When I was a kid growing up in Vancouver my parents had a collection of books arranged on shelves around the living room. The only one I remember taking down and actually reading was an early history of the city. I recalled being impressed by the simple fact that someone had thought my hometown was interesting enough to write about, not something that was self-evident to a cocky teenager. Many years later, some two dozen books of my own under my belt, I decided maybe I’d earned the right to take a crack at the city myself.
Purvey and Belshaw are a husband-and-wife team of academics who know how to spin a great story for a general audience. Their book is an account of the “noir era” in the city, roughly 1930 to 1960. It is inspired by the black and white photographs of crime scenes and shadowy streetscapes that appeared in the daily press of the period. Reading it is like revelling in an old gangster movie. Amply illustrated.
Literary Nonfiction. Photography. Vancouver Sun books list: "30 best reads from B.C. and beyond". It was an era of gambling, smuggling rings, grifters, police corruption, bootleggers, brothels, murders, and more. It was also a time of intensified concern with order, conformity, structure, and restrictions. VANCOUVER NOIR provides a fascinating insight into life in the Terminal City, noir-style.
These are visions of the city, both of what it was and what some of its citizens hoped it would either become or conversely cease to be. The photographs—most of which look like stills from period movies featuring detectives with chiselled features, tough…
Hi, I'm Bev Katz Rosenbaum, a young adult novelist whose fave topic is (surprise, surprise) dysfunctional families! I'm also a longtime fiction editor and writing instructor who loves to dance and hike in her spare time. Am trying to like yoga and meditation but am failing miserably.
Wong's book is a gut-punching yet hilarious memoir about the Chinese immigrant experience and the searing impact of mental illness that left me with an overwhelming it-could-have-been-worse feeling. But seriously, the value in books like these is they make those in truly terrible situations know they aren't alone. That itself—that feeling of being seen—can keep one going. This book also reminded me of the importance of setting boundaries with family members--a lesson I could have used far earlier in my life. Yay for Wong, a beloved Canadian writer and writing instructor, for triumphing (like Lizzie) in the end!
In this jaw-dropping, darkly comedic memoir, a young woman comes of age in a dysfunctional Asian family whose members blamed their woes on ghosts and demons when in fact they should have been on anti-psychotic meds.
Lindsay Wong grew up with a paranoid schizophrenic grandmother and a mother who was deeply afraid of the “woo-woo”—Chinese ghosts who come to visit in times of personal turmoil. From a young age, she witnessed the woo-woo’s sinister effects; at the age of six, she found herself living in the food court of her suburban mall, which her mother saw as a safe haven…
A series of interconnected, multi-generational stories that balance disaster and resilience in a future British Columbia. As the climate changes, so does the world of the characters, as they struggle to save what they love of the old world (not always successfully) and build a new one (not always easily). It can sometimes seem as if we’re swamped with disaster stories, especially about our worsening climate and our stubborn refusal to do anything about it, but this one left me both thoughtful and hopeful (a little). Winner of the Ursula K Leguin Prize for Fiction 2023, which is a good endorsement in my books.
A NOVELLA-LENGTH EXPANSION OF THE 2020 THEODORE STURGEON MEMORIAL AWARD WINNER
A professor in pandemic isolation rescues books from the flooded and collapsing McPherson Library. A man plants fireweed on the hillside of his depopulated Vancouver Island suburb. An aspiring luthier poaches the last ancient Sitka spruce to make a violin for a child prodigy. Campbell's astonishing vision pulls the echoing effects of small acts and intimate moments through this multi-generational and interconnected story of how a West coast community survives the ravages of climate change.
Why Vancouver? Yes, it's my hometown, but I've lived in other places for about 20 years of my life, and I'm anything but a thoughtless booster. Vancouver is a beautiful city, but it's a conflicted one between dreamers of its potential greatness, people wanting a laid-back West Coast lifestyle, and those for whom it's the end of the poverty road with the mildest climate in Canada. Thinking about it, painting it, and writing about it—it's an itch I have to scratch.
The first chronological and comprehensive history of the city in about 50 years, this book covers the battles of the 1960s and 1970s to keep freeways out of the city and save Chinatown and nearby areas from urban renewal, saving a little of Vancouver's rich and diverse past as it awaited the onslaught of international development money that came with Expo '86.
A brisk chronicle of Vancouver, BC, from early days to its emergence as a global metropolis, refracted through the events, characters and communities that have shaped the city.
In Becoming Vancouver award-winning historian Daniel Francis follows the evolution of the city from early habitation by the Musqueam, Squamish and Tsleil-Waututh First Nations, to the area’s settlement as a mill town, to the flourishing speakeasies and brothels during the 1920s, to the years of poverty and protest during the 1930s followed by the long wartime and postwar boom, to the city’s current status as real-estate investment choice of the global super-rich.…
I write whodunits because I love a good mystery and a good puzzle. I like giving clues out to the reader, sometimes red herrings, sometimes not. Three of my mysteries are set in a fictional little town in the Canadian prairies. I like showing the readers rural life with humour and mystery. Two of my mysteries are set in foreign countries I have visited. One takes place in Egypt. The other takes place on a bus tour of the Nordic countries and ends up in Moscow. I like the challenge of showing the readers the sights and the feel of the country without making the book a travel log.
Yvonne Rediger’s The Wrong Words is set on beautiful Vancouver Island on the west coast of Canada. The Wrong Words is a page-turning cozy mystery with all the proper investigative procedures. Adam Norcross, the main protagonist, is a man with a mysterious past. I liked how he and the female cop Bethany Leith worked together. Sometimes the male lead overpowers the female lead. But not in this story. And I didn’t guess whodunit; when that happens, that is the best.
Adam Norcross is not in a good place. He recently buried his mother and now he needs something more than a power struggle between him and his mother’s cat to distract him from his grief. That something comes in the form of an assignment from his boss, Walter Shapiro, who is not a patient man. Not surprising since he reports directly to the prime minister. Shapiro interrupts Norcross’ bereavement leave to give him an assignment. Norcross’ task is to find out how the country’s most eminent climate scientist ended up dead off the highway in a mountain ravine. Was it…
I’m a Canadian author and I set my novels here. When I first attempted to write a book, I chose historical fiction because I thought it would be easier to get my characters into trouble—without cell phones and other modern conveniences to bail them out. I wasn’t wrong. However, the research involved with writing good historical fiction soon gave me a whole new appreciation for the genre and I was hooked. I find the WWII era far enough in the past to provide historical insight into humanity’s many weaknesses and strengths, yet near enough to make it relatable. I’ve been thrilled with the feedback on my faith-based stories.
Of all my choices, this book is the most like mine in that it involves a Japanese-Canadian family removed from their home in British Columbia and forced into an internment camp during WWII. Hayden and Chidori are in love. But after the attacks on Pearl Harbor, Chidori and her family are seen as the enemy. Longing more than anything to help them, Hayden joins the Royal Canadian Air Force believing it’s the swiftest way to bring the war to an end. Thoughts of Chidori are all that keep him alive. You’ll learn so much history as you absorb this story and cheer for its valiant characters.
I've loved writing since childhood when I lived in an 18th-century farmhouse in England that I was convinced was haunted. I'm now passionate about the history of British Columbia where I live today, and have written over twenty non-fiction historical books, true crime books, historical columns, and numerous articles for magazines and newspapers. My own forthcoming fictional trilogy, The McBride Chronicles, tells the story of a fictional family from the beginnings of British Columbia until present day so I can truly say I love all fiction set in our beautiful province by BC writers. I'm delighted that we have so many talented fiction writers in the province including the ones I recommend.
Kate Pullinger has written a powerful portrayal of a man at various stages of his life from childhood to old age. She has created a character, Arthur Lunn, who will move you to tears as he travels through life with memories that haunt him and demons he cannot dispel. Much of the story is set in the wilderness of British Columbia where the green forest gives him strength and hope. This story will preoccupy you as young Art journeys from innocent childhood during the depression years, to an old man of eighty living on the streets of Vancouver.
Why Vancouver? Yes, it's my hometown, but I've lived in other places for about 20 years of my life, and I'm anything but a thoughtless booster. Vancouver is a beautiful city, but it's a conflicted one between dreamers of its potential greatness, people wanting a laid-back West Coast lifestyle, and those for whom it's the end of the poverty road with the mildest climate in Canada. Thinking about it, painting it, and writing about it—it's an itch I have to scratch.
Historic photos and maps weave a rich tale of the settlement of the
southwest corner of British Columbia, complementing Bruce MacDonald's
work with an extraordinary range of images, including of the
oft-overlooked suburbs and farming communities on Vancouver's doorstep.
Compared with MacDonald's maps, many of the images here are art—birds-eye views by artists from an era before people could fly and others that dream of a great, huge city when, in reality, it was a
collection of little cabins.
Map researcher and collector Derek Hayes here presents the sixth in a series of critically acclaimed, award-winning historical atlases. Gathered together in a single volume for the first time, here are the maps that shaped Vancouver and the surrounding Lower Fraser Valley. More than 370 original maps chart the region’s development beginning with the years of discovery and exploration. They depict its days as a fledgling colonial outpost, its appearance on the world scene after the arrival of the Canadian Pacific Railway, through to its emergence as a postwar Pacific metropolis. These maps evoke such historic events and developments as…
As a young person I loved to read history novels, but each book had to be about either British monarchs or American generals. Then I watched the movie Bye Bye Blues, a Canadian prairie story by Anne Wheeler, and realized for the first time that the story was about me, about us. It was such a heady feeling that I decided to study Western Canadian history at university. Three weeks after I got my M.A. from the University of Victoria I was offered the chance to write about Vancouver Island coal miners and the rest, as they say, is quite literally history.
Jack Hodgins, Western Canada’s literary wunderkind, put Vancouver Island on the literary map with his short stories and novels which demonstrate the truth in the adage “write about what you know”. As a writer I learned this from Jack and I also learned that if I find a subject fascinating my readers will too. In Broken Ground, his seventh novel, Jack writes about World War One veterans, still haunted by the horror of the trenches, as they struggle to farm amid the massive stumps of a former old growth forest.
Broken Ground is a riveting exploration of the dark, brooding presence of the First World War in the lives of the inhabitants of a “soldier’s settlement” on Vancouver Island. From out of a stubborn, desolate landscape studded with tree stumps, the settlers of Portuguese Creek have built a new life for themselves. But when an encroaching forest fire threatens this fledgling settlement, it also intensifies the remembered horrors of war. The story of Portuguese Creek is told by several of its citizens, including a boy trying to recover from the sudden loss of his father, and a former teacher haunted…
Why Vancouver? Yes, it's my hometown, but I've lived in other places for about 20 years of my life, and I'm anything but a thoughtless booster. Vancouver is a beautiful city, but it's a conflicted one between dreamers of its potential greatness, people wanting a laid-back West Coast lifestyle, and those for whom it's the end of the poverty road with the mildest climate in Canada. Thinking about it, painting it, and writing about it—it's an itch I have to scratch.
A unique work of visual storytelling using maps created by the author that trace the evolution of this place defined by a major river, a natural harbour, and a backdrop of snowcapped mountains, decade by decade from Indigenous times through the 1980s.
Each map has detailed notes focusing on changes and developments and a two-page spread of the key players of each period.
Absolutely unique in its presentational style, Vancouver: A Visual History is a delightful and important book. This stunning, full-colour historical atlas brings to life Vancouver’s first fourteen decades, beginning with a map of the 1850s depicting the land use, economy and settlement patterns of its first peoples, and ending with a map of the 1980s.
Using a repeating grid format, in which each ten-year period of the city’s history is examined through the application of the same criteria, each decade is introduced by a full-colour map that illustrates land use patterns. A column of text to the left of this…
