Here are 100 books that A Companion to the Achaemenid Persian Empire fans have personally recommended if you like
A Companion to the Achaemenid Persian Empire.
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I’ve been fascinated with ancient history since childhood, but really fell in love with the Achaemenids in college while taking classes on Greek history and wondering about the other side’s perspective on familiar stories of the Persian Wars. I was fortunate to get the opportunity to study both Greek and Persian history in graduate school at the University of Chicago, a leading center of scholarship on the Achaemenid world since the Persepolis excavations in the 1930s. Since 2006, I’ve taught in the History department at Christopher Newport University, a liberal arts university in Newport News, Virginia. I’m currently working on my next book, a new history of Persia’s Greek campaigns.
Almost three decades after its original French publication, this magnum opus continues to stand alone as the definitive narrative history of the first Persian empire under the Achaemenid dynasty. Briant’s sweeping account offers countless insights into Persian political history, demolishing dated views of the Persian-Greek wars as the beginning of the empire’s decline, and exploring the resilience of Persian elites and institutions even during the conquest by Alexander of Macedon. But the analysis is hardly limited tohistoire événementielle, and is at its most impressive in the exploration of social and economic conditions and interactions between Iranian officials and settlers and the empire’s diverse subject populations, from Egypt and the Aegean to Central Asia and the Indus valley.
Around 550 B.C.E. the Persian people-who were previously practically unknown in the annals of history-emerged from their base in southern Iran (Fars) and engaged in a monumental adventure that, under the leadership of Cyrus the Great and his successors, culminated in the creation of an immense Empire that stretched from central Asia to Upper Egypt, from the Indus to the Danube. The Persian (or Achaemenid, named for its reigning dynasty) Empire assimilated an astonishing diversity of lands, peoples, languages, and cultures. This conquest of Near Eastern lands completely altered the history of the world: for the first time, a monolithic…
I’ve been fascinated with ancient history since childhood, but really fell in love with the Achaemenids in college while taking classes on Greek history and wondering about the other side’s perspective on familiar stories of the Persian Wars. I was fortunate to get the opportunity to study both Greek and Persian history in graduate school at the University of Chicago, a leading center of scholarship on the Achaemenid world since the Persepolis excavations in the 1930s. Since 2006, I’ve taught in the History department at Christopher Newport University, a liberal arts university in Newport News, Virginia. I’m currently working on my next book, a new history of Persia’s Greek campaigns.
The Persian empire’s size and diversity impose special challenges for modern study. The major sources are written in a wide variety of ancient languages, including Old Persian, Elamite, Babylonian, Aramaic, Biblical Hebrew, Greek, and Latin, and many texts were initially studied in specialist publications with limited accessibility outside a small circle of scholars. Kuhrt’s sourcebook did a tremendous service to scholars and students alike by gathering reliable translations of a wide range of written evidence from the Persian empire, replete with supporting notes and bibliography for further reading. It includes substantial selections from Greek historians of Persia, including Herodotus, Xenophon, and the Alexander biographers, but ensures that readers are able to contextualize these texts alongside internal materials reflecting the full diversity of Persian empire and society.
Bringing together a wide variety of material in many different languages that exists from the substantial body of work left by this large empire, The Persian Empire presents annotated translations, together with introductions to the problems of using it in order to gain an understanding of the history and working os this remarkable political entity.
The Achaemenid empire developed in the region of modern Fars (Islam) and expanded to unite territories stretching from the Segean and Egypt in the west to Central Asia and north-west India, which it ruled for over 200 years until its conquest by Alexander of Macedon.…
I’ve been fascinated with ancient history since childhood, but really fell in love with the Achaemenids in college while taking classes on Greek history and wondering about the other side’s perspective on familiar stories of the Persian Wars. I was fortunate to get the opportunity to study both Greek and Persian history in graduate school at the University of Chicago, a leading center of scholarship on the Achaemenid world since the Persepolis excavations in the 1930s. Since 2006, I’ve taught in the History department at Christopher Newport University, a liberal arts university in Newport News, Virginia. I’m currently working on my next book, a new history of Persia’s Greek campaigns.
This short book inspired me to become a historian of Persian-Greek relations, and my own first book sought to build on its foundations. It contains a series of lectures by a great scholar of ancient history and languages, reflecting on the partnership between two ancient powers that were less foreign to one another in cultural and political terms than often supposed. Rather than focusing on Xerxes’ invasion and Thermopylae, it explores the worldviews, communication methods, and diplomatic practices of Spartan elites and Persian officials over the century that followed, brilliantly tracing how the Spartans and Persians crafted their Peloponnesian War alliance and overcame a number of disputes to complete the peace of 386, which provided autonomy for Greeks outside Asia while consolidating Persian rule over Greeks in Asia Minor.
I’ve been fascinated with ancient history since childhood, but really fell in love with the Achaemenids in college while taking classes on Greek history and wondering about the other side’s perspective on familiar stories of the Persian Wars. I was fortunate to get the opportunity to study both Greek and Persian history in graduate school at the University of Chicago, a leading center of scholarship on the Achaemenid world since the Persepolis excavations in the 1930s. Since 2006, I’ve taught in the History department at Christopher Newport University, a liberal arts university in Newport News, Virginia. I’m currently working on my next book, a new history of Persia’s Greek campaigns.
This remarkable study views the encounters between Persia and Athens through the movement of artwork and material artifacts. Beginning just after Xerxes’ invasion with the Athenian acquisition of Persian objects as wartime spoils, it explores other avenues for cultural dissemination in the contexts of economic exchange, diplomatic gifts, architectural influence, and the emulation and transformation of selected Persian fashions in status-signaling by wealthy Athenians. Carefully illustrated and argued, it expands the horizons of Persian-Greek studies from conflict to culture, driving home Lewis’ maxim that there was no “Iron Curtain” across the Aegean.
It is a commonplace of modern scholarship that the Athenians hated and despised the Persians, but the claims of contempt are disproved by the evidence of archaeology, epigraphy, iconography and literature, all of which reveal some facet of Athenian receptivity to Achaemenid Persian culture. The Athenian response was as richly complex as the spheres of interaction: both private and public, elite and sub-elite. It appears in pot shapes, clothing, luxurious display and monumental architecture. This innovative study, the first comprehensive collection of evidence pertaining to the relations between Athens and Persia in the fifth century BC, aims to make this…
Richard Foltz is a cultural historian specializing in the broader Iranian world. He holds a Ph.D. in Middle Eastern History from Harvard University and has published eleven books and over one hundred articles on topics ranging from animal rights to Zoroastrianism. He is currently Professor in the Department of Religions and Cultures at Concordia University in Montréal, Canada.
An engagingly written, fair and balanced history for readers interested in more detail and analysis than is found in my own slim introductory volume. In my view the single best scholarly history of Iran ever written.
Iran is a land of contradictions. It is an Islamic republic, but one in which only 1.4 percent of the population attend Friday prayers. Iran's religious culture encompasses the most censorious and dogmatic Shi'a Muslim clerics in the world, yet its poetry insistently dwells on the joys of life: wine, beauty, sex. Iranian women are subject to one of the most restrictive dress codes in the Islamic world, but make up nearly 60 percent of the student population of the nation's universities. In A History of Iran, acclaimed historian Michael Axworthy chronicles the rich history of this complex nation from…
My career has taken me zero millimeters from a large college, Christ Church, to a small, adjacent one, Corpus Christi, in 1971. In my mind, though, I have crisscrossed the world, leaping back in time to late antiquity and the Middle Ages, and nowhere proved more fascinating than Iran, which I have visited twice, in 1998 and 2002. I have written about different facets of its history at the end of antiquity, in particular its dominant role in the India trade and the coming of the Arabs.
In my view, Josef provides the best introduction to the history of Persia in classical antiquity–something well worth knowing, given the importance of Iran now and the influence of the past on the present.
Iranians look back with pride to those centuries when three Persian empires dominated the Middle East and western Asia. The book is clear, readable, and not too long.
I like it because he attends first and foremost to the evidence, what he calls ‘testimonies,’ and because he focuses on fundamental factors rather than simply telling a story.
Of all the great civilizations of the ancient world, that of Persia is one of the most remarkable but least understood. This is a study of the country's origins and why it collapsed so dramatically with the Arab invasions of the seventh century. Josef Wiesehofer, provides a comprehensive survey of the Persian Empire under the Achaeminids, the Parthians and the Sassanians. By focusing on the primary Persian sources - written, archaeological and numismatic evidence from Persia - he avoids the traditional Western approach which has tended to rely so heavily on inaccurate, and sometimes prejudiced, Greek and Roman sources.
My interest in Parthia began with a desire to write a novel about the Spartacus slave rebellion. I first became interested in the Thracian after seeing the Stanley Kubrick film Spartacus as a boy, my interest growing over the years. Knowing there were quite a few fiction accounts of the slave leader, I wanted to find a new perspective. This led me to devise a story around a Parthian prince who is captured by the Romans and ends up fighting in the slave army. ‘The Parthian’ was born, as was my interest in the Parthian Empire, which would lead to the Parthian Chronicles series of novels and to date over 10 years of research into the Parthian Empire. I do not pretend to be an expert on the topic, but I hope my novels have shed light on an empire that lasted nearly 500 years but is almost unknown in the West. I also hope they spur readers on to explore the history of Parthia for themselves and to discover more about a fascinating people.
A single-volume history of the ancient Persian, Seleucid, Parthian, and Sasanian Empires written by an expert on ancient Persia. It is a very readable account of the great powers of the ancient world that inhabited the region that is now Iraq and Iran. It places the Parthians in the context of the story of Persia and from an eastern perspective.
The empires of ancient Persia remain as mysterious today as they were to contemporary Western scholars. Although Alexander the Great's conquest of Persia is legendary, the military successes of the Achaemenid, Parthian, and Sassanian empires, along with their revolutionary military technology, tactics and culture have been almost forgotten in the sands of the East. In its day, Persia was a superpower to rival Greece and Rome, and conflict between them spanned over a millennium. Through these wars, and trade, these foes learnt from each other, not only adopting elements of military technology, but influences in the arts, architecture, religion, technology…
I have a life-long interest in the intersection of the real and the mythical when it comes to travel and adventuring in foreign lands. This has driven my own exploration of many parts of Asia and the Himalayan regions. One tiny nugget of information can take you on a wild journey that leads to great discoveries. Curiously, we keep losing precious knowledge through war and neglect—and then re-discover it. The finest example of lost and found cultural facets has to be hieroglyphics. The meaning of the writing was lost for over a thousand years until the discovery of the Rosetta Stone in 1799, which enabled us to decipher Egyptian temple art again. So hieroglyphics entered the realm of the mythical and then returned to reality once decoded.
The city of Alexandria was founded by Alexander the Great, or at least named in his honour. And Alexander the Great is responsible for wiping out other fabled cities. Most notably, the ancient Persian city of Persepolis, located in modern-day Iran. Finally, a place you can actually visit! But the massive palace lies in ruins, nowhere near its original splendour with all the statuary and furnishings, and the pomp and majesty of Persia’s kings and courtiers—at the time when Persia was a global superpower.
Around 2,000 years ago, Alexander the Great’s troops looted Persepolis and burned it to the ground. And there it lay in the sand, forgotten, until the site was revived in the 1930s and somewhat restored. The site lies in southwest Iran and was inscribed to the World Heritage List in 1979. Given that travel to Iran today is fraught with obstacles, this book about Persepolis could…
*Includes pictures *Includes ancient historians' descriptions of Persepolis and the Persians *Includes online resources and a bibliography for further reading “By the favor of Ahuramazda these are the countries which I got into my possession along with this Persian people, which felt fear of me and bore me tribute : Elam, Media, Babylonia, Arabia, Assyria, Egypt, Armenia, Cappadocia, Lydia, the Greeks who are of the mainland and those who are by the sea, and countries which are across the sea, Sagartia, Parthia, Drangiana, Aria, Bactria, Sogdia, Chorasmia, Sattagydia, Arachosia, Hinduš, Gandara, Sacae, Maka.” – An inscription on a terrace wall…
I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinnis an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?
Hedayat (1903-1951) was an Iranian writer who knew that death and the mythic experience of Kairos time exists a hair’s breadth away from what we commonly experience as human life.
The Blind Owl was the book that gave me permission to write fiction: instead of writing a novel in standard form, I wanted to create a liminal space, a threshold world between real and unreal; to invite readers into an unfamiliar (and hopefully transformative) vision of humanity.
This is exactly what Hedayat does in The Blind Owl: we are immersed in a fable of otherworldly, repetitive, poetic, dark, and mesmerising power. The story (of jealousy, despair, the cyclical nature of life and death) has a rare depth and a sense of universal reach precisely because it has one foot in the liminal.
Widely regarded as Sadegh Hedayat's masterpiece, the Blind Owl is the most important work of literature to come out of Iran in the past century. On the surface this work seems to be a tale of doomed love, but with the turning of each page basic facts become obscure and the reader soon realizes this book is much more than a love story. Although the Blind Owl has been compared to the works of the Kafka, Rilke and Poe, this work defies categorization. Lescot's French translation made the Blind Owl world-famous, while D.P. Costello's English translation made it largely accessible.…
Richard Foltz is a cultural historian specializing in the broader Iranian world. He holds a Ph.D. in Middle Eastern History from Harvard University and has published eleven books and over one hundred articles on topics ranging from animal rights to Zoroastrianism. He is currently Professor in the Department of Religions and Cultures at Concordia University in Montréal, Canada.
Against the backdrop of an unlucky courtship between two young students in today’s Tehran, this entertaining novel uses humour to ridicule the myopic mentality of contemporary Iran’s religious leadership that wishes to see itself as cultured and intellectual.
Truly original, Censoring an Iranian Love Story is an incredibly imaginative yet always charming love story set in contemporary Iran that crackles with wit, verve and social comment: Sara falls in love with Dara through secret messages hidden in code in the pages of books that have been outlawed, but then something quite extraordinary and unexpected happens. Through adeptly handled asides to the reader, as well as anecdotes, codes and metaphors, and cheeky references to the wonderfully rich Iranian literary heritage, the novel builds to offer a revealing yet often playful and hopeful comment on the pressures of writing within…
