I’m Vajra Chandrasekera, from Colombo, Sri Lanka. I’m a writer, and more importantly, a reader. My favourite kind of book is bigger on the inside, the kind that drops you into a world too big and too weird to really get a handle on, a world that’s strange in ways you feel you recognize, like how sometimes you wake up from a dream and think, I’ve dreamed about that place and those people before,but you can’t tell if you have, or whether you dreamed the memory, too. You read the book and look at the world and you ask yourself: Did I dream those people, that place? Or is this the dream?
You know how you go somewhere you’ve never been and you feel hollow in your bones, like you’re more fragile there, you might blow away in a strong wind or just melt down if this place doesn’t learn to recognize you?
Amatkais like that, and it’s about that. We follow someone trying to diligently do a perfectly normal market research gig in place where everyday objects must be clearly labelled and the labels reinforced constantly, otherwise they dissolve into slush.
She has to keep putting things in their place, but she’s not too good at that, because she’s always been out of place herself.
I mean, isn’t that exactly what life is like? And then it all falls apart.
ONE OF THE GUARDIAN’S BEST SCIENCE FICTION AND FANTASY BOOKS OF 2017
A surreal debut novel set in a world shaped by language in the tradition of Margaret Atwood and Ursula K. Le Guin.
Vanja, an information assistant, is sent from her home city of Essre to the austere, wintry colony of Amatka with an assignment to collect intelligence for the government. Immediately she feels that something strange is going on: people act oddly in Amatka, and citizens are monitored for signs of subversion.
Intending to stay just a short while, Vanja falls in love with…
My interest in politics and conflict has always come from the margins. I have developed an interest in the periphery, minorities, liberation movements, other actors outside the center, official governance institutions, and national political elites. My work has mainly concentrated on how such actors have sought to influence politics at the national and international level and how questions of identity, perceptions of self and other, and sense of belonging come into play. Geographically, my interest has lied primarily in the Middle East, broadly defined, particularly Iraq, Turkey, Syria, and Kurdistan. In recent years, however, I have also developed an interest in East Africa, especially Sudan and South Sudan.
Fragmentation is a natural tendency among humans. Collectives, groups, and organizations face centrifugal tendencies that push for division and fragmentation. Ideological movements, in particular, face this risk, as there will always be members of the group who are dissatisfied with how the collective is progressing toward achieving its goals.
Rebel movements are an excellent example, as such actors constantly fragment, divide, and evolve through years of rebellion. But what factors contribute to or prevent divisions among rebel groups from disintegrating? And not less importantly, what are the implications of fragmentation on civil wars in which the rebel movements participate?
Based on rigorous fieldwork in the Horn of Africa, with particular attention to Eritrea and Ethiopia and an additional outlook into Somalia, Woldemariam offers a convincing theory that addresses these questions by examining such factors as battlefield developments and the nature of control over territory. He does so clearly and eloquently,…
When insurgent organizations factionalize and fragment, it can profoundly shape a civil war: its intensity, outcome, and duration. In this extended treatment of this complex and important phenomenon, Michael Woldemariam examines why rebel organizations fragment through a unique historical analysis of the Horn of Africa's civil wars. Central to his view is that rebel factionalism is conditioned by battlefield developments. While fragmentation is caused by territorial gains and losses, counter-intuitively territorial stalemate tends to promote rebel cohesion and is a critical basis for cooperation in war. As a rare effort to examine these issues in the context of the Horn…
I am fascinated by the relationship between people’s religious and political identities. As a kindergartner, I heard about the hunger strikers at our local Irish Center, I was taught anti-communist songs at my Catholic Ukrainian school, and I listened as my dad explained Cesar Chavez and the United Farm Workers as we passed by the grapes while grocery shopping. Catholicism was not something I saw as just happening inside the walls of a church. It was about how one related to the world and was part of a global community. Those early experiences inspired me to become a human rights lawyer and activist, and later, a U.S. foreign relations historian.
What persuaded a priest to join El Salvador’s largest guerilla organization, the FPL (Popular Liberation Forces)?
This biography explains the metamorphosis of “Padre David,” as he was known. The book also places his experience within the larger context of the role progressive priests and nuns played in helping the poor to realize their worth, which inspired many to then demand change in society. Because the state crushed all peaceful opposition, especially through violence, many Salvadorans concluded that the only way to work for change – and to simultaneously protect themselves – was to join an armed movement. Padre David was no different. He felt an added sense of responsibility because he trained catechists to work for change who were later killed because the state saw them as threats to the status quo.
David Rodriguez, or Padre David as he is known throughout El Salvador, is a diocesan priest who followed the Second Vatican Council's doctrinal mandate to advocate for the poor and oppressed. Along with other progressive clergy committed to liberation theology,Padre David helped drive forward the country's popular movement.
In the 1970s, Padre David joined the largest guerilla organization in El Salvador, the FPL (Popular Liberation Forces). At first, he supported the FPL clandestinely, helping to organize Christian Base Communities, autonomous religious groups dedicated to spreading liberationist ideas and to giving the Salvadoran poor a clear understanding of why their lives…
I am a disabled author and podcaster who loves fantasy, but wanted more out of the genre than the Eurocentric Lord of the Rings model. I grew up watching Aladdin, reading Egyptian mythology, and one of my most prized books is an illustrated Shahnameh. There are brilliant stories set in deserts and rainforests, with intense magic and danger, and I hope you’ll enjoy these as much as I do.
The Viper stalks at night. Esha the rebel’s highly trained assassin tasked with the murder of General Hotha and the undermining of King Vardaan’s rule. Kunal is an equally impressive soldier, the nephew of Hotha, and on the hunt for the Viper. When their paths cross, sparks fly, and loyalties are tested.
Y.A. is ahead of general fantasy for representation, both of BIPOC and LGBTQA*. The Tiger at Midnight is heavily inspired by Hindu mythology and Indian cultures, bringing an incredible setting to an excellent Y.A. story. And the cover is absolutely stunning.
The first book in an epic heart-pounding fantasy trilogy inspired by ancient Indian historyand Hindu mythology, perfect for fans of Sabaa Tahir and Renée Ahdieh.
* A Book Riot Most Anticipated Novel of 2019 * B&N Top 50 Most Anticipated Novels *
A broken bond. A dying land. A cat-and-mouse game that can only end in bloodshed.
Esha lost everything in the royal coup—and as the legendary rebel known as the Viper, she’s made the guilty pay. Now she’s been tasked with her most important mission to date: taking down the ruthless General Hotha.
I feel compelled to write political works when I see an injustice, violation, corruption, or travesty that needs to be addressed. It's possibly the result of my heritage as a citizen of a British-colonized country and the child of parents from a Christian-colonized slice of a continent. As a journalist, I experienced censure and censorship by editors who wished to maintain their held beliefs about certain people, races, issues, and subjects. As a novelist, I was rejected by mainstream publishers for writing deemed too political. However, I made a commitment as a writer not to change my words to appease publishers or editors because it made them uncomfortable.
As most Western media, from CNN on down, parroted the Bush administration’s talking points on the Iraq War, intellectually curious Americans turned to blogs written by Iraqis who gave first-person accounts of the war. I was riveted by the blogs of a 24-year-old Iraqi woman, an engineer, who posted under the pseudonym Riverbend, “I’m female, Iraqi, and 24. That’s all you need to know. It’s all that matters these days anyway,” she wrote in her first post on Aug. 17, 2003.
From 2003 to 2004, Riverbend wrote prolifically about life under American Occupation. The blogs were compiled into this book in 2005. Riverbend cataloged and chronicled life in wartime—a litany of rations of food, water, gas, and electricity; bombings, raids, and kidnappings; and the emotional and financial toll on her family as their ordinary middle-class lives were destroyed by the war.
Intelligent and opinionated, Riverbend gave a comprehensive testimony on…
As a series culmination, Sabaa Tahir drove to the end fearlessly and with great panache.
Though classified as YA, the issues Sabaa addressed were enlarged thanks to bypassing a “me-me-me” focus. Instead, she dug into the heart of injustice and gave her readers a ‘we-can-all-do-what’s-right ending. Beyond that, this chick can write!
Prepare for the jaw-dropping finale of Sabaa Tahir's beloved New York Times bestselling An Ember in the Ashes fantasy series, and discover: Who will survive the storm?
Picking up just a few months after A Reaper at the Gates left off...
The long-imprisoned jinn are on the attack, wreaking bloody havoc in villages and cities alike. But for the Nightbringer, vengeance on his human foes is just the beginning.
At his side, Commandant Keris Veturia declares herself Empress, and calls for the heads of any and all who defy her rule. At the top of the list? The Blood Shrike…
As a writer of murder mysteries, it goes without saying I’m a fan of whodunits. But I’m also a fan of horror stories and those tales that keep me turning pages and looking into the shadows. So in my newest book, I wanted to combine the two. That is, mixing scares and thrills with a whodunit and adding a big dose of Latino culture and characters. In a lot of my work, I write about the culture with which I grew up. I also love to tap into the Mexican myths and folk stories I heard as a kid then revamping and retelling them into something new.
Talk about nonstop. The final book in the Hunger Game series sends Katniss Everdeen on one thrilling and scary journey after another. Through war zones, as the rebels fight Capitol forces and right into the heart of the Capitol, above and below ground. She and her crew face not only human fighters but the horrific engineered mutts and traps. Emotionally, it’s no picnic either because her Hunger Games partner Peeta has been brainwashed to kill her. Then there’s all the political intrigue. Whew. I stayed up into the night to read this because the story wouldn’t let go of me.
The final book in the ground-breaking Hunger Games trilogy. Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it out of the bloody arena alive, she's still not safe.
The Capitol is angry. The Capitol wants revenge.
Who do they think should pay for the unrest? Katniss.
And what's worse, President Snow has made it clear that no one else is safe either. Not Katniss's family, not her friends, not the people of District 12.
now a major feature film starring Jennifer Lawrence, Josh Hutcherson & Liam Hemsworth
I'm a writer and filmmaker based in Cairo for over a decade. I was inspired to move to Egypt when I visited during the 2011 Revolution and fell in love with the vibrance of the city. Since then Cairo has changed and I have lived through an extraordinary history with some difficult times but always with a sense of curiosity for stories. My book, Cairo’s Ultras, began as a documentary film project in 2012 and I have found many other interesting topics during my time in this enigmatic and fascinating place. I will publish a second book next year, called Decolonising Images, that looks at the photographic heritage and visual culture of Egypt.
Marwan Kraidy’s book is a deep dive into the cultural politics of the Arab Uprisings during 2011. Wonderfully written and cleverly organized this academic book looks at the ‘digital’ nature of these resistance movements and the use of art and media tools in the protests. The focus is on young Arabs who used the street to challenge authority and cutting-edge social media platforms to argue for social change. In the book political activism and a period of digital euphoria meet when places like Tahrir Square became the centre of the world. This is one of the most essential accounts of 2011 that offers a refreshing take on Facebook and Twitter as revolutionary agents that helped to bring down the military regime.
Uprisings spread like wildfire across the Arab world from 2010 to 2012, fueled by a desire for popular sovereignty. In Tunisia, Egypt, and Syria, protesters flooded the streets and the media, voicing dissent through slogans, graffiti, puppetry, videos, and satire that called for the overthrow of dictatorial regimes. Investigating what drives people to risk everything to express themselves in rebellious art, The Naked Blogger of Cairo uncovers the creative insurgency at the heart of the Arab uprisings. While commentators have stressed the role of texting and Twitter, Marwan M. Kraidy shows that the essential medium of expression was the human…
I’ve always been fascinated by the razor-thin line between innovation and disaster—where progress often conceals a darker potential. As a Gen-Xer who grew up questioning authority, speculative fiction became my outlet for exploring these precarious themes. Now, as an author, I channel that curiosity into stories that push the boundaries of ethical ambition, forcing us to confront the unsettling truths behind our technological dreams. This list reflects my deep love for sci-fi thrillers that don’t just entertain but challenge us to examine the hidden costs of our relentless pursuit of progress.
This book didn’t just fascinate me; it shattered my understanding of utopia. Cronin’s Prospera seemed idyllic, but as I read, a gnawing unease grew. Like the protagonist, Proctor, I found myself grappling with the realization that perfection might come at a devastating cost.
The unraveling of Prospera’s facade forced me to reflect on the illusions we cling to in our own society. Cronin’s exploration of memory, loss, and the price of paradise stuck with me, making me ponder the lies we tell ourselves.
NEW YORK TIMES BESTSELLER • “Next to impossible to put down . . . exciting, mysterious, and totally satisfying.”—STEPHEN KING
From the New York Times bestselling author of The Passage comes a riveting standalone novel about a group of survivors on a hidden island utopia—where the truth isn't what it seems.
Founded by the mysterious genius known as the Designer, the archipelago of Prospera lies hidden from the horrors of a deteriorating outside world. In this island paradise, Prospera’s lucky citizens enjoy long, fulfilling lives until the monitors embedded in their forearms, meant to measure their physical health and psychological…
I'm a human rights activist from Burma. When I was 14, I was forced to flee to Thailand because of an attack by the Burmese military and ended up in a refugee camp. As one of Burma's leading democracy activists in Europe, I campaign for the promotion of human rights, democracy, and development back home in Burma. Together with my family, I set up Phan Foundation which aims to preserve Karen culture, promote human rights, fight poverty and provide education for Karen people. This is in memory of my mother Nant Kyin Shwe and my father Padoh Mahn Sha Lah Phan, who was assassinated by agents of the Burmese military.
I knew Saw Ralph and Naw Sheera when we were in Manerplaw, which used to be the headquarters of the Karen resistance, in Burma. As a little girl, I often followed my mother Nant Kyin Shwe to her workplace and remembered seeing Naw Sheera in the office of the Karen Women's Organisation. When I read her book, it reminds me of all the places and the people, and my beautiful childhood in, Kawthoolei, Burma.
Fifty Years in the Karen Revolution in Burma is about commitment to an ideal, individual survival and the universality of the human experience. A memoir of two tenacious souls, it sheds light on why Burma/Myanmar's decades-long pursuit for a peaceful and democratic future has been elusive. Simply put, the aspirations of Burma's ethnic nationalities for self-determination within a genuine federal union runs counter to the idea of a unitary state orchestrated and run by the dominant majority Burmans, or Bamar.
This seemingly intractable dilemma of opposing visions for Burma is personified in the story of Saw Ralph and Naw Sheera,…
