Here are 100 books that Arboreality fans have personally recommended if you like
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As both a high school teacher and an activist, I am preoccupied by the world we are leaving to the next generation. And as a long-time Toronto resident, I also just love seeing my city get destroyed in fiction, which is far more cathartic than watching it get bungled up in real life. I am drawn to the type of story that exposes the wounds that run deep in our political, economic, and social structures. The best dystopian fiction shines a mirror on our history and our present, and brings the experiences of marginalized voices—for whom the apocalypse is not merely theoretical—to a broader audience.
Hopkinson’s stunning debut plunges the reader into a wildly inventive future Toronto. She seamlessly weaves together the politics of race, class, and gender, inflected with the rich culture and history of the Caribbean diaspora.
Despite the grim post-apocalyptic setting, the characters are part of a community, surviving through solidarity and mutual aid. There are no easy answers or neat resolutions to be found here—the fraught, tenuous connections between families and lovers are messy and grounded.
Sadly, many of the elements of this 1998 novel have proven prophetic, and this book is still a clarion call 25 years later.
The rich and the privileged have fled the city, barricaded it behind roadblocks, and left it to crumble. The inner city has had to rediscover old ways -- farming, barter, herb lore. But now the monied need a harvest of bodies, and so they prey upon the helpless of the streets. With nowhere to turn, a young woman must open herself to ancient truths, eternal powers, the tragic mystery surrounding her mother and grandmother. She must bargain with gods, and give birth to new legends.
I've been in love with ecological writing, the effort to communicate love for and grief over the destruction of the profound beauty of the natural world, since I wrote my first play about rainforest clear-cutting in fifth grade—if not before. In 2016, I started Reckoning, a nonprofit journal of creative writing about environmental justice, because I wanted to encourage others doing this work, to provide an independent platform for it in ways profit-driven traditional publishing wasn't, and to build a community where those writers could share and inspire each other. Seven years later, that community defines me; it's the most rewarding thing I've ever done.
Christopher Rowe's prose is beautiful, vivid, and engrossing. His vision of a future mid-South dominated by rogue artificial intelligence conceals amid its wild phantasmagoria a surprisingly perceptive tenderness for the ways people cling together as they struggle to adapt and make space for each other in a complex and massively changed world. These stories also communicate an engrossing, evangelical love for bikes and cycling like nothing else I've read.
There are ten stories here including one readers have waited ten long years for: in new novel-la The Border State Rowe revisits the world of his much-lauded story The Voluntary State. Competitive cyclists twins Michael and Maggie have trained all their lives to race internationally. One thing holds them back: their mother who years before crossed the border into Tennessee.
Praise for Christopher Rowe:
"Rowe's stories are the kind of thing you want on a cold, winter's night when the fire starts burning low. Terrific." Justina Robson (Glorious Angels)
"As good as he is now, he'll keep getting better. Read…
I've been in love with ecological writing, the effort to communicate love for and grief over the destruction of the profound beauty of the natural world, since I wrote my first play about rainforest clear-cutting in fifth grade—if not before. In 2016, I started Reckoning, a nonprofit journal of creative writing about environmental justice, because I wanted to encourage others doing this work, to provide an independent platform for it in ways profit-driven traditional publishing wasn't, and to build a community where those writers could share and inspire each other. Seven years later, that community defines me; it's the most rewarding thing I've ever done.
Another short novel about people forging community in a world rendered almost unrecognizable by climate collapse and the devastating consequences of environmental injustice, this one provides a close focus on what it's like to be young, lost, and angry in the ruins of choices made before you were born. Nobody trying to live forward in these uncertain times should be without that perspective. As a parent struggling to come to terms with sending a kid out to grow up in this world, I know I've been desperate for it, and Mohamed's intensely close point of view makes it impossible not to inhabit. It's scary, but essential.
A novella set in post–climate disaster Alberta; a woman infected with a mysterious parasite must choose whether to pursue a rare opportunity far from home or stay and help rebuild her community
The world is nothing like it once was: climate disasters have wracked the continent, causing food shortages, ending industry, and leaving little behind. Then came Cad, mysterious mind-altering fungi that invade the bodies of the now scattered citizenry. Reid, a young woman who carries this parasite, has been given a chance to get away — to move to one of the last remnants of pre-disaster society — but…
I've been in love with ecological writing, the effort to communicate love for and grief over the destruction of the profound beauty of the natural world, since I wrote my first play about rainforest clear-cutting in fifth grade—if not before. In 2016, I started Reckoning, a nonprofit journal of creative writing about environmental justice, because I wanted to encourage others doing this work, to provide an independent platform for it in ways profit-driven traditional publishing wasn't, and to build a community where those writers could share and inspire each other. Seven years later, that community defines me; it's the most rewarding thing I've ever done.
A ridiculously fun and eerily prescient folktale, about the rise of a Robin Hood figure and the community that rallies around her in a droughted, post-warming Portland, Oregon, I can basically never not recommend this book. Like Brown Girl in the Ring, this is one of the books that made me want to read and write about speculative community-building and environmental justice. Parzybok's clever, inviting prose makes this substantial novel a deceptively fast and joyful read, and I'm never not sad when it's over.
"Parzybok does this thing where you think, 'this is fun!' and then you are charmed, saddened, and finally changed by what you have read. It's like jujitsu storytelling."—Maureen F. McHugh, author of After the Apocalypse
In drought-stricken Portland, Oregon, a Robin Hood-esque water thief is caught on camera redistributing an illegal truckload of water to those in need. Nicknamed Maid Marian—real name: Renee, a twenty-something barista and eternal part-time college student—she is an instant folk hero. Renee rides her swelling popularity and the public's disgust at how the city has abandoned its…
I’m a Canadian psychotherapist who worked as a social worker for nearly a decade before going into private practice for the next two decades. I dabble in history and literature and when I find a Canadian book that combines elements of social justice, historical wrongs, heart-wrenching human experience, feminism, and Canadian wilderness I want to share it with everyone. As a bonus, if one of the characters happens to be a young person who is coming of age, the book will earn a very top position on my bookshelf. I hope you enjoy this small list of what I consider hidden gems by Canadian authors.
A true story of myth, madness, and greed, The Golden Spruce is one of those books that has hauntingly stuck with me since I read it. It’s the story of a forestry worker named Grant Hadwin who committed a bizarre act of environmental violence in Haida Gwaii and then mysteriously disappeared under suspicious circumstances. The book traces the life and career of Hadwin in an attempt to explain what possessed him to cut down a 300-year-old mystic golden Sitka Spruce known as Kiid K’iiyas, which has been a sacred part of the Haida People’s oral history for generations. John Vaillant’s description of the psychology of the man and the beauty of the wilderness in which Hadwin spent his life left such an impact on me that when I visited Haida Gwaii I hiked the trail to the now fallen sacred tree.
When a shattered kayak and camping gear are found on an uninhabited island in the Pacific Northwest, they reignite a mystery surrounding a shocking act of protest. Five months earlier, logger-turned-activist Grant Hadwin had plunged naked into a river in British Columbia's Queen Charlotte Islands, towing a chainsaw. When his night's work was done, a unique Sitka spruce, 165 feet tall and covered with luminous golden needles, teetered on its stump. Two days later it fell.
As vividly as John Krakauer puts readers on Everest, John Vaillant takes us into the heart of North America's last great forest.
It was disappointing comparing the rich diversity of animals on colorful book pages to the reality of forests, where I could only see trees. But as I learned about plants and I became a plant ecologist, I realized that plants have to be extremely tough because they can’t run away from dangers or animals who want to eat them. I studied plants in coastal habitats in California, Central America and Florida, and in forests in the Midwest. I love seeing how they change throughout the season and how they interact. I wish everyone would read as many books about trees as construction trucks!
I love this book because it teaches plant science. How do the trees actually grow so high?
There aren’t a lot of picture books that include how photosynthesis works or how water is transported within a tree’s trunk. This book explains the plant physiology behind tree growth. Trees are, after all, the tallest things on Earth, but I have found that few books explain how they get to be so tall. We sort of take it for granted that tall things were always tall, didn’t we?
This book compares some of the world’s tallest animals and landmarks to the tallest tree species in the world: the coast redwood, giant sequoia, and Sitka spruce. While this text repeats some of the same information as Redwoods by Jason Chin, this book has more explanation on the biology of plant growth.
I love field guides. I can vividly picture my first copy of Peterson’s Field Guide to Birds, tattered and weather-beaten. I also love poetry and literature, so it seemed natural to me to bring the two together in my work. I’m from New England, but I've lived in the U.S. Southwest for over twenty years. Place is important to me: I think a lot about how we get to know and care for the places we live and call home and how we can work to be good neighbors. I worked for about a decade as a hiking guide and have also taught environmental education. I now teach geography at New Mexico State University.
Ever since I heard about how the editors are organizing this book around “kinship clusters” and Indigenous classification rather than Western taxonomies, I’ve been so looking forward to this book being published! If you have a connection to the Cascadia region and an interest in the environment, keep an eye out for this one.
Have you ever been so filled up with the wonder of a place that it wants to spill out as a song? Well, here is the songbook. I imagine walking through a forest and pausing to read these illuminating pages aloud to a listening cedar or a dipper. There are field guides that help us to see, and to name, and to know; Cascadia Field Guide does all of that and more. This is a guide to relationship, a gift in reciprocity for the gifts of the land. – Robin Wall Kimmerer, author of Braiding Sweetgrass
I write whodunits because I love a good mystery and a good puzzle. I like giving clues out to the reader, sometimes red herrings, sometimes not. Three of my mysteries are set in a fictional little town in the Canadian prairies. I like showing the readers rural life with humour and mystery. Two of my mysteries are set in foreign countries I have visited. One takes place in Egypt. The other takes place on a bus tour of the Nordic countries and ends up in Moscow. I like the challenge of showing the readers the sights and the feel of the country without making the book a travel log.
Yvonne Rediger’s The Wrong Words is set on beautiful Vancouver Island on the west coast of Canada. The Wrong Words is a page-turning cozy mystery with all the proper investigative procedures. Adam Norcross, the main protagonist, is a man with a mysterious past. I liked how he and the female cop Bethany Leith worked together. Sometimes the male lead overpowers the female lead. But not in this story. And I didn’t guess whodunit; when that happens, that is the best.
Adam Norcross is not in a good place. He recently buried his mother and now he needs something more than a power struggle between him and his mother’s cat to distract him from his grief. That something comes in the form of an assignment from his boss, Walter Shapiro, who is not a patient man. Not surprising since he reports directly to the prime minister. Shapiro interrupts Norcross’ bereavement leave to give him an assignment. Norcross’ task is to find out how the country’s most eminent climate scientist ended up dead off the highway in a mountain ravine. Was it…
As a transplant to the west coast of North America, I’m always on the lookout for books that capture aspects of the history of this region and help me understand my new home. For me, the books on this list have shed light on different communities, worldviews, and a complicated past. Besides, I am a pushover for epic stories that span generations and geographies and teach me new ways of thinking and looking at the world.
Packed with detail about Victoria, Vancouver Island, and the Gold Rush days in British Columbia, I thought this book was engaging, epic, funny (wait until the camels appear—and the wake!), and a real page-turner. I swooned over the descriptions of the landscape and would go so far as to say the land and sea, so alive in this book, should be considered a character. I was so profoundly invested in the fates of Jim, Dora, and Eugene, that I almost missed how cunningly the novel took on gender, class, and race, illuminating so many of the contemporary issues dogging us here on the coast.
As a young person I loved to read history novels, but each book had to be about either British monarchs or American generals. Then I watched the movie Bye Bye Blues, a Canadian prairie story by Anne Wheeler, and realized for the first time that the story was about me, about us. It was such a heady feeling that I decided to study Western Canadian history at university. Three weeks after I got my M.A. from the University of Victoria I was offered the chance to write about Vancouver Island coal miners and the rest, as they say, is quite literally history.
Jack Hodgins, Western Canada’s literary wunderkind, put Vancouver Island on the literary map with his short stories and novels which demonstrate the truth in the adage “write about what you know”. As a writer I learned this from Jack and I also learned that if I find a subject fascinating my readers will too. In Broken Ground, his seventh novel, Jack writes about World War One veterans, still haunted by the horror of the trenches, as they struggle to farm amid the massive stumps of a former old growth forest.
Broken Ground is a riveting exploration of the dark, brooding presence of the First World War in the lives of the inhabitants of a “soldier’s settlement” on Vancouver Island. From out of a stubborn, desolate landscape studded with tree stumps, the settlers of Portuguese Creek have built a new life for themselves. But when an encroaching forest fire threatens this fledgling settlement, it also intensifies the remembered horrors of war. The story of Portuguese Creek is told by several of its citizens, including a boy trying to recover from the sudden loss of his father, and a former teacher haunted…
