Here are 100 books that City of Thieves fans have personally recommended if you like
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My reading is almost entirely influenced by my own family’s extraordinary history. My mother and father-in-law were both illegitimate. Both suffered for the fact and my father-in-law was 11 years old when he first found out and was reunited with his mother, albeit on a second-class basis compared to his half siblings. My mother trained bomb aimers. My father flew Lancaster bombers and was just 19 years old in the skies above wartime Berlin. My own books combine history, my personal experiences, and my family’s past to weave wartime stories exploring the strains that those conflicts imposed on friendships.
An abiding theme within my own book is that love and friendship can supplant racial and cultural differences, and this book, set in a village in France during the 2nd World War, highlights a growing and reluctant friendship between an occupier and the occupied.
The hatred that invasion induces causes any fraternisation to be labelled ‘collaboration.’ Sometimes it is. Sometimes, it is just people caught out of context seeking comfort and normality.
It is easy for those whose countries have never been occupied to scoff at the behaviour of those who had to live in the atmosphere and the reality of a hostile invasion. Let’s hope we never have to find out firsthand.
In 1941, Irene Nemirovsky sat down to write a book that would convey the magnitude of what she was living through, not in terms of battles and politicians, but by evoking the domestic lives and personal trials of the ordinary citizens of France. She did not live to see her ambition fulfilled, or to know that sixty-five years later, "Suite Francaise" would be published for the first time, and hailed as a masterpiece. Set during a year that begins with France's fall to the Nazis in June 1940 and ends with Germany turning its attention to Russia, "Suite Francaise" falls…
Let me tell you a story. Once upon a time, there was a young boy who made model airplanes and hung them on his bedroom ceiling with fishing lines and thumbtacks as if the planes were dogfighting. The aircraft were inspired by a movie called The Battle of Britain and were the same Messerschmitts, Spitfires, and Hurricanes. The boy grew up and began writing books for a living, making it his mission to help people love history as much as he did. One day, it dawned on him to write about his long-ago planes and their epic battle. I am that boy, and that's when I wrote my book.
I love well-researched fiction that reads like history. I love this book enough that I’ve read it twice. I keep it in a special section of my library reserved for books that I will never give away or loan to friends for fear of never getting them back.
I love that this book inspires me to write fiction, something I ought to get cracking on now that I’ve written almost thirty history books. I love the characters, I love that I can’t put them down (even when I know what is next), and I love revisiting my time with the good guys and bad guys as the story reveals itself.
WINNER OF THE 2015 PULITZER PRIZE FOR FICTION NATIONAL BOOK AWARD FINALIST NEW YORK TIMES BESTSELLER WINNER OF THE CARNEGIE MEDAL FOR FICTION
A beautiful, stunningly ambitious novel about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II
Open your eyes and see what you can with them before they close forever.'
For Marie-Laure, blind since the age of six, the world is full of mazes. The miniature of a Paris neighbourhood, made by her father to teach her the way home. The microscopic…
I’m fascinated by houses and the memories that haunt them. I grew up on a private estate in rural England where my father worked. When I was little I knew a witch. She rode a bicycle, not a broomstick: she cured my warts. The trees I played under were planted when the big house belonged to the 17th-century statesman and historian, Lord Clarendon. I knew storytellers who performed in the local pubs – part of an oral tradition that goes back millennia. I moved to London, but I kept thinking about those rural enclaves where memories are very long. I set my novel in that beautiful, ghost-ridden, peculiar world.
Set in Czechoslovakia in the 1930s, this story of a newly-married couple overseeing the construction of their dream home is as clean-cut, luminous and full of hints of fragility as the building itself – a modernist cube of glass. The husband is rich, the wife excited by her new role as patron. Their architect - a sharply observed portrayal of a tetchy artist who will insist on sticking to his vision regardless of his clients’ doubts – wants to make them a masterpiece, and he does. But the husband is Jewish. We are in the 1930s. Glass walls are not going to keep them safe.
In lucid, elegant prose Mawer conjures up central European culture in those edgy, febrile years when artistic and intellectual energy were so vital, and politics were so deadly.
The inspiration for the major motion picture The Affair, now available on demand.
Cool. Balanced. Modern. The precisions of science, the wild variance of lust, the catharsis of confession and the fear of failure - these are things that happen in the Glass Room.
High on a Czechoslovak hill, the Landauer House shines as a wonder of steel and glass and onyx built specially for newlyweds Viktor and Liesel Landauer, a Jew married to a gentile. But the radiant honesty of 1930 that the house, with its unique Glass Room, seems to engender quickly tarnishes…
I’m the author of seven published novels and a recently retired English professor. I was the founder and director of the Fairfield University MFA program. My latest novel is called Lebensborn and is set in Germany near the end of World War II. The novel concerns a little-known project hatched by Heinrich Himmler called Lebensborn (“the fount of life”). Concerned about Germany’s falling birth rate, Himmler began the program in 1935 hoping to encourage unwed mothers not to have abortions but to give birth to their babies at Nazi-run homes and then to give their babies up for adoption to “pure Aryan” officers. Lebensborn follows the story of Renate Dressler, a young German girl who falls in love with an SS officer.
What I appreciate about Hunter's novel is that it takes a new approach to the subject of the Holocaust. With the outbreak of WWII, the Kurcs, a Polish-Jewish family, find themselves driven into another diaspora, with their family members cast to the four corners of the globe. Hunter touches on the plight of Poland during the early years of the war when the country was torn asunder by Germany from the west and the Soviet Union from the east. The plot follows the various family members as they struggle to survive the Holocaust in Poland, in Stalin's Gulag, and as one member tries to flee to South America. A big, sprawling, family epic filled with tragedy and humanity, brutality and heroism.
The New York Times bestseller with more than 1 million copies sold worldwide
Inspired by the incredible true story of one Jewish family separated at the start of World War II, determined to survive-and to reunite-We Were the Lucky Ones is a tribute to the triumph of hope and love against all odds.
"Love in the face of global adversity? It couldn't be more timely." -Glamour
It is the spring of 1939 and three generations of the Kurc family are doing their best to live normal lives, even as the shadow of war grows closer. The talk around the family…
As a refugee myself, I was attracted to read about the lives and experiences of other refugees, not merely those from my own community or background, but especially those from other backgrounds–which is probably reflected in the books that I’ve chosen for my list.
I found myself involved with the characters and came to care for them. Moreover, I was struck by the author's desire to inspire readers to encourage discussion of Afghanistan and so keep the nation in the wider public consciousness.
The book certainly did that for me and is unforgettable, even though I read it over 20 years ago! It brought me alive and helped me understand issues facing those in Afghanistan and in my own community of Sindhis from my country of origin, Pakistan (formerly British India when my family had to flee following the partition of British India in 1947).
Afghanistan, 1975: Twelve-year-old Amir is desperate to win the local kite-fighting tournament and his loyal friend Hassan promises to help him. But neither of the boys can foresee what will happen to Hassan that afternoon, an event that is to shatter their lives. After the Russians invade and the family is forced to flee to America, Amir realises that one day he must return to Afghanistan under Taliban rule to find the one thing that his new world cannot grant him: redemption.
I read almost any genre, but fantasy is what I love most, both reading and writing. Stories are magic, but when they have actual magic in them, I’m hooked. Having studied both Film and Creative Writing at university, I love to go in-depth on storytelling and have reviews aplenty on my website if you want further recommendations. The books I’ve chosen for this list have incredibly unique worlds full of bizarre magic. When I enter a new world, I want it to be exactly that: new and exciting with a touch of the surreal. To me, these books showcase magic at its most vivid and creative.
I very nearly stopped reading this book–even though it’s so short as it starts off unbelievably abstract. I didn’t know what was going on, and the descriptions only added to the confusion. But I’m so glad I kept going.
The main character does amnesia in the most charming way, and discovering his past and the strange world he seems both lost in and totally at home in was absolutely enchanting. This has stuck with me ever since, like the most vivid fever dream.
Winner of the 2021 Women's Prize for Fiction A SUNDAY TIMES & NEW YORK TIMES BESTSELLER
The spectacular new novel from the bestselling author of JONATHAN STRANGE & MR NORRELL, 'one of our greatest living authors' NEW YORK MAGAZINE __________________________________ Piranesi lives in the House. Perhaps he always has.
In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend,…
Ever since I was a kid, as the grandson of Italian immigrant farmers and the son of a Polish-immigrant father, I wondered how my family fit into the American story. As I grew older, I learned that the American story could not be limited to a single race, a single religion, or even a single generation. Rather, the essence of any culture lies in the story that gets passed down from one generation to the next. That is where my passion lies: tapping into the essence of multiple cultures by tracing the multigenerational family wisdom that is often imparted quietly, humbly, and painfully, which makes it durable, meaningful, and indelible.
An outpouring of kindness for families despite their flaws—or because of their flaws.
I miss the Hamiltons and Trasks because of the forgiving portrayal of their human limitations. One tragedy involving a brother and sister left a lasting impression on me precisely because of its gentle, restrained depiction, as if the tragedy were being viewed from the seat of heaven, with an infinite and eternal compassion.
California's fertile Salinas Valley is home to two families whose destinies are fruitfully, and fatally, intertwined. Over the generations, between the beginning of the twentieth century and the end of the First World War, the Trasks and the Hamiltons will helplessly replay the fall of Adam and Eve and the murderous rivalry of Cain and Abel.
East of Eden was considered by Steinbeck to be his magnum opus, and its epic scope and memorable characters, exploring universal themes of love and identity, ensure it remains one of America's most enduring novels. This edition features a stunning new cover by renowned…
I’m a debut novelist who loves a good family drama. I’m a fiction professor at the University of Memphis, where I teach a course on the dysfunctional family novel featuring books on this list. I’m also an atheist, a bisexual, and a father to a one-year-old—all of which influenced my book. In addition to the novel, I’ve written a story collection called Quantum Convention. My stories have aired on Public Radio International’s Selected Shorts and appeared in American Short Fiction, Gulf Coast, and Electric Literature, among other journals. I also have a new essay up at Lit Hub about channeling my bisexuality through queer characters.
When it comes to family sagas turned myth, it’s hard to top Calliope Stephanides tracing the passage of the hermaphroditic gene—transforming Callie into Cal—through three generations of the Greek-American Stephanides family.
An epic origin story that moves from Asia Minor to Detroit, Michigan, complete with incest and a nuanced exploration of gender identity. It also has one of my all-time favorite novel openings ever. “Sing now, O Muse, of the recessive mutation on my fifth chromosome!”
'I was born twice: first, as a baby girl, on a remarkably smogless Detroit day of January 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of l974.'
So begins the breathtaking story of Calliope Stephanides and her truly unique family secret, born on the slopes of Mount Olympus and passed on through three generations.
Growing up in 70s Michigan, Calliope's special inheritance will turn her into Cal, the narrator of this intersex, inter-generational epic of immigrant life in 20th century America.
Middlesex won the 2003 Pulitzer Prize for Fiction.
Even though I have not lived in the Midwest for fifty years, I remain a Midwesterner. It is in how I speak (adding an “r” to wash), what I like to eat (Cincinnati chili), and explains my favorite smell (the inside of a barn). Both as a reader and writer, I want to know where the story is “from.” What does this place look like? Smell like? What is the cadence of the characters’ speech? All this translates into an immersive experience and that is something I look for both in a book I pick up and in one I write.
Hazel Micaellef, 62, a police officer in a small town in Ontario, is divorced, overweight, has back problems, and drinks too much. I am from a small town and divorced. Liquor is not my vice. I am, however, completely at home in the fictional and slightly seedy Port Dumas where locals have long memories. When human bones are found on land that formerly housed orphans, many of the town’s ugly secrets bubble up.The plot is complex and the setting immersive. I would not necessarily want to live in a place like Port Dumas…but I have.
The new novel in this acclaimed series is brilliantly paced, addictively suspenseful—the author's best yet. Hazel Micallef (played by Susan Sarandon in the recent film of the series' debut, The Calling) has become one of crime writing's most memorable detectives. The Night Bell moves between the past and the present in Port Dundas, Ontario, as two mysteries converge. A discovery of the bones of murdered children is made on land that was once a county foster home. Now it's being developed as a brand new subdivision whose first residents are already railing against broken promises and corruption. But when three…
Having taken up the brush myself, I can attest to some sort of mystical, out-of-body experience that sometimes surfaces as an artist creates. Emotions and senses become directly connected to one’s hands, releasing the unconscious, allowing the artist to bring something to life that was buried deep inside. My favorite class in art school was Aesthetics, which explored the philosophy of art – what possessed the artist to paint – and what passions and beliefs were behind some of the art movements, including Surrealism, Dadaism, and Futurism. Books that delve into the craft and passion behind great works of art are my favorite reads.
This is the last Bernie Gunther novel, in a series that is über noir, and whose protagonist is a police detective who is a member of the SS in Nazi Germany.
In Metropolis, Gunther learns that murder has become the subject of an art movement, Lustmord, or “lust murders” which focused on the brutal, sexual-tinged serial killings of women and prostitutes in 1930s Berlin.
A scene in the book of a famous German expressionist sketching a murder victim in the morgue is all the more chilling, since I know it to be true. I’ve been fascinated with the art movements of this era, and have seen the exhibits of Lustmordpaintings, which are still in museums today.
"[Metropolis is] a perfect goodbye--and first hello--to its hero...Bernie Gunther has, at last, come home."--Washington Post
New York Times-bestselling author Philip Kerr treats readers to his beloved hero's origins, exploring Bernie Gunther's first weeks on Berlin's Murder Squad.
Summer, 1928. Berlin, a city where nothing is verboten.
In the night streets, political gangs wander, looking for fights. Daylight reveals a beleaguered populace barely recovering from the postwar inflation, often jobless, reeling from the reparations imposed by the victors. At central police HQ, the Murder Commission has its hands full. A killer is on the loose and though he scatters many…
