I love history. I’ve loved it ever since I was a kid, listening to my dad’s history lectures. And in my history classes, I always tucked away stories about women. There weren’t many; most were trailblazers like Amelia Earhart or Susan B. Anthony. They were completely admirable, but I wanted to know about the women who had strayed from the straight and narrow: the murderers, the liars, and the thieves. Now, I write about women committing crimes throughout history. As a reader, I can never resist a story about a woman from the past doing things she shouldn’t. These books were endlessly entertaining and sometimes downright chilling to read.
I wrote
The Impostor Heiress: Cassie Chadwick, The Greatest Grifter of the Gilded Age
This book tells the story of Therese Humbert, swindler extraordinaire. There’s just something thrilling about a con artist fighting their way through life with nothing more than their own wits. I loved reading about Therese’s boldness and cleverness.
I felt I could live vicariously through her as she hustled her way into French society. Her fraud lasted for years, and I couldn’t help admiring her coolness under fire. Her story made for an exciting and incredible read.
Chronicles the life of ThTrFse Humbert, the fabled "billionaire's daughter," covering her rise from peasant status to high society salon doyenne, and citing the carefully fabricated illusions she wove around herself in order to rise to power.
This book tells the story of Harry Houdini's quest to root out fake mediums and medium Margery Crandon's quest to fool people and have fun. This was one of the most unique historical nonfiction books I’ve ever read.
I loved the cat-and-mouse game between Houdini and Margery. Crafty and charismatic, Margery held her own as Houdini became more and more determined to prove her a fraud. I was on the edge of my seat, wondering who would prevail between the dogged magician and the shrewd clairvoyant.
History comes alive in this textured account of the rivalry between Harry Houdini and the so-called Witch of Lime Street, whose iconic lives intersected at a time when science was on the verge of embracing the paranormal.
The 1920s are famous as the golden age of jazz and glamour, but it was also an era of fevered yearning for communion with the spirit world, after the loss of tens of millions in the First World War and the Spanish-flu epidemic. A desperate search for reunion with dead loved ones precipitated a tidal wave of self-proclaimed psychics—and, as reputable media sought…
In June of 1897, a group of New York children discovered a human torso, catapulting the city into a brutal mystery. Who was this man? And who killed him? I could not put this book down.
The central mystery kept me riveted, and the cold-blooded woman at the heart of it truly chilled me to my core. I also found my jaw on the floor reading about the antics of reporters for the warring New York Journal and New York World as they threw ethics out the window to get the best scoop.
"No writer better articulates our interest in the confluence of hope, eccentricity, and the timelessness of the bold and strange than Paul Collins."--DAVE EGGERS
On Long Island, a farmer finds a duck pond turned red with blood. On the Lower East Side, two boys playing at a pier discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime are turning up all over New York, but the police are baffled: There are no witnesses, no motives, no suspects.
Everyone knows who Lizzie Borden is, and everyone thinks they know whether or not she did it. But what few people know about is her trial. I have always been pretty obsessed with the Lizzie Borden story (hint: she’s totally guilty). But this book put a whole new spin on the country’s original true crime.
I loved reading about the legal proceedings that put Lizzie front and center of a violent crime (not a common place for a woman to be in Gilded Age America). It painted Lizzie in a more vulnerable light than the axe-wielding murderess I had always pictured her as. It also helped explain why she was acquitted.
In Cara Robertson’s “enthralling new book,” The Trial of Lizzie Borden, “the reader is to serve as judge and jury” (The New York Times). Based on twenty years of research and recently unearthed evidence, this true crime and legal history is the “definitive account to date of one of America’s most notorious and enduring murder mysteries” (Publishers Weekly, starred review).
When Andrew and Abby Borden were brutally hacked to death in Fall River, Massachusetts, in August 1892, the arrest of the couple’s younger daughter Lizzie turned the case into international news and…
In 1920s Chicago, the theater and the courtroom collided as a pair of men dropped dead in the vicinity of beautiful, duplicitous women. The musical Chicago has always been one of my favorites, and I was delighted to read this book about the real women who inspired Velma Kelly and Roxie Hart. It did not disappoint.
Douglas Perry tells the story of Beulah and Belva with all the flair and drama of the musical. I will never forget reading about how callously Beulah Annan sipped cocktails and listened to music for hours as her lover lay bleeding on the floor. It sent chills down my spine.
With a thrilling, fast-paced narrative, award-winning journalist Douglas Perry vividly captures the sensationalized circus atmosphere that gave rise to the concept of the celebrity criminal - and gave Chicago its most famous story. "The Girls of Murder City" recounts two scandalous, sex-fueled murder cases and how an intrepid "girl reporter" named Maurine Watkins turned the beautiful, media-savvy suspects -"Stylish Belva" and "Beautiful Beulah"- into the talk of the town. Fueled by rich period detail and a cast of characters who seemed destined for the stage, "The Girls of Murder City" is a crackling tale that simultaneously presents the freewheeling spirit…
Paroled felon. Rich doctor's wife. Famous clairvoyant. Cassie Chadwick, one of history's most successful con artists, was a master of reinvention. In the dusk of the Gilded Age, she swept from town to town, assuming fresh identities to swindle a fortune so large that it rivaled the robber barons of the time.
Then came arguably the greatest con in American history. Using forged documents and her peerless wits, Cassie convinced prominent men from Cleveland to New York City that she was the illegitimate daughter of the world's wealthiest man—Andrew Carnegie. Businessmen loaned her hundreds of thousands of dollars at a time. The crash and the sensational trial that came shattered banks and bankers alike, imprinting Cassie Chadwick’s name on Gilded Age America.
On Draakensky Windmill Estate, magick and mystery rule. Sketch artist Charlotte Knight is hired to live on the estate while illustrating poetry under the direction of the reclusive spinster, and wind witch, Jaa Morland—who believes in ghosts. Charlotte quickly encounters the voice of a ghost and a sinister figure lurking in the shadows.
Charlotte takes refuge in Marc Sexton, a charismatic local with knowledge of Celtic magick—who wears a silver wolf amulet around his neck. With his dark secrets of the Otherworld and his magickal powers, they delve into a world of…
Draakensky: A Supernatural Tale of Magick and Romance
A murder. A wind sorcerer. A dark spirit. On Draakensky, magick dictates destiny.
The Chief of Police discovers an elderly woman dead in the Mianus River. There is a ghost who resides here and flings its words through the spinning air. River magic too, streams across Draakensky Windmill estate, conjuring a secret in Bedford, New York.
Sketch artist Charlotte Knight arrives on Draakensky to a bright opportunity. She is hired to illustrate the poetry of Rainer Maria Rilke under the direction of Jaa Morland, the recluse spinster of Draakensky. Jaa, a believer in ghosts, instructs Charlotte to ‘draw the ghosts.’…
