Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for what would become a two-year backpacking sojourn across all 33 Chinese provinces, the first foreigner on record to do so. Since then, I have published three books about China; my anthology Unsavory Elements was intended as a well-meaning tribute to the expatriate experience, however my own essay – a bawdy account of a visit to a rural brothel – was understandably demonized. The following five books expand on that illicit theme.
I edited...
Unsavory Elements: Stories of Foreigners on the Loose in China
Unsavory Elements is an unprecedented anthology of 28 original, true stories from some of the most celebrated foreign authors who have lived in modern China. Edited by Tom Carter, whose unfortunate contribution – a ribald tale of a boys’ night out to a house of ill repute – blights this critically acclaimed rogues gallery of Western expat writers. Unsavory Elements falls under the genre of travel writing, yet travel is just the beginning of the adventure here.
Starting out as a serial in an 1890s Shanghainese magazine, yet remaining unpublished until 2005 following the discovery of its English translation among the belongings of the late Eileen Chang, The Sing-Song Girls of Shanghai is an unparalleled historical classic set in the pleasure quarters of the Qing Dynasty. Unlike the hyper-erotic writings of Li Yu and Lanling Xiaoxiao Sheng, the author, Bangqing Han, opted for a tempered realism unique for its period. Clocking in at 600 pages, and densely layered with multiple character arcs that are a bit difficult to keep track of, Sing-Song Girls may require more than one reading.
Desire, virtue, courtesans (also known as sing-song girls), and the denizens of Shanghai's pleasure quarters are just some of the elements that constitute Han Bangqing's extraordinary novel of late imperial China. Han's richly textured, panoramic view of late-nineteenth-century Shanghai follows a range of characters from beautiful sing-song girls to lower-class prostitutes and from men in positions of social authority to criminals and ambitious young men recently arrived from the country. Considered one of the greatest works of Chinese fiction, The Sing-song Girls of Shanghai is now available for the first time in English. Neither sentimental nor sensationalistic in its portrayal…
Whilst studying in the U.S. in the early-2000s, Tiantian Zheng decided to return to her home city of Dalian, in northeast China, to embed herself for over two years with sex workers at local karaoke parlors. There, she witnessed, and at times personally endured, all manner of customer abuse, police crackdowns, government corruption, and catty relationships between hostesses, while somehow managing to keep copious secret notes for her ethnographic fieldwork (which eventually became Red Lights). It is an eye-opening but purely academic text, not a mass-market page-turner, which will primarily be of interest only to those of us researching socioeconomic conditions in China.
In China today, sex work cannot be untangled from the phenomenon of rural-urban migration, the entertainment industry, and state power. In Red Lights, Tiantian Zheng highlights the urban karaoke bar as the locus at which these three factors intersect and provides a rich account of the lives of karaoke hostesses-a career whose name disguises the sex work and minimizes the surprising influence these women often have as power brokers.
Zheng embarked on two years of intensely embedded ethnographic fieldwork in her birthplace, Dalian, a large northeastern Chinese seaport of over six million people. During this time, Zheng lived and worked…
A post-70s generation Chinese authoress who capitalized on the big international book deals cleared for her by the commercial success of Shanghai BabyandBeijing Doll, and who likewise has developed an unsavory reputation among Communist authorities, Sheng Keyi has published many heralded (and banned) books. But her crowning achievement is 2012’s Northern Girls, about young female migrant workers who leave the countryside for the big city but fall into the trappings of prostitution. Unlike the memoirs penned by her counterparts, this is an obviously fictional story that falls under the sub-genre of “magical realism”. I’d suggest reading alongside Lijia Zhang’s Lotus (an acclaimed yet in my opinion far less fun read) also on sex workers in modern China.
Qian Xiaohong is born in a sleepy Hunan village, where the new China rush toward development is a distant rumor. A buxom, naïve 16-year-old, she joins the mass migration to the boomtown of Shenzhen where she navigates dangerous encounters with ruthless bosses, jealous wives, sympathetic hookers and corrupt policemen. Moving through a grinding succession of dead end jobs, Xiaohong finds solace in her close ties with her fellow "northern girls," who quickly learn to rely on each other for humor and the enjoyment of life's simple pleasures. This coming-of-age novel explores the inner lives of a generation of young, rural…
The definitive sociological examination of prostitution in contemporary Hong Kong, Yeeshan Yang spent one year – out of plain curiosity – alongside the city’s sex workers, listening to their stories of how they arrived there, how they spend their days/nights, and what becomes of them when they leave the trade. These humanizing case studies provide separate yet occasionally intersecting profiles of female streetwalkers and club hostesses, as well as male prossies and pimps, and their sometimes sad, sometimes funny, tales of the world’s oldest profession in the Orient. Whispers and Moans was also adapted (by Yang) into a 2007 film by the famed Cat-III Hong Kong director Herman Yau.
With glitzy nightclubs, saunas, karaoke lounges and brothels, Hong Kong's sex business is booming. But how do local prostitutes compete with an endless supply of girls from China? To find out, Yang spent a year with the city's hookers. The result is an eye-opening book which shows the human side of sex for sale - easy money, financial ruin and hopeless relationships - and first-hand insights into the huge but hidden sex industry.
This story is so sweet and funny, I must have read it a dozen times since first arriving in China. That a Western male writer conceived a female Chinese character as charming and relatable as Suzie without ever straying into offensive farce really says something about the author, Richard Mason’s, craft. His prose is old-school eloquent, and deftly includes the smallest details that bring Suzie, a naughty yet affectionate hooker with a big heart, and her 1950s Hong Kong brothel settings, to vivid life. If I had only five desert-island books, The World of Suzie Wong would be one of them.
Penguin Books reintroduces the timeless story of the love affair between a British artist and a Chinese prostitute.
Robert is t he only resident of the Nam Kok hotel not renting his room by the hour when he meets Suzie at the bar. She becomes his muse and they fall in love. But even in Hong Kong, where many white expatriates have Chinese mistresses, their romance could jeopardize the things they each hold dear. Set in the mid-1950s, The World of Suzie Wong is a beautifully written time capsule of a novel. First published more than fifty years ago, it…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
By doing so, he unwittingly exposes his muse to gossip. But when Dolça receives his deathbed note asking to see her, she races across Spain with the intention of unburdening herself of an old secret.
On the journey, she encounters bandits, the Inquisition, illness, and the choices she's made. At its heart, Dulcinea is about how we betray the people we love, what happens when we succumb to convention, and why we squander the few chances we get to change our lives.
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