The most recommended classical antiquity books

This book is a treasure-trove of wise and gorgeous sentences—like, “Knowledge of Rome must be physical, sweated into the system, worked up into the brain through the thinning shoe-leather. Substantiality comes through touch and smell, and taste, the tastes of different dusts.”

Like the Eternal City, A Time in Rome by the Irish-British novelist Elizabeth Bowen doesn’t fit into tidy categories.

Is it a guidebook to the city? Is it a memoir? Is it a history of Rome? Yes and no.

Though I can’t quite put my finger on what it is, I love it. It’s a perfect book for reveries over a mid-morning caffé.

I really loved Willis’ multilayered presentation of the narrator’s past and present. Masterfully, Willis creates a deceptively simple, haunting setting, where the common but painful event of the loss of a pet becomes a symbol for the banality of extinction itself—whether of a species or entire culture. Made me think about how, even though inevitable, loss never gets easier.

Davidson demonstrates that sexual relationships with courtesans and youths in ancient Athens paralleled the markets in other luxuries such as fish and wine rather more than resembling the modern ideal of romantic love. In a society where marriages were mainly business arrangements made between families to ensure the production of legitimate heirs to their estates, such formal relationships were frequently loveless. This led the male partners and those as yet unmarried to resort to employing mistresses, courtesans, and youths as luxurious distractions from the mundane matter of marital maintenance of the bloodline.

Contemporary historians usually have a vast amount of material at their disposal and institutional support (libraries, archives, universities) that makes accessing and evaluating this material relatively straightforward. Not so in antiquity. The challenges then were enormous.

I think there is no better introduction to the challenges faced by writers of history in the ancient world than Luke Pitcher’s book. He writes in a lively and accessible style, with lots of examples from the ancient historians themselves but also with many contemporary examples. I like that he encourages the reader to come to his or her own conclusions about various matters.

Rather than lecture, he encourages those interested in ancient historians to become part of a conversation that has been going on since antiquity.

The international colloquia known as the Eranos conferences were designed to bring together scholars from diverse fields - historians, anthropologists, philosophers, and theologians - to interact, share insights and seek a higher synthesis in thought and understanding. The Mysteries is a collection of papers delivered from these varying perspectives in pursuit of a deeper understanding of the mystery cults of antiquity. This collection of essays is characterised by its outstanding quality, the variety of topics and outlooks represented, and the testimony it provides to that enduring search for a higher order of meaning.  

This book is about eighty years old. I’m probably not far wrong in saying almost every other page is obsolete thanks to archaeological finds and interpretations of existing material, epigraphical, and literary evidence since it appeared. But it’s a wonderful book to read and appreciate how the author uses the evidence available to him to paint a brilliant image of Athenian and indeed Greek economic and commercial life in this period with many fascinating insights. The subject matter might seem unexciting, yet the author brings it alive and makes it really interesting!

Rembrandt is a fascinating journey through Rembrandt’s paintings and also his lesser-known (to the general public) prints. It’s also a chronological roadmap of his works from his early years until his final period.  Watching his progression and the mastery in his latest period was a true learning process of how ‘less’ can be ‘far more.’ In the works displayed in the book, Rembrandt shows his skill at wringing every last bit of functionality out of each color in a very limited palette and also the cornucopia of atmospheric density he played with so masterfully to push and pull the viewers’ eye.  

This book by the cooking school Ferrandi is the most thorough, complete, and detailed cookbook I’ve ever read about French pastry.

It breaks down hundreds of traditional and classic recipes with step-by-step instructions and photos, as well as lots of tips along the way. It is packed with information to help you create a solid foundation on French Pastry.

If I could only choose one cookbook, it would be this one! 

I enjoyed this from the very first page because it brought to me the nostalgia of a past era. It is so well constructed and a refreshing subject that brings the Madrid of 1868 to life.

Jaime Astarloa is the aging, old-school fencing master and survivor of duels who prides himself on loyalty and honor with an obsession to create the perfect sword thrust but is now aware of his physical decline.

When the cunning Adela de Otero appears as a worthwhile opponent who wants to learn from Jaime, he finds himself caught up in political intrigues where his old-time values have no substance. I found it hard to put it down.    

This is a wonderful selection of short stories and novel extracts by early authors of strange, weird, surreal fiction; writers whose subject is the so-called supernatural and who rail against the reduction of life to rational materialism. These works would broadly now be referred to as weird fiction. They are only as weird as the world. The book also contains an excellent introduction by the editor, speaking up for the strange, weird, and surreal.