of madness and death. It is a microcosm of the deep-seated dissonance and disillusionment that Iranians have experienced over aspirational nationalism and piety, on one side, and endemic fragmentation and repression, on the other. A difficult… show more.