It is a truth almost universally accepted that historically women had no way to support themselves except marriage…but it’s not true! I’m all-in on Happily-Ever-After, of course, but I absolutely love it when a heroine is smart, sensible, and able to support herself on her own. When she falls for someone, it’s got to be for real because she’s not afraid to take charge of her own life and make her own way, despite whatever obstacles are thrown at her.
This is about a mathematics prodigy in a steampunk version of 19th century China, who wants to study at the Imperial Academy in Peking….except that she’s a young woman and not allowed to enroll in the all-male academy. Needless to say, this does not stop Anlei, who disguises herself as a man, scores top marks on the exam, and falls in love with one of her fellow students at the same time. Brilliantly lush writing, inventive world-building, and a mathematical romance to make my nerdy heart sing.
War looms on the horizon. Can a young woman caught between family and country keep her loved ones alive?
China, 1853. Jin Soling's divided loyalties rest on a knife's edge. Paired with Chen Chang-wei, her former betrothed, Soling works as a physician in a secret factory building automatons to march on the empire's battleground cities. Though Soling and Chang-wei's bond has grown stronger, the strain of serving a country in turmoil threatens to tear them apart.
From a dangerous smuggling run in pirate-infested waters to a dramatic confrontation in the winding streets of Shanghai, Soling learns that the greatest danger…
Anna Wang was born and raised in Beijing, China, and immigrated to Canada in her 40s. She received her BA from Beijing University and is a full-time bilingual writer. She has published ten books in Chinese. These include two short story collections, two essay collections, four novels, and two translations. Her first book in English, a 2019 memoir, Inconvenient Memories, recounts her experience and observation of the Tiananmen Square Protest in 1989 from the perspective of a member of the emerging middle-class. The book won an Independent Press Award in the "Cultural and Social Issues" category in 2020. She writes extensively about China. Her articles appeared in Newsweek, Vancouver Sun, Ms. Magazine, LA Review of Books China Channel, Ricepaper Magazine, whatsonweibo.com, etc.
Pearl S. Bucks was the first American woman who won the Nobel Prize for Literature. She was brought to China by her missionary parents when she was an infant. She continued to spend much of the first half of her life in China from 1892 to 1934. This autobiography covers her growing up in China and returning to the U.S. Good-hearted and open-minded, she was the very few foreigners who had intimate access to ordinary Chinese people's lives and souls, which remain mysterious to most outsiders to this day. As a sharp-eyed observer and skillful writer, she gave an extraordinary account of the major events such as the collapse of the Qing Dynasty, the Boxer Rebellion, and the civil war between the Nationalists and the Communists. The missionary work brought her to China in the first place, but in the end, she admitted failure in bringing God to China. Pearl…
A tiny mention of the legendary ‘fragrant concubine’ in a travelogue had me search out more information… and more and more until I’d researched and written the stories of four imperial concubines in the Qing era (18th century China). Some rose to power, while others fell to madness. Their extraordinary lives within the high red walls of the Forbidden City fascinated me. Along the way I found a banished empress and a real woman who had endless myths grow up around her, as well as secondary characters like the Italian Jesuit turned court painter. An irresistible era and way of life to explore, in all its shades of light and darkness.
A nobody-concubine rises to become Empress of China, making her way through the rituals and backstabbing of the imperial court. This is the closest to my own books and I loved the detail and the insights into the latter part of the Qing era, as well as the feeling of time running out for the imperial way of life.
To rescue her family from poverty and avoid marrying her slope-shouldered cousin, seventeen-year-old Orchid competes to be one of the Emperor's wives. When she is chosen as a lower-ranking concubine she enters the erotically charged and ritualised Forbidden City. But beneath its immaculate facade lie whispers of murders and ghosts, and the thousands of concubines will stoop to any lengths to bear the Emperor's son. Orchid trains herself in the art of pleasuring a man, bribes her way into the royal bed, and seduces the monarch, drawing the attention of dangerous foes. Little does she know that China will collapse…
I was born to privilege in Manhattan. A seeker from the get-go, I perpetually yearned to see below the surface of the pond and understand what lay beneath and how the world really works. Not connecting with Western philosophy, religion, or culture, I turned to the wisdom of the East at a young age. I stayed the course through decades of training in Chinese martial arts, eventually reached some understanding of them, and realized my spiritual ambitions when I was ordained a Daoist monk in China in an official government ceremony. I write about China then and now and teach meditation and tai chi around the world.
There is an argument to be made that Jin Yong (aka Louis Cha) is modern China’s version of William Shakespeare. From Cha’s unimaginably rich and bottomless imagination come unforgettable stories and characters that have had a huge impact on not only contemporary China but the rest of the world. Writing in the category of wuxia (martial arts fiction) he sold 100 million copies of his books, making him China’s most famous author. Countless films and TV shows have been based on his stories, that typically portray the under classes struggling against overlords. One of my favorite memories of travels in China was sitting at the tea house inside Hong Kong’s Peninsula hotel and spending the day reading this book and munching on dim sum. If I’d stepped out and been hit by a bus, I would have died a happy monk.
This is the first of a three-volume picaresque historical romance by China's best-loved author. It tells the story of Trinket, an irreverent and comic anti-hero, and his adventures through China and Chinese history, spanning more than twenty years at the beginning of the Qing dynasty.
I’m a historian of modern China in the department of Chinese at the University of Oxford. I started off working on the twentieth century but have been drawn back into the Qing dynasty. It’s such an interesting and important period and one that British students often don’t know much about!
I loved this book because the story of the Zhang family brings the history of the Qing dynasty alive as real women experienced it. Qing dynasty people can seem very different from us, and it’s often hard to get a sense of their characters, but Mann does this by taking us right into their homes and making this a story of the three women who were also writers, poets, and teachers.
We hear about their studies, their loves, and their families’ grief when they died, and just when we’ve really got to know them, we find that they were also living through and writing about some of the great events of the nineteenth century like the Opium Wars and the Taiping Rebellion. It’s also beautifully researched by a great scholar.
The history of China in the nineteenth century usually features men as the dominant figures in a chronicle of warfare, rebellion, and dynastic decline. This book challenges that model and provides a different account of the era, history as seen through the eyes of women. Basing her remarkable study on the poetry and memoirs of three generations of literary women of the Zhang family - Tang Yaoqing, her eldest daughter, and her eldest granddaughter - Susan Mann illuminates a China that has been largely invisible. Drawing on a stunning array of primary materials - published poetry, gazetteer articles, memorabilia -…
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for what would become a two-year backpacking sojourn across all 33 Chinese provinces, the first foreigner on record to do so. Since then, I have published three books about China; my anthology Unsavory Elements was intended as a well-meaning tribute to the expatriate experience, however my own essay – a bawdy account of a visit to a rural brothel – was understandably demonized. The following five books expand on that illicit theme.
Starting out as a serial in an 1890s Shanghainese magazine, yet remaining unpublished until 2005 following the discovery of its English translation among the belongings of the late Eileen Chang, The Sing-Song Girls of Shanghai is an unparalleled historical classic set in the pleasure quarters of the Qing Dynasty. Unlike the hyper-erotic writings of Li Yu and Lanling Xiaoxiao Sheng, the author, Bangqing Han, opted for a tempered realism unique for its period. Clocking in at 600 pages, and densely layered with multiple character arcs that are a bit difficult to keep track of, Sing-Song Girls may require more than one reading.
Desire, virtue, courtesans (also known as sing-song girls), and the denizens of Shanghai's pleasure quarters are just some of the elements that constitute Han Bangqing's extraordinary novel of late imperial China. Han's richly textured, panoramic view of late-nineteenth-century Shanghai follows a range of characters from beautiful sing-song girls to lower-class prostitutes and from men in positions of social authority to criminals and ambitious young men recently arrived from the country. Considered one of the greatest works of Chinese fiction, The Sing-song Girls of Shanghai is now available for the first time in English. Neither sentimental nor sensationalistic in its portrayal…
Effie, an outcast in her Yorkshire village, rescues a baby from the ocean wrapped in a sealskin and takes it home for safekeeping.
From the beginning, the author shows Effie’s simple existence, her isolation from others, the hardships of her life, and climate, all wrapped up in an aura of magical prose. When Lachlan, a mariner, enters the story, there is a wildness about his interactions with Effie, and you feel the pull of the sea and the girl that Effie rescued.
There is a magnetism that wraps around you, as secure as the sealskin around the baby girl. I fell in love with his romantic fantasy and stayed mesmerized until the last page.
A captivating and page-turning romance perfect for fans of Christina Courtenay and Barbara Erskine!
On a windswept British coastline the tide bestows an unexpected gift...
It was the cry that she first noticed, the plaintive wail that called to her over the crash of winter waves. Wrapped only in a sealskin, the baby girl looks up at Effie and instantly captures her heart.
Effie has always been an outcast in her village, the only granddaughter of a woman people whisper is a witch, so she's used to a solitary existence. But when Midsummer arrives so too does a man claiming…
I’ve spent more than a decade exploring the historic roots of Asia’s modern political problems – and discovering the accidents and mistakes that got us where we are today. I spent 22 years with BBC News, including a year in Vietnam and another in Myanmar. I’ve written four books on East and Southeast Asia and I’m an Associate Fellow with the Asia-Pacific Programme at the London-based thinktank, Chatham House. I love breaking down old stereotypes and showing readers that the past is much more interesting than a series of clichés about ‘us’ and ‘them’. Perhaps through that, we can recognise that our future depends on collaboration and cooperation.
Very few people outside China have even heard of Yuan Shikai, the last prime minister of the Qing Empire who became president of the Republic of China before briefly declaring himself to be a new emperor. If it hadn’t been for Yuan, however, China would look very different today. He held the country together for a few crucial years after the revolution but then took some decisions that split it apart. He has been vilified ever since as a buffoon and a dictator, but this book asks us to take him seriously as a neglected and important figure in China’s transition. Although the book focuses too much on trying to decide whether Yuan was a good or bad person, it does what it promises and ‘reappraises’ an important life.
Yuan Shikai (1859-1916) has been both hailed as China's George Washington for his role in the country's transition from empire to republic and condemned as a counter-revolutionary. Yuan Shikai: A Reappraisal sheds new light on the controversial history of this talented administrator and modernizer who endeavoured to establish a new dynasty while serving as the first president of the republic, eventually declaring himself emperor. Drawing on untapped primary sources and recent scholarship, Patrick Fuliang Shan offers a lucid, comprehensive, and critical new interpretation of Yuan's part in shaping modern China.
I traveled to Xinjiang Uyghur Autonomous Region in the summer of 2019, where I saw for myself many of the tools of surveillance and control that the Chinese Communist Party has used to turn the region into an open-air prison. Since returning to the United States, I have tried to draw attention to the Uyghur genocide through my published articles and through my book, Middle Country, where I tell the story of the Uyghur genocide by weaving facts, history, and analysis into a narrative account of the week I spent in Xinjiang. I hope that my book can make this profoundly complex and multifaceted issue more accessible to the average person.
Peter C. Perdue gives an exhaustive account of the Qing Dynasty’s conquest of Xinjiang - which, according to many historians, was the first time a Chinese Dynasty consolidated its rule over the whole of the region. This history has important implications for claims regarding the legitimacy of Chinese rule over Xinjiang.
From about 1600 to 1800, the Qing empire of China expanded to unprecedented size. Through astute diplomacy, economic investment, and a series of ambitious military campaigns into the heart of Central Eurasia, the Manchu rulers defeated the Zunghar Mongols, and brought all of modern Xinjiang and Mongolia under their control, while gaining dominant influence in Tibet. The China we know is a product of these vast conquests.
Peter C. Perdue chronicles this little-known story of China's expansion into the northwestern frontier. Unlike previous Chinese dynasties, the Qing achieved lasting domination over the eastern half of the Eurasian continent. Rulers used…
Born and raised in China, I moved to Canada in my late 20s to pursue a master's degree and stayed here, becoming a first-generation immigrant. But home is always home—my ancestors lived and died on that land. My country's history, culture, traditions, and social structures deeply fascinate me, especially its modern history, which has profoundly shaped me. China's history is rich, captivating, and often brutal, and I believe the world needs to know what we have gone through. The five books I recommend, including works by two Nobel Prize-winning authors, are literary masterpieces. They not only offer deep insights into China's modern history but also showcase extraordinary literary artistry.
I first listened to this book about 20 years ago, and to write this article, I revisited it. In 20 years, many things have changed. Yet, my love for this book remains as strong as ever. I love its simple opening sentence and foreshadowing closing sentence. I love the details—the vivid, realistic descriptions of the characters, emotions, setting, culture, customs, and language. I felt immersed in the scenes, right alongside the characters. Using a Chinese expression, the book flows smoothly and naturally, like clouds and water. I believe this book represents the pinnacle of Pearl S. Buck’s career, not just because it won the Nobel Prize for Literature but because the quality of the writing is truly extraordinary.
I must also mention that Anthony Heald narrates this audiobook. His voice is captivating and mesmerizing; I believe he’s one of the best narrators in the world. I recently watched a short…
