The most recommended classical antiquity books

I am a writer, teacher, and researcher who has always been interested in my own emotions and those of others. But I decided to write about the emotions of the past only after I became a historian of the Middle Ages. My discoveries began with the early medieval period. Now I enjoy looking at the full sweep of Western history. I have come to realize that at no time did we all share the same feelings nor evaluate them the same way. Instead, we live and have always lived in “emotional communities” with others who share our feelings—and alongside still others who do not. I hope my booklist will pique your interest in this new and exciting field.

I learned to dig as a teenager in the school holidays and studied the ancient world at Oxford and Cambridge before beginning my career as a university teacher. I have been lucky enough to travel all over the world for my work, and have spent time living in some amazing cities including Paris, London, Madrid, and Rome. I love exploring new urban landscapes from Moscow to Lusaka, Såo Paulo to Toronto and I am looking forward this summer to moving to another great metropolis, Los Angeles.

I have been fascinated by ancient Greece and Rome since I first saw Italy and Greece as a teenager, revisiting them whenever I can. I studied ancient history at Cambridge University and have written eight books about it, most recently The Colosseum. After living in Paris, Rome, and London, I am now based in Wiltshire in southwest England, almost within sight of Stonehenge. There is a small megalith outside my own house.

When I tell people I think about Greek myths for a living, they tend not to believe me.  But I’ve never considered Greek myths to be at all odd or mysterious. After all, telling stories is a very normal human activity. Most recently I’ve been working to better understand how ancient communities attached stories to the places they lived in and this has resulted in MANTO, a huge mapping project, which anyone can look at here: https://www.manto-myth.org/manto

Maybe it’s because I come from a family that expresses conflict, shall we say, indirectly, but nothing fascinates me the way relationships do. What do we desire, what do we offer? And how much more do we care about friendships and family bonds than world peace? I also love stories about passions we pursue professionally, and ever since I fell in love with the food and wine world, that’s the world I’ve written about and the world in which my characters’ intense relationships play out. Real drama plays out over a drink or at a dinner table, and of course a glass of wine only unleashes a little more.

I’m a science fiction and fantasy author with a love of fairytales. I enjoy genre-bending, genre-blending, and new takes on old stories. As a child, I had a book of fairytales illustrated with embroidered illustrations. In high school and college, when I had the opportunity, I always chose to read fairytales—I've even taken classes that exclusively explore fairytales. Now as an author, I’ve leaped feet first into fairytale retellings. My first series, Rove City, features fairytale retellings set in an intergalactic spaceship, and my second series is made up of collections of original fairytales. Next, I’m planning to take the original fairytales and turn them into my own retellings. 

I grew up blocks from Hollywood Boulevard in the late ‘60s and early ‘70s and had something like a front-row seat to the greatest pop culture five-car pile-up in American history. At the Canteen on Hollywood and Vine, where my aunt would take me on summer weekdays for the “Extras for Extras Smorgasbord,” you’d rub shoulders with aging starlets, cowpokes, starry-eyed young hopefuls, and “leading men” in five-and-dime ascots who never had a leading role. Even Billy Barty, always of good cheer, would make the scene—he was so nice to me, and I had no idea he played my hero, Sigmund the Sea Monster!

I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wrote An Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.

When I voyaged into the ancient world in the readings of my youth, it led me to realize that the gay-straight divide in modern perceptions of sexuality and relationships is an artifice. It was constructed by the conceit of the ascetic religions that the only legitimate purpose of sex is the production of children within a sanctified marital relationship. In Antiquity, the divide followed a more natural course between the groups who were the sexually active partners (mainly adult men) and those who were sexually passive (mainly women, youths, and eunuchs). My hope is to disperse some of the confusion that the obscuration of this historical reality has caused.

I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.