Fans pick 60 books like Cascadia Field Guide

The book’s title immediately drew me in. Atlases and maps obviously help make things visible, so atlas and invisible did not seem like two words that belonged together. In actuality, the title was a bit misleading, albeit effective in gaining my attention.

Cheshire and Uberti provide over 200 different maps and other spatial visualizations of a wide range of things that are generally unseen or at least difficult to see but can be gainfully mapped out to better understand the world. Examples range from the geographies of telecommunication and shipping routes to glacial movements and wildfires.

The illustrations were striking and plentiful, matched by well-written text. The book certainly gave me lots to think about.

This is a great book to take along on a road trip in the U.S. West. In fact, I’ve used this book multiple times on geography field courses, in which students and I camp our way across the Southwest. Wyckoff includes 100 different landscape features, including both physical and cultural landscapes. Think everything from “Cacti and Joshua Trees” to “Spanish Colonial Revival Architecture” to “Edge Cities,” and you have a little taste of the book. Wyckoff’s “Tips for Navigating Western Landscapes” are especially useful and will help even the most experienced traveler to see and understand cultural and physical landscapes in new ways. 

I remember talking with Laura-Gray Street when they were planning this book, and I love how it turned out! A beautiful mixture of natural history, poetry, and artwork featuring species of the Southern Appalachians. If you live in or care about Southern Appalachia, I’d especially recommend this to you (and it makes a great gift for anyone you know who lives there). 

In the introduction to this book and catalog that features map art by Zuni artists, Jim Enote writes, “these maps are like relatives, like aunts and uncles that entrance us with narrations of places they have been to or heard about.” I love this way of thinking about maps as relational. As a non-Indigenous person viewing these maps, they help me to think about mapping and representations of place in new ways, and they challenge Western and colonial mapping traditions and cartographic practices that have often historically been put to the use of empire, land grabs, and greed.

Imagine, if you will: the world’s tallest mountain suddenly appears in the middle of the ocean. Where did it come from? What is its purpose? And what happens when dumb, curious humans (a natural but very dangerous combination) decide to go investigate?

They certainly don’t have fun! But the reader will because this horror novel is so wonderfully weird that I was gobsmacked by the time I finished. You can’t be sad when you’re wondering if there are monsters in the snow…

Tightwads on the Loose is another honest and well-written account of a couple’s ups and downs, in this case while cruising in the Pacific for seven years; only one year less than my husband and I traveled on our sailboat.

This enticing story also has a lot of parallels with my life: the couple’s age, their sense of adventure, their frugal means, their full-time commitment to their boat for many years, their need to make money, and some of the geographical and cultural experiences. Recognizing experiences and personality traits while reading this book made me enjoy it better.

Luckily, Wendy and her partner did not have to endure numerous dramatic life-altering events. Tightwads on the Loose is an easy-to-read sailing memoir that I highly recommend. 

I found this book a very exciting read about sailing alone on the ocean with little or no knowledge about sailing or the ocean. All problems he encountered were of his own making, and survival was largely due to good luck rather than good management.

Little did I realize he painted a more romanticized version of his misadventures.

As if a plague of memory loss that eventually makes you forget how to breathe isn’t scary enough, Cutter takes us deep under the ocean, to a lab where something has gone terribly wrong with our potential saviors. This is the most claustrophobic book I’ve ever read. You can feel the crushing weight of the water and the dark just outside the lab’s walls. There’s a wonderful sort of madness to the whole thing, and one scene, in particular, continues to haunt me.

Ben Finney was a surfer, sailor, and anthropologist who spent his career at the University of Hawai‘i and was a founder of the Polynesian Voyaging Society (PVS). The PVS built Hōkūle‘a, a double-hulled sailing canoe modeled on a traditional Hawaiian design but constructed of modern materials.

Finney, then, was part of a team that sailed from Hawai‘i to Tahiti in 1976 without instruments under the leadership of Pius “Mau” Piailug, a renowned navigator from the Micronesian island of Satawal. This book is Finney’s account of that journey and its many challenges.

Hōkūle‘a and the PVS’s experience helped inspire me to write my volume on Anutan seamanship, and Finney wrote the foreword. Later, in 2007, he joined me in a study of Taumako voyaging.

This book is Thor Heyerdahl’s account of a 4,000-mile voyage, in 1947, on a balsa-wood raft from Peru to French Polynesia. Heyerdahl hypothesized that Polynesia was originally settled from the Americas. When supposed experts responded that Indigenous people lacked the technology to make such a voyage, he set out to prove them wrong. Evidence now makes it clear that Oceania was populated from Asia rather than lands to the east. Nonetheless, Heyerdahl demonstrated that humans can safely traverse the open sea using small craft built from natural materials.

Heyerdahl’s book sold millions of copies, was translated into dozens of languages, and led to an award-winning film. It stimulated interest in indigenous seafaring and inspired generations of researchers to sail with mariners from small, remote island communities and to document their exploits. I count myself among those so inspired.