Here are 100 books that La Grande Therese fans have personally recommended if you like
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I love history. I’ve loved it ever since I was a kid, listening to my dad’s history lectures. And in my history classes, I always tucked away stories about women. There weren’t many; most were trailblazers like Amelia Earhart or Susan B. Anthony. They were completely admirable, but I wanted to know about the women who had strayed from the straight and narrow: the murderers, the liars, and the thieves. Now, I write about women committing crimes throughout history. As a reader, I can never resist a story about a woman from the past doing things she shouldn’t. These books were endlessly entertaining and sometimes downright chilling to read.
Everyone knows who Lizzie Borden is, and everyone thinks they know whether or not she did it. But what few people know about is her trial. I have always been pretty obsessed with the Lizzie Borden story (hint: she’s totally guilty). But this book put a whole new spin on the country’s original true crime.
I loved reading about the legal proceedings that put Lizzie front and center of a violent crime (not a common place for a woman to be in Gilded Age America). It painted Lizzie in a more vulnerable light than the axe-wielding murderess I had always pictured her as. It also helped explain why she was acquitted.
In Cara Robertson’s “enthralling new book,” The Trial of Lizzie Borden, “the reader is to serve as judge and jury” (The New York Times). Based on twenty years of research and recently unearthed evidence, this true crime and legal history is the “definitive account to date of one of America’s most notorious and enduring murder mysteries” (Publishers Weekly, starred review).
When Andrew and Abby Borden were brutally hacked to death in Fall River, Massachusetts, in August 1892, the arrest of the couple’s younger daughter Lizzie turned the case into international news and…
I love history. I’ve loved it ever since I was a kid, listening to my dad’s history lectures. And in my history classes, I always tucked away stories about women. There weren’t many; most were trailblazers like Amelia Earhart or Susan B. Anthony. They were completely admirable, but I wanted to know about the women who had strayed from the straight and narrow: the murderers, the liars, and the thieves. Now, I write about women committing crimes throughout history. As a reader, I can never resist a story about a woman from the past doing things she shouldn’t. These books were endlessly entertaining and sometimes downright chilling to read.
This book tells the story of Harry Houdini's quest to root out fake mediums and medium Margery Crandon's quest to fool people and have fun. This was one of the most unique historical nonfiction books I’ve ever read.
I loved the cat-and-mouse game between Houdini and Margery. Crafty and charismatic, Margery held her own as Houdini became more and more determined to prove her a fraud. I was on the edge of my seat, wondering who would prevail between the dogged magician and the shrewd clairvoyant.
History comes alive in this textured account of the rivalry between Harry Houdini and the so-called Witch of Lime Street, whose iconic lives intersected at a time when science was on the verge of embracing the paranormal.
The 1920s are famous as the golden age of jazz and glamour, but it was also an era of fevered yearning for communion with the spirit world, after the loss of tens of millions in the First World War and the Spanish-flu epidemic. A desperate search for reunion with dead loved ones precipitated a tidal wave of self-proclaimed psychics—and, as reputable media sought…
I love history. I’ve loved it ever since I was a kid, listening to my dad’s history lectures. And in my history classes, I always tucked away stories about women. There weren’t many; most were trailblazers like Amelia Earhart or Susan B. Anthony. They were completely admirable, but I wanted to know about the women who had strayed from the straight and narrow: the murderers, the liars, and the thieves. Now, I write about women committing crimes throughout history. As a reader, I can never resist a story about a woman from the past doing things she shouldn’t. These books were endlessly entertaining and sometimes downright chilling to read.
In June of 1897, a group of New York children discovered a human torso, catapulting the city into a brutal mystery. Who was this man? And who killed him? I could not put this book down.
The central mystery kept me riveted, and the cold-blooded woman at the heart of it truly chilled me to my core. I also found my jaw on the floor reading about the antics of reporters for the warring New York Journal and New York World as they threw ethics out the window to get the best scoop.
"No writer better articulates our interest in the confluence of hope, eccentricity, and the timelessness of the bold and strange than Paul Collins."--DAVE EGGERS
On Long Island, a farmer finds a duck pond turned red with blood. On the Lower East Side, two boys playing at a pier discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime are turning up all over New York, but the police are baffled: There are no witnesses, no motives, no suspects.
I love history. I’ve loved it ever since I was a kid, listening to my dad’s history lectures. And in my history classes, I always tucked away stories about women. There weren’t many; most were trailblazers like Amelia Earhart or Susan B. Anthony. They were completely admirable, but I wanted to know about the women who had strayed from the straight and narrow: the murderers, the liars, and the thieves. Now, I write about women committing crimes throughout history. As a reader, I can never resist a story about a woman from the past doing things she shouldn’t. These books were endlessly entertaining and sometimes downright chilling to read.
In 1920s Chicago, the theater and the courtroom collided as a pair of men dropped dead in the vicinity of beautiful, duplicitous women. The musical Chicago has always been one of my favorites, and I was delighted to read this book about the real women who inspired Velma Kelly and Roxie Hart. It did not disappoint.
Douglas Perry tells the story of Beulah and Belva with all the flair and drama of the musical. I will never forget reading about how callously Beulah Annan sipped cocktails and listened to music for hours as her lover lay bleeding on the floor. It sent chills down my spine.
With a thrilling, fast-paced narrative, award-winning journalist Douglas Perry vividly captures the sensationalized circus atmosphere that gave rise to the concept of the celebrity criminal - and gave Chicago its most famous story. "The Girls of Murder City" recounts two scandalous, sex-fueled murder cases and how an intrepid "girl reporter" named Maurine Watkins turned the beautiful, media-savvy suspects -"Stylish Belva" and "Beautiful Beulah"- into the talk of the town. Fueled by rich period detail and a cast of characters who seemed destined for the stage, "The Girls of Murder City" is a crackling tale that simultaneously presents the freewheeling spirit…
Growing up in the automobile business (my great-grandfather sold horse carriages before cars were invented!), I’ve always been fascinated by salesmen and con artists, and the very thin line that often separates the two. What is a sales pitch, for example, and what is an outright lie? Where does the truth live anymore? Media? Politics? Business? None of the above? It has never been more important to learn the truth, and never has it been harder to find it. And it’s this very issue that is dividing the world. We think the other side has been conned. They think we’ve been conned. One thing’s for sure—someone’s getting conned. And that’s why I love con books!
When I was writing my book, I reached out to Frank Abagnale to thank him for writing Catch Me If You Can. Indeed, I dedicated my book to him. To my great surprise, he asked to read my book and then offered an incredible blurb which the publishers put on the cover. So I must admit that any review I write of Catch Me If You Can will be biased. Plus, what can you say about someone who faked being a doctor, a lawyer, and an airplane pilot? I’ll tell you what. Mr. A is a great writer, storyteller, and a hell of a good guy too!
The story of Frank W. Abagnale, alias Frank Williams, Robert Conrad, Frank Adams and Ringo Monjo, one of the most daring con men, forgers, impostors, and escape artists in history. Dubbed "The Skywayman", he was known by the police of 26 foreign countries and all 50 states in America, living a sumptuous life on the run. In his brief but notorious career, Abagnale donned a pilot's uniform and co-piloted a Pan Am jet, masqueraded as a member of hospital management, practised law without a license, passed himself off as a college sociology professor, and cashed over $2.5 million in forged…
Writing this biography was an extraordinary experience for me. I have been writing about the arts for more than forty years. Over the decades I was Associate Editor of Ballet Review and dance critic for The New York Sun. Talking to Alla Osipenko provided singular insight into the culture and politics of the Soviet Union, as well as the individual artistry and psychology of this great ballerina. I left every interview with her feeling elated. By the time my biography was published in 2015, I also knew/met/had interviewed many of the people she described and could write from some degree of first-hand knowledge.
Biographers customarily make some psychological observations, but Dr. Kaplan, both author and practicing psychiatrist, had the training and the daring to go further. A suicide at seventeen, Chatterton’s presentation of his own poetry as the creation of an invented 15th-century monk proved his undoing.
Freud’s theory of adolescent development and “Family Romances” guides Dr. Kaplan as she ties the universal patterns of adolescence to Chatterton’s individual needs and drives, analyzing what led him to recklessly defraud the literary public.
The enigma of Thomas Chatterton is investigated by Louise J. Kaplan, who untangles the counterfeiter from the artist, the troubled adolescent from the visionary poet, as she recreates the short life of a fatherless boy who found an authentic voice only in the realm of his imaginings.
Thrillers are just that—thrilling. But thrillers with lots of explosions and gunfights aren’t that appealing to me since I know the hero will make it. With realistic domestic, at-home-style thrillers, the thrilling nature is how the scenarios could really happen. Those are the most thrilling ideas, the ones I can see how they could actually happen to someone—or to me. That makes it exciting. This is why I read many of them and have written quite a few, too, because there’s nothing more thrilling than thinking your home, or the people in it, isn’t as safe as you thought.
Chad’s thrillers are addicting. His writing style—lighting-fast action, very little filler, almost no flowery language—makes the pages fly.
This one, in particular, is littered with secrets and big, important questions that gave me no choice but to keep reading to find the answers. Exciting and thrilling, this is one of my favorite page-turners.
A dead man's secrets put a family in peril in a twisting novel of suspense by the Amazon Charts bestselling author of the David Adams series.
Alex Mahan is married to his high school sweetheart, Taylor. They have two daughters and a beautiful home, and Alex's startup business is about to explode thanks to massive private funding from his compassionate and supportive father-in-law, Joe. With millions more to come, all is perfect-until Joe is abducted and murdered during a family trip in Mexico.
Alex's world is about to be turned upside down. He can't bear to tell his grieving wife…
I write fantasy novels, including A College of Magics, River Rats, and When the King Comes Home. With Patricia C. Wrede, I wrote half of the Kate and Cecy series: Sorcery and Cecelia, The Grand Tour, and The Mislaid Magician.
Agent of the Ministry of Alchemy, Enchantments, and Supernatural Entities, Fatma el-Sha'arawi is the spectacularly well-dressed protagonist tasked with saving the world (again) in an alternate 1912 Cairo. This award-winning novel awed me with its detail and invention. What I loved most was the way the world building relegated the British Empire to relative unimportance. Come to think of it, I loved the Ministry library almost as much.
Included in NPR’s Favorite Sci-Fi And Fantasy Books Of The Past Decade (2011-2021) A Nebula Award Winner A Ignyte Award Winner A Compton Crook Award for Best New Novel Winner A Locus First Novel Award Winner A RUSA Reading List: Fantasy Winner A Hugo Award Finalist A World Fantasy Award Finalist A NEIBA Book Award Finalist A Mythopoeic Award Finalist A Dragon Award Finalist A Best of 2021 Pick in SFF for Amazon A Best of 2021 Pick in SFF for Kobo
Nebula, Locus, and Alex Award-winner P. Djèlí Clark goes full-length for the first time in his dazzling debut…
I have always believed in the extraordinary capacity of ordinary people to illuminate the contours of any particular place at any particular time. While the time periods have varied, for me the particular place has always been Mexico. Mexico is my aleph – the daybreak and nightfall of my own personal intellectual and emotional development, consisting of seemingly interminable fits of research and writing and huevoneando, each in equal measures and of equal import. Mexico and its history have become my life’s work. I am a professor at Hobart and William Smith Colleges in New York, and these are my favorite “little” stories to use in teaching, representing five distinct periods in Mexico’s history.
In my opinion, Bill Taylor is the greatest living American historian of Mexico. He has written big books and small books, all brilliant, all canonical, and his latest is no exception. In this labor of love, he traces the lives of two charlatans wandering the Mexican countryside, living and suffering by their wits, usually impersonating priests. The stories, in themselves, go nowhere: our two lowlife protagonists bounce from town to town, jail to jail, and never learn a thing or reach an epiphany; but taken together they paint a picture of Spanish American society as exceptionally mobile, and dysfunctionally unstable. Marked by displacement, dislocation, and immigration, New Spain gave birth to the picaresque novel, rooted in an abiding sense that nothing was ever as it seemed. This is Taylor’s real reward: a glimpse at two unpolished, real-life pícaros in the historical record.
The curious tale of two priest impersonators in late colonial Mexico.
Cut loose from their ancestral communities by wars, natural disasters, and the great systemic changes of an expanding Europe, vagabond strangers and others out of place found their way through the turbulent history of early modern Spain and Spanish America. As shadowy characters inspiring deep suspicion, fascination, and sometimes charity, they prompted a stream of decrees and administrative measures that treated them as nameless threats to good order and public morals. The vagabonds and impostors of colonial Mexico are as elusive in the written record as they were on…
People sometimes say that the purpose of anthropology is to make the familiar strange and the strange familiar. I think the same about history. As these books demonstrate, apparently normal early Americans have complex and unique inner lives, while those who seem bizarre, remote, or august, in fact, have wholly relatable human experiences. I usually write about complicated systems, like insurance and law. But I cherish these books about outcasts, oddballs, and one-of-a-kinds. They remind me that our society comprises individuals whose life experiences, worldviews, and decisions are unique—and ultimately unpredictable. Whenever I write, I try to remember that.
New York in the 1830s was a modern city on the make, where you could find Irish immigrant neighborhoods, white-collar workers, fire insurance, social reformers...and the bizarre religious cult of the Prophet Matthias.
I find Matthias reactionary and creepy, but I am fascinated by how he sees modern life through a dark mirror. His loathing of the rising middle-class world was so specific! He hated new-fangled cast-iron stoves, "women who do not keep at home," and "men who wear spectacles." Johnson and Wilentz refuse to spell out all the lessons of this book; instead, they dump you into a strange environment where the most unsettling moments are actually the ones when something suddenly feels familiar.
Paul Johnson and Sean Wilentz brilliantly recapture the forgotten story of Matthias the Prophet, imbuing their richly researched account with the dramatic force of a novel. In the hands of Johnson and Wilentz, the strange tale of Matthias opens a fascinating window into the turbulent movements of the religious revival known as the Second Great Awakening--movements that swept up great numbers of evangelical Americans and gave rise to new sects like the Mormons. Into this teeming environment walked a down-and-out carpenter named Robert Matthews, who announced himself as Matthias, prophet of the God of the Jews. His hypnotic personality drew…
