Here are 100 books that A Master of Djinn fans have personally recommended if you like
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When I was twelve years old, my picture appeared in my hometown newspaper. I was holding a huge stack of books from the library, a week’s reading. All science fiction. I’ve read voraciously for the past seventy years—though much more widely as an adult. I’ve also had a life founding several small companies and writing twenty books. But I’ve continued to read science fiction, and, increasingly, dystopian novels. Why? Because, as a history buff, I think about the big trends that shape our lives. I see clearly that climate change, breakthroughs in technology, and unstable politics threaten our children’s future. I want to understand how these trends might play out—for better or for worse.
Climate change aside, what scares me the most about technology today is the capacity for bioengineering to run amok.
What happens when scientists monkey around with deadly viruses—and one escapes from the lab? What if some rogue researcher creates an entirely new lifeform that proves toxic to humans? Or some experimental microbe—an effort to save the world’s butterflies, for instance—proves to kill off bees instead?
This novel, which won major awards, depicts a frightening future world wrought by bioengineering. And you wouldn’t want to live there anymore than I do.
WINNER OF THE HUGO, NEBULA, LOCUS, JOHN W. CAMPBELL AND COMPTON CROOK AWARDS
The Windup Girl is the ground-breaking and visionary modern classic that swept the board for every major science fiction award it its year of publication.
Anderson Lake is a company man, AgriGen's calorie representative in Thailand. Under cover as a factory manager, he combs Bangkok's street markets in search of foodstuffs long thought to be extinct. There he meets the windup girl - the beautiful and enigmatic Emiko - now abandoned to the slums. She is one of the New People, bred to suit the whims of…
I've been reading fantasy for 42 years and writing it for 40, and because I was raised by badass women, I've always enjoyed tales of clever, kickass, indomitable heroines. I've written a bunch of them (a dozen books in an urban fantasy series about a sorcerer named Marla Mason; four books in the Axiom space opera series about ship captain Callie Machedo and her love interest, time refugee xenobiologist Elena Oh; contemporary fantasy/romance Heirs of Grace, about an art student who discovers a magical inheritance, and more). I'm also a longtime book reviewer, editor at SF/fantasy trade magazine Locus, and frequent award juror (Bradbury Prize, Philip K. Dick Award, and more), so... I think about SF/fantasy books a lot.
Gideon the Ninth lit up the sky of the science fiction/fantasy world when it was published, launching the Locked Tomb series (which is ongoing, and great; third volume Nona the Ninth is especially lovely).
It's been described as "lesbian necromancers in space" but it's more "lesbian necromancer and swordsperson on various weird planets in the far future with a god-emperor who uses death magic to fight planet-sized spectral monsters...." for a start.
The whole series is enigmatic, complex, and laced through with humor, action, and yearning, but the first book is notable for the power of Gideon's voice.
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
I’ve obviously read a lot of Holmes retellings. Part of the impetus behind my new novella was trying to figure out whyI was so attracted to them. Part of it, I realized, is the neurodivergence aspect: fundamental to the Holmes story is the idea of someone who thinks differently—and who finds a way to interact with the world that uses that as an asset. The other component I love is the Holmes-Watson dynamic. Whether it's romantic or not, the development of a relationship of affection between two people who think very differently is an emotional counterpoint to plot-driven mysteries. Those elements—along with stellar writing, gripping mysteries, and characters I love spending time with.
This is probably the strangest retelling on this list (rivaling Alexis Hall’s wonderful The Affair of the Mysterious Letter) and—perhaps because of that?—the one that follows the original stories most closely.
Indeed, the mysteries explored by Crow are beat-by-beat versions of Holmes’s, except where they deviate to puncture racism, xenophobia, and sexism or to reflect the dictates of the fascinating paranormal world Addison created.
The wary developing friendship between Watson and Crow, the bizarre half-glimpsed world they live in, and the urgency of the prose make it hugely readable.
This is not the story you think it is. These are not the characters you think they are. This is not the book you are expecting. London 1888. Angels inhabit every public building, and vampires and werewolves walk the streets with human beings in a well-regulated truce. A utopia, except for one thing: Angels can Fall, and that Fall is like a nuclear bomb in both the physical and metaphysical worlds. Dr J. H. Doyle returns to London having been wounded in Afghanistan by a Fallen, and finds himself lodging in Baker Street with the enigmatic angel Crow. But living…
Having spent thirty years working as a chef, I was always going to have working-class heroes in my stories. When someone said this is uncommon in science fiction, I didn’t believe them. But then I couldn’t think of any. I started searching through my bookshelves, and still, I couldn’t find enough to fill this list. I asked on socials and eventually found five books.
It would seem natural that in a science fiction world of adventure and exploration, the professionals would be at the forefront. But I am pretty sure that the toilet cleaners on the Death Star would still have a story or two to tell.
It became obvious to me early in this book that Nophek Gloss was written by someone who works with their hands. Not only in how the action was choreographed but also in how the world was described.
This brings a real world feel to the writing as we join Caiden helping his father with the menial tasks that keep a farming community running. Soon after, his whole world is destroyed. But as Caiden escapes and throws in with a ragtag bunch of aliens and a ship with a conscience, we can appreciate his point of view as someone who has seen so little of the universe but is suddenly exposed to multitudes of new and unusual things as he adventures into the unknown.
This book is for sci-fi fans who enjoy great worldbuilding, interesting aliens, and action throughout.
'AN EXCEPTIONAL DEBUT . . . READS LIKE A BECKY CHAMBERS NOVEL CROSSED WITH FIREFLY' Michael Mammay, author of Planetside
'A SUCKER PUNCH TO THE SENSES . . . A KILLER STORY WITH REAL HEART AND SOUL' Alastair Reynolds
In this dark, dangerous, roller coaster of a debut, a young man sets out on a single-minded quest for revenge across a breathtaking multiverse filled with aliens, mind-bending tech, and ships beyond his wildest imagining. Essa Hansen's is a bold new voice for the next generation of science fiction readers.
Caiden's planet is destroyed. His family gone. And, his only hope…
I’m an award-winning and bestselling novelist known for writing in a wide variety of genres. My most popular work to date is Lovecraft Country, a supernatural horror novel that served as the basis for the acclaimed HBO series of the same name.
I also love books that combine thrilling adventure stories with the thoughtful exploration of ideas.
The protagonists of this haunting sci-fi/existential horror novel make contact with an alien species that, while highly intelligent, appears to lack any sense of self-awareness. This leads to the scary question: Are the aliens the weird ones in this scenario, or is human consciousness a unique mutation in a universe filled with zombies?
Two months have past since a myriad of alien objects clenched about the Earth, screaming as they burned. The heavens have been silent since until a derelict space probe hears whispers from a distant comet. Something talks out there: but not to us.Who should we send to meet the alien, when the alien doesn't want to meet?Send a linguist with multiple - personality disorder and a biologist so spliced with machinery that he can't feel his own flesh. Send a pacifist warrior and a vampire recalled from the grave by the voodoo of paleogenetics. Send a man with half his…
History and legend: The actual past and all the myths and stories that ride along with it. I have an M.A. in history and have always been interested in old folklore and myth. So I write fantasy novels set in the 19th century. The flair is steampunk-ish, the setting strictly historical – except for the fact that magic and mythical creatures exist. Magic is taught in Arcane Lodges, mythical beings can be pretty much anything: vampire, body-snatcher, werewolf, dryad, nymph, etc. My first novel Obsidian Secrets (Das Obsidianherz) won the Deutscher Phantastik Preis. Wings of Stone of the same series won the SERAPH as the "Best Fantasy Novel" at Leipzig Book Fair.
The heroine is soulless – the book certainly is not.
An admirably determined and courageous young lady holds her own in a steampunk version of 19th century London where werewolves and vampires play an important part in society – and everyone knows they exist.
They simply belong to the Victorian upper class and try to fit their species typical lifestyles into a world somewhere between Charles Dickens and Arthur Conan Doyle. I thoroughly enjoyed the book. Werewolves and vampires: what’s not to like?
Alexia Tarabotti is labouring under a great many social tribulations. First, she has no soul. Second, she's a spinster whose father is both Italian and dead. Third, she was rudely attacked by a vampire, breaking all standards of social etiquette.
Where to go from there? From bad to worse apparently, for Alexia accidentally kills the vampire - and then the appalling Lord Maccon (loud, messy, gorgeous, and werewolf) is sent by Queen Victoria to investigate.
With unexpected vampires appearing and expected vampires disappearing, everyone seems to believe Alexia responsible. Can she figure out what is actually happening to London's high…
I grew up on a steady book diet of child detectives, fairy tales involving monsters in the woods, and historical fiction about the black plague. The same themes go through the books I love to read and write, transporting me with world-building set in realms or historical settings with technology so strange it could be fantasy. Characters are shaped by the world around them and the more perilous the world, the more it challenges the characters. If there are monsters, I’m in.
Boneshaker is set in an alternate Seattle where a rampant machine unearthed toxic gas that turns people into zombies, and the only way to contain this disaster was to wall off the city. What I love about Boneshaker is how people remain defiantly close to the city and move on with their lives despite the toxic rain, the zombies clawing on the walls, and, even more so, the people who take it further and travel through the ruins of the once great city in an airship, or, if they’re daring, on foot.
Better pack your guns and your wits when exploring this cityscape!
At the start of the Civil War, a Russian mining company commissions a great machine to pave the way from Seattle to Alaska and speed up the gold rush that is beating a path to the frozen north. Inventor Leviticus Blue creates the machine, but on its first test run it malfunctions, decimating Seattle's banking district and uncovering a vein of Blight Gas that turns everyone who breathes it into the living dead. Sixteen years later Briar, Blue's widow, lives in the poor neighborhood outside the wall that's been built around the uninhabitable city. Life is tough with a ruined…
I find joy in niches and steampunk is not cut from the ordinary cloth. I was originally challenged to produce a story that incorporated magic into steampunk. The resulting character, Kassandra Leyden who can speak to the dead, brought to life an alternate history where a deadly plague made the British Empire emigrate to the Americas and begin anew. The style and fashion of steampunk in modifying the ordinary appeals to the maker in me. I am an avid renfaire attendee and create and sell garb, which now includes steampunk elements. I hope you enjoy these choices and discover what steampunk has to offer as a genre.
The subtitle to the work, “a Mad Victorian Fantasy” goes a long way to explaining the style of Infernal Devices which follows George Dower inheritor of his father’s clockwork business. Dower bumbles where his father was a genius but that doesn’t stop him from getting involved with time travelers, automaton doppelgangers, and fish people selkies. A romp full of purple prose from one of the progenitors of the term “steampunk.”
The classic Steampunk novel from the creator of the term itself - thirty years ago this month.
When George Dower's father died, he left George his watchmaker's shop - and more. But George has little talent for watches and other infernal devices. When someone tries to steal an old device from the premises, George finds himself embroiled in a mystery of time travel, music and sexual intrigue.
I find joy in niches and steampunk is not cut from the ordinary cloth. I was originally challenged to produce a story that incorporated magic into steampunk. The resulting character, Kassandra Leyden who can speak to the dead, brought to life an alternate history where a deadly plague made the British Empire emigrate to the Americas and begin anew. The style and fashion of steampunk in modifying the ordinary appeals to the maker in me. I am an avid renfaire attendee and create and sell garb, which now includes steampunk elements. I hope you enjoy these choices and discover what steampunk has to offer as a genre.
The first in the Newbury and Hobbs series finds our intrepid pair of investigators trying to tie together an airship crash, a mysterious plague among the less fortunate of London, a spate of murders that leaves Scotland Yard clueless and the reappearing ghost of a police officer. A London on the verge of a technological leap forward provides a backdrop for a Holmesian investigation. There’s plenty more ahead in the series for those who enjoy this one.
Get ready to follow dazzling young writer George Mann to a London unlike any you've ever seen and into an adventure you will never forget, in The Affinity Bridge.
Welcome to the bizarre and dangerous world of Victorian London, a city teetering on the edge of revolution. Its people are ushering in a new era of technology, dazzled each day by unfamiliar inventions. Airships soar in the skies over the city, while ground trains rumble through the streets and clockwork automatons are programmed to carry out menial tasks in the offices of lawyers, policemen, and journalists.
I write fantasy novels, including A College of Magics, River Rats, and When the King Comes Home. With Patricia C. Wrede, I wrote half of the Kate and Cecy series: Sorcery and Cecelia, The Grand Tour, and The Mislaid Magician.
As brilliantly written as it is sometimes difficult to read, this fantasy novel set in the early 20th century travels from rural Georgia to Chicago, part of the Great Migration. Hairston says "I wrote Redwood and Wildfire to celebrate folks like my great-aunt and grandfather who faced impossible choices." In so doing, she has told stories history has all but forgotten. I began to read this book because I knew it contained a passage involving a visit to the 1893 Columbian Exposition—The White City—but my favorite parts of this novel involve the show folk and the Black film industry in Chicago. Hairston's characters don't just do magic. They aremagic.
At the turn of the 20th century, minstrel shows transform into vaudeville, which slides into moving pictures. Hunkering together in dark theatres, diverse audiences marvel at flickering images. This 'dreaming in public' becomes common culture and part of what transforms immigrants and 'native' born into Americans.
Redwood, an African American woman, and Aidan, a Seminole Irish man, journey from Georgia to Chicago, from haunted swampland to a 'city of the future.' They are gifted performers and hoodoo conjurors, struggling to call up the wondrous world they imagine, not just on stage and screen, but on city streets, in front parlors,…
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