The most recommended assassin books

The Will Robie series by David Baldacci is outstanding. The details of the journey Robie takes as an assassin for the United States is intriguing. 

The way Baldacci describes the surroundings gives you the feeling that you are there in the midst of the action right along with Robie. The manner in which Robie carries out his missions will keep you on the edge of your seats wondering if he will make it out alive.

What is so amazing about The Guilty is the realization of you rooting for the assassin to come out on top in this personal battle of confronting his past. It is clear what Robie does for a living—he murders people. Yet we care so much about him, the man, we want him to find a happy place with this family. 

Libra is a chillingly realistic novel that re-imagines the assassination of John F. Kennedy. What particularly delighted me was the very realistic-sounding dialogue of the very dissimilar actors in the rambling, uncoordinated but ultimately successful conspiracy, including right-wing Aryan-nation types, non-ideological drifters desperate to leave a mark on history, and (in this version) mobsters and Cuban exile terrorists who blamed Kennedy for the "loss" of Cuba. DeLillo’s renderings of Jack Ruby’s mobster lingo, the uptight tersely coded grunts of the CIA men, the incoherencies of revolutionary wannabe Lee Harvey Oswald and others, are a model of dialogue for any fiction writer.  

It was a new spin on the Gingerbread Man folktale and one that gave me goosebumps. It has battles, little whisps of magic, and characters I rooted for from start to finish. It made me feel like the characters I write about, the type I want to have a cup of tea with years from now to see where their lives have taken them. 

This is my favorite type of space opera: bigger-than-life characters, tons of action, with great sense of wonder and a world full of surprises. The women characters are excellent, as well.

There is a touch of fantasy in this series that I found sparked a hint of the numinous.

This is one of the best books in Eisler’s John Rain series, featuring half-American, half-Japanese assassin and Vietnam veteran John Rain.

Eisler himself was a covert operative with the CIA’s Directorate of Operations, and his descriptions of fieldcraft, surveillance, torture, and killing techniques all ring so true, as does his extensive knowledge of modern Japan.

Tokyo is, of course, a fascinating playground for Rain’s adventures. Eisler’s books and unputdownable, and well worth discovering.

Three Assassins almost feels like the movie Bullet Train with Brad Pitt.

It’s a series of seemingly unrelated events that connect a network of assassins together and pit them against one another, knowingly or unknowingly. The novel itself is less about the action and pace and unfurls like a twisted puzzle, making every piece lean into a seemingly surreal universe.

We see all the characters, good and bad, their flaws, good and bad, and the ones we can stand up for, good and bad. “All the knowledge and science that human beings have, it only helps humans.” But even when we’re cheering, I didn’t necessarily know what to believe until I reached the end. Even then, I walked away holding doubts and a smile. 

A savage, icepick of a hitman novel that will bury itself in your cerebellum. It’s a slippery, sexy book about the making and subsequent unmaking of a contract killer, complete with all the usual trappings and a few resolutely unusual ones. halfway through this novel, I realized that there weren't any rules to this. That you just built humans from scratch and turned them loose in your world and whatever they did, they did.  A guy stabs someone with his own fibula in this book. Eat that Macgyver. 

The Chronicles of Ghadid follows a family of assassins in a fantastical desert world—but rather than play it safe by following stealthy assassination quests, Doore throws her assassins into the fray against undead armies and unkillable spirits. The result is a truly unique setting with haunting action sequences, bound together by the close ties of family and budding romances. Also, necromancers and undead camels, how could you go wrong?

Asra is a demigod with the gift of dictating the future by writing with her own blood. When her blood magic leads to the mortal girl she loves turning into a vengeful dragon, Asra must embark on a journey across the kingdom to stop her. A big-hearted protagonist grappling with her own power, complex cultural politics, two compelling love interests – who could ask for more? That so many of the primary romantic relationships in the story are same-sex is almost beside the point – except, of course, that queer characters rarely appear so matter-of-factly in epic fantasy. Inkmistress trades in deep, nuanced characters, moral complexity, and a story that often surprises in the best way, keeping the reader hooked until the incredibly satisfying conclusion.

On one level, this novel is about Chris and Saul, two orphans raised by Eliot, a CIA operative, to become world-class assassins. After an international incident, Eliot decides Chris and Saul must be eliminated. Solid and engaging on that level, of course. But on a deeper level, it’s about two young men who trust their “father,” the one person who ever cared about them, only to feel the sting of his betrayal rock them to their core. The emotion makes the action matter. Everything is personal. The accurate tradecraft, killer action, and depth of character all combine to make this one of my favorite books. Fantasy readers will appreciate the secret society aspect of the assassins as well as the amazing action set-pieces.

This book was originally marketed as a “romance for the fans of the Game of Thrones”, and it is one of the books I really enjoy. The main character, Vitala, is sent by her secret order of rebels to assassinate the powerful Emperor of Kjall. When she arrives at court, she is quickly dropped into a torrent of intrigue that makes her question everything she’d learned, including her own mission. 

This book is pure fun, from start to finish. From the assassins’ standpoint, Vitala is a refreshing one, because her powers come from a special skill she possesses rather than weaponry. In fact, most of the imperial guards, as well as the Emperor himself, are much more capable than her when it comes to combat, and yet in the end the danger she brings outpowers them all. This book taught me a lot about writing action, intrigue, and romance.

Retired hitman Frankie Machianno thinks he’s left the past behind and can focus on the things that matter—wife, mistress, daughter, surfing, perfect kitchen, roasting coffee, cooking.

But someone is coming for him and wants him dead. The problem is: Frankie doesn’t know who. As he tries to figure it out, we learn about Frank, his family, his lover, and his past, from San Diego beach bum to mafia “button man.”

He’s my favorite kind of gangster—the good guy bad guy—and I couldn’t help but like Frank and fear for his life, as the novel hurtles toward its bittersweet conclusion.



In The Gray Man, a highly skilled, former CIA operative tries to rescue a colleague and his family while various teams of elite assassins try to stop him however they can.

The Gray Man – AKA Court Gentry or Sierra Six – doesn’t follow anybody’s orders, even those of the most powerful institutions on the planet. Though rebellious, he has morals and only applies his skillset for good.

My favorite part of this book were the action scenes. I liked how big they were, but also the variety of arenas, weapons, and opponents. Also, the Gray Man takes a serious beating through the chapters. Because he’s hurt, but still kicking, the fights progressively get more challenging for him, and more dramatic.

I love great stories, and I especially gravitate towards international intrigue. As a big Tom Clancy and Dan Brown fan, I found that Don Bentley honors the great works of Clancy.

While I grew up with the stories of Jack Ryan, I now enjoy reading the new adventures of his son, Jack Ryan, Jr. This storyline is also ripped from today’s headlines as I write this. If only Jack Ryan, Jr. had been on the ground in real life to stop the atrocities perpetrated by Hamas.

Target Acquired provides some insights into the geo-political realities on the ground but in an entertaining format.

Speaking of books that push up against the genre boundaries of fantasy, Bishop’s The Etched City crafts a dark, foreboding, but somehow one of the beautiful cities in fantasy.

Ashamoil is a grim place, decadent and decayed, a humid jungle-born city filled with disgraced freedom fighters, slavers, and crime lords. Its fantasy elements are less floating magic gemstones and dragons and more weird, inexplicable things, miracles, and their dark inverse.

At times The Etched City feels like a dream, but the best kind of dream, the one you want to tell everyone about, if you could just find the right words.

Barker is known best as a master of body horror, and this book certainly has some grotesque images. But it’s also a gorgeous meditation on memory, identity, love, and the use and misuse of great power.

Along with a vivid travelogue of the five realms that make up Imagica, Barker explores the use of the body itself as a canvas; malleable, changeable, and as fascinating as the view from the window of your train. That said, the view is often stunning, always inventive, and immersive enough that I feel I’ve walked the streets of Yzordderrex myself. 

After 16 books in Hobb's world, The Realm of the Elderlings, the triumphant finale of Assassin's Fate hits hard. I've spent 7 years with these characters, growing to love them and their relationships and experiencing their heart-rending journeys alongside them.

The ending is bittersweet, poignant, and everything it needed to be. It and the series have made an indelible impact on me as a person and a writer, and FitzChivalry remains one of my all-time favorite protagonists.

It’s too easy when reading Ludlum to get caught up in the Bourne Trilogy and overlook the author’s other great political thrillers. For me, The Matarese Circle best captures a theme that appears in most of Ludlum’s work – “We shouldn’t always trust our own intelligence community.”  

In The Matarese Circle, two disaffected covert agents—one American and one Soviet—team up to identify members of an international league of assassins bent on achieving world domination to promote commercial gain. This corpse-laden, globetrotting chase is one of Ludlum’s finest. 

With a healthy dose of gallows humour, Sarah Vowell explores glorious conundrums of American history, politics, and culture. As such, the book provoked me to appreciate how visiting sites of the significant dead has long been in the touristic imagination. The book takes you on a journey – part history lesson, part travelogue – through the black spots of American political violence. Through a bizarre road trip to places where American politicians met a bloody end, I found Vowell’s own thoughts on the American character both witty and quirky. I also love how she explodes myths and, consequently, exposes a profound level of hypocrisy in the quest for (American) political and cultural advantage.  

Stunning character visualization and world-building make for a good read. Throw in some good humor, some daring fights and beasts to slay, and a plot filled with twists and you have yourself a great read. Andrzej Sapkowski has done a fantastic job of carving great characters for your enjoyment.