Here are 64 books that Ares fans have personally recommended if you like
Ares.
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I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.
I love how thorough this book is–it is full of fantastic examples covering all sorts of aspects of ancient Greek warfare. What causes ancient Greek wars? Who fights? How do they prepare? What happens? There are so many interesting questions.
This book, by one of the world’s leading experts, offers many thoughtful answers drawn from ancient literature, archaeology, and iconography–pottery, stone carvings, statues, and statuettes. I come back to this readable, informative book again and again.
From the soldier's-eye view of combat to the broad social and economic structures which shaped campaigns and wars, ancient Greek warfare in all its aspects has been studied more intensively in the last few decades than ever before. This book ranges from the concrete details of conducting raids, battles and sieges to more theoretical questions about the causes, costs, and consequences of warfare in archaic and classical Greece. It argues that the Greek sources present a highly selective and idealised picture, too easily accepted by most modern scholars, and that a more critical study of the evidence leads to radically…
I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.
This is a super useful book that really gets into the practical realities of ancient Greek land warfare. With contributions from many noted experts, this book examines the weapons used in classical Greek battles and the contribution of the instruments used for signaling.
There’s a chapter on techniques for identifying battle dead, which is very niche but very interesting. I particularly like the chapter by Michael H. Jameson on sacrifice before battle; this is probably the best treatment available on this subject, and it gives so much insight into the world of classical Greek warfare.
Incorporating research found in ancient literary, iconographic, epigraphic, and archaeological sources, this book explores the experiences of the soldiers who conducted battle on the small plains of ancient Greece. The volume, which draws on the accumulated expertise of nine American and British scholars, emphasizes the actual techniques of fighting and practical concerns as the use of commands, music in warfare, the use of "dog-tags", and ritual on the battlefield.
I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.
I love Xenophon's Anabasis, and it’s part of the reason I devoted my life to ancient Greece. Imagine a mercenary army who’ve gone to help in someone else’s war. They get trapped, their leaders are killed, and now they have to fight their way home. That’s Xenophon’s Anabasis, or Journey Up Country, written by a man who lived through it, essentially inventing a new genre of writing as he did so.
It’s a brutal read in some ways, as a lot of terrible things happen, but it’s also a story of survival and adventure. It’s a rip-roaring insight into what it was like to go on a campaign in antiquity and what it was like to be part of an ancient army in extraordinary circumstances.
I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.
I love this unusual and thoughtful book. It looks not at the realities and practicalities of ancient warfare but at how different societies have made use of the striking, impressive, sometimes pitiable spectacle of ancient war.
Roman poets wrote about the last moments of dying warriors, and ancient Greeks conjured up images of the battlefield in song and dance. War as Spectacle also makes space for thinking about how and why later eras refer back to ancient wars, be it the military dictators of modern Greece or the monument-makers of the USA. This work is a rich cultural experience across space and time.
War as Spectacle examines the display of armed conflict in classical antiquity and its impact in the modern world. The contributors address the following questions: how and why was war conceptualized as a spectacle in our surviving ancient Greek and Latin sources? How has this view of war been adapted in post-classical contexts and to what purpose?
This collection of essays engages with the motif of war as spectacle through a variety of theoretical and methodological pathways and frameworks. They include the investigation of the portrayal of armed conflict in ancient Greek and Latin Literature, History and Material Culture, as…
I loved books as a kid, especially fantasy books, but could never find anyone like me within their pages. I’m a lesbian Chinese writer who adores stories about messed-up, complicated queer people. I’m thrilled by the range of books available now that feature queer, messy characters. We all deserve representation, and to me that means representation that’s complex, that encompasses the ugly and the beautiful. One of my goals as an author is to make you fall in love with monsters—brutal, flawed women who may not deserve love, but who demand it all the same.
Wrath Goddess Singreimagines Achilles as a trans woman and rewrites her journey through the myths of the Iliad. It’s the debut novel of trans author Maya Deane.
Achilles takes several lovers, but this book is not an Achilles/Patroclus shipping vehicle, so don’t go in with that expectation. She’s delightfully complicated: brave, of course, and passionate, but also prickly at times, and hard to love. Her story casts Helen in a villainous, active role for once, and also considers how the gods function beyond Greek society; it feels extremely dense and well-researched, with a diverse cast of characters. There’s some controversy about the book, but I urge you to make up your own mind, and to reflect on the historical context that Deane is drawing upon.
"Deane's tour de force debut ...brings the familiar story to fresh, vivid, and unforgettable new life." - Publishers Weekly (starred review)
Drawing on ancient texts and modern archeology to reveal the trans woman's story hidden underneath the well-known myths of The Iliad, Maya Deane's Wrath Goddess Sing weaves a compelling, pitilessly beautiful vision of Achilles' vanished world, perfect for fans of Song of Achilles, The Witch's Heart, and the Inheritance trilogy.
The gods wanted blood. She fought for love.
Achilles has fled her home and her vicious Myrmidon clan to live as a woman with the kallai, the transgender priestesses…
I have been a dreamer since my childhood and chasing my dream is the goal of my life. Dreams do not have a visible purpose the destiny is hidden behind dreams. While following my dreams, I had started searching for my origin, because I felt connected to some unknown place. I travelled to various ancient sites of Mesopotamia, Egypt, and Indus civilizations and explored that these civilizations were very disciplined and advanced. Still, we are not able to unfold so many mysteries. I see the future in the past and present is just a stem in between, this inspired me to write a book.
This epic by Homer has a great impact on epic culture.
Writing such an epic in the 700-800 BC era is mind-blowing, War of Troy which we used to read in comic books and movies has so well narrated citing the bravery of Greek and Trojan Heroes in the Iliad.
Everyone should read about the heroes of Iliad epic King Agamemnon, warrior Achilles and Odyssey’s Greek hero Odysseus, king of Ithaca and his return journey about the Trojan War. Greek mythology is always a great source of information about the ancient time wars and treaties.
As a kid, I was fascinated by Greek mythology. Through myth, I encountered many powerful female characters—Athena was my favorite—but I felt frustrated by how women’s lives were told in my books. My interest in Greek myth and curiosity about untold stories led me to become a Classics professor. I love teaching and writing about women in the ancient world, helping people to understand how they navigated their lives. Luckily for me, many recent books across various genres, from novels to translations to histories, have illuminated the lives of ancient women. There’s so much more to read than when I was growing up!
This book is an epic about a war fought over a woman (Helen, the “face that launched a thousand ships”), yet this is the first major translation by one. Emily Wilson’s translation sounds fresh and up-to-date yet stays closer to Homer than the versions I encountered growing up.
I love how Wilson treats Homer’s women, avoiding the clichés and derogatory language used by previous translators. And her work has the narrative drive that Homer deserves, making this very old, very familiar story a real page-turner.
When Emily Wilson's translation of The Odyssey appeared in 2017-revealing the ancient poem in a contemporary idiom that "combines intellectual authority with addictive readability" (Edith Hall, The Sunday Telegraph)-critics lauded it as "a revelation" (Susan Chira, The New York Times) and "a cultural landmark" (Charlotte Higgins, The Guardian) that would forever change how Homer is read in English. Now Wilson has returned with an equally revelatory translation of the first great Homeric epic: The Iliad.
In Wilson's hands, this exciting and often horrifying work now gallops at a pace befitting its battle scenes, roaring with the clamour of arms, the…
Years ago, a young helicopter pilot struggled through thick fog to fly to his base in Southern Turkey. Through the mist, he briefly glimpsed a strange, Stonehenge-like ruin beneath his helicopter. The pilot would one day learn it was the excavation of Göbekli Tepe, a megalithic complex over 12,000 years old. These ruins were already ancient before the Great Pyramids were even built. I was that helicopter pilot, and this event inspired me to imagine the world that birthed Göbekli Tepe. That experience, and my five book recommendations, propelled me to write Black Sea Gods, the first novel in the epic fantasy series The Chronicles of Fu Xi.
Before there was Don Quixote, Huckleberry Finn, or Bilbo Baggins, there was brave Odysseus. It was Homer who first taught us what it means to desperately desire “to make it there and back again.” For me, The Odyssey struck a personal cord. As a warrior who once answered his nation’s call, it often wasn’t the battles in far distant lands, but the journey home, that was most difficult. Home, that beautiful, powerful word, holds great magic for Odysseus, and for me, too. Many ideas can send a hero on an adventure, but only love of home can bring him back again. These are the greatest adventures of all, and why The Odyssey is foundational for my own novel.
'Muse, tell me of a man: a man of much resource, who was made to wander far and long, after he had sacked the sacred city of Troy. Many were the men whose lands he saw and came to know their thinking: many too the miseries at sea which he suffered in his heart, as he sought to win his own life and the safe return of his companions.'
Recounting the epic journey home of Odysseus from the Trojan War, The Odyssey - alongside its sister poem The Iliad - stands as the well-spring of Western Civilisation and culture, an…
The Mediterranean is in my family’s history. My dad was a naval officer who worked in the sea in peace and war and took us to Malta when I was nine. I was entranced by the island’s history, by an evocative sensory world of sunlight, brilliant seas, and antiquity. I’ve been travelling in this sea ever since, including a spell living in Turkey, and delved deep into its past, its empires, and its maritime activity. I’m the author of three books on the subject: Constantinople: the Last Great Siege, Empires of the Sea, and Venice: City of Fortune.
Logue’s modernist reworking of the Iliad – the Trojan war - mother of all Mediterranean contests, is quite unlike anything you’ll ever read. Logue doesn’t translate, he remakes. It’s as cinematic as a film script, cast in a poetic language as brilliant as anything in modern times, full of jump cuts, staccato effects, and startling contemporary references. The violence of the fighting has a slamming immediacy (‘Dust like red mist/Pain like chalk on slate’), the Mediterranean – ‘the sea that is always counting’ - glimmers and sighs, the Gods behave like spoiled children, helicopters go whumping over the dunes.
A remarkable hybrid of translation, adaptation, and invention
Picture the east Aegean sea by night, And on a beach aslant its shimmering Upwards of 50,000 men Asleep like spoons beside their lethal Fleet.
“Your life at every instant up for― / Gone. / And, candidly, who gives a toss? / Your heart beats strong. Your spirit grips,” writes Christopher Logue in his original version of Homer’s Iliad, the uncanny “translation of translations” that won ecstatic and unparalleled acclaim as “the best translation of Homer since Pope’s” (The New York Review of Books).
Born and raised in Greece, I have always been fascinated by the history and mythology of my homeland. My love for reading historical fiction and Greek myths has been drawing me into stories of ancient civilizations and their timeless tales. Visiting archaeological sites and museums, where history comes to life through the remnants of the past has been a lifelong passion and Is a source of inspiration. These experiences have shaped my love for storytelling and my desire to breathe new life into Greek myths and history. In my writing, I aim to bridge the gap between the ancient and the modern.
I love the descriptions Pat Barker, a British author, uses as she delves into the cruelty and ugliness of war. This reframe of victors, the Greeks who are winners of the Trojan War is richly written; the characters of the captors are despicable as they live in the ruins of a glorious city, enslaving women, but punished by their gods who trap them away from their homes.
Revenge is in the air as the raped and degraded Trojan women, spoils of the war, conspire while living with their Greek captors. What I love about it, above all, is the bleak description of a brutal patriarchy.
'Magnificent. You are in the hands of a writer at the height of her powers' Evening Standard
There was a woman at the heart of the Trojan War whose voice has been silent - until now. Discover the greatest Greek myth of all - retold by the witness that history forgot . . .
Briseis was a queen until her city was destroyed. Now she is a slave to the man who butchered her husband and brothers. Trapped in a world defined by men, can she survive…
