I grew up on a steady book diet of child detectives, fairy tales involving monsters in the woods, and historical fiction about the black plague. The same themes go through the books I love to read and write, transporting me with world-building set in realms or historical settings with technology so strange it could be fantasy. Characters are shaped by the world around them and the more perilous the world, the more it challenges the characters. If there are monsters, I’m in.
Alan Campbell set the mixed steampunk science-fantasy genre for me, with his high fantasy worlds where machines and magic go hand in hand, to prison cities surrounded by poisonous waters that can turn you into permanent sea-dwellers, and telepathic abilities worth killing for.
This is a world where a trip to the beach might kill you if the telepaths don’t find you first.
Leaving the behind the imaginings of Deepgate, Alan Campbell introduces a new world, a new cast of characters in a novel that reads like a cross between Stephen Deas and Joe Abercrombie.
With non-stop action, beautiful characterization and Alan's usual flair for imagination and lyrical writing, welcome to a world of water - where dragons are used as weapons and countries are separated by power, greed and fear...
Thrown out of the Graveyard corps by a corrupt and weak emperor, Granger has to turn to running his own prison. It's not a lucrative business but if he keeps his head…
I loved Lyra. I'm not sure I've ever encountered a protagonist who is so prone to lying, but I can forgive her anything because of her determination to save her friend Roger. Lyra is bold, reckless, and endearing. The Golden Compass also has a memorable supporting cast. My favourites are the air balloon pilot Lee Scoresby; the armoured bear Iorek; and of course Lyra's familiar Pantalaimon. The high-stakes plot moves quickly and unpredictably. The settings are exotic and imaginative. This is a classic children's tale that gives adults much to ruminate on in terms of religion, politics, and belief systems.
The first volume in Philip Pullman's groundbreaking HIS DARK MATERIALS trilogy, now a thrilling, critically acclaimed BBC/HBO television series. First published in 1995, and acclaimed as a modern masterpiece, this first book in the series won the UK's top awards for children's literature.
"Without this child, we shall all die."
Lyra Belacqua and her animal daemon live half-wild and carefree among scholars of Jordan College, Oxford.
The destiny that awaits her will take her to the frozen lands of the Arctic, where witch-clans reign and ice-bears fight.
Her extraordinary journey will have immeasurable consequences far beyond her own world...
Hopeland is a masterpiece of magical realism: only a magician could have crafted such a book, and McDonald’s protagonists are thoroughly human and relatable, which makes them very real, their occasional electromancy and stormtalking (breathtakingly described) notwithstanding.
They live, love, grieve, and help save the world from the climate catastrophe (which, incidentally, is the reality that we are living right now), all the while revealing to you why the world deserves saving.
Beware: you, too, will weep, laugh, love, and end up wanting to help save the world.
Hopeland is not a nation. It is not a cult. It is not a religion.
Hopeland is a community. It is a culture. It is a family.
When Raisa Hopeland, determined to win her race to become the next electromancer of London, bumps into Amon Brightbourne - tweed-suited, otherworldly, guided by the Grace - in the middle of a London riot, she sets in motion a series of events which will span decades, continents and a series of events which will change the world.
Amon falls in love in that moment of chaos, but being loved by him can have…
After writing The Flight To Brassbright, I realized that my characters spent a lot of time enjoying a wide variety of foods and beverages. I suppose it couldn't be helped since their author is such a foodie.
I thought it would be fun to spin off a cookbook with real, practical recipes so that readers could enjoy the same foods as my wacky cast did on their adventures. There's something for everyone, as the cookbook runs the gamut. You'll find mouth-watering treats such as hearty meat pies, 'coal' cookies, Victorian-era 'hot dogs', bread and butter pickles, and home-spun cotton…
Steamed and Steamy: Recipes from the Steampunk World of Industralia
Even fictional characters gotta eat. These are their recipes. Now you can make the favorite foods of the fictional country of Industralia, from breakfast right on through to late night snacks. You’ll even learn how to make traditional New Year's “Coal Week” holiday treats.
"Ah, the delightful sounds and smells of cooking. And explosions. Or maybe that is just my kitchen... Venture forth into the wilds of your own kitchen to explore the possibilities for flavor and ingredients you encountered in your explorations of Industralia! From carnival peanuts and cotton candy to some hearty meat pies these recipes can help…
As a mother of two girls, I’ve always loved fostering their interests in multiple subjects and providing them with epic role models. Too often, women’s strength in fantasy and science fiction (my favorite genres) is shown through violence or physical action, whether they can wield a blade or hold their own in a fight. Watching my girls get excited about game design, math, and science always gives me a little thrill, and I love providing them with epic heroines who use their brains as their primary weapon. STEM heroines rock!
I’ve adored everything I’ve read that EJ Kitchen has written. Her magical systems are almost scientific—a little in the vein of Brandon Sanderson—intricate and interlocking with multiple parts working together. In this book, we have a complex, high-concept world featuring many brave heroes and heroines trying to make do in a world cursed by evil fae.
The leading lady of the first book in the series is an airship captain, which is epic and awesome. I love how the characters have to constantly work around the limitations placed over their world that make something as simple as trying to navigate to the next town over dangerous.
In a world where the sun is a myth, dawn is coming.
Bertram Orren expected trouble with both the Time Keepers and faeries if he got caught in the faerie woods. He didn’t expect to get trapped in an abandoned faerie court deep underground while trying to save airship captain Marianna Bowditch from a will-o’-the-wisp. Nor did he expect he and Marianna to discover an ancient treasure that could help free the world from the Time King’s control, one that could bring back the people’s ability to navigate for themselves in a world where sun and moon, east and west…
Here's my confession—I am a closet sadist. IRL, I carefully catch beetles and spiders in a jar to take them outside when I find them in the house. But at the keyboard? Mr. Hyde. I torture my major characters. A half dozen in Saturn Run look death in the face. Some die. In my second novel, Ripple Effect, it's way over a dozen and the carnage starts in the very first chapter. What can I say? I am a very nice and kind person, just not a nice and kind author!
This is not your parents’ steampunk! It’s an oh-so-different take on the genre with an edgy, improbable, and yet somehow entirely believable motley band of revolutionaries. Delightfully, it was born in a wisecrack! Maurice complained online about the lily-whiteness typical of steampunk mythology (tru dat!) and quipped that he might well have to write “Pimp my Airship” in retaliation. More than one editor told him that if he wrote it, they’d buy it. Well, what’s an author to do? So, he did.
And yes, there ARE airships, and yes, they ARE tricked out.
All the poet called Sleepy wants to do is spit his verses, smoke chiba, and stay off the COP’s radar—all of which becomes impossible once he encounters a professional protestor known as (120 Degrees of) Knowledge Allah. They soon find themselves on the wrong side of local authorities and have to elude the powers that be.
When young heiress Sophine Jefferson’s father is murdered, the careful life she’d been constructing for herself tumbles around her. She’s quickly drawn into a web of intrigue, politics and airships, joining with Sleepy and Knowledge Allah in a fight…
I am an avid fantasy reader and writer. I have been writing for many years and love to craft detailed worlds and complex characters that surprise and delight readers. Stories are about challenges, overcoming the barriers that are put in front of us, and growing in the process. Characters do not have to be good or bad; they can be both, a mixture, just like real people. I strive to create characters that make people stop and think, make them question their assumptions, or relate to them in ways that they had not expected. Fantasy is about bringing real emotions to readers through an imaginary setting, and I love it.
I loved the Nevernight books because the main character is not necessarily always a hero. Mia is an assassin and cares only about killing. This means it can be uncomfortable to support her decisions and actions when they involve so much death and bloodshed.
She kills for reasons that she thinks are justified, but that isn’t always right, and it is great to see her grow and become something more than just a killing machine. She has a great personality and endures many hardships through the series but I loved reading along and seeing how she overcame everything she faced.
In a world where the suns almost never set, a woman gains entry to a school of infamous assassins, seeking vengeance against the powers that destroyed her family. Daughter of an executed traitor, Mia Corvere is barely able to escape her father's failed rebellion with her life. Alone and friendless, she wanders a city built from the bones of a dead god, hunted by the Senate and its thugs. But her gift for speaking with the shadows leads her to the hearth of a retired killer, and a future she never imagined. Now, Mia is apprenticed to the deadliest flock…
I have been interested in time travel since childhood, although I personally do not think human beings will ever move forward or backward in time. But the notion and its paradoxes make a great subject for the imagination, which is the meat of speculative fiction. In writing about time travel, I had to deal with the “grandfather paradox,” where something the character does in the past changes his own future—the core of Ray Bradbury’s short story “The Sound of Thunder.” My excuse, used in The Children of Possibility, is that great upheavals like war and civilizational collapse erase small changes like stepping on a butterfly. But, you know, it’s all speculative.
Tim Powers is one of my favorite science fiction authors, and The Anubis Gates is probably his best book. As always with Powers, it follows a couple of themes besides time travel, including an Egyptian curse and a malicious puppeteer. The travel mechanism takes into account changes in the landscape since the target time. I particularly enjoyed the use of The Beatles’ "Yesterday" as an out-of-time signaling device.
Brendan Doyle is a twentieth-century English professor who travels back to 1810 London to attend a lecture given by English romantic poet Samuel Taylor Coleridge. This is a London filled with deformed clowns, organised beggar societies, insane homunculi and magic.
When he is kidnapped by gypsies and consequently misses his return trip to 1983, the mild-mannered Doyle is forced to become a street-smart con man, escape artist, and swordsman in order to survive in the dark and treacherous London underworld. He defies bullets, black magic, murderous beggars, freezing waters, imprisonment in mutant-infested dungeons, poisoning, and even a plunge back to…
I knew in my early teens that I wasn’t straight, but back then, the thought of coming out was too scary. I waited until I was twenty-three to do so, and it was still scary even being ten years older! So I can relate to stories of women of all ages discovering their less-than-straight sexuality. It’s rarely easy, no matter how many years you’ve lived already. It still requires good support from the people who love you, and one thing in common in all of the books I’ve recommended is that family, or often found family, plays a crucial role in the newly-out woman feeling comfortable being themselves.
This one had me laughing out loud just as much as swooning over the lovely story of Caroline and her transformation once her husband dumps her in the home where ‘difficult’ women are put when they cause too much trouble for those husbands. There are elements of steampunk, social commentary, twisted humor, and a cast of secondary characters that are as varied as they are interesting. The setting, while bleak to begin with, grows on you as you read, and once all the twists and turns finally click into place, it’s a romp of a ride to the end.
A gentle Victorian tale of women’s passions and power, with a sprinkle of romance, a trifle of steampunk, and heaps and heaps of quiet revolution.
Caroline Ajax is an inconvenient woman. Unwell. Hot-tempered. Harboring a tragic secret she can’t share with another living soul. Dropped at an institution in the Surrey Hills by her husband, Thomas, her only objective is to survive, to endure, to make it back to what little there is of her life as soon as she possibly can. But it doesn’t take her long to discover there is something unusual about this house and its eclectic…
My favorite books—to read and to write—have always been funny Christian romances. But all four of my kids prefer fantasy. They want me to read with them, and they’ve been asking me to read nothing but fantasy for years. Now I can say it’s my second favorite genre. In fact, I learned to like it so much I eventually started writing a children’s fantasy series of my own, in between all the mushy stuff. Beyond Wisherton is the first in that series.
Dragons are cool. The one on this cover is clearly mechanical, and that got my attention. Cove is a rather dark setting so I would only recommend this for older kids. Readers can tell from the beginning that the oppressive society is rooted in fear. What is behind that fear? The main characters, Trenton and Kallista, aren’t all that concerned with the bigger picture. They’re only trying to solve a puzzle left by Kallista’s father. We get to watch them become good friends in the process.
Trenton Colman is a creative thirteen-year-old boy with a knack for all things mechanical. But his talents are viewed with suspicion in Cove, a steam-powered city built inside a mountain. In Cove, creativity is a crime and “invention” is a curse word. Kallista Babbage is a repair technician and daughter of the notorious Leo Babbage, whose father died in an explosion—an event the leaders of Cove point to as an example of the danger of creativity.
Working together, Trenton and Kallista learn that Leo Babbage was developing a secret project before he perished. Following clues he left behind, they begin…
As a fantasy author, I love stories set within complex and unusual worlds. I especially enjoy worlds where the rules of physics and metaphysics are re-imagined, adding an extra dimension to the story. Most fantasy worlds are much like our own – big, spherical, ordinary climactic zones, normal physics. Magic sort of exists around the edges. A handful of fantasy worlds are different: the world is flat, layered, hollow, has physical and metaphysical laws that change when you step across a political border – or is wholly contained within an infinite House with oceans pouring through the lower levels. Those are worlds I find especially delightful to visit – and to write about!
The Pyramids of London has the most ornate, baroque alternative-history setting of any novel in the entire history of fantasy novels. Seriously. To start with, every kind of mythology is true in whatever region that mythology developed. Also, the pharaohs of Egypt have been vampires for thousands of years. Plus, when they die, vampires might become stars. Which are also gods. Plus France is ruled by the Fae. At night, when the Fae Court of the Moon arises in Paris, gravity suddenly drops dramatically.
Insert a murder mystery into this wildly ornate setting, plus fully realized characters you both believe in and root for, and off you go, on a fantastic journey through a world that is like nothing you’ve ever seen before.
In a world where lightning sustained the Roman Empire, and Egypt's vampiric god-kings spread their influence through medicine and good weather, tiny Prytennia's fortunes are rising with the ships that have made her undisputed ruler of the air. But the peace of recent decades is under threat. Rome's automaton-driven wealth is waning along with the New Republic's supply of power crystals, while Sweden uses fear of Rome to add to her Protectorates. And Prytennia is under attack from the wind itself. Relentless daily blasts destroy crops, buildings, and lives, and neither the weather vampires nor Prytennia's Trifold Goddess have been…
