100 books like A Floating Life

I’ve known Liz since she was a graduate student and have been delighted to see her rise to become one of the leading authorities on the inside workings of the Chinese state. 

After years as the Council on Foreign Relations’ China expert, she left for the Hoover Institute for a quieter atmosphere for her research and writing, but she was drafted to serve as China adviser to Gina Raimondo, Biden’s secretary of commerce. There’s no better book on Xi’s China today.

Both the monk and the martial artist in me have long found Sun Tzu’s treatise on how to conduct military campaigns to be fully as seminal as Carl von Clausewitz’s “On War.” Both books are studied at the United States Military Academy at West Point. I find Sun Tzu’s wisdom to be applicable to both combat and life’s more pleasant endeavors, such as relationships and work. Sun Tzu’s is purported to be the student of the great Daoist Sage Lao Tzu, author of the Tao Te Ching, a seminal work that many folks find impenetrable. Perhaps that’s why Sun Tzu can be a bit oblique sometimes, too. This interpretation of his lessons, replete with wonderful illustrations, lends insight into the text and makes it easier to understand. 

There is an argument to be made that Jin Yong (aka Louis Cha) is modern China’s version of William Shakespeare. From Cha’s unimaginably rich and bottomless imagination come unforgettable stories and characters that have had a huge impact on not only contemporary China but the rest of the world. Writing in the category of wuxia (martial arts fiction) he sold 100 million copies of his books, making him China’s most famous author. Countless films and TV shows have been based on his stories, that typically portray the under classes struggling against overlords. One of my favorite memories of travels in China was sitting at the tea house inside Hong Kong’s Peninsula hotel and spending the day reading this book and munching on dim sum. If I’d stepped out and been hit by a bus, I would have died a happy monk.

Van Gulik is a giant in the field of historical mysteries, having penned the better part of 20 novels about his favorite protagonist “Judge Dee.” Set in ancient China, the stories typically involve political intrigue, moral quandaries, and settings so evocative it is easy to just close your eyes and see yourself in a pavilion overlooking a swan-filled lake or in a lady’s bed-chamber, a scholar’s library, or an artist’s studio. These novels are mood pieces as well as whodunnits, and the immersive experiences the author offers lead me to recommend not only this title but any and all in the series. Heaven for someone like me who loves what China used to be.

The Tang dynasty is often called China’s “golden age,” a period of commercial, religious, and cultural connections from Korea and Japan to the Persian Gulf. It was a time of unsurpassed literary creativity. Lewis captures a dynamic era in which the empire reached its greatest geographical extent. And, he shows that under Chinese rule, painting, and ceramic arts flourished, women played a major role both as rulers and in the economy, and China produced its finest lyric poets (Wang Wei, Li Bo (Li Bai), and Du Fu). 

This book is a useful companion volume to my book, which is about the founding and the rise of the Tang dynasty.

Enriched by more than 200 pictures, mostly in color, as well as maps and line drawings, it is an illuminating and succinct account of Chines civilization from prehistoric times through the rise of the “Three Teachings” (Confucianism, Taoism, and Buddhism) to the modern communist state. As someone who taught a popular undergraduate college course on Chinese civilization for many years, I can testify that the overall length (384 pages) of the book and its structure of 12 chapters plus an epilogue make it a perfect choice of required texts.

This comprehensive, beautiful “rendition” (in Le Guin’s words) of Lao Tzu’s ancient wisdom packs an elegant spiritual punch, especially for the Western mind. I love that Le Guin was a teenager when she began studying her father’s 1898 version of the Tao. She worked for decades to create a version that would break the work’s enduring gaze toward the male-oriented “sage.” As she writes in the introduction: “I wanted a Book of the Way accessible to a present-day, unwise, unpowerful, and perhaps unmale reader, not seeking esoteric secrets, but listening for a voice that speaks to the soul.” Her commentary is illuminating, as though a strong gust of rain-washed air blew off the old dust, allowing sharper, fresher meanings to emerge. Check out Number 53. It’s good for a chuckle!

Let’s start in the present and work backward. And for a look at religion in China today, there is no better authority than Ian Johnson, journalist, author, and now a senior fellow at the Council on Foreign Relations. I knew Ian back in the 1990s when we were both newspaper correspondents in Beijing. Since then, he’s plumbed the depths of the spiritual awakening in China since 1976 and the end of the Cultural Revolution. In The Souls of China, he examines not just the rise of Christianity through the house church movement, but also explores the revival of interest in Buddhism, Daoism, and Confucianism.

One of the most popular books in the history of East Asia, this classic sixteenth century novel is a combination of adventure fiction and folk epic that mixes satire, allegory, and history into a rollicking tale. The epic journey is the one undertaken by the monk Xuanzang under the escort of the roguish Monkey, who has many encounters along the way with major and minor spirits, gods, demigods, demons, ogres, monsters, and fairies.

The monk Xuanzang was active during the reign of Tang Taizong, the protagonist of my book. Monk and emperor have many interactions in that novel.

I was reviewing Qu Leilei’s Everyone’s life is an Epic at the Ashmolean when a chance encounter changed my life. While writing Qu's profile, I learned about the first contemporary art movement in China - the Stars in Beijing in 1979 - and spent three years interviewing him for the background to Brushstrokes in Time. 

Leilei’s art is imbued with deep humanity but he is also a fine teacher- hence my recommending The Tao of Sketching. Daoism influenced traditional Chinese art and is a focus for meditation. The empty space is important. If you want to get into that cultural mindset, try Leilei’s books.