Fans pick 100 books like Anabasis

I love how thorough this book is–it is full of fantastic examples covering all sorts of aspects of ancient Greek warfare. What causes ancient Greek wars? Who fights? How do they prepare? What happens? There are so many interesting questions.

This book, by one of the world’s leading experts, offers many thoughtful answers drawn from ancient literature, archaeology, and iconography–pottery, stone carvings, statues, and statuettes. I come back to this readable, informative book again and again.

This book is a graphic novel re-telling of The Iliad from Ares’ perspective. It looks amazing and it’s an absolute blast. I really enjoy the attention to detail in the illustrations, which look very dynamic and are full of information drawn from decent sources.

The storytelling is very sophisticated, so while Ares is the focal point, we move around the Trojan War and see it from different perspectives, divine and human. It is simply a great retelling of the Trojan War story with as much blood, glory, and tragedy as anyone could ask for.

This is a super useful book that really gets into the practical realities of ancient Greek land warfare. With contributions from many noted experts, this book examines the weapons used in classical Greek battles and the contribution of the instruments used for signaling.

There’s a chapter on techniques for identifying battle dead, which is very niche but very interesting. I particularly like the chapter by Michael H. Jameson on sacrifice before battle; this is probably the best treatment available on this subject, and it gives so much insight into the world of classical Greek warfare.

I love this unusual and thoughtful book. It looks not at the realities and practicalities of ancient warfare but at how different societies have made use of the striking, impressive, sometimes pitiable spectacle of ancient war.

Roman poets wrote about the last moments of dying warriors, and ancient Greeks conjured up images of the battlefield in song and dance. War as Spectacle also makes space for thinking about how and why later eras refer back to ancient wars, be it the military dictators of modern Greece or the monument-makers of the USA. This work is a rich cultural experience across space and time.  

The book starts off with the hero, Arimnestos of Platea, as the son of a farmer and ends with him, a cold-blooded and rational killer of men, proven in battle and with a terrible revenge yet to be taken. On one level, I found it to be a strong story taken from Greek history at the time of the Persian invasion, but I also marveled at the strength of Cameron’s characterization, his deeply detailed descriptions of war and battles, and most of all the undeniable fact that his re-enactment interest means that he knows just what it’s like to fight to the point of exhaustion in bronze armor or in a Greek phalanx.

By the end of this book, there was no choice. I was straight into the next, and this series is perhaps the strongest I’ve ever read on war in the ancient world, taking in Marathon, the naval… show more.

I opened up this book as a skeptic–how interesting could a history of this ubiquitous writing tool be? However, I quickly ate my words (a fitting metaphor for such a book) after diving into Henry Petroski’s meticulously researched and easy to read tale of how a common thing becomes common in the first place.

While the book is a study in engineering, it’s also a story of people who doodle, think, design, and imagine. Petroski taught me that much as we live in a digital age, we’re indebted to the simple and impressively designed artifacts that stick around century after century. 

Coincidentally this scholarly collection of essays appeared in the same year as my 2nd Book Pick. The original versions of the papers were delivered at ‘Penn’ (the University of Pennsylvania, Professor Rosen’s home) at the second ‘Penn-Leiden Colloquium on Ancient Values’ (Leiden being Prof. Sluiter’s base). Free speech had two distinct terms and expressions in ancient Greece, one more expansive than the other. Parrhesia could be understood as frankness of expression, not necessarily political. Isegoria, on the other hand, was narrowly political and applied only to adult male free citizens: it’s best translated exactly as equal freedom of public political speech. One reviewer of the collection picked up on the existence of a rivalry between an official/state version of historical facts and the—more truthful—version given by an individual writer, explicitly referencing Salman Rushdie.

Not – repeat not – because I am its editor and wrote more than half of it but mainly because this is I believe the one-volume, one-stop-shop book to have on your shelves or digitally on your computer if you want to gain something like a complete understanding and appreciation of the world or rather worlds of Ancient Greece. I can do no better than quote from the ‘blurb’ provided online by the C.U.P. itself.

It is sumptuously illustrated throughout, almost entirely in colour. It offers fresh interpretations of the whole range of ‘Classical’ Greek culture, different aspects of which are expertly handled by members of an international cast of top-notch scholars both male and female. These aspects include: the influences of the environment and economy; the effects of interstate tensions; the implications of (bi-, homo-, hetero-normative) sexuality; the experiences of workers, soldiers, slaves, peasants and women; and the roles… show more.

A renowned historian of science, Clagett carries the story of Greek science forward all the way to the sixth century CE—a span of 1200 years. From that point in time, Greek science passed into the hands of Islamic scholars who advanced it further, especially the mathematical sciences.

This book is not, like ours, organized chronologically and developmentally but according to modern scientific domains—biology and medicine, mathematics, physics, and astronomy. And it focuses on specific scientific inquiries, while we focus on more general and fundamental things like ontology (what exists), cosmology (the overall structure of the universe), the laws of nature, and the drivers of change and motion.

This book is thus a complement to ours in its wide historical sweep and in what it highlights.

Williams was one of the most creative and engaging moral philosophers of the 20th century. He was a student at Oxford of E.R. Dodds. While Dodds reminded his readers of how strange the Greeks are to us, in terms of their religious practices, Williams reminds us that the Greeks are also very like us in the moral problems they confronted. Rejecting the idea that modern people have given up on “shame” in favor of “guilt,” Williams showed that we still share the same concerns as the conflicted characters of Greek tragedy – like them, for good and for ill, we gain our sense of ourselves and our moral worth from the reactions of the those around us.