Here are 100 books that Anabasis fans have personally recommended if you like
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I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.
I love how thorough this book is–it is full of fantastic examples covering all sorts of aspects of ancient Greek warfare. What causes ancient Greek wars? Who fights? How do they prepare? What happens? There are so many interesting questions.
This book, by one of the world’s leading experts, offers many thoughtful answers drawn from ancient literature, archaeology, and iconography–pottery, stone carvings, statues, and statuettes. I come back to this readable, informative book again and again.
From the soldier's-eye view of combat to the broad social and economic structures which shaped campaigns and wars, ancient Greek warfare in all its aspects has been studied more intensively in the last few decades than ever before. This book ranges from the concrete details of conducting raids, battles and sieges to more theoretical questions about the causes, costs, and consequences of warfare in archaic and classical Greece. It argues that the Greek sources present a highly selective and idealised picture, too easily accepted by most modern scholars, and that a more critical study of the evidence leads to radically…
I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.
This book is a graphic novel re-telling of The Iliad from Ares’ perspective. It looks amazing and it’s an absolute blast. I really enjoy the attention to detail in the illustrations, which look very dynamic and are full of information drawn from decent sources.
The storytelling is very sophisticated, so while Ares is the focal point, we move around the Trojan War and see it from different perspectives, divine and human. It is simply a great retelling of the Trojan War story with as much blood, glory, and tragedy as anyone could ask for.
I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.
This is a super useful book that really gets into the practical realities of ancient Greek land warfare. With contributions from many noted experts, this book examines the weapons used in classical Greek battles and the contribution of the instruments used for signaling.
There’s a chapter on techniques for identifying battle dead, which is very niche but very interesting. I particularly like the chapter by Michael H. Jameson on sacrifice before battle; this is probably the best treatment available on this subject, and it gives so much insight into the world of classical Greek warfare.
Incorporating research found in ancient literary, iconographic, epigraphic, and archaeological sources, this book explores the experiences of the soldiers who conducted battle on the small plains of ancient Greece. The volume, which draws on the accumulated expertise of nine American and British scholars, emphasizes the actual techniques of fighting and practical concerns as the use of commands, music in warfare, the use of "dog-tags", and ritual on the battlefield.
I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.
I love this unusual and thoughtful book. It looks not at the realities and practicalities of ancient warfare but at how different societies have made use of the striking, impressive, sometimes pitiable spectacle of ancient war.
Roman poets wrote about the last moments of dying warriors, and ancient Greeks conjured up images of the battlefield in song and dance. War as Spectacle also makes space for thinking about how and why later eras refer back to ancient wars, be it the military dictators of modern Greece or the monument-makers of the USA. This work is a rich cultural experience across space and time.
War as Spectacle examines the display of armed conflict in classical antiquity and its impact in the modern world. The contributors address the following questions: how and why was war conceptualized as a spectacle in our surviving ancient Greek and Latin sources? How has this view of war been adapted in post-classical contexts and to what purpose?
This collection of essays engages with the motif of war as spectacle through a variety of theoretical and methodological pathways and frameworks. They include the investigation of the portrayal of armed conflict in ancient Greek and Latin Literature, History and Material Culture, as…
I’m a British scholar – a former university lecturer, many moons ago – now living in rural southern Greece. In fact, I have Greek as well as UK citizenship, which really pleases me because I’ve loved Greece and things Greek since boyhood. I started to learn ancient Greek at the age of ten! I’ve written over fifty books, mostly on ancient Greek history and philosophy, including many volumes of translations from ancient Greek. But I’ve also written children’s fiction in the form of gamebooks, a biography, a book on hypnosis, a retelling of the Greek myths (with my wife Kathryn) ... I’ll stop there!
This is a fat book, but almost unputdownable. What could be more fundamental to understanding the world of the ancient Greeks than finding out how many of them there were, and how they worked the land? We are learning more and more about the uses of the countryside, especially from survey archaeology, in which walkers systematically transect a given area of land. A good eighty or ninety percent of all ancient Greeks made a living (not necessarily a good one) through agriculture. The issues involved in trying to determine, say, the overall population of Greece in 500 BCE, or the pattern of land use in Athens, or the annual rates of cereal productivity, are complex, but Sallares steers us through the evidence with a sure hand.
A pioneering study in historical population biology, this book offers the first comprehensive ecological history of the ancient Greek world. It proposes a new model for treating the relationship between the population and the land, centering on the distribution and abundance of living organisms.
My Democracybook was the summation of my views to that date (2018) on the strengths and weaknesses of democracy as a political system, in both its ancient and its modern forms. I’d been an activist and advocate of democracy since my undergraduate days (at Oxford, in the late 1960s – interesting times!). As I was writing the book the world of democracy suddenly took unexpected, and to me undesirable turns, not least in the United States and my own U.K. An entire issue of an English-language Italian political-philosophy journal was devoted to the book in 2019, and in 2021 a Companionto the reception of Athenian democracy in subsequent epochs was dedicated to me.
Coincidentally this scholarly collection of essays appeared in the same year as my 2nd Book Pick. The original versions of the papers were delivered at ‘Penn’ (the University of Pennsylvania, Professor Rosen’s home) at the second ‘Penn-Leiden Colloquium on Ancient Values’ (Leiden being Prof. Sluiter’s base). Free speech had two distinct terms and expressions in ancient Greece, one more expansive than the other. Parrhesia could be understood as frankness of expression, not necessarily political. Isegoria, on the other hand, was narrowly political and applied only to adult male free citizens: it’s best translated exactly as equal freedom of public political speech. One reviewer of the collection picked up on the existence of a rivalry between an official/state version of historical facts and the—more truthful—version given by an individual writer, explicitly referencing Salman Rushdie.
This book contains a collection of essays on the notion of "Free Speech" in classical antiquity. The essays examine such concepts as "freedom of speech," "self-expression," and "censorship," in ancient Greek and Roman culture from historical, philosophical, and literary perspectives. Among the many questions addressed are: what was the precise lexicographical valence of the ancient terms we routinely translate as "Freedom of Speech," e.g., Parrhesia in Greece, Licentia in Rome? What relationship do such terms have with concepts such as isegoria, demokratia and eleutheria; or libertas, res publica and imperium? What does ancient theorizing about free speech tell us about…
They say true happiness is finding something you love, and getting paid to do it, which makes me one happy bunny. Ancient history has been my passion, my hobby and my job for the past three decades, and I still wake up every morning looking forward to another day of it. Thanks to the internet I can study the classics and still hike in the mountains and kayak the mountain lakes of my corner of British Columbia. It doesn't get better than this.
Don't look for some high-brow version full of pseudo-Shakespearean language. Homer's story is a blood-and-guts tale (literally) of hard-bitten heroes, feuding among spiteful gods and bombastic military commanders. Try John Dolan's version from Feral house publishing, deliberately written as he imagined the story was first told – by soldiers sitting around a campfire exchanging yarns.
We recognize the names: Achilles, Odysseus, Zeus, and Apollo. We're taught that The Iliad is a foundational text of civilization. But who has really read the text? Until now, The Iliad was hijacked by academics and used to bludgeon schoolchildren as a boring-yet- mandatory reading.
Poet, novelist, essayist, and former teacher John Dolan revisits this ancient tale and restores it to its ancient glory. The Greeks and Trojans are still fighting. The gods are still interfering. But in Dolan's version, you'll be amazed at how funny, raw, and terrifying this doomed world of war really is. He strips away clunky,…
I studied Greek philosophy in college and graduate school and wrote my Ph.D. dissertation on Plato. In response to the environmental crisis, first widely recognized in the 1960s, I turned my philosophical attention to that contemporary challenge, which, with the advent of climate change, has by now proved to be humanity’s greatest. I taught the world’s first course in environmental ethics at the University of Wisconsin-Stevens Point in 1971 and, with a handful of other philosophers, helped build a literature in this new field over the course of the next decade—a literature that has subsequently grown exponentially. With Greek Natural Philosophy, I rekindled the romance with my first love.
A renowned historian of science, Clagett carries the story of Greek science forward all the way to the sixth century CE—a span of 1200 years. From that point in time, Greek science passed into the hands of Islamic scholars who advanced it further, especially the mathematical sciences.
This book is not, like ours, organized chronologically and developmentally but according to modern scientific domains—biology and medicine, mathematics, physics, and astronomy. And it focuses on specific scientific inquiries, while we focus on more general and fundamental things like ontology (what exists), cosmology (the overall structure of the universe), the laws of nature, and the drivers of change and motion.
This book is thus a complement to ours in its wide historical sweep and in what it highlights.
Greek Science in Antiquity is a comprehensive book written by Marshall Clagett that explores the scientific advancements made by ancient Greeks. The book covers a wide range of topics, including mathematics, astronomy, mechanics, and medicine, and provides a detailed account of the theories and discoveries made by Greek scientists from the 6th century BCE to the 5th century CE. The book begins by examining the early Greek philosophers and their contributions to the development of science, including Thales, Pythagoras, and Aristotle. It then delves into the mathematical achievements of the Greeks, such as the invention of geometry and the discovery…
I love reading novels that take me to another time, place, or adventure (an antithesis to my 30-year career as a professor teaching physiology & pathophysiology to medical and nursing students). I read for entertainment and variety. As an author, I write books I'd like to read! Drawn to history, I've written five historical romances—a woman of courage, intellect, and compassion at the heart of each. I've authored two contemporary espionage thrillers with a woman as the protagonist. I enjoy stepping out of the bounds of empiricism in my novels, blending genres, and stretching the imagination.
I read this years ago; it's one of the reasons I began writing historical romance novels. It's the story of Aspasia, a woman in ancient Greece. She's educated in a selective school for courtesans, beautiful, groomed for pleasure, and bought by a Persian man who comes seeking a courtesan from this famous establishment. He takes Aspasia back to Persia. Eventually, she is freed and returns to Athens, where she meets Pericles. Inspired in part by his love of Aspasia, Pericles initiated the building of the famous Acropolis in ancient Greece.
I was fortunate to visit Athens after reading Glory and the Lightning, and standing on the Acropolis, I found myself thinking of Pericles and Aspasia, real people who lived and loved over 2,000 years ago. (And yes, I may have gotten a lump in my throat and one or two tears threatened.)
New York Times Bestseller: A breathtaking saga of ancient Greece and one of history's most influential political couples, Aspasia and Pericles.
Born in the Greek city of Miletus, Aspasia was destined for a life of tragedy. Her wealthy father vowed to abandon any female child, so Aspasia was secreted away, educated independently of her family, and raised as a courtesan. She discovered at an early age how to use her powers of intellect as ingeniously as those of the flesh.
Ensconced in the Persian harems of Al Taliph, she meets the man who will change her fate: Pericles, the formidable…
I have been a complete history nerd since childhood—since I opened a Christmas present to reveal one of the books I recommend here, People in History. Since then I’ve written 21 children’s books, and published more by other authors as the founder of Goosebottom Books. All these books touch on some aspect of history or culture in one way or the other. There’s always an emphasis or insight into custom, time, or place. Even the adult novels I’m currently working on are historical fiction. I’m still completely enthralled by the many worlds of the past. I even listen to history podcasts when I’m doing the dishes!
Closely related to my love for history is my love of mythology—the boundary between the two is porous. This book started that love. There have been many books published that present the Greek myths to children, and this book is not considered one of the classics, but because it was my favorite book when I was six, I have never found another version better. I love the illustrations and how stylized they are. They capture the myths’ mystique, yet you can always see the human. I was clutching this book in the back seat of my family’s car when my mom announced that we would be getting a baby brother. As I was reading about Jason and the Golden Fleece, I suggested Jason as a name. It stuck!
