Here are 76 books that Murder at the Met fans have personally recommended if you like
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I have been enthralled with legends of medieval knights and ladies, dark fairy tales and fantasies about Druids, wizards, and magic since childhood. I fell in love with French in junior high school and continued studying the language throughout college. My debut novel, "The Wild Rose and the Sea Raven"--the first of a trilogy-- is a blend of my love for medieval legends, the romantic French language, and paranormal fantasy. It is a retelling of the medieval romance of "Tristan et Yseult", interwoven with Arthurian myth, dark fairy tales from the enchanted Forest of Brocéliande, and otherworldly elements such as Avalonian Elves, Druids, forest fairies and magic— with a decidedly romantic French flair.
This passionate paranormal romance between a talented soprano singer and a macabre musical genius blends mythical aspects of a legendary ghost haunting the Paris Opera House. I was enthralled by the supernatural forces and deliciously dark seduction of Christine Daaé by the unlikely Romantic hero, the Phantom. I enjoyed how the chivalrous Raoul, le Vicomte de Chagny, nobly battles the diabolical Phantom like a medieval knight defending his Lady. I read this classic in its original French language version while obtaining my MA in French literature, and I loved both the English translation as well as the modern musical film adaptation.
The novel from the early 20th century that inspired the Lon Chaney film and the hit musical. In the 1880s, in Paris, the Palais Garnier Opera House is believed haunted. One night, a young woman, Christine, is asked to sing in place of the Opera's leading soprano, who is ill; Christine's performance is a success, and she is recognized by the Vicomte Raoul, a childhood playmate and love. Raoul and the Phantom then battle for Christine's heart, as the Phantom demands more and more from her.
I grew up watching every cop show on the air with my father. I always wanted to be a detective, but one that didn’t have to do a lot of chasing, like Starsky and Hutch, or get beat up a lot, like Mannix—one who could take a laid-back approach and work his own hours, like Ellery Queen. I wound up becoming a forensic specialist who also writes thrillers. The protagonists have my same job, only with smarter criminals and better-looking colleagues. I also grew up playing the clarinet—not, I admit, particularly well—in a band and/or orchestra from the fourth grade until well after I married.
A young musicologist (that’s a real word—musicology is the scholarly analysis and research-based study of music from a historic, cultural or systemic approach, as opposed to the study of music performance) is given some pieces of an uncredited but gorgeous sonata and must travel to Prague to figure out who wrote it. Beautifully written with tons of information about music and Prague through WWII, the Velvet Revolution (when the Communist party gave up and left), and life there today. I’d researched the city myself for a book which allowed me to play tour guide when my family visited. It’s #1 on my list of places I want to go back to when I can spend more time.
“Twining music history with the political tumults of the 20th century, The Prague Sonata is a sophisticated, engrossing intellectual mystery.”—The Wall Street Journal
Music and war, war and music—these are the twin motifs around which Bradford Morrow, recipient of the Academy Award in Fiction from the American Academy of Arts and Letters, has composed his magnum opus, a novel more than a dozen years in the making.
In the early days of the new millennium, pages of a worn and weathered original sonata manuscript—the gift of a Czech immigrant living out her final days in Queens—come into the hands of…
I grew up watching every cop show on the air with my father. I always wanted to be a detective, but one that didn’t have to do a lot of chasing, like Starsky and Hutch, or get beat up a lot, like Mannix—one who could take a laid-back approach and work his own hours, like Ellery Queen. I wound up becoming a forensic specialist who also writes thrillers. The protagonists have my same job, only with smarter criminals and better-looking colleagues. I also grew up playing the clarinet—not, I admit, particularly well—in a band and/or orchestra from the fourth grade until well after I married.
Lucille Kallen was an amazing TV writer but only wrote five of her cozy mysteries starring small-town, middle-aged reporter Maggie Rome who served as an Archie Goodwin for her cerebral boss, editor C. B. Greenfield. They were all witty and fun, but this one centers around the very real Boston Symphony Orchestra and their summer rehearsal space, Tanglewood music center near the MA-NY border. Expansive hills, the petty rivalries of professionals, and a not-often-used method of murder make this book a must for any mystery lover. Plus, the author was clearly as adoring of Ravel as I am, which is why this slim volume still has a place on my bookshelf after 30-plus years.
I grew up watching every cop show on the air with my father. I always wanted to be a detective, but one that didn’t have to do a lot of chasing, like Starsky and Hutch, or get beat up a lot, like Mannix—one who could take a laid-back approach and work his own hours, like Ellery Queen. I wound up becoming a forensic specialist who also writes thrillers. The protagonists have my same job, only with smarter criminals and better-looking colleagues. I also grew up playing the clarinet—not, I admit, particularly well—in a band and/or orchestra from the fourth grade until well after I married.
A greatly entertaining book about the myriad scandals of Elvis and Jerry Lee Lewis, crimes and murder among Norway’s black metal bands, how Sam Cooke wound up shot to death in a low-budget motel, and Gram Parsons’ death at 26, among others, written by the guy with a podcast of the same name. I’ve played and listened to music my entire life but have never really studied the topic or its practitioners, so much of this came as a fascinating surprise. Brennan does veer into fiction—at one point he relates a conversation between two dead people after they’re dead—but still a very interesting compilation.
From the creator of the popular rock 'n' roll true crime podcast, Disgraceland comes an off-kilter, hysterical, at times macabre book inspired by true stories from the highly entertaining underbelly of music history. You may know Jerry Lee Lewis married his thirteen-year-old cousin but did you know he shot his bass player in the chest with a shotgun or that a couple of his wives died under extremely mysterious circumstances? Or that Sam Cooke was shot dead in a seedy motel after barging into the manager's office naked to attack her? Maybe not. Would it change your view of him…
I have been researching and writing about 19th-century American murders since 2009, and my blog, Murder by Gaslight (murderbygaslight.com), includes illustrated stories of more than 500 murder cases. My book, The Bloody Century: True Tales of Murder in 19th Century America, compiled fifty of the most famous murders. In researching these stories, I prefer to use primary sources such as newspaper articles, pamphlets, and books from the time of the murder. They present the attitudes surrounding the crime without modern analysis and preserve details that tend to disappear over time. My latest book, So Far from Home: The Pearl Bryan Murder, draws almost exclusively from newspaper accounts in 1896 and 1897.
Carlyle W. Harris was a promising young medical student in 1891 with an unfortunate obsession with sex. He would constantly regale his friends and associates with tales of his sexual conquests. When he failed to seduce 19-year-old Helen Potts, he convinced her to marry him but keep the marriage a secret. Six Capsules tells the story of Harris’s plot to murder Helen with a poisoned capsule to keep the secret from being revealed. The author, George R. Dekle Sr., a retired law professor and former prosecutor, provides a detailed analysis of Harris’s sensational trial for murder. The book’s vivid account of the murder and its consequences contrasts the moral and legal atmosphere of the 1890s with that of today.
As Ted Bundy was to the 20th century, so Carlyle Harris was to the 19th. Harris was a charismatic, handsome young medical student with an insatiable appetite. His trail of debauched women ended with Helen Potts, a beautiful young woman of wealth and privilege who was determined to keep herself pure for marriage. Unable to conquer her by other means, Harris talked her into a secret marriage under assumed names, and when threatened with exposure, he poisoned her.
The resulting trial garnered national headlines and launched the careers of two of New York's most famous prosecutors, Francis L. Wellman and…
It’s no wonder South Brooklyn, in the latter half of the last century, is the setting for so many remarkable dramas for both page and screen. In fact, when legendary former NYPD Detective Thomas Dades offered to make introductions to a Colombo Crime Family associate who cooperated with the federal government, I leapt at the opportunity. I was born in Greenpoint in 1971 and grew up on 16th Avenue in the heart of Bensonhurst. It’s not just South Brooklyn’s raw, urban chaotic physical setting, but the sheer volatility of this period in time, where so many transformational trends of the larger culture were evident, and some even epi-centered.
Love to know why this murderous mob masterpiece has yet to make it to film.
This must-have for any True Crime bookshelf is from the dynamic duo of Gene Mustain (author of John Gotti bio) and Jerry Capeci (“Gangland” journalist extraordinaire). It chronicles the blood-soaked rise and demise of the deadly Roy Demeo crew, a gaggle of Gambino grunts a couple of rungs under Captain Nino Gaggi.
It’s an underworld tour of the black-and-blue-collar South Brooklyn rackets, circa 70s and 80s, often through the bloodshot eyes of Dominick Montiglio, Gaggi’s nephew, and bolstered by an avalanche of investigative research. From the innards of a Mafia street crew, to the entrails of an auto-theft ring, to the autopsy of Demeo’s whack-tastic dismemberment routine (a.k,a. “The Gemini Method”), there’s so much to digest, if you can stomach the body count.
Locations of interest: The Gemini Lounge on Flatlands Avenue; Bath Beach (Multiple…
Meet the DeMeo gang - the most deadly killers the Mafia has ever known. They were a small-time Brooklyn corner crew who, headed by the notorious Roy DeMeo, became the hitmen of choice for the Gambino family. Killing for profit and pleasure, they were ultimately feared by everyone - even the Mafia bosses they worked for.
As an academic, I have been researching Canadian police and criminal justice history since the 1980s and I teach courses on the history of policing, crime, drugs and homicide, and capital punishment. In 2014 I began to cover a high-profile murder trial in my region of Canada and ended up writing a best-selling book on the case. The Oland case reinforced my interest in true crime, both as a research topic and a cultural phenomenon. True crime, whether set in the distant past or contemporary times, offers writers and readers alike fascinating forays into specific societies and communities as well as human nature.
Similar to my second choice, this American study explores the impact of a sensational unsolved death on early Victorian New York and America in general. In 1841 Marie Rogers, an attractive young woman who worked in a tobacco shop, was found dead in the Hudson River, suspected to be a victim of murder. The case was well covered in the press and exposed weaknesses in the city’s system of policing. The author details how Edgar Allen Poe furthered early detective fiction in his story The Mystery Marie Roger, which although set in Paris borrowed heavily from the New York events. An example of how the public can make a celebrity out of a murder victim who is not from the elite.
On July 28, 1841, the body of Mary Rogers, a twenty-year-old cigar girl, was found floating in the Hudson-and New York's unregulated police force proved incapable of solving the crime. One year later, a struggling writer named Edgar Allan Poe decided to take on the case-and sent his fictional detective, C. Auguste Dupin, to solve the baffling murder of Mary Rogers in "The Mystery of Marie Rogt."
I love history. I’ve loved it ever since I was a kid, listening to my dad’s history lectures. And in my history classes, I always tucked away stories about women. There weren’t many; most were trailblazers like Amelia Earhart or Susan B. Anthony. They were completely admirable, but I wanted to know about the women who had strayed from the straight and narrow: the murderers, the liars, and the thieves. Now, I write about women committing crimes throughout history. As a reader, I can never resist a story about a woman from the past doing things she shouldn’t. These books were endlessly entertaining and sometimes downright chilling to read.
In June of 1897, a group of New York children discovered a human torso, catapulting the city into a brutal mystery. Who was this man? And who killed him? I could not put this book down.
The central mystery kept me riveted, and the cold-blooded woman at the heart of it truly chilled me to my core. I also found my jaw on the floor reading about the antics of reporters for the warring New York Journal and New York World as they threw ethics out the window to get the best scoop.
"No writer better articulates our interest in the confluence of hope, eccentricity, and the timelessness of the bold and strange than Paul Collins."--DAVE EGGERS
On Long Island, a farmer finds a duck pond turned red with blood. On the Lower East Side, two boys playing at a pier discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime are turning up all over New York, but the police are baffled: There are no witnesses, no motives, no suspects.
I’m the Edgar and Barry Award nominated author of twenty novels, sixteen in my Joe DeMarco series, three in my Kay Hamilton Series, and my standalone, Redemption. Prior to becoming a writer, I was a senior civilian executive working in the U.S. Navy’s nuclear propulsion program. My books are mostly set in and involve characters in Washington, D.C., because Washington is a target-rich environment for a writer—and now more so than ever.
Richard Price, in my opinion, is one of today’s best writers in any genre. The Whites, a book about five detectives finally getting the criminal that always eluded them, was just the most recent book of his I’ve read. His classics—Clockers, Freedomland, The Night of, Sea of Love—were all adapted for the big screen. His prose is cliché free, no one captures New York City and its denizens the way Price does, and the dialogue in his books is pitch perfect and realistic.
NEW YORK TIMES BESTSELLER FINALIST FOR THE L.A. TIMES BOOK PRIZE 2015 IN THE MYSTERY/THRILLER CATEGORY
Every cop has a personal 'White': a criminal who got away with murder - or worse - and was able to slip back into life, leaving the victim's family still seeking justice, the cop plagued by guilt.
Back in the 1990s, Billy Graves was one of the Wild Geese: a tight-knit crew of young mavericks, fresh to police work and hungry for justice, looking out for each other and their 'family' of neighbourhood locals. But then Billy made some bad headlines by accidentally shooting…
I was a painfully awkward teenager, two years younger than the rest of my class and a little too “extra” to fit in anywhere. I spent all of high school desperately seeking my weirdos—people who would accept me the way I was, rabid-puppy enthusiasm and all. One night I met a colorfully-dressed trio on the street who invited me to a loft party that changed my life. That night I fell in love with NYC’s underground party scene: the high-energy music, grimy locations, and most of all the people. I had found my weirdos. When the Beat Drops is my love letter to discovering your people and finding your scene.
I’ve covered rock, classical, a capella, and new wave in my list, so I thought I’d round it out with sugar-sweet pop. Kill the Boy Bandis a darkly hilarious journey into fangirl obsession filled with quirky characters and sitcom situations that are as fun to read as they are improbable. The boy band in question is The Ruperts, a quartet of British heart-throbs with an eerie resemblance to One Direction. When four superfans score a room in the hotel where The Ruperts are staying, they hatch a plan that goes awry fast, leaving the band with one fewer Ruperts and the girls with a…very incriminating situation.
I loved this book for so many reasons, but my favorite was the deep dive into superfan culture. A lot of the book is spent questioning the nature of this culture, but in a way that's genuinely soul-searching and not condescending—the narrator…
The New York Times–bestselling debut story of four superfan friends whose devotion to their favorite band has darkly comical and deadly results.
Just know from the start that it wasn’t supposed to go like this. All we wanted was to get near them. That’s why we got a room in the hotel where they were staying.
We were not planning to kidnap one of them. Especially not the most useless one. But we had him—his room key, his cell phone, and his secrets.
We were not planning on what happened next. We swear.
