Here are 100 books that The Iron Dragon's Mother fans have personally recommended if you like
The Iron Dragon's Mother.
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I read almost any genre, but fantasy is what I love most, both reading and writing. Stories are magic, but when they have actual magic in them, I’m hooked. Having studied both Film and Creative Writing at university, I love to go in-depth on storytelling and have reviews aplenty on my website if you want further recommendations. The books I’ve chosen for this list have incredibly unique worlds full of bizarre magic. When I enter a new world, I want it to be exactly that: new and exciting with a touch of the surreal. To me, these books showcase magic at its most vivid and creative.
I very nearly stopped reading this book–even though it’s so short as it starts off unbelievably abstract. I didn’t know what was going on, and the descriptions only added to the confusion. But I’m so glad I kept going.
The main character does amnesia in the most charming way, and discovering his past and the strange world he seems both lost in and totally at home in was absolutely enchanting. This has stuck with me ever since, like the most vivid fever dream.
Winner of the 2021 Women's Prize for Fiction A SUNDAY TIMES & NEW YORK TIMES BESTSELLER
The spectacular new novel from the bestselling author of JONATHAN STRANGE & MR NORRELL, 'one of our greatest living authors' NEW YORK MAGAZINE __________________________________ Piranesi lives in the House. Perhaps he always has.
In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend,…
My name is Polly Schattel, and I’m a novelist, screenwriter, and film director. I wrote and directed the films Sinkhole, Alison, and Quiet River,and my written work includesThe Occultists, Shadowdays, and the novella 8:59:29.I grew up loving fantasy—Tolkien, Moorcock, Zelazny—but phased out of it somewhat when I discovered writers like Raymond Carver, EL Doctorow, and Denis Johnson. Their books seemed more adult and more complex, not to mention the prose itself was absolutely transporting. In comparison, the fantasy I’d read often felt quite rushed and thin, with get-it-done prose. I drifted away from genre fiction a bit, but dove back to it with my first novel, the historical dark fantasy The Occultists.
For a more traditional take on fantasy, Sofia Samatar’sA Stranger in Olondria is lovely and immersive, a fascinating new world worthy of Ursula Le Guin and Gene Wolfe.
Reportedly, she created Olondria from a combination of regions in Turkey and North Africa, and it feels absolutely fresh and instantly powerful. A teenage merchant becomes haunted by the ghost of a young girl and must find a way to put her to rest.
But the story is really about the power of books and stories and language itself. It’s a love letter to adventure and open seas, harbors, and alleys, and snowy mountains in the distance.
Ms. Samatar holds several advanced degrees in language and literature, including Arabic and various African dialects, and you can feel the joy of her verbal artistry dancing on the page.
Jevick, the pepper merchant's son, has been raised on stories of Olondria, a distant land where books are as common as they are rare in his home. When his father dies and Jevick takes his place on the yearly selling trip to Olondria, Jevick's life is as close to perfect as he can imagine. But just as he revels in Olondria's Rabelaisian Feast of Birds, he is pulled drastically off course and becomes haunted by the ghost of an illiterate young girl. In desperation, Jevick seeks the aid of Olondrian priests and quickly becomes a pawn in the struggle between…
I’m Vajra Chandrasekera, from Colombo, Sri Lanka. I’m a writer, and more importantly, a reader. My favourite kind of book is bigger on the inside, the kind that drops you into a world too big and too weird to really get a handle on, a world that’s strange in ways you feel you recognize, like how sometimes you wake up from a dream and think, I’ve dreamed about that place and those people before,but you can’t tell if you have, or whether you dreamed the memory, too. You read the book and look at the world and you ask yourself: Did I dream those people, that place? Or is this the dream?
You know how you go somewhere you’ve never been and you feel hollow in your bones, like you’re more fragile there, you might blow away in a strong wind or just melt down if this place doesn’t learn to recognize you?
Amatkais like that, and it’s about that. We follow someone trying to diligently do a perfectly normal market research gig in place where everyday objects must be clearly labelled and the labels reinforced constantly, otherwise they dissolve into slush.
She has to keep putting things in their place, but she’s not too good at that, because she’s always been out of place herself.
I mean, isn’t that exactly what life is like? And then it all falls apart.
ONE OF THE GUARDIAN’S BEST SCIENCE FICTION AND FANTASY BOOKS OF 2017
A surreal debut novel set in a world shaped by language in the tradition of Margaret Atwood and Ursula K. Le Guin.
Vanja, an information assistant, is sent from her home city of Essre to the austere, wintry colony of Amatka with an assignment to collect intelligence for the government. Immediately she feels that something strange is going on: people act oddly in Amatka, and citizens are monitored for signs of subversion.
Intending to stay just a short while, Vanja falls in love with…
I’m Vajra Chandrasekera, from Colombo, Sri Lanka. I’m a writer, and more importantly, a reader. My favourite kind of book is bigger on the inside, the kind that drops you into a world too big and too weird to really get a handle on, a world that’s strange in ways you feel you recognize, like how sometimes you wake up from a dream and think, I’ve dreamed about that place and those people before,but you can’t tell if you have, or whether you dreamed the memory, too. You read the book and look at the world and you ask yourself: Did I dream those people, that place? Or is this the dream?
Death in Spring is a tiny book containing a bigger, more intricate world than many a doorstopper, for all that the whole story set in a small, nameless hamlet.
Life there too is made of strange, violent rituals, only not the ones we know. We follow a boy growing up and learning them, and being scarred by these mysteries—what do they fill the mouths of the dead with, before they are killed and put into a tree forever? (It’s cement.)
Rodoreda wrote in Catalan, and Tennent’s translation is fluid and beautiful.
Perfection is a rare thing; if you want to see what that looks like, here you go.
Considered by many to be the grand achievement of her later period, Death in Spring is one of Mercè Rodoreda's most complex and beautifully constructed works. The novel tells the story of the bizarre and destructive customs of a nameless town—burying the dead in trees after filling their mouths with cement to prevent their soul from escaping, or sending a man to swim in the river that courses underneath the town to discover if they will be washed away by a flood—through the eyes of a fourteen-year-old boy who must come to terms with the rhyme and reason of this…
I’ve been a huge fan of vampires, werewolves, elves, fairies, and all sorts of supernatural-themed creatures since I can remember. In addition, I grew up on sci-fi and fantasy movies and novels, which inspired me to pen my first short story at ten years old and send it in for publication. Since then, I’ve enjoyed creating art and writing stories that feature fantastical characters and creatures in extraordinary worlds having adventures. Though I have had two book series and numerous short stories published, I have many more stories and novels in the vault that I can’t wait to share with my readers.
This is the first book in the Valorian Chronicles, and boy, I wish it was a tv series! I like to think of this book as CSI: Paranormal (or Otherworld Crime Unit as it is named in the book). It’s a dash of police procedural in a world much like ours but with vampires, werewolves, and more creatures that live in a society that goes by their own rules. This book is mixed with a dose of sexy chemistry between the leads wrapped in a happily ever after bow. It’s great for those nights where I’m looking for a bit of suspense and mystery with my romance featuring a vampire hero.
Caine Valorian and his Otherworld Crime Unit crack all the unusual cases before any humans take notice. When a young woman is found ritualistically murdered it's his team of professionals with paranormal gifts who must stop the nameless evil stalking the streets. But the toughest case of Caine's 200-year career gets even harder when a new member, Eve Grant, is assigned to their unit. Not only is she green and eager to impress, she's human.
As they sink deeper into the workings of the case, Caine's attraction to the alluring Eve is causing his blood to boil. And with war…
At twenty-six I was living in Wuhan. I had been in China for a couple of years and was looking for a change. Not ready to go back home to New Zealand, I made my way across Europe, through the USA, and on to Argentina. Since that visit, I’ve followed Argentina's economic crises and scoured its newspapers for quirky crime stories. I started to send out true crime articles to various magazines. Eventually, I had enough material to write a novel. For years I’ve wanted to find a literary yet straightforward crime novel set in Argentina. The search goes on, but below are the best I’ve come across so far.
An Agatha Christie-style mystery set in Buenos Aires. At two in the morning, Pancho Soler returns drunk to his apartment building on Santa Fe Avenue. He presses the button for the lift, and it arrives with a surprise inside: a beautiful blonde woman, sitting upright, but dead. Many of the suspects who live in the building are recent immigrants from Europe and, as the novel is set in the 1950s, their memories and secrets from WW2 are still fresh. Boris, a Bulgarian chemist who worked for the Nazis, is the most entertaining of the lot. There are the usual red herrings and revelations in the search for the murderer. The young Argentinian detective is a little flat by Christie's standards, but this is a satisfying whodunnit.
Frida Eidinger is young, beautiful and lying dead in the lift of a luxury Buenos Aires apartment block.
It looks like suicide, and yet none of the building's residents can be trusted; the man who discovered her is a womanising drunk; her husband is behaving strangely; and upstairs, a photographer and his sister appear to be hiding something sinister. When Inspector Ericourt and his colleague Blasi are set on the trail of some missing photographs, a disturbing secret past begins to unravel...
One of Argentina's greatest detective stories, Death Going Down is a postwar tale of survival and extortion, obsession…
Since I was a child, I’ve loved stories of people who live, unseen, among or close to us. I prefer the spelling “Faerie.” Fairies are pretty, butterfly-like creatures that fly around gardens. “Faeries” suggest, to my mind, the word “fear.” They can be both benevolent and malevolent, but are primarily other. In my novel, Beautiful, and the follow up that’s in progress, faeries feature as characters both in their own realm and ours. They can cause a lot of trouble for humans, but also be well-intentioned. These books feature faeries that play similarly ambiguous roles.
October (Toby) Daye, is half human, half faerie. She’s done trying to earn the respect of her immortal relatives, and begins to make a nice, human life for herself. Until spell and a murder pull her back into the dangerous immortal tangle of shifting alliances and strange bedfellows. In spite of her supernatural origins, Toby isn’t a superhero. But when she gets sucked into the fantasy stuff there’s no “oh, no, this is impossible! How can this be real?” to wade through. She knows what the deal is and she dives, somewhat reluctantly, into it.
The first instalment of the highly praised Toby Daye series. The world of Faerie never disappeared; it merely went into hiding, continuing to exist parallel to our own. Secrecy is the key to Faerie's survival: but no secret can be kept forever, and when the fae and mortal worlds collide, changelings are born. Outsiders from birth, these children spend their lives fighting for the respect of their immortal relations. Or in the case of October 'Toby' Daye, rejecting the fae completely. Toby has retreated into a 'normal' life - spending her nights stocking shelves at a San Francisco grocery store…
My parents were avid readers and mysteries were a perennial favorite for all of us. By my early teens I moved from Judy Bolton and Nancy Drew to the Golden Age of mystery writers such as Agatha Christie and Mary Roberts Rinehart. Clearly addicted to mysteries without undue violence or gore, I discovered some wonderful television series as well. It won’t surprise you to learn that my favorite is Murder, She Wrote.
Many of the women in my family worked in domestic service. I do know that their work lives were not easy and their employers were often quite demanding. Still, each time I wander into the Victorian era where Mrs. Jeffries is housekeeper to Inspector Witherspoon of the Metropolitan Police, I imagine that my grandmother or my aunt is one of the household staff who Mrs. Jeffries organizes to do a “behind the scenes” investigation and provide the Inspector with the right clues to solve his cases.
Mrs. Jeffries is back in the New York Times bestselling Victorian Mytery series, perfect for fans of Downton Abbey.
Thomas Mundy checks in to London’s Wrexley Hotel, but he never checks out. The maid finds him on the floor of his room, bludgeoned to death by his own walking stick. Inspector Witherspoon is soon on the case and learns Mundy had a reputation for being polite, charming, and diligent—an unlikely victim for such a violent crime.
But Mrs. Jeffries and the household staff uncover that Mundy was less an amiable businessman and more a duplicitous con man with enemies on…
Writer, reader, editor, reviewer, publisher… those are all parts of me. With a lifetime of experience in the “words” industry, I have a pretty good handle on what makes a book not just good, but hot. I say this with the understanding that each reader brings their own histories to the reading experience, and what one person may like, another may not. Nonetheless, I offer you my professional and personal favorites in the mystery/thriller/suspense categories. It is my sincere hope that you find these books as addictive as I’d found them. Superb and clever writing, engaging characters, unpredictable plots—yes, please! Though I occasionally step outside my comfort zone, I'm consistently drawn back to these categories.
Two words for this absolutely primo mystery: John Corey. Corey is the main character in this series by the same name, andPlum Island is the first book in that series by the amazing Nelson DeMille. This is one of those books where I will always remember the actual reading experience. Why? I often read into the wee hours of the night and the entire household was fast asleep. I hit a particular scene (I won’t spoil it), and I simply burst out laughing hysterically. I couldn’t stop, thereby waking everyone up. Turned out, there was a lot of good humor still to come, and the plot was absolutely high intrigue! I always recommend this book to anyone who likes their mysteries with a dash of humor.
'...a page turning, high octane novel that's firing on all cylinders,' - EDINBURGH EVENING NEWS
'...a good old-fashioned murder mystery which keeps you enthralled till the very last page.' - YORKSHIP EVENING PRESS
NYPD homicide detective John Corey has moved to Long Island, restlessly recuperating from wounds received in the line of duty when he's hired to consult on the murder of Tom and Judy Gordon, biologists who worked on Plum Island, the site of animal disease research for the Department of Agriculture.
Were the Gordons murdered because they'd stolen some valuable new vaccine, or even a dreaded virus? They'd…
I’ve been fascinated by true murder cases ever since I started reading about them when I was sixteen years old. They draw on all your senses and emotions: your curiosity about the psychology behind the killer’s actions and your horror and sympathy for the victims, their families, and the families of the killers because they suffer too. As a writer I am particularly drawn to apparent miscarriages of justice and I think there must be a secret detective hidden deep in my soul because I love to delve and investigate these. I wrote my first book after retiring from my long career in Social Services and Mental Health Services.
As it did to other parents all around the world, the murder of six-year-old JonBenet Ramsey in 1996 chilled me to the bone. What kind of monster could kill an innocent child and leave her violated dead body in the basement of her home? And if it was possible to make it even worse, to do it on Christmas night. Police investigators seem to have made the child’s mother Patsy their number one suspect and completely ruled out JonBenet’s father John. The author rules him straight back in—hence the title of the book. I have read most of the books written about this sad case and in my opinion this one is the best. Doc G backs up everything he says with evidence and facts and you end up finding it difficult to disagree with him.
Because the JonBenet Ramsey case is so very complex, so very mysterious, with such a superabundance of both evidence and suspects, and so many assumptions, opinions, and contradictory and/or questionable testimony, it is especially important to exercise the greatest diligence in tracking down the facts and not allowing oneself get too distracted by all the rest. If we attempt to account for all the many bits and pieces of “evidence,” all the various opinions, both “expert” and inexpert, the many various suspects, no matter how “likely” each one seems to be, and the dubious…
