The most recommended books about the Pacific Northwest

Author Greil Marcus’ phrase “the old, weird America” gave me exactly the right words for something I’ve always felt: that there is a specific weirdness to the American landscape, an uncontrollable current of strange that runs beneath the carefully cultivated surface of heroes and neighbors and shared, stable dreams. Of course, as William Faulkner observed, the past isn’t past, and America is as weird as it’s ever been. Maybe weirder. Look at the news. Look out your window. No surprise, then, that I’m drawn to such a perspective when I read other people’s stories, and seldom get completely away from it when I write my own.

When writing about friendships, it was important for me to highlight the highs and the lows of friendships. This approach takes the reader on a journey with the main character as she remembers the good times while she navigates through the tough times. By sprinkling in humor, a story that could sway to the serious side and stay there is suddenly entertaining and balanced, giving the main character’s plight depth and the reader an engrossing experience.  

I’ve known all my life that I am gay. At age 50 I decided to try my hand at writing. After an image of two men kissing in a 1920s vehicle landed in my head, I began writing my Medicine for the Blues trilogy (Acquaintance is book one). But knowing nothing about LGBT history, I began a deep dive into gay and lesbian history, into the history of Portland and Oregon, into the era of the 1920s, the KKK, Prohibition, Freud, eugenics, and more. During 20 years of writing the trilogy, I’ve read dozens of books that roiled through my imagination and the information spilled out in the story.

Back in the mid-80s, at the tender age of 19, I dropped out of college, and with $800 of hard-earned cash and my bicycle, booked a one-way ticket to Europe. This would be the first chapter of a life of adventure and self-discovery. Through my experiences, I have gained a deeper understanding of the fundamental human qualities which transcend cultural boundaries—in short, the human condition. And what better way to explore the rich and varied tapestry of our collective humanity than through the stories we tell? I hope you enjoy my (far too abbreviated!) eclectic list of books. 

I’ve spent my life journey so far in the outdoors of northern Ontario, Canada. Before I became a conservation officer, I worked for twelve years in a wilderness park as a canoe ranger. I also had eighteen sled dogs and taught dogsledding and winter survival. I’ve always been drawn to reading adventure stories, so when I finally became an author (in my forties. It’s never too late), I naturally wrote the kind of books that I grew up reading. Now I love that I get to share my passions with readers.  I hope you find some books of interest on this list and join me on a journey into a new adventure.

I’m the author of 25 children’s books, and I recently moved to a small mountain town that has come to co-exist with wild black bears by learning how to properly store and dispose of our food (rather than the alternative, which was to eliminate the bears!). Ever since I’ve lived there, I’ve been fascinated by human-bear interactions, having a few of my own now! When Yosemite Conservancy put out a call for children’s stories, I knew exactly what I wanted to write about—how people can help keep bears safe and wild through proper food storage. I’m a huge advocate for bears and all wildlife!

As a gardening instructor and designer, I've been recommending these five books for years. They were the core texts of the Fundamentals of Gardening course I've been teaching at the New York Botanical Garden for over a decade. Since the publication of The New Gardener’s Handbook, which covers all these topics in a more abbreviated way, I still recommend these five books to my students if they want to dig deeper. These books are what I call “keeper texts.” I own fewer and fewer actual gardening books these days, but it's a fact that a copy of each of these excellent resources resides on my office bookshelf where I refer to them frequently. 

Dogs make great supporting characters, adding drama or humor or pathos, and revealing so much about the humans in the story. I discovered this in writing my first novel: The narrator’s dog keeps her grounded when things go wrong and makes it possible for her to keep going through difficult times. For the reader, he provides levity and depth without turning it into a book about a dog. I had a great model – I used my own dog Boris, even appropriating his name. I think of the fictional Boris as real-life Boris’s best self.

I’ve loved learning about the Old West for as long as I can remember. Is this because I was born a few miles from the spot where Jesse James robbed his first train? Or is it because my family watched so many classic western movies and TV shows when I was a kid? Either way, writing books set in the Old West is a natural fit for me. I love researching the real history of that era just as much as I love making up stories set there. In fact, I write a column about the real history of the Wild West for a Colorado-based newspaper, The Prairie Times.

Becoming immersed in oral cultures was a massive wake-up call for me! Taught to privilege the written over the spoken word, as most literate people are, it took me years of living in the Pacific Islands, travelling regularly to their remoter parts, to appreciate that people who could neither read nor write could retain huge amounts of information in their heads – and explain it effortlessly. We undervalue orality because we are literate, but that is an irrational prejudice. And as I have discovered from encounters with oral traditions throughout Australia and the Pacific, India, and northwest Europe, not only are oral traditions extensive but may be thousands of years old.