Here are 100 books that The Art of War fans have personally recommended if you like
The Art of War.
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I’ve spent all of my adult life writing about American foreign policy, especially Chinese-American relations. My America’s Response to China, the standard text on the subject, has gone through 6 editions. I served as a line officer in the Pacific Fleet, lived in Taipei and Beijing. I also served as chairman of the State Department Advisory Committee on Historical Diplomatic Documentation and have been a consultant on Chinese affairs to various government organizations. And I cook the best mapo toufu outside of Sichuan. (where I negotiated the Michigan-Sichuan sister-state relationship in 1982). It was probably my love of Chinese food that accounts for most of the above.
I’ve known Liz since she was a graduate student and have been delighted to see her rise to become one of the leading authorities on the inside workings of the Chinese state.
After years as the Council on Foreign Relations’ China expert, she left for the Hoover Institute for a quieter atmosphere for her research and writing, but she was drafted to serve as China adviser to Gina Raimondo, Biden’s secretary of commerce. There’s no better book on Xi’s China today.
In The Third Revolution, eminent China scholar Elizabeth C. Economy provides an incisive look at the transformative changes underway in China today. Chinese leader Xi Jinping has unleashed a powerful set of political and economic reforms: the centralization of power under Xi, himself, the expansion of the Communist Party's role in Chinese political, social, and economic life, and the construction of a virtual wall of regulations to control more closely the exchange of ideas and capital between China and the outside world. Beyond its borders, Beijing has recast itself as a great power, seeking to reclaim its past glory and…
I was born to privilege in Manhattan. A seeker from the get-go, I perpetually yearned to see below the surface of the pond and understand what lay beneath and how the world really works. Not connecting with Western philosophy, religion, or culture, I turned to the wisdom of the East at a young age. I stayed the course through decades of training in Chinese martial arts, eventually reached some understanding of them, and realized my spiritual ambitions when I was ordained a Daoist monk in China in an official government ceremony. I write about China then and now and teach meditation and tai chi around the world.
This novelized biography of a poet some consider China’s greatest pleases me over and over again. Rendering Li Po (sometimes Li Bai) as a libertine living on a barge, drinking too much and partaking with gusto in the pleasures of the flesh at the red-candle district near which he moors, really helps bring alive the great man’s life and work. There’s also a bit about his relationship with Du Fu, more of a straight arrow. Those two, along with Wang Wei really offer a picture of the Daoist life I so adore and the feeling of watching the world spin out of control in war but also the peace and solitude of a mountain retreat.
I was born to privilege in Manhattan. A seeker from the get-go, I perpetually yearned to see below the surface of the pond and understand what lay beneath and how the world really works. Not connecting with Western philosophy, religion, or culture, I turned to the wisdom of the East at a young age. I stayed the course through decades of training in Chinese martial arts, eventually reached some understanding of them, and realized my spiritual ambitions when I was ordained a Daoist monk in China in an official government ceremony. I write about China then and now and teach meditation and tai chi around the world.
There is an argument to be made that Jin Yong (aka Louis Cha) is modern China’s version of William Shakespeare. From Cha’s unimaginably rich and bottomless imagination come unforgettable stories and characters that have had a huge impact on not only contemporary China but the rest of the world. Writing in the category of wuxia (martial arts fiction) he sold 100 million copies of his books, making him China’s most famous author. Countless films and TV shows have been based on his stories, that typically portray the under classes struggling against overlords. One of my favorite memories of travels in China was sitting at the tea house inside Hong Kong’s Peninsula hotel and spending the day reading this book and munching on dim sum. If I’d stepped out and been hit by a bus, I would have died a happy monk.
This is the first of a three-volume picaresque historical romance by China's best-loved author. It tells the story of Trinket, an irreverent and comic anti-hero, and his adventures through China and Chinese history, spanning more than twenty years at the beginning of the Qing dynasty.
I was born to privilege in Manhattan. A seeker from the get-go, I perpetually yearned to see below the surface of the pond and understand what lay beneath and how the world really works. Not connecting with Western philosophy, religion, or culture, I turned to the wisdom of the East at a young age. I stayed the course through decades of training in Chinese martial arts, eventually reached some understanding of them, and realized my spiritual ambitions when I was ordained a Daoist monk in China in an official government ceremony. I write about China then and now and teach meditation and tai chi around the world.
Van Gulik is a giant in the field of historical mysteries, having penned the better part of 20 novels about his favorite protagonist “Judge Dee.” Set in ancient China, the stories typically involve political intrigue, moral quandaries, and settings so evocative it is easy to just close your eyes and see yourself in a pavilion overlooking a swan-filled lake or in a lady’s bed-chamber, a scholar’s library, or an artist’s studio. These novels are mood pieces as well as whodunnits, and the immersive experiences the author offers lead me to recommend not only this title but any and all in the series. Heaven for someone like me who loves what China used to be.
Early in his career, Judge Dee visits a senior magistrate who shows him a beautiful lacquer screen on which a scene of lovers has been mysteriously altered to show the man stabbing his lover. The magistrate fears he is losing his mind and will murder his own wife. Meanwhile, a banker has inexplicably killed himself, and a lovely lady has allowed Dee's lieutenant, Chiao Tai, to believe she is a courtesan. Dee and Chiao Tai go incognito among a gang of robbers to solve this mystery, and find the leader of the robbers is more honorable than the magistrate.
I spent 40 years as a soldier studying war. After graduation from Royal Military College, I joined the Armoured Corps. Throughout history, we have regaled each other with stories of war. From Greek myths to Norse sagas to modern movies, we cannot seem to get enough of war stories. And yet, we know that war is inherently a bad idea. It is evil. It is a form of collective madness. War is destructive and cruel, unworthy of our better selves. To paraphrase Abraham Lincoln, war breaks the bonds of our affection and does not speak to our better angels. I study it in order to better understand this madness.
I recommend this book because it is not only the oldest military book known, but also a foundational text. It is short, simple to read, and can be understood at multiple levels from absolute novice to grand strategist. It is a compilation of aphorisms and stories intended to give the reader an insight into the nature of war. To stay with the Chinese theme, Lao Tzu reputedly said that the journey of a thousand li (miles) begins with a single step. This book is that step.
Sun Tzu's Art of War, compiled more than two thousand years ago, is a study of the anatomy of organizations in conflict. It is perhaps the most prestigious and influential book of strategy in the world today. Now, this unique volume brings together the essential versions of Sun Tzu's text, along with illuminating commentaries and auxiliary texts written by distinguished strategists. The translations, by the renowned translator Thomas Cleary, have all been published previously in book form, except for The Silver Sparrow Art of War, which is available here for the first time. This comprehensive collection contains:
I’m a former journalist and intelligence officer turned writer, so I seek out authenticity in my reading, especially when it comes to war stories. I look for fiction from people who have been there or know how to listen to those who have, and be their voice. When I write, I always put together a team of veterans and specialists in their fields to challenge my work and make sure I get it right, too!
Great narration is essential to any audiobook, and Joshua Saxon, who reads this over-the-top techno-thriller, nails it!
I don’t like waiting for the future to arrive; I want to read about it now, and this story from the pen of a real-life warrior put me right there, just five years into the future.
After decades of poising on the brink, the United States and China finally go to war when China invades the island of Taiwan. Deploying their most futuristic technologies in this grand strategic competition of the 21st century, the stakes could not be higher. Not only the future of the Taiwanese people but the fate of the world lies in the balance. In an era when humans no longer just use machines, but partner with them in all aspects of military operations, this fictional account views this future war through the eyes of the American, Chinese, and Taiwanese caught up in…
Trained as a physicist and employed for twenty years as an engineer, my great interest in the application of science then led me to write. I authored technical papers on the physics underpinning venerable machines such as pendulum clocks and waterwheels; these were read by the chief editor at Johns Hopkins University Press, who invited me to turn them into a popular science book–the first of fourteen. Often, technological advances were made empirically–the development of sailing ships, bridges, or pocket watches–by working people with no formal knowledge of science, yet their designs survive as triumphs of human thought, as well as useful machines.
This book is unique, to my mind, in topic and style. How is it possible to write engagingly about such a niche subject? Gunpowder was invented in China, but it was in Renaissance Europe that it became adapted to warfare (to say the very least).
This book covers a neglected aspect of technological history in an age otherwise much written about and covers it readably.
Weapons and Warfare in Renaissance Europe explores the history of gunpowder in Europe from the thirteenth century, when it was first imported from China, to the sixteenth century, as firearms became central to the conduct of war. Bridging the fields of military history and the history of technology -- and challenging past assumptions about Europe's "gunpowder revolution" -- Hall discovers a complex and fascinating story. Military inventors faced a host of challenges, he finds, from Europe's lack of naturally occurring saltpeter -- one of gunpowder's major components -- to the limitations of smooth-bore firearms. Manufacturing cheap, reliable gunpowder proved a…
My interest in Chinese military history stems from an early interest in books on strategy like Sun Tzu’s Art of War, and in East Asian martial arts. I have pursued both since high school, translating Sun Tzu as a senior thesis in college (and now returning to it professionally), and practicing a number of martial arts over the last forty years (and writing a book on the history of Chinese martial arts). Although there are plentiful historical records for all aspects of Chinese military history, the field remains relatively neglected, leaving it wide open for new studies. I continue to pursue my teenage interests, writing the books I wanted to read in high school.
This is the best Chinese military history in any language. Scholarly, yet readable, it lays out the military, political, and social history of a complicated period in great detail. Despite challenging source material, Graff manages to create a coherent and comprehensible narrative.
Shortly after 300 AD, barbarian invaders from Inner Asia toppled China's Western Jin dynasty, leaving the country divided and at war for several centuries. Despite this, the empire gradually formed a unified imperial order. Medieval Chinese Warfare, 300-900 explores the military strategies, institutions and wars that reconstructed the Chinese empire that has survived into modern times. Drawing on classical Chinese sources and the best modern scholarship from China and Japan, David A. Graff connects military affairs with political and social developments to show how China's history was shaped by war.
As a professor emeritus of history at the Hebrew University, Jerusalem, over the years I’ve been widely mentioned as one of the world’s foremost experts on military theory and history. On these and other topics I have written 34 books, which between them have been published in 19 languages. I’ve also consulted with defense departments, taught and lectured all over the world, etc., etc.
Most theoretical works on war claim to instruct their readers about how to wage war. With the result that, especially in modern times when technology is racing ahead, quickly becomes out of date. By contrast, Clausewitz, a student of the philosopher Immanuel Kant, all but ignores technology. Instead he focuses on two cardinal questions: what war is, and what it is waged for. From this, using reality to check on theory and theory to check on reality, he proceeds step by step. Many of his conclusions, e.g “war is a duel on an extended scale means.” “The best strategy is always to be very strong, first in general and then at the decisive point.” “The attacker always wants peace.” “The stronger form of war is the defense.” “In war everything is simple, but the simplest thing is very complex.” “Comes the culminating point, every offense will turn into a defense,”…
'War is merely the continuation of policy by other means'
On War is one of the most important books ever written on the subject of war. Clausewitz, a Prussian officer who fought against the French during the Napoleonic Wars, sought to understand and analyse the phenomenon of war so that future leaders could conduct and win conflicts more effectively. He studied the human and social factors that affect outcomes, as well as the tactical and technological ones. He understood that war was a weapon of government, and that political purpose, chance, and enmity combine to shape its dynamics. On War…
I have a passion for this theme because I served as an armor officer in the U.S. Army for more than twenty years. I saw the effect of both thinking and non-thinking commanders first-hand in places like the inter-German border during the Cold War, Iraq in combat during the first Gulf War, and Bosnia in ‘operations other than war.’ My experience drove me to continue my military studies resulting in four degrees, including my PhD and my current occupation as a professor of military history. My search for understanding war and military decision-making reflects a desire to better instruct the future leaders among my college students and readers.
This too often overlooked classic—written by my PhD advisor—not only explains why Clausewitz wrote his masterpiece but what he was trying to say. In doing so, Sumida breaks conventional understandings of both the great German military philosopher and the very subject of military history. Clausewitz and Sumida combine to eschew history limited to explaining outcomes by linearly tracing them back to their origins and instead advocate for narratives that reveal what the participants saw as their options in the moment and then contextualizes their choices and actions. It is this path that leads to knowledge gained through synthetic experience. Decoding Clausewitz is the single most influential work in my approach to military history.
For nearly two centuries, On War, by Carl Phillip Gottfried von Clausewitz (1780-1831), has been the bible for statesmen and military professionals, strategists, theorists, and historians concerned about armed conflict. The source of the famous aphorism that "war is an extension of politics by other means," it has been widely read and debated. But, as Jon Sumida shows in this daring new look at Clausewitz's magnum opus, its full meaning has eluded most readers-until now.
Approaching Clausewitz's classic as if it were an encoded text, Sumida deciphers this cryptic masterwork and offers a more productive way of looking at the…
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