100 books like War as Spectacle

I love how thorough this book is–it is full of fantastic examples covering all sorts of aspects of ancient Greek warfare. What causes ancient Greek wars? Who fights? How do they prepare? What happens? There are so many interesting questions.

This book, by one of the world’s leading experts, offers many thoughtful answers drawn from ancient literature, archaeology, and iconography–pottery, stone carvings, statues, and statuettes. I come back to this readable, informative book again and again.

This book is a graphic novel re-telling of The Iliad from Ares’ perspective. It looks amazing and it’s an absolute blast. I really enjoy the attention to detail in the illustrations, which look very dynamic and are full of information drawn from decent sources.

The storytelling is very sophisticated, so while Ares is the focal point, we move around the Trojan War and see it from different perspectives, divine and human. It is simply a great retelling of the Trojan War story with as much blood, glory, and tragedy as anyone could ask for.

This is a super useful book that really gets into the practical realities of ancient Greek land warfare. With contributions from many noted experts, this book examines the weapons used in classical Greek battles and the contribution of the instruments used for signaling.

There’s a chapter on techniques for identifying battle dead, which is very niche but very interesting. I particularly like the chapter by Michael H. Jameson on sacrifice before battle; this is probably the best treatment available on this subject, and it gives so much insight into the world of classical Greek warfare.

I love Xenophon's Anabasis, and it’s part of the reason I devoted my life to ancient Greece. Imagine a mercenary army who’ve gone to help in someone else’s war. They get trapped, their leaders are killed, and now they have to fight their way home. That’s Xenophon’s Anabasis, or Journey Up Country, written by a man who lived through it, essentially inventing a new genre of writing as he did so.

It’s a brutal read in some ways, as a lot of terrible things happen, but it’s also a story of survival and adventure. It’s a rip-roaring insight into what it was like to go on a campaign in antiquity and what it was like to be part of an ancient army in extraordinary circumstances.  

Coincidentally this scholarly collection of essays appeared in the same year as my 2nd Book Pick. The original versions of the papers were delivered at ‘Penn’ (the University of Pennsylvania, Professor Rosen’s home) at the second ‘Penn-Leiden Colloquium on Ancient Values’ (Leiden being Prof. Sluiter’s base). Free speech had two distinct terms and expressions in ancient Greece, one more expansive than the other. Parrhesia could be understood as frankness of expression, not necessarily political. Isegoria, on the other hand, was narrowly political and applied only to adult male free citizens: it’s best translated exactly as equal freedom of public political speech. One reviewer of the collection picked up on the existence of a rivalry between an official/state version of historical facts and the—more truthful—version given by an individual writer, explicitly referencing Salman Rushdie.

This is a fat book, but almost unputdownable. What could be more fundamental to understanding the world of the ancient Greeks than finding out how many of them there were, and how they worked the land? We are learning more and more about the uses of the countryside, especially from survey archaeology, in which walkers systematically transect a given area of land. A good eighty or ninety percent of all ancient Greeks made a living (not necessarily a good one) through agriculture. The issues involved in trying to determine, say, the overall population of Greece in 500 BCE, or the pattern of land use in Athens, or the annual rates of cereal productivity, are complex, but Sallares steers us through the evidence with a sure hand.

If Gadamer is an important guide to the hermeneutics of beginnings and the spirit of theorizing, Thomas Martin’s work is one of the most concise, readable, and comprehensive introductions to the social history of ancient Greece and the spiritual origins of Western culture. While there are many fine histories of the period, this book provides access to the whole sweep of Greek history from the beginnings of Hellenic civilization in Indo-European and Mycenaean cultures, to the Archaic age, the beginnings of democracy with the age of the city-state, the collapse of the Athenian Empire at the end of the Peloponnesian War, and the rise of Hellenistic Greece and the Hellenistic kingdoms that led to the hegemony of Rome and Latin culture. The work is an exemplary form of what I would call 'configurational’ history as his narrative interweaves military, political, religious, and social history with detailed discussion of the realm… show more.

Closely related to my love for history is my love of mythology—the boundary between the two is porous. This book started that love. There have been many books published that present the Greek myths to children, and this book is not considered one of the classics, but because it was my favorite book when I was six, I have never found another version better. I love the illustrations and how stylized they are. They capture the myths’ mystique, yet you can always see the human. I was clutching this book in the back seat of my family’s car when my mom announced that we would be getting a baby brother. As I was reading about Jason and the Golden Fleece, I suggested Jason as a name. It stuck!

I read this years ago; it's one of the reasons I began writing historical romance novels. It's the story of Aspasia, a woman in ancient Greece. She's educated in a selective school for courtesans, beautiful, groomed for pleasure, and bought by a Persian man who comes seeking a courtesan from this famous establishment. He takes Aspasia back to Persia. Eventually, she is freed and returns to Athens, where she meets Pericles. Inspired in part by his love of Aspasia, Pericles initiated the building of the famous Acropolis in ancient Greece. 

I was fortunate to visit Athens after reading Glory and the Lightning, and standing on the Acropolis, I found myself thinking of Pericles and Aspasia, real people who lived and loved over 2,000 years ago. (And yes, I may have gotten a lump in my throat and one or two tears threatened.)

It’s impossible to enter the mindset of the ancient Greeks without understanding that democracy runs deeply in their cultural bloodstream. There are numerous books on the subject – I did a course called Athenian Democracy: An Experiment for the Ages for The Great Courses – but Cartledge’s book, as the title suggests, offers a biography from its beginnings down to the present day. It also provides a nuanced exploration of the connection between Greek politics and society. Democracy: A Life depicts democracy not as a theoretical model but at work, and, in the challenges it faces today, a work in progress. Get A Life!