Here are 100 books that Boneshaker fans have personally recommended if you like
Boneshaker.
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I’ve been drawn to LGBT+ characters and themes long before I knew that was a thing that a person could be—and longer still before I realized that it was something that might apply to me. Science fiction and fantasy helped me to explore identities and ways of existing within the world that were fundamentally different from my own and that instilled a love of the genre that I’ll always treasure.
I like to think I’m pretty good at guessing where a book is going to go—this is not the case with Gideon the Ninth. Every time I thought I had a grip on what was going on and where we were going, it took a turn. Every time I thought I had an idea of how I felt about a character, new lore dropped, and I fell in love (or in hate, or in a complicated love/hate thing that I have yet to figure out).
By the time I finished, I was torn between picking up the second book in the series to learn what happened next or rereading the first just to see how different it would be once I had a better understanding of the book.
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
My name is Alister Dray Penborn. I am a lifelong mystery lover, all the way back to my favorite childhood cartoon, Scooby-Doo, and my favorite anime, Detective Conan, or Case Closed as it was called in the US at the time of airing. It's a passion that grew over the years as I was exposed to even more great mysteries. One of the most appealing aspects is the investigation process, where a character sees the inconsistencies of crime scenes, analyzes and makes sense of events, and collects and relies on the slightest clues to act as puzzle pieces to the full picture.
The Gentleman Bastards are a fun, exciting group with a connection that feels genuine throughout the story and has, by far, some of the best and most hilarious dialogue I've ever read in a book. I've also learned quite a bit about fantasy storytelling from this story, in that you can craft a compelling fantasy story without huge, world-changing stacks by making the characters emotionally motivated in their goal.
The mystery was also a pleasant surprise, as it incorporated clever clues and plot points that came together nicely for a satisfying conclusion. Actions and choices actually weighed in on the events.
'One of my top ten books ever. Maybe top five. If you haven't read it, you should' Patrick Rothfuss, New York Times bestselling author of The Name of the Wind
'Fresh, original and engrossing' George R.R. Martin, the phenomenon behind A Game of Thrones
They say that the Thorn of Camorr can beat anyone in a fight. They say he steals from the rich and gives to the poor. They say he's part man, part myth, and mostly street-corner rumor. And they are wrong on every count.
Only averagely tall, slender, and god-awful with a sword, Locke Lamora is the…
I’ve been reading fantasy since before I could read (thanks, Mom and Dad!). I certainly never outgrew my love of fairy tales. But over the years, I discovered I also love historical romance. Then, I stumbled across books that combined the two. They were the best of both worlds. The comfort of a well-fitted waistcoat with the whimsy of an enchanted jewel. Naturally, I gravitated to writing what I loved: books full of magic and manners, castles and balls, romance and intrigue.
When encountering a spinster alone at a ball, there is no excuse to forget proper manners, even—or perhaps especially—if one is a vampire. Or werewolf. I adored the voice in this book, which gave that Jane Austen feel, except brimming with humor.
The characters enchanted me as they balanced between high-society manners and the reality of living with (or being) supernatural creatures. The interactions between solidly practical Alexia and exasperated Lord Maccon made it a romance I couldn’t help but root for.
Even if Alexia was soulless, you can’t convince me her werewolf wasn’t her soulmate. A perfect blend of Victorian London and paranormal romance.
Alexia Tarabotti is labouring under a great many social tribulations. First, she has no soul. Second, she's a spinster whose father is both Italian and dead. Third, she was rudely attacked by a vampire, breaking all standards of social etiquette.
Where to go from there? From bad to worse apparently, for Alexia accidentally kills the vampire - and then the appalling Lord Maccon (loud, messy, gorgeous, and werewolf) is sent by Queen Victoria to investigate.
With unexpected vampires appearing and expected vampires disappearing, everyone seems to believe Alexia responsible. Can she figure out what is actually happening to London's high…
I’ve always had a healthy dose of skepticism, having been a scientist before I was an author. I look for the con when something’s too good to be true, even in fiction…so don’t insult me by saying, “a magic amulet that makes everyone nice all the time.” If you want me to believe in pixie dust, tell me what’s in place to keep pixie dust smugglers from rigging the system. I raised smart, critical-minded kids, so I always pointed them to my own favorite young-audience books: those that felt real, even if they were fantastical, instead of ones with the more common “just trust me” attitude.
I think the main reason I like this book so much—other than its super-cool steampunk aesthetic—is that it flips a tired convention entirely on its head. It takes something questionable and makes it something awesome.
In modern day, the idea of a finishing school for girls is a bit much: an institution meant to train young women to be “proper enough” for polite society. Instead, the school is a training ground for strong and smart spies: the exact opposite of the "docile and obedient” it seems to train.
I love it when old tropes are subverted to make something newer and better and when opposites (like light/dark and sweet/sinister) are combined. Dangerous Spies armed with manners and the utmost civility? What’s cooler than that?
It's one thing to learn to curtsy properly. It's quite another to learn to curtsy and throw a knife at the same time. Welcome to finishing school.
Sophronia is a great trial to her poor mother. Sophronia is more interested in dismantling clocks and climbing trees than proper manners-and the family can only hope that company never sees her atrocious curtsy. Mrs. Temminnick is desperate for her daughter to become a proper lady. So she enrolls Sophronia in Mademoiselle Geraldine's Finishing Academy for Young Ladies of Quality.
But Sophronia soon realizes the school is not quite what her mother might…
It’s great for me, personally, that queermeans both strangeand gay, in some way, because I’m both. I love writing stories that are zany, bizarre, and supernatural, but still grounded in the real world; giving detail to the strangeness makes it feel more real, like something that could have happened to a friend of a friend. I’m particularly moved by stories that work on both the literal and metaphorical level – being a werewolf is a metaphor for being queer and chronically ill, but my werewolf, Brigid, is also a chronically ill lesbian. Here are five of my favorite books that capture both definitions of the word queer.
Natasha Pulley’s grounded historical novel marries detailed research of late-19th-century England and Japan with something stranger and more fantastical – but these elements together heighten the narrative. Clerk Thaniel Steepleton’s relationship with clockwork-maker Keita Mori centers the story – they change one another in ways that even fate can’t completely anticipate. There’s a lot of tenderness between them, and it captures the way that falling in love can feel like meeting someone again, instead of for the first time. Also, there’s a pet clockwork octopus. That’s vital.
SHORTLISTED FOR THE AUTHORS' CLUB BEST FIRST NOVEL AWARD 2016
SHORTLISTED FOR THE BETTY TRASK PRIZE 2016
FINALIST FOR THE LOCUS FIRST NOVEL AWARD 2016
An International Bestseller - A Guardian Summer Read - An Amazon Best Book of the Month - A Goodreads Best Book of the Month - A Buzzfeed Summer Read - A Foyles Book of the Month - AHuffington Post Summer Read - A Yorkshire Post Book of the Week
In 1883, Thaniel Steepleton returns to his tiny flat to find a gold pocketwatch on his pillow. But he has worse fears than generous burglars; he…
I write fantasy novels, including A College of Magics, River Rats, and When the King Comes Home. With Patricia C. Wrede, I wrote half of the Kate and Cecy series: Sorcery and Cecelia, The Grand Tour, and The Mislaid Magician.
Agent of the Ministry of Alchemy, Enchantments, and Supernatural Entities, Fatma el-Sha'arawi is the spectacularly well-dressed protagonist tasked with saving the world (again) in an alternate 1912 Cairo. This award-winning novel awed me with its detail and invention. What I loved most was the way the world building relegated the British Empire to relative unimportance. Come to think of it, I loved the Ministry library almost as much.
Included in NPR’s Favorite Sci-Fi And Fantasy Books Of The Past Decade (2011-2021) A Nebula Award Winner A Ignyte Award Winner A Compton Crook Award for Best New Novel Winner A Locus First Novel Award Winner A RUSA Reading List: Fantasy Winner A Hugo Award Finalist A World Fantasy Award Finalist A NEIBA Book Award Finalist A Mythopoeic Award Finalist A Dragon Award Finalist A Best of 2021 Pick in SFF for Amazon A Best of 2021 Pick in SFF for Kobo
Nebula, Locus, and Alex Award-winner P. Djèlí Clark goes full-length for the first time in his dazzling debut…
I find joy in niches and steampunk is not cut from the ordinary cloth. I was originally challenged to produce a story that incorporated magic into steampunk. The resulting character, Kassandra Leyden who can speak to the dead, brought to life an alternate history where a deadly plague made the British Empire emigrate to the Americas and begin anew. The style and fashion of steampunk in modifying the ordinary appeals to the maker in me. I am an avid renfaire attendee and create and sell garb, which now includes steampunk elements. I hope you enjoy these choices and discover what steampunk has to offer as a genre.
The subtitle to the work, “a Mad Victorian Fantasy” goes a long way to explaining the style of Infernal Devices which follows George Dower inheritor of his father’s clockwork business. Dower bumbles where his father was a genius but that doesn’t stop him from getting involved with time travelers, automaton doppelgangers, and fish people selkies. A romp full of purple prose from one of the progenitors of the term “steampunk.”
The classic Steampunk novel from the creator of the term itself - thirty years ago this month.
When George Dower's father died, he left George his watchmaker's shop - and more. But George has little talent for watches and other infernal devices. When someone tries to steal an old device from the premises, George finds himself embroiled in a mystery of time travel, music and sexual intrigue.
I find joy in niches and steampunk is not cut from the ordinary cloth. I was originally challenged to produce a story that incorporated magic into steampunk. The resulting character, Kassandra Leyden who can speak to the dead, brought to life an alternate history where a deadly plague made the British Empire emigrate to the Americas and begin anew. The style and fashion of steampunk in modifying the ordinary appeals to the maker in me. I am an avid renfaire attendee and create and sell garb, which now includes steampunk elements. I hope you enjoy these choices and discover what steampunk has to offer as a genre.
The first in the Newbury and Hobbs series finds our intrepid pair of investigators trying to tie together an airship crash, a mysterious plague among the less fortunate of London, a spate of murders that leaves Scotland Yard clueless and the reappearing ghost of a police officer. A London on the verge of a technological leap forward provides a backdrop for a Holmesian investigation. There’s plenty more ahead in the series for those who enjoy this one.
Get ready to follow dazzling young writer George Mann to a London unlike any you've ever seen and into an adventure you will never forget, in The Affinity Bridge.
Welcome to the bizarre and dangerous world of Victorian London, a city teetering on the edge of revolution. Its people are ushering in a new era of technology, dazzled each day by unfamiliar inventions. Airships soar in the skies over the city, while ground trains rumble through the streets and clockwork automatons are programmed to carry out menial tasks in the offices of lawyers, policemen, and journalists.
I grew up on a steady book diet of child detectives, fairy tales involving monsters in the woods, and historical fiction about the black plague. The same themes go through the books I love to read and write, transporting me with world-building set in realms or historical settings with technology so strange it could be fantasy. Characters are shaped by the world around them and the more perilous the world, the more it challenges the characters. If there are monsters, I’m in.
If you’re not familiar with Hideyuki Kikuchi’s Vampire Hunter D you’re in for a treat.
D is a vampire hunter traveling between remnants of human civilization after the vampires’ technology changed the world with rampant weather machines, DNA-spliced monsters, and slumbering technological marvels without master to command them.
D is hired by Doris who’s been chosen to become a vampire bride, but between struggling against his other half as a vampire, werewolf lackeys, and bloodthirsty humans wanting Doris dead or alive, D has his work cut out for him. If you ever find yourself traveling the Frontier, D, alongside his sassy friend, is your guy.
The year is 12,090 A.D., and what little is left of humanity has finally
crawled out from the ashes of war and destruction. From the darkness of fallout,
mutants and a race of vampires known as the Nobility have spawned. They rule the
weak with no remorse. Once bitten by a Nobility, one is cursed to become a
member of the undead. Villagers cower in fear, hoping and praying for a savior
to rid them of their undying nightmare. All they have to battle this danger is a
different kind of danger - a Vampire Hunter.
I grew up on a steady book diet of child detectives, fairy tales involving monsters in the woods, and historical fiction about the black plague. The same themes go through the books I love to read and write, transporting me with world-building set in realms or historical settings with technology so strange it could be fantasy. Characters are shaped by the world around them and the more perilous the world, the more it challenges the characters. If there are monsters, I’m in.
Alan Campbell set the mixed steampunk science-fantasy genre for me, with his high fantasy worlds where machines and magic go hand in hand, to prison cities surrounded by poisonous waters that can turn you into permanent sea-dwellers, and telepathic abilities worth killing for.
This is a world where a trip to the beach might kill you if the telepaths don’t find you first.
Leaving the behind the imaginings of Deepgate, Alan Campbell introduces a new world, a new cast of characters in a novel that reads like a cross between Stephen Deas and Joe Abercrombie.
With non-stop action, beautiful characterization and Alan's usual flair for imagination and lyrical writing, welcome to a world of water - where dragons are used as weapons and countries are separated by power, greed and fear...
Thrown out of the Graveyard corps by a corrupt and weak emperor, Granger has to turn to running his own prison. It's not a lucrative business but if he keeps his head…
