Fans pick 100 books like Piranesi

City of Thieves occupies the top shelf in my library. Why? Is it because now I’m watching the people of Ukraine battle a merciless enemy or because David Benioff has packed a tale that swings between unlikely comrades, a tender courtship, and the Nazis’ siege of Leningrad in WWII? Maybe both answers. But I read this book years ago. The deep humanity of the story is also a thriller that made me laugh and shudder through its short length of 258 pages. It doesn’t hurt that Benioff is a gifted screenwriter, too.

What I appreciate most about David Mitchell’s novel is how he grounds the history in scenes full of well-developed characters. So, for example, we don’t begin the novel with a long note about the historical period or the lineage of the ruling class, but rather with the urgency of childbirth gone wrong in the house of a concubine in Nagasaki in 1799.

It’s from this rootedness in the sense-based that we move into a wider exploration of both geopolitics and the magical, which I absolutely fell in love with—this sense that there is an element of the supernatural at play in this otherwise very realistic historical world.

This is a must-read for me to understand the archetypes inherent to women. I have not only read it but also reread it and studied it with other women. 

I love anything wild, and so does Dr. Estés. She believes that within every woman, there lives a powerful force filled with good instincts, passionate creativity, and ageless knowing. The wild is instinctual and endangered. Civilization demands women become rigid in roles contrary to the life-giving messages of our own souls. I have always believed this, and this book reinforces my beliefs.

Dr. Clarissa Pinkola Estés uses mythology, fairy tales, folk tales, and stories to assist the reconnection to our wild nature. Her interpretations are so rich, just reading the forward from time to time makes me weep with recognition of truth.

This has very strong and life-giving implications for me as a writer, but it truly is an astounding book… show more.

Haunting and beautiful, it gave me a new perspective on what science fiction can accomplish: Ishiguro’s book is subtle, humane, and deeply concerned with the troubles of the real world.

This story of Klara, an “artificial friend” purchased to keep a sick little girl company, takes up questions of eugenics, artificial intelligence, and, ultimately, what it means to be a human being.

Along the way, the book explores the gulf between economic and social classes with as much care and compassion as Charles Dickens or Thomas Hardy—Klara and the Sun is some of the most inspiring science fiction I have ever read.

I cannot forget this book, even though, at times, I am desperate to do so. Ishiguro, one of my chosen authors and winner of the Nobel Prize for Literature is beyond masterful in the unique way he portrays quotidian events before a horror that is almost theatrical in its grotesquerie.

I was deeply disturbed while reading it, yet I could not put it down. Years later, I continue to find it a source of disquiet regarding where our culture/society is going and how we must stop a very particular trend. The trend is increasingly toward science and technology that utterly and completely disregards human feelings, individual rights, and the spiritual qualities of all sentient beings.

It’s simply an unforgettable story about something unfolding in an all-too-real fashion out here in the world outside the author’s mind.

I fell in love with Katniss from the very beginning. I was the oldest daughter in a single-parent family and had to take over and care for my younger sisters a lot of times because my father was dysfunctional. So I get it. The whole concept is horrifying to me—children forced to kill each other—but following along as Katniss manages to defeat the fate waiting for her inspired me.

I related to how she did most of it on her own, seeing as she had been let down by her mother, her country, and, later, those she thought were friends. Trust is so important and valuable for young people to have, and so easy to destroy.

Irreverent, hilarious, and surprisingly touching, this book is Terry Prachett at his best—the rapier-sharp wit, the brilliant satire, and, my favorite of all, the moments where his characters are shoved up against questions of morality and the choice whether to give in to ugliness and hopelessness or to hold onto a hardscrabble optimism.

Cynical, jaded Sam Vines may be one of my favorite examples of a character who stubbornly refuses to give up on believing that while the world might never be perfect, just maybe, if enough imperfect, barely-holding-themselves-together people try hard enough, it can be a little better than it was.

This book, the fifth book in C.S. Lewis’s Narnia series, takes us on a voyage on the ship, Dawn Treader, to the end of the world (which is not an end at all but a new beginning for one of the characters in the tale). The descriptions, especially those of the ocean near the edge of the world, had an effect on me that I would call quietly ecstatic.

Lewis is such a careful, clear, and spare writer that the words act on the heartstrings without notice. I thought while reading this book, “Oh, I have just been to the most beautiful place; I will never be the same.”

The world in Chalice isn’t flat. Or spherical. Or any particular shape. This is a world of little bubble domains embedded in surrounding chaos and the story is all about protecting one of those domains. This book is like a dream. It’s slow and graceful and, well, dreamy. I like the bees. And the honey. I’m not especially fond of honey in the real world, but I love the honey in this story. Some stories are instant “comfort reads". Chalice is one of those. It’s like wrapping up in a fuzzy robe in front of a fire with a mug of hot chocolate. If you’re in the mood for a warm story, beautifully told, you could hardly do better.

The Pyramids of London has the most ornate, baroque alternative-history setting of any novel in the entire history of fantasy novels. Seriously. To start with, every kind of mythology is true in whatever region that mythology developed. Also, the pharaohs of Egypt have been vampires for thousands of years. Plus, when they die, vampires might become stars. Which are also gods. Plus France is ruled by the Fae. At night, when the Fae Court of the Moon arises in Paris, gravity suddenly drops dramatically.

Insert a murder mystery into this wildly ornate setting, plus fully realized characters you both believe in and root for, and off you go, on a fantastic journey through a world that is like nothing you’ve ever seen before.