Here are 100 books that Greek Warfare fans have personally recommended if you like
Greek Warfare.
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I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.
This book is a graphic novel re-telling of The Iliad from Ares’ perspective. It looks amazing and it’s an absolute blast. I really enjoy the attention to detail in the illustrations, which look very dynamic and are full of information drawn from decent sources.
The storytelling is very sophisticated, so while Ares is the focal point, we move around the Trojan War and see it from different perspectives, divine and human. It is simply a great retelling of the Trojan War story with as much blood, glory, and tragedy as anyone could ask for.
I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.
This is a super useful book that really gets into the practical realities of ancient Greek land warfare. With contributions from many noted experts, this book examines the weapons used in classical Greek battles and the contribution of the instruments used for signaling.
There’s a chapter on techniques for identifying battle dead, which is very niche but very interesting. I particularly like the chapter by Michael H. Jameson on sacrifice before battle; this is probably the best treatment available on this subject, and it gives so much insight into the world of classical Greek warfare.
Incorporating research found in ancient literary, iconographic, epigraphic, and archaeological sources, this book explores the experiences of the soldiers who conducted battle on the small plains of ancient Greece. The volume, which draws on the accumulated expertise of nine American and British scholars, emphasizes the actual techniques of fighting and practical concerns as the use of commands, music in warfare, the use of "dog-tags", and ritual on the battlefield.
I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.
I love Xenophon's Anabasis, and it’s part of the reason I devoted my life to ancient Greece. Imagine a mercenary army who’ve gone to help in someone else’s war. They get trapped, their leaders are killed, and now they have to fight their way home. That’s Xenophon’s Anabasis, or Journey Up Country, written by a man who lived through it, essentially inventing a new genre of writing as he did so.
It’s a brutal read in some ways, as a lot of terrible things happen, but it’s also a story of survival and adventure. It’s a rip-roaring insight into what it was like to go on a campaign in antiquity and what it was like to be part of an ancient army in extraordinary circumstances.
I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.
I love this unusual and thoughtful book. It looks not at the realities and practicalities of ancient warfare but at how different societies have made use of the striking, impressive, sometimes pitiable spectacle of ancient war.
Roman poets wrote about the last moments of dying warriors, and ancient Greeks conjured up images of the battlefield in song and dance. War as Spectacle also makes space for thinking about how and why later eras refer back to ancient wars, be it the military dictators of modern Greece or the monument-makers of the USA. This work is a rich cultural experience across space and time.
War as Spectacle examines the display of armed conflict in classical antiquity and its impact in the modern world. The contributors address the following questions: how and why was war conceptualized as a spectacle in our surviving ancient Greek and Latin sources? How has this view of war been adapted in post-classical contexts and to what purpose?
This collection of essays engages with the motif of war as spectacle through a variety of theoretical and methodological pathways and frameworks. They include the investigation of the portrayal of armed conflict in ancient Greek and Latin Literature, History and Material Culture, as…
I've been fascinated by the commanders, campaigns, and capabilities of the Roman Army since I studied Latin at school and watched the Hollywood epic Spartacus.At that time, my parents bought me a copy of Peter Connolly’s Roman Army for Christmas, but I discovered where they had hidden it and I secretly read it before Christmas Day. I have retained that passion with a library of books collected over a lifetime to prove it. Now, as a historian and the author of eight books of my own, and as the news editor of Ancient History and Ancient Warfare magazines, I eagerly share the latest discoveries and insights with my readers.
It was this book that sparked my interest in the Roman Army—and I know from talking with others that it has created a host of other Roman military history buffs since its original publication.
The second and third parts of the book detail the evolution of the Roman army from its origins as a city-state militia, transforming from a legion based on maniples into one based on cohorts, and finally becoming the professional army and navy of the Caesars.
Peter Connolly both wrote and illustrated the text. Using archaeological and epigraphic evidence he produced exquisite, painstakingly detailed paintings of arms and armour of infantry and cavalry, siege weapons, and warships. As an introduction to the subject, it has never been bettered.
Connolly was the honourary patron of The Ermine Street Guard reenactment society in which I served honourably for ten years.
In this sumptuous guide to twelve centuries of military development, Peter Connolly combines a detailed account of the arms and armies of Greece and Rome with his superb full-colour artwork. Making use of fresh archaeological evidence and new material on the manufacture and use of the weapons of the period, the author presents an attractive and impressive volume that is both scholarly and beautifully presented with illustrations that are, quite rightly, recognised as being the best and most accurate representation of how the soldiers from these formidable military empires appeared. Greece and Rome at War lucidly demonstrates the face of…
I spent 40 years as a soldier studying war. After graduation from Royal Military College, I joined the Armoured Corps. Throughout history, we have regaled each other with stories of war. From Greek myths to Norse sagas to modern movies, we cannot seem to get enough of war stories. And yet, we know that war is inherently a bad idea. It is evil. It is a form of collective madness. War is destructive and cruel, unworthy of our better selves. To paraphrase Abraham Lincoln, war breaks the bonds of our affection and does not speak to our better angels. I study it in order to better understand this madness.
If you are to be a serious student of war, warfare, and tactics, then you will need a general reference guide. This book should be your go-to reference for general knowledge on this subject. Jones elegantly combines three major components of war (tactics, strategy, and logistics) to explain the last 2,500 years of military history, from phalanxes in ancient Greece through to the Thirty Years’ War that shaped modern Europe. Well written and thoroughly researched, I have kept it on my desk for the last thirty years.
"The magnum opus of one of America's most respected military historians, "The Art of War in the Western World" has earned its place as the standard work on how the three major operational components of war - tactics, logistics, and strategy - have evolved and changed over time. This monumental work encompasses 2,500 years of military history, from infantry combat in ancient Greece through the dissolution of the Roman Empire to the Thirty Years' War and from the Napoleonic campaigns through World War II, which Jones sees as the culmination of modern warfare, to the Israeli-Egyptian War of 1973".
As a historian, journalist, and travel writer, Tony Perrottet has made a career out of bringing the past to vivid life. Born in Australia, he started writing as a foreign correspondent in South America, where he covered guerrilla wars in Peru, drug running in Colombia, and military rebellions in Argentina. He continues to commute to Athens, Iceland, Tierra del Fuego, and Havana, while contributing to the Smithsonian Magazine, The New York Times, and TheWall Street Journal, amongst others. He has written six books on subjects ranging from classical tourism to the Pope's "pornographic bathroom" in the Vatican, and most recently, ¡Cuba Libre!, an anecdotal account of the Cuban Revolution. His travel stories have been selected seven times for the Best American Travel Writing series, and he is a regular guest on the History Channel, where he has spoken about everything from the Crusades to the birth of disco.
Of the over 1,000 independent city-states that made up the Hellenic world -- and competed in the Olympic Games -- Sparta is today the most notorious and influential (after Athens). This book provides a wonderful insight into its extraordinary culture, where Spartan males were brought up in a strict, even ruthless regime of military training, discipline, and self-sacrifice for the communal good -- but where women were given unexpected freedom and power.
The Spartan legend has inspired and captivated subsequent generations with evidence of its legacy found in both the Roman and British Empires. The Spartans are our ancestors, every bit as much as the Athenians. But while Athens promoted democracy, individualism, culture and society, their great rivals Sparta embodied militarism, totalitarianism, segregation and brutal repression. As ruthless as they were self-sacrificing, their devastatingly successful war rituals made the Spartans the ultimate fighting force, epitomized by Thermopylae. While slave masters to the Helots for over three centuries, Spartan women, such as Helen of Troy, were free to indulge in education, dance and…
Trained as a physicist and employed for twenty years as an engineer, my great interest in the application of science then led me to write. I authored technical papers on the physics underpinning venerable machines such as pendulum clocks and waterwheels; these were read by the chief editor at Johns Hopkins University Press, who invited me to turn them into a popular science book–the first of fourteen. Often, technological advances were made empirically–the development of sailing ships, bridges, or pocket watches–by working people with no formal knowledge of science, yet their designs survive as triumphs of human thought, as well as useful machines.
This book is unique, to my mind, in topic and style. How is it possible to write engagingly about such a niche subject? Gunpowder was invented in China, but it was in Renaissance Europe that it became adapted to warfare (to say the very least).
This book covers a neglected aspect of technological history in an age otherwise much written about and covers it readably.
Weapons and Warfare in Renaissance Europe explores the history of gunpowder in Europe from the thirteenth century, when it was first imported from China, to the sixteenth century, as firearms became central to the conduct of war. Bridging the fields of military history and the history of technology -- and challenging past assumptions about Europe's "gunpowder revolution" -- Hall discovers a complex and fascinating story. Military inventors faced a host of challenges, he finds, from Europe's lack of naturally occurring saltpeter -- one of gunpowder's major components -- to the limitations of smooth-bore firearms. Manufacturing cheap, reliable gunpowder proved a…
I am an economist who came to realize that the marketplace of ideas was a political doctrine, and not an empirical description of how we came to know what we think we know. Science has never functioned in the same manner across centuries; it was only during my lifetime that it became recast as a subset of market reality. I have spent a fair amount of effort exploring how economics sought to attain the status of a science; but now the tables have turned. It is now scientists who are trained to become first and foremost market actors, finally elevating the political dominance of the economists.
Edwards revealed how the very architecture of early computers owed a debt to the political structures of the Cold War. The innovation of a command/control/information infrastructure set the template for military regimentation, and subsequently for the surveillance society we currently inhabit. The story of how cybernetics—a field that never quite made the grade as pure science—nevertheless conquered the culture, is fascinating.
The Closed World offers a radically new alternative to the canonical histories of computers and cognitive science. Arguing that we can make sense of computers as tools only when we simultaneously grasp their roles as metaphors and political icons, Paul Edwards shows how Cold War social and cultural contexts shaped emerging computer technology―and were transformed, in turn, by information machines.
The Closed World explores three apparently disparate histories―the history of American global power, the history of computing machines, and the history of subjectivity in science and culture―through the lens of the American political imagination. In the process, it reveals intimate…
William L. McGee is an award-winning World War II Pacific war historian. His writing career has spanned six decades — three of them in marketing and sales in the broadcasting industry. He is a WWII veteran of the Pacific theater and an atomic veteran of Operation Crossroads, the postwar atomic bomb tests at the Bikini Atoll in 1946.
Every military historian and-or editor needs this manual on their bookshelf. My editor’s preference for my books is to use both the Naval style as well as writing out military acronyms or abbreviations for the convenience of the reader.
This is the premier Guide to Professional Writing in the naval services and has been the standard guide for writing in the naval services for almost two decades.
Features of the new edition:
* New edition is has been updated and revised. * Contains a new chapter on"Writing Naval Emails" based on interviews with naval professionals, and also based on the best civilian guidance * Guides readers on the use of naval emails and the internet in relation to all manner of naval documents. * Explores"do's" and "don'ts" on writing emails, and on use of computer aids to writing in…
