Here are 100 books that Amatka fans have personally recommended if you like
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I read almost any genre, but fantasy is what I love most, both reading and writing. Stories are magic, but when they have actual magic in them, I’m hooked. Having studied both Film and Creative Writing at university, I love to go in-depth on storytelling and have reviews aplenty on my website if you want further recommendations. The books I’ve chosen for this list have incredibly unique worlds full of bizarre magic. When I enter a new world, I want it to be exactly that: new and exciting with a touch of the surreal. To me, these books showcase magic at its most vivid and creative.
I very nearly stopped reading this book–even though it’s so short as it starts off unbelievably abstract. I didn’t know what was going on, and the descriptions only added to the confusion. But I’m so glad I kept going.
The main character does amnesia in the most charming way, and discovering his past and the strange world he seems both lost in and totally at home in was absolutely enchanting. This has stuck with me ever since, like the most vivid fever dream.
Winner of the 2021 Women's Prize for Fiction A SUNDAY TIMES & NEW YORK TIMES BESTSELLER
The spectacular new novel from the bestselling author of JONATHAN STRANGE & MR NORRELL, 'one of our greatest living authors' NEW YORK MAGAZINE __________________________________ Piranesi lives in the House. Perhaps he always has.
In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend,…
My name is Polly Schattel, and I’m a novelist, screenwriter, and film director. I wrote and directed the films Sinkhole, Alison, and Quiet River,and my written work includesThe Occultists, Shadowdays, and the novella 8:59:29.I grew up loving fantasy—Tolkien, Moorcock, Zelazny—but phased out of it somewhat when I discovered writers like Raymond Carver, EL Doctorow, and Denis Johnson. Their books seemed more adult and more complex, not to mention the prose itself was absolutely transporting. In comparison, the fantasy I’d read often felt quite rushed and thin, with get-it-done prose. I drifted away from genre fiction a bit, but dove back to it with my first novel, the historical dark fantasy The Occultists.
For a more traditional take on fantasy, Sofia Samatar’sA Stranger in Olondria is lovely and immersive, a fascinating new world worthy of Ursula Le Guin and Gene Wolfe.
Reportedly, she created Olondria from a combination of regions in Turkey and North Africa, and it feels absolutely fresh and instantly powerful. A teenage merchant becomes haunted by the ghost of a young girl and must find a way to put her to rest.
But the story is really about the power of books and stories and language itself. It’s a love letter to adventure and open seas, harbors, and alleys, and snowy mountains in the distance.
Ms. Samatar holds several advanced degrees in language and literature, including Arabic and various African dialects, and you can feel the joy of her verbal artistry dancing on the page.
Jevick, the pepper merchant's son, has been raised on stories of Olondria, a distant land where books are as common as they are rare in his home. When his father dies and Jevick takes his place on the yearly selling trip to Olondria, Jevick's life is as close to perfect as he can imagine. But just as he revels in Olondria's Rabelaisian Feast of Birds, he is pulled drastically off course and becomes haunted by the ghost of an illiterate young girl. In desperation, Jevick seeks the aid of Olondrian priests and quickly becomes a pawn in the struggle between…
I’m Vajra Chandrasekera, from Colombo, Sri Lanka. I’m a writer, and more importantly, a reader. My favourite kind of book is bigger on the inside, the kind that drops you into a world too big and too weird to really get a handle on, a world that’s strange in ways you feel you recognize, like how sometimes you wake up from a dream and think, I’ve dreamed about that place and those people before,but you can’t tell if you have, or whether you dreamed the memory, too. You read the book and look at the world and you ask yourself: Did I dream those people, that place? Or is this the dream?
Technically—very technically—this is the conclusion of a trilogy, but it’s more three standalone novels that have some things to say to, and about, each other.
The first book,The Iron Dragon’s Daughter, was hugely influential on me as a reader and writer, and on speculative fiction as a field. This one, two decades later, is the most direct about the mutual imbrication, the bidirectional haunting, between our world and theirs.
Swanwick’s Dragonbooks do indeed feature dragons, except the iron dragons are mechanical, warplanes bonded to their human pilots, in a version of Faerie that has fully integrated vile modernity and knows our souls all too well.
A 2020 LOCUS AWARD FINALIST AND KIRKUS BEST SCIENCE FICTION AND FANTASY OF 2019
Award-winning author Michael Swanwick returns to the gritty, post-industrial faerie world of his New York Times Notable Book The Iron Dragon’s Daughter with the standalone adventure fantasy The Iron Dragon’s Mother.
Caitlin of House Sans Merci is the young half-human pilot of a sentient mechanical dragon. Returning from her first soul-stealing raid, she discovers an unwanted hitchhiker.
When Caitlin is framed for the murder of her brother, to save herself she must disappear into Industrialized Faerie, looking for the one person who can clear her.
I’m Vajra Chandrasekera, from Colombo, Sri Lanka. I’m a writer, and more importantly, a reader. My favourite kind of book is bigger on the inside, the kind that drops you into a world too big and too weird to really get a handle on, a world that’s strange in ways you feel you recognize, like how sometimes you wake up from a dream and think, I’ve dreamed about that place and those people before,but you can’t tell if you have, or whether you dreamed the memory, too. You read the book and look at the world and you ask yourself: Did I dream those people, that place? Or is this the dream?
Death in Spring is a tiny book containing a bigger, more intricate world than many a doorstopper, for all that the whole story set in a small, nameless hamlet.
Life there too is made of strange, violent rituals, only not the ones we know. We follow a boy growing up and learning them, and being scarred by these mysteries—what do they fill the mouths of the dead with, before they are killed and put into a tree forever? (It’s cement.)
Rodoreda wrote in Catalan, and Tennent’s translation is fluid and beautiful.
Perfection is a rare thing; if you want to see what that looks like, here you go.
Considered by many to be the grand achievement of her later period, Death in Spring is one of Mercè Rodoreda's most complex and beautifully constructed works. The novel tells the story of the bizarre and destructive customs of a nameless town—burying the dead in trees after filling their mouths with cement to prevent their soul from escaping, or sending a man to swim in the river that courses underneath the town to discover if they will be washed away by a flood—through the eyes of a fourteen-year-old boy who must come to terms with the rhyme and reason of this…
I believe comics are one of the very best storytelling mediums for stories with big imagination. Prose and film are amazing, but comics have artwork for every single moment of the story, artwork not bound by space, time, or budget. I’ve written and drawn 5 graphic novels published in 11 different languages. I’ve dedicated my entire life to the pursuit of imagination. The books I’ve recommended have given me endless enjoyment and inspiration, I hope they can do the same for you too.
In a post-apocalyptic world run by an oppressive American empire, we find Little Bird hiding in a hole. Though her mother was a great leader of the rebellion, Little Bird has found herself very lost, in a very cruel world - and she just might be the last chance that the freethinking people of the Western world have.
I love that this story takes familiar forces and fears of our modern life and cranks them up to eleven. With that in mind, the star of the show must be Ian Bertram’s artwork. All the huge ideas and themes created by Darcy are elevated to a startling degree by the way Ian is able to build this world visually. The iconography, the violence, the characterizations, it slaps you in the face page after page.
With the limitless scope of Star Wars and EAST OF WEST
paired with the sociopolitical explorations of A Handmaid's Tale and MONSTRESS,
LITTLE BIRD tells the story of a young resistance fighter battling against an
oppressive American Empire while searching for her own identity in a world on
fire. A gorgeously illustrated epic from Award-winning filmmaker DARCY VAN
POELGEEST and Angouleme-nominated artist IAN BERTRAM in which one girl
risks everything to save her people, their land, and the freedom they so
desperately deserve.
I’ve always been fascinated by the razor-thin line between innovation and disaster—where progress often conceals a darker potential. As a Gen-Xer who grew up questioning authority, speculative fiction became my outlet for exploring these precarious themes. Now, as an author, I channel that curiosity into stories that push the boundaries of ethical ambition, forcing us to confront the unsettling truths behind our technological dreams. This list reflects my deep love for sci-fi thrillers that don’t just entertain but challenge us to examine the hidden costs of our relentless pursuit of progress.
This book didn’t just fascinate me; it shattered my understanding of utopia. Cronin’s Prospera seemed idyllic, but as I read, a gnawing unease grew. Like the protagonist, Proctor, I found myself grappling with the realization that perfection might come at a devastating cost.
The unraveling of Prospera’s facade forced me to reflect on the illusions we cling to in our own society. Cronin’s exploration of memory, loss, and the price of paradise stuck with me, making me ponder the lies we tell ourselves.
NEW YORK TIMES BESTSELLER • “Next to impossible to put down . . . exciting, mysterious, and totally satisfying.”—STEPHEN KING
From the New York Times bestselling author of The Passage comes a riveting standalone novel about a group of survivors on a hidden island utopia—where the truth isn't what it seems.
Founded by the mysterious genius known as the Designer, the archipelago of Prospera lies hidden from the horrors of a deteriorating outside world. In this island paradise, Prospera’s lucky citizens enjoy long, fulfilling lives until the monitors embedded in their forearms, meant to measure their physical health and psychological…
My passion for Mexican and military history came from many sources. Wandering in my 20s in Europe and Asia honed my appreciation for the historical experience. Good friends in the Canadian military made me curious about the odd rituals and strange subcultures they inhabited. As I moved from Calgary to Vancouver to Tucson I devolved from degree to degree, studying deviance, military history, Mexican culture, and finally finishing a dissertation that combined these elements into one work. And now I happily get to inflict all of this history on my students in California.
This is a great book written by an accomplished scholar later in his career and confident in his research and writing. Telling the tale of the uprising, and crushing, of Tomochic village, Vanderwood zooms into the smaller details of village life and pans out to nation-level decisions with remarkable panache. In a highly enjoyable way, he brings the reader into the action without omitting the broader historical relevance. The reader may enter this for the critique of the dictator’s late nineteenth-century armies, but they will keep reading to find the fate of the unfortunate “town son of a bitch.”
In the early 1890's, an armed rebellion fueled by religious fervor erupted over a wide area of northwestern Mexico. At the center of the outburst were a few hundred farmers from the village of Tomochic and a teenage folk saint named Teresa, who was ministering to thousands of people throughout the area. When the villagers proclaimed, "We will obey no one but God!," the Mexican government exiled "Santa Teresa" to the United States and trained its guns and bayonets on the farmers. A bloody confrontation ensued-God against government-that is still remembered in song, literature, films, and civic celebrations.
One of the questions that I’m constantly asked by other authors is how do you make characters memorable in a genre that has done it all? My criteria are twofold–the characters need to be flawed and relatable; no one can truly relate to Superman. Secondly, I believe there is strength in a group. When I write with a diverse group of characters with their own personalities, the characters tell the story for me. I find that if I can emphasize and start having fun like I’m part of the group, I become enthralled with the novel. I am passionate about characters and letting them breathe and feel real.
I think some of the strongest and most compelling stories can be told in video game RPGs, and I consistently refer to this one as having some of the best characters. I read this novel after playing the game, and I loved being able to learn more about Loghain.
In this book, he is lorded as a powerful figure, and he affects major parts of the story. I loved exploring his backstory and seeing his character evolve and grow into how he is in the game. I also enjoyed connecting the pieces of his personality to the plot of the novel. The author captured the formula of creating “real,” flawed characters from the game and translated it excellently into prose.
This is the thrilling prequel to "Dragon Age: Origins", the hit role-playing video game from award-winning developer BioWare! After his mother, the beloved Rebel Queen, is betrayed and murdered by her own faithless lords, young Maric becomes the leader of a rebel army attempting to free his nation from the control of a foreign tyrant. His countrymen live in fear; his commanders consider him untested; and his only allies are Loghain, a brash young outlaw who saved his life, and Rowan, the beautiful warrior maiden promised to him since birth. Surrounded by spies and traitors, Maric must find a way…
I'm a writer and filmmaker based in Cairo for over a decade. I was inspired to move to Egypt when I visited during the 2011 Revolution and fell in love with the vibrance of the city. Since then Cairo has changed and I have lived through an extraordinary history with some difficult times but always with a sense of curiosity for stories. My book, Cairo’s Ultras, began as a documentary film project in 2012 and I have found many other interesting topics during my time in this enigmatic and fascinating place. I will publish a second book next year, called Decolonising Images, that looks at the photographic heritage and visual culture of Egypt.
Marwan Kraidy’s book is a deep dive into the cultural politics of the Arab Uprisings during 2011. Wonderfully written and cleverly organized this academic book looks at the ‘digital’ nature of these resistance movements and the use of art and media tools in the protests. The focus is on young Arabs who used the street to challenge authority and cutting-edge social media platforms to argue for social change. In the book political activism and a period of digital euphoria meet when places like Tahrir Square became the centre of the world. This is one of the most essential accounts of 2011 that offers a refreshing take on Facebook and Twitter as revolutionary agents that helped to bring down the military regime.
Uprisings spread like wildfire across the Arab world from 2010 to 2012, fueled by a desire for popular sovereignty. In Tunisia, Egypt, and Syria, protesters flooded the streets and the media, voicing dissent through slogans, graffiti, puppetry, videos, and satire that called for the overthrow of dictatorial regimes. Investigating what drives people to risk everything to express themselves in rebellious art, The Naked Blogger of Cairo uncovers the creative insurgency at the heart of the Arab uprisings. While commentators have stressed the role of texting and Twitter, Marwan M. Kraidy shows that the essential medium of expression was the human…
I am fascinated by the relationship between people’s religious and political identities. As a kindergartner, I heard about the hunger strikers at our local Irish Center, I was taught anti-communist songs at my Catholic Ukrainian school, and I listened as my dad explained Cesar Chavez and the United Farm Workers as we passed by the grapes while grocery shopping. Catholicism was not something I saw as just happening inside the walls of a church. It was about how one related to the world and was part of a global community. Those early experiences inspired me to become a human rights lawyer and activist, and later, a U.S. foreign relations historian.
What persuaded a priest to join El Salvador’s largest guerilla organization, the FPL (Popular Liberation Forces)?
This biography explains the metamorphosis of “Padre David,” as he was known. The book also places his experience within the larger context of the role progressive priests and nuns played in helping the poor to realize their worth, which inspired many to then demand change in society. Because the state crushed all peaceful opposition, especially through violence, many Salvadorans concluded that the only way to work for change – and to simultaneously protect themselves – was to join an armed movement. Padre David was no different. He felt an added sense of responsibility because he trained catechists to work for change who were later killed because the state saw them as threats to the status quo.
David Rodriguez, or Padre David as he is known throughout El Salvador, is a diocesan priest who followed the Second Vatican Council's doctrinal mandate to advocate for the poor and oppressed. Along with other progressive clergy committed to liberation theology,Padre David helped drive forward the country's popular movement.
In the 1970s, Padre David joined the largest guerilla organization in El Salvador, the FPL (Popular Liberation Forces). At first, he supported the FPL clandestinely, helping to organize Christian Base Communities, autonomous religious groups dedicated to spreading liberationist ideas and to giving the Salvadoran poor a clear understanding of why their lives…
