Here are 89 books that A Stranger in Olondria fans have personally recommended if you like
A Stranger in Olondria.
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I read almost any genre, but fantasy is what I love most, both reading and writing. Stories are magic, but when they have actual magic in them, I’m hooked. Having studied both Film and Creative Writing at university, I love to go in-depth on storytelling and have reviews aplenty on my website if you want further recommendations. The books I’ve chosen for this list have incredibly unique worlds full of bizarre magic. When I enter a new world, I want it to be exactly that: new and exciting with a touch of the surreal. To me, these books showcase magic at its most vivid and creative.
I very nearly stopped reading this book–even though it’s so short as it starts off unbelievably abstract. I didn’t know what was going on, and the descriptions only added to the confusion. But I’m so glad I kept going.
The main character does amnesia in the most charming way, and discovering his past and the strange world he seems both lost in and totally at home in was absolutely enchanting. This has stuck with me ever since, like the most vivid fever dream.
Winner of the 2021 Women's Prize for Fiction A SUNDAY TIMES & NEW YORK TIMES BESTSELLER
The spectacular new novel from the bestselling author of JONATHAN STRANGE & MR NORRELL, 'one of our greatest living authors' NEW YORK MAGAZINE __________________________________ Piranesi lives in the House. Perhaps he always has.
In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend,…
I’m a writer and also a history nerd. I love historical fiction—learning about the past through a story just makes the world come alive in a way that non-fiction doesn’t. As I child, I was entranced by middle-grade historical novels like The True Confessions of Charlotte Doyle and The Shakespeare Stealer. But I also love fantasy novels and how they use magic to make the truths of our world bigger and bolder, turning the elephant in the room into a dragon that can’t be ignored. Mixing history and fantasy together is my book version of peanut butter and chocolate.
Like a lot of people, I read The Great Gatsby in high school. I really loved it, which is why I was thrilled when one of my favorite authors did her own fantasy re-imaging of this classic.
The Chosen and the Beautiful is set in an alternate universe where magic flows as easily as champagne. It centers on Jordan Baker, a side character in the original book, and reimagines her as a Vietnamese orphan who was adopted as a baby into a wealthy white family.
I loved how this book managed to take a classic and cast it in a totally new light: it makes you think about who and what gets left out of the history books.
An Instant National Bestseller! An Indie Next Pick!
A Most Anticipated in 2021 Pick for Oprah Magazine | USA Today | Buzzfeed | Greatist | BookPage | PopSugar | Bustle | The Nerd Daily | Goodreads | Literary Hub | Ms. Magazine | Library Journal | Culturess | Book Riot | Parade Magazine | Kirkus | The Week | Book Bub | OverDrive | The Portalist | Publishers Weekly
A Best of Summer Pick for TIME Magazine | CNN | Book Riot | The Daily Beast | Lambda Literary | The Milwaukee Journal Sentinel | Goodreads | Bustle | Veranda…
My name is Polly Schattel, and I’m a novelist, screenwriter, and film director. I wrote and directed the films Sinkhole, Alison, and Quiet River,and my written work includesThe Occultists, Shadowdays, and the novella 8:59:29.I grew up loving fantasy—Tolkien, Moorcock, Zelazny—but phased out of it somewhat when I discovered writers like Raymond Carver, EL Doctorow, and Denis Johnson. Their books seemed more adult and more complex, not to mention the prose itself was absolutely transporting. In comparison, the fantasy I’d read often felt quite rushed and thin, with get-it-done prose. I drifted away from genre fiction a bit, but dove back to it with my first novel, the historical dark fantasy The Occultists.
Mythago Wood is the kind of book that pulls you in and settles you down for a great, blanket-comfy, rainy-day read.
Concerning Ryhope Wood, an ancient, primeval forest in England that seems bigger the deeper in you go, it explores human psychology, both personal and collective, particularly the ideas of Carl Jung.
The forest somehow uses human psychology to create “mythagos,” complex unconscious creations built upon human memories and myths, and our hero Stephen Huxley is compelled to learn the secrets of the wood, whether or not he makes it back out alive.
As psychologically astute as it is thrilling, Holdstock’s book won the World Fantasy Award in 1985 and launched a successful series of fantasies that’s even more widely respected today.
Deep within the wildwood lies a place of myth and mystery, from which few return, and of those few, none remain unchanged.
Ryhope Wood may look like a three-mile-square fenced-in wood in rural Herefordshire on the outside, but inside, it is a primeval, intricate labyrinth of trees, impossibly huge, unforgettable ... and stronger than time itself.
Stephen Huxley has already lost his father to the mysteries of Ryhope Wood. On his return from the Second World War, he finds his brother, Christopher, is also in thrall to the mysterious wood, wherein lies a realm where mythic archetypes grow flesh and…
Growing up in Los Angeles, I am well familiar with strange, grotesque, illogical, and wonderful cities. My love of fantasy has always been for the odd ones out, less the bucolic farmlands and forest, more for those that present a twisted mirror of modern urban life. As an amateur lover of history, I love to study the evolution, mutation, and decay of cities. I find most interesting cities, in both real life and fantasy, to be those shaped by not one single culture, but by many over history and space.
If dragons and elves are the mainstays of traditional fantasy, then mushrooms and squids are the mainstays of weird fantasy. And there’s no city with more squids or mushrooms than Vandermeer’s Ambergris. A haphazard port town infested by fungi and built on ancient ruins holding dark secrets, there’s nothing quite like Ambergris.
What I love so much about Vandermeer’s trilogy is that the city evolves and changes. City of Saints and Madmen is an excellent short story collection that introduces the setting in peacetime, and by the end of Finch it has seen so much conflict and upheaval that Ambergris evolves into a completely different and yet equally fascinating city.
From the author of Annihilation, now a major motion picture on Netflix.
From Jeff VanderMeer, an author praised by writers such as Laren Beukes, China Mieville and Michael Moorcock, City of Saints and Madmen is by turns sensuous and terrifying. This collection of four linked novellas is the perfect introduction to VanderMeer's vividly imagined world.
In the city of Ambergris, a would-be suitor discovers a sunlit street can become a killing ground in the blink of an eye. An artist receives an invitation to a beheading and finds himself enchanted. And a patient in a mental institution is convinced he's…
I absolutely love reading representations of strong, powerful women. And while it’s always fun if they’re kick-ass warriors who can take down an army all on their own, strength doesn’t always have to be in combat. Depictions of emotional strength, resilience, and/or compassion can be wonderful elements of strength too. But don’t discount the ‘grey’ women protagonists, either, the mercenary, callous, and/or ruthless characters with only a touch of softness. All these nuances make female characters strong and I love to see any and all of them in my fantasy protagonists. It's why I write so many of them!
I adore Ead!! Unsurprisingly, that's why I’m including this book in my recommendations. One of three central characters (including my second favourite in this book – Sabran), Ead won me over because she’s just fantastically capable, but not showy about it at all. She’s the kind of person you’d love to have at your side through thick and thin.
I got a little bit of a Robin Hobb vibe from this book which also made it a winner for me because I love all of Hobb’s work. This is a monster of a book (and it’s a standalone), but the pacing moves quite quickly despite the length and I never got stuck or felt like it bogged down in too much detail. The world building is fantastic and brings the story to life.
Get ready for Samantha Shannon's new novel, A Day of Fallen Night, coming in February 2023!
The New York Times bestselling "epic feminist fantasy perfect for fans of Game of Thrones" (Bustle).
NAMED A BEST BOOK OF THE YEAR BY: AMAZON (Top 100 Editors Picks and Science Fiction and Fantasy) * CHICAGO PUBLIC LIBRARY * BOOKPAGE * AUTOSTRADDLE
A world divided. A queendom without an heir. An ancient enemy awakens.
The House of Berethnet has ruled Inys for a thousand years. Still unwed, Queen Sabran the Ninth must conceive a daughter to protect her realm from destruction--but assassins are getting…
When I decided to set my new novel, Saturnalia, in Philadelphia, I was excited to draw on my experience as a native and current resident of the City of Brotherly Love. But I also love magic and the supernatural as much as I love research—my Philadelphia had to be a fantastical one. I drew on real landmarks, real history, and real social dynamics, but added wild festivals, secret societies, and an occult history to create a place all my own. Fortunately, I had a number of fictional fantasy cities to guide my world-building.
Qaanaak, Blackfish City’s floating Arctic city, is science-fictional—it’s maintained by artificial intelligence and other futuristic technology—but it’s built with all the world-building care the fantasy reader desires, including a text-within-a-text that explains the city’s origins. What most inspired me, though, is how Qaanaak exposes a city’s class structure, and questions what makes a city worth saving.
***A PUBLISHERS WEEKLY BEST BOOK OF 2018*** ***A KIRKUS BEST BOOK OF 2018***
'A remarkable work of dystopian imagination' - Starburst
'Incisive and beautifully written . . . Blackfish City simmers with menace and heartache, suspense and wonder' - Ann Leckie, Hugo, Nebula and Clarke Award-winning author
*****
After the climate wars, a floating city was constructed in the Arctic Circle. Once a remarkable feat of mechanical and social engineering it is now rife with corruption and the population simmers with unrest.
Into this turmoil comes a strange new visitor - a woman accompanied by an orca and a chained…
I’m Vajra Chandrasekera, from Colombo, Sri Lanka. I’m a writer, and more importantly, a reader. My favourite kind of book is bigger on the inside, the kind that drops you into a world too big and too weird to really get a handle on, a world that’s strange in ways you feel you recognize, like how sometimes you wake up from a dream and think, I’ve dreamed about that place and those people before,but you can’t tell if you have, or whether you dreamed the memory, too. You read the book and look at the world and you ask yourself: Did I dream those people, that place? Or is this the dream?
You know how you go somewhere you’ve never been and you feel hollow in your bones, like you’re more fragile there, you might blow away in a strong wind or just melt down if this place doesn’t learn to recognize you?
Amatkais like that, and it’s about that. We follow someone trying to diligently do a perfectly normal market research gig in place where everyday objects must be clearly labelled and the labels reinforced constantly, otherwise they dissolve into slush.
She has to keep putting things in their place, but she’s not too good at that, because she’s always been out of place herself.
I mean, isn’t that exactly what life is like? And then it all falls apart.
ONE OF THE GUARDIAN’S BEST SCIENCE FICTION AND FANTASY BOOKS OF 2017
A surreal debut novel set in a world shaped by language in the tradition of Margaret Atwood and Ursula K. Le Guin.
Vanja, an information assistant, is sent from her home city of Essre to the austere, wintry colony of Amatka with an assignment to collect intelligence for the government. Immediately she feels that something strange is going on: people act oddly in Amatka, and citizens are monitored for signs of subversion.
Intending to stay just a short while, Vanja falls in love with…
I’m Vajra Chandrasekera, from Colombo, Sri Lanka. I’m a writer, and more importantly, a reader. My favourite kind of book is bigger on the inside, the kind that drops you into a world too big and too weird to really get a handle on, a world that’s strange in ways you feel you recognize, like how sometimes you wake up from a dream and think, I’ve dreamed about that place and those people before,but you can’t tell if you have, or whether you dreamed the memory, too. You read the book and look at the world and you ask yourself: Did I dream those people, that place? Or is this the dream?
Technically—very technically—this is the conclusion of a trilogy, but it’s more three standalone novels that have some things to say to, and about, each other.
The first book,The Iron Dragon’s Daughter, was hugely influential on me as a reader and writer, and on speculative fiction as a field. This one, two decades later, is the most direct about the mutual imbrication, the bidirectional haunting, between our world and theirs.
Swanwick’s Dragonbooks do indeed feature dragons, except the iron dragons are mechanical, warplanes bonded to their human pilots, in a version of Faerie that has fully integrated vile modernity and knows our souls all too well.
A 2020 LOCUS AWARD FINALIST AND KIRKUS BEST SCIENCE FICTION AND FANTASY OF 2019
Award-winning author Michael Swanwick returns to the gritty, post-industrial faerie world of his New York Times Notable Book The Iron Dragon’s Daughter with the standalone adventure fantasy The Iron Dragon’s Mother.
Caitlin of House Sans Merci is the young half-human pilot of a sentient mechanical dragon. Returning from her first soul-stealing raid, she discovers an unwanted hitchhiker.
When Caitlin is framed for the murder of her brother, to save herself she must disappear into Industrialized Faerie, looking for the one person who can clear her.
I’m Vajra Chandrasekera, from Colombo, Sri Lanka. I’m a writer, and more importantly, a reader. My favourite kind of book is bigger on the inside, the kind that drops you into a world too big and too weird to really get a handle on, a world that’s strange in ways you feel you recognize, like how sometimes you wake up from a dream and think, I’ve dreamed about that place and those people before,but you can’t tell if you have, or whether you dreamed the memory, too. You read the book and look at the world and you ask yourself: Did I dream those people, that place? Or is this the dream?
Death in Spring is a tiny book containing a bigger, more intricate world than many a doorstopper, for all that the whole story set in a small, nameless hamlet.
Life there too is made of strange, violent rituals, only not the ones we know. We follow a boy growing up and learning them, and being scarred by these mysteries—what do they fill the mouths of the dead with, before they are killed and put into a tree forever? (It’s cement.)
Rodoreda wrote in Catalan, and Tennent’s translation is fluid and beautiful.
Perfection is a rare thing; if you want to see what that looks like, here you go.
Considered by many to be the grand achievement of her later period, Death in Spring is one of Mercè Rodoreda's most complex and beautifully constructed works. The novel tells the story of the bizarre and destructive customs of a nameless town—burying the dead in trees after filling their mouths with cement to prevent their soul from escaping, or sending a man to swim in the river that courses underneath the town to discover if they will be washed away by a flood—through the eyes of a fourteen-year-old boy who must come to terms with the rhyme and reason of this…
My name is Polly Schattel, and I’m a novelist, screenwriter, and film director. I wrote and directed the films Sinkhole, Alison, and Quiet River,and my written work includesThe Occultists, Shadowdays, and the novella 8:59:29.I grew up loving fantasy—Tolkien, Moorcock, Zelazny—but phased out of it somewhat when I discovered writers like Raymond Carver, EL Doctorow, and Denis Johnson. Their books seemed more adult and more complex, not to mention the prose itself was absolutely transporting. In comparison, the fantasy I’d read often felt quite rushed and thin, with get-it-done prose. I drifted away from genre fiction a bit, but dove back to it with my first novel, the historical dark fantasy The Occultists.
Crowley is the author of the timeless classicLittle, Big, of course (which is also essential reading), but his novel, The Solitudes, began a tetralogy that explores history, alternate history, and the grand Hermetic framework which contains it all.
Centering around a historian working to connect an alternate imagined world, Ægypt, with the real one today, Crowley’s readers take a deep dive into the Renaissance world of Giordano Bruno, Doctor Dee, Shakespeare, and others, while simultaneously exploring the arcane world of the present.
It feels strangely akin to something Umberto Eco might come up with if he ever wanted to write fantasy.
As with any Crowley novel, the prose is absolutely gorgeous—a masterclass of beautiful, thoughtful writing. This series has been unjustly overlooked. Give it a try.
Reengaging the ideas of alternate lives, worlds, and worldviews that pulsed through his remarkable Little, Big, John Crowley’s Ægypt series is a landmark in contemporary fiction. The series helped earn Crowley the American Academy of Arts and Letters Award for Literature, and Harold Bloom installed the first two books in the series in his 1993 Western canon. Now, following the Spring 2007 hardcover release of the final book in the series (Endless Things), Overlook is bringing the entire tetralogy back into print and, for the first time, presenting it as a real series. In The Solitudes, the opening of the…
