Here are 100 books that Hoplites fans have personally recommended if you like
Hoplites.
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I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.
I love how thorough this book is–it is full of fantastic examples covering all sorts of aspects of ancient Greek warfare. What causes ancient Greek wars? Who fights? How do they prepare? What happens? There are so many interesting questions.
This book, by one of the world’s leading experts, offers many thoughtful answers drawn from ancient literature, archaeology, and iconography–pottery, stone carvings, statues, and statuettes. I come back to this readable, informative book again and again.
From the soldier's-eye view of combat to the broad social and economic structures which shaped campaigns and wars, ancient Greek warfare in all its aspects has been studied more intensively in the last few decades than ever before. This book ranges from the concrete details of conducting raids, battles and sieges to more theoretical questions about the causes, costs, and consequences of warfare in archaic and classical Greece. It argues that the Greek sources present a highly selective and idealised picture, too easily accepted by most modern scholars, and that a more critical study of the evidence leads to radically…
I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.
This book is a graphic novel re-telling of The Iliad from Ares’ perspective. It looks amazing and it’s an absolute blast. I really enjoy the attention to detail in the illustrations, which look very dynamic and are full of information drawn from decent sources.
The storytelling is very sophisticated, so while Ares is the focal point, we move around the Trojan War and see it from different perspectives, divine and human. It is simply a great retelling of the Trojan War story with as much blood, glory, and tragedy as anyone could ask for.
I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.
I love Xenophon's Anabasis, and it’s part of the reason I devoted my life to ancient Greece. Imagine a mercenary army who’ve gone to help in someone else’s war. They get trapped, their leaders are killed, and now they have to fight their way home. That’s Xenophon’s Anabasis, or Journey Up Country, written by a man who lived through it, essentially inventing a new genre of writing as he did so.
It’s a brutal read in some ways, as a lot of terrible things happen, but it’s also a story of survival and adventure. It’s a rip-roaring insight into what it was like to go on a campaign in antiquity and what it was like to be part of an ancient army in extraordinary circumstances.
I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.
I love this unusual and thoughtful book. It looks not at the realities and practicalities of ancient warfare but at how different societies have made use of the striking, impressive, sometimes pitiable spectacle of ancient war.
Roman poets wrote about the last moments of dying warriors, and ancient Greeks conjured up images of the battlefield in song and dance. War as Spectacle also makes space for thinking about how and why later eras refer back to ancient wars, be it the military dictators of modern Greece or the monument-makers of the USA. This work is a rich cultural experience across space and time.
War as Spectacle examines the display of armed conflict in classical antiquity and its impact in the modern world. The contributors address the following questions: how and why was war conceptualized as a spectacle in our surviving ancient Greek and Latin sources? How has this view of war been adapted in post-classical contexts and to what purpose?
This collection of essays engages with the motif of war as spectacle through a variety of theoretical and methodological pathways and frameworks. They include the investigation of the portrayal of armed conflict in ancient Greek and Latin Literature, History and Material Culture, as…
I've been fascinated by the commanders, campaigns, and capabilities of the Roman Army since I studied Latin at school and watched the Hollywood epic Spartacus.At that time, my parents bought me a copy of Peter Connolly’s Roman Army for Christmas, but I discovered where they had hidden it and I secretly read it before Christmas Day. I have retained that passion with a library of books collected over a lifetime to prove it. Now, as a historian and the author of eight books of my own, and as the news editor of Ancient History and Ancient Warfare magazines, I eagerly share the latest discoveries and insights with my readers.
It was this book that sparked my interest in the Roman Army—and I know from talking with others that it has created a host of other Roman military history buffs since its original publication.
The second and third parts of the book detail the evolution of the Roman army from its origins as a city-state militia, transforming from a legion based on maniples into one based on cohorts, and finally becoming the professional army and navy of the Caesars.
Peter Connolly both wrote and illustrated the text. Using archaeological and epigraphic evidence he produced exquisite, painstakingly detailed paintings of arms and armour of infantry and cavalry, siege weapons, and warships. As an introduction to the subject, it has never been bettered.
Connolly was the honourary patron of The Ermine Street Guard reenactment society in which I served honourably for ten years.
In this sumptuous guide to twelve centuries of military development, Peter Connolly combines a detailed account of the arms and armies of Greece and Rome with his superb full-colour artwork. Making use of fresh archaeological evidence and new material on the manufacture and use of the weapons of the period, the author presents an attractive and impressive volume that is both scholarly and beautifully presented with illustrations that are, quite rightly, recognised as being the best and most accurate representation of how the soldiers from these formidable military empires appeared. Greece and Rome at War lucidly demonstrates the face of…
My passion for developing entrepreneurial and business instinct is simple. It is all based on confidence. Over time, my experiences have shown me that many leaders (myself included) can end up in “decision paralysis” and default to taking no action at all. Leaders can have all of the information and indicators that a decision is the right thing to do, but they default to doing nothing. By developing a better understanding of my own instincts, I have been able to build confidence in the decisions I have made over the past 20 years, thus eliminating any deterrents from making sound decisions.
I really hesitated putting The Art of War on my list. It is almost cliché as a lot of pretentious students of business and entrepreneurs will have a copy of this book prominently displayed in their office or listed as an influence in their professional profiles.
However, the lessons in this book are simple and profound. When you cannot win the battle, do not engage with the enemy. While these seem like simple common sense insights, all business leaders should revisit them in their most simplest terms. There are too many books and resources that will take one of the concepts from The Art of War and turn it into a thesis and completely water down the lessons at hand.
To refine your entrepreneurial instinct, you should frequently revisit what it was built upon. The Art of War is the foundation.
I am an economist who came to realize that the marketplace of ideas was a political doctrine, and not an empirical description of how we came to know what we think we know. Science has never functioned in the same manner across centuries; it was only during my lifetime that it became recast as a subset of market reality. I have spent a fair amount of effort exploring how economics sought to attain the status of a science; but now the tables have turned. It is now scientists who are trained to become first and foremost market actors, finally elevating the political dominance of the economists.
Edwards revealed how the very architecture of early computers owed a debt to the political structures of the Cold War. The innovation of a command/control/information infrastructure set the template for military regimentation, and subsequently for the surveillance society we currently inhabit. The story of how cybernetics—a field that never quite made the grade as pure science—nevertheless conquered the culture, is fascinating.
The Closed World offers a radically new alternative to the canonical histories of computers and cognitive science. Arguing that we can make sense of computers as tools only when we simultaneously grasp their roles as metaphors and political icons, Paul Edwards shows how Cold War social and cultural contexts shaped emerging computer technology―and were transformed, in turn, by information machines.
The Closed World explores three apparently disparate histories―the history of American global power, the history of computing machines, and the history of subjectivity in science and culture―through the lens of the American political imagination. In the process, it reveals intimate…
I was born to privilege in Manhattan. A seeker from the get-go, I perpetually yearned to see below the surface of the pond and understand what lay beneath and how the world really works. Not connecting with Western philosophy, religion, or culture, I turned to the wisdom of the East at a young age. I stayed the course through decades of training in Chinese martial arts, eventually reached some understanding of them, and realized my spiritual ambitions when I was ordained a Daoist monk in China in an official government ceremony. I write about China then and now and teach meditation and tai chi around the world.
Both the monk and the martial artist in me have long found Sun Tzu’s treatise on how to conduct military campaigns to be fully as seminal as Carl von Clausewitz’s “On War.” Both books are studied at the United States Military Academy at West Point. I find Sun Tzu’s wisdom to be applicable to both combat and life’s more pleasant endeavors, such as relationships and work. Sun Tzu’s is purported to be the student of the great Daoist Sage Lao Tzu, author of the Tao Te Ching, a seminal work that many folks find impenetrable. Perhaps that’s why Sun Tzu can be a bit oblique sometimes, too. This interpretation of his lessons, replete with wonderful illustrations, lends insight into the text and makes it easier to understand.
An entertaining graphic adaptation of the oldest military treatise in the world.
Hailed as the oldest philosophical discussion on military strategy, Sun Tzu’s The Art of War has been adapted as a graphic novel by award-winning illustrator Pete Katz. In this collectible thread-bound edition, the narrative focuses on a teacher instructing a pupil on the main points of Sun Tzu’s treatise, with vibrant battle scenes interspersed throughout. Issues such as planning, tactics, maneuvering, and spying are illustrated with full-color scenes, so that readers may gain a greater understanding of principles from the fifth century BC.
Trained as a physicist and employed for twenty years as an engineer, my great interest in the application of science then led me to write. I authored technical papers on the physics underpinning venerable machines such as pendulum clocks and waterwheels; these were read by the chief editor at Johns Hopkins University Press, who invited me to turn them into a popular science book–the first of fourteen. Often, technological advances were made empirically–the development of sailing ships, bridges, or pocket watches–by working people with no formal knowledge of science, yet their designs survive as triumphs of human thought, as well as useful machines.
This book is unique, to my mind, in topic and style. How is it possible to write engagingly about such a niche subject? Gunpowder was invented in China, but it was in Renaissance Europe that it became adapted to warfare (to say the very least).
This book covers a neglected aspect of technological history in an age otherwise much written about and covers it readably.
Weapons and Warfare in Renaissance Europe explores the history of gunpowder in Europe from the thirteenth century, when it was first imported from China, to the sixteenth century, as firearms became central to the conduct of war. Bridging the fields of military history and the history of technology -- and challenging past assumptions about Europe's "gunpowder revolution" -- Hall discovers a complex and fascinating story. Military inventors faced a host of challenges, he finds, from Europe's lack of naturally occurring saltpeter -- one of gunpowder's major components -- to the limitations of smooth-bore firearms. Manufacturing cheap, reliable gunpowder proved a…
William L. McGee is an award-winning World War II Pacific war historian. His writing career has spanned six decades — three of them in marketing and sales in the broadcasting industry. He is a WWII veteran of the Pacific theater and an atomic veteran of Operation Crossroads, the postwar atomic bomb tests at the Bikini Atoll in 1946.
Every military historian and-or editor needs this manual on their bookshelf. My editor’s preference for my books is to use both the Naval style as well as writing out military acronyms or abbreviations for the convenience of the reader.
This is the premier Guide to Professional Writing in the naval services and has been the standard guide for writing in the naval services for almost two decades.
Features of the new edition:
* New edition is has been updated and revised. * Contains a new chapter on"Writing Naval Emails" based on interviews with naval professionals, and also based on the best civilian guidance * Guides readers on the use of naval emails and the internet in relation to all manner of naval documents. * Explores"do's" and "don'ts" on writing emails, and on use of computer aids to writing in…
